manuel cohen

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  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of a gardener working at the plantation of an Araucaria, an evergreen coniferous tree.<br />
The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    _MG_7890.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of gardeners working at the plantation of an Araucaria, an evergreen coniferous tree.<br />
The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building. The Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury is visible through the windows.
    Mnhn_GSBK_MCohen_665.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of gardeners working at the plantation of an Araucaria, an evergreen coniferous tree.<br />
The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    _MG_7895.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of gardeners working at the plantation of an Araucaria, an evergreen coniferous tree.<br />
The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building. The Grand Gallery of Evolution is in the background.
    _MG_7824.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of gardeners working at the plantation of an Araucaria, an evergreen coniferous tree.<br />
The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building. The Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury is visible through the windows.
    _MG_7936.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of gardeners working at the plantation of an Araucaria, an evergreen coniferous tree.<br />
The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    _MG_7860.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of gardeners working at the plantation of an Araucaria, an evergreen coniferous tree.<br />
The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building. The Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury is visible through the windows.
    _MG_7927.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of gardeners working at the plantation of an Araucaria, an evergreen coniferous tree.<br />
The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building. The Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury is visible through the windows.
    _MG_7926.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of gardeners working at the plantation of an Araucaria, an evergreen coniferous tree.<br />
The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building. The Grand Gallery of Evolution is in the background.
    _MG_7856.jpg
  • New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of an Araucaria, an evergreen coniferous tree, recently planted in the renovated glasshouse. The New Caledonia Glasshouse, or Hothouse, was the first French glass and iron building.
    _MG_7783.jpg
  • Conference room, with a mosaic of the coat of arms of Santa Creu and Sant Pau, and the initials P and G for Pau Gil, in the Administration Pavilion, built 1905-10, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC212.jpg
  • Press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP_Epopee_MCohen156.JPG
  • Press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP_Epopee_MCohen157.jpg
  • Bernard Tschumi, Bernard Tschumi urbanistes Architectes (BtuA), stroking a giraffe during the press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP_Epopee_MCohen158.jpg
  • Giraffes in their enclosure welcome the press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP_Epopee_MCohen160.jpg
  • Press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP12_VincennesZoo_MC043.JPG
  • Press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP12_VincennesZoo_MC044.jpg
  • Bernard Tschumi, Bernard Tschumi urbanistes Architectes (BtuA), stroking a giraffe during the press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP12_VincennesZoo_MC045.jpg
  • Bernard Tschumi, Bernard Tschumi urbanistes Architectes (BtuA), stroking a giraffe during the press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP12_VincennesZoo_MC046.jpg
  • Bernard Tschumi, Bernard Tschumi urbanistes Architectes (BtuA), stroking a giraffe during the press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP_Epopee_MCohen159.jpg
  • Giraffes in their enclosure welcome the press visit and conference at Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), on October 16, 2012 in 12th arrondissement, Paris, France. Actually closed to the public for renovation works. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen
    PZP12_VincennesZoo_MC047.jpg
  • UNESCO Headquarters, or Maison de l'UNESCO, designed by Bernard Zehrfuss, Marcel Breuer and Pier Luigi Nervi and opened in 1958, at 7 Place de Fontenoy in the 7th arrondissement of Paris, France. UNESCO is the United Nations Educational, Scientific and Cultural Organisation. The main building shown here, is built in the form of a Y and houses the secretariat. In the complex there is also a conference centre (here on the right), a small square building for permanent delegates and non-governmental organisations or NGOs, and 6 sunken patios. Picture by Manuel Cohen
    LC16_FRANCE_MC_0658.jpg
  • Bibliotheca Alexandrina, the Library of Alexandria, built 1995-2002 in Alexandria, Egypt.  The building also houses a cultural centre, conference centre, museums, art galleries and a planetarium. The library can hold 8 million books and its reading room overs 20,000 m2. It commemorates the original Great Library of Alexandria, founded 3rd century BC. Picture by Manuel Cohen
    LC22_EGYPT_MC_0645.jpg
  • Bibliotheca Alexandrina, the Library of Alexandria, built 1995-2002 in Alexandria, Egypt. The building also houses a cultural centre, conference centre, museums, art galleries and a planetarium. The library can hold 8 million books and its reading room overs 20,000 m2. It commemorates the original Great Library of Alexandria, founded 3rd century BC. Picture by Manuel Cohen
    LC22_EGYPT_MC_0641.jpg
  • Roof of the Bibliotheca Alexandrina, the Library of Alexandria, built 1995-2002 in Alexandria, Egypt. The roof is covered with north facing skylights, which avoids damage to the books from direct sunlight. The building also houses a cultural centre, conference centre, museums, art galleries and a planetarium. The library can hold 8 million books and its reading room overs 20,000 m2. It commemorates the original Great Library of Alexandria, founded 3rd century BC. Picture by Manuel Cohen
    LC22_EGYPT_MC_0617.jpg
  • Giant logo of the Centre of New Industries and Technologies, or Centre des Nouvelles Industries et Technologies, known as Le CNIT, designed by Robert Edouard Camelot, Jean de Mailly and Bernard Zehrfuss, and the engineers Jean Prouve and Nicolas Esquillan, and built 1956-58, at La Defense, Paris, France. In 1988 the interior of the building was completely rebuilt, and it now holds a conference centre, shops, offices, a hotel and a business school. La Defense is Europe's largest purpose-built business district, situated just outside the city of Paris. Picture by Manuel Cohen
    LC16_FRANCE_MC_0664.jpg
  • Centre of New Industries and Technologies, or Centre des Nouvelles Industries et Technologies, known as Le CNIT, designed by Robert Edouard Camelot, Jean de Mailly and Bernard Zehrfuss, and the engineers Jean Prouve and  Nicolas Esquillan, and built 1956-58, at La Defense, Paris, France. In 1988 the interior of the building was completely rebuilt, and it now holds a conference centre, shops, offices, a hotel and a business school. Reflected in its glass facade is the Grande Arche de la Defense, designed by Johann Otto von Spreckelsen and built 1985-89. La Defense is Europe's largest purpose-built business district, situated just outside the city of Paris. Picture by Manuel Cohen
    LC16_FRANCE_MC_0663.jpg
  • The Centro Cultural de Belem or Cultural Centre of Belem, built 1989-92 to house the European Presidency and now used for conferences, exhibitions and concerts, Santa Maria de Belem, Lisbon, Portugal. Picture by Manuel Cohen
    LC15_LISBON_MC040.jpg
  • Espace Champerret, a development of buildings around a central plaza used for meetings, conferences and exhibitions, managed by Viparis, on the Rue Jean Oestreicher at the Porte de Champerret, in the 17th arrondissement of Paris, France. Picture by Manuel Cohen
    LC19_PARIS_MC_1258.JPG
  • Erotic tile fresco at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0945.jpg
  • Erotic tile fresco with classical mythological theme at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0944.jpg
  • Erotic tile fresco at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0942.jpg
  • Erotic tile fresco with classical mythological theme at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0943.jpg
  • Mirrored room with blue velvet seating and erotic tile frescos at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0954.JPG
  • Sign in mosaic tiles at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0953.jpg
  • Mirrored room with erotic tile frescos at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0952.jpg
  • Erotic tile fresco with classical mythological theme at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0951.jpg
  • Erotic tile fresco at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0950.JPG
  • Erotic tile fresco at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0949.jpg
  • Mirrored room with blue velvet seating and erotic tile frescos at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0947.jpg
  • Erotic tile fresco at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0946.jpg
  • Caroline Senot at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0962.jpg
  • Caroline Senot at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0961.jpg
  • Caroline Senot at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0959.jpg
  • Caroline Senot at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0960.jpg
  • Caroline Senot at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0958.jpg
  • Caroline Senot at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0957.jpg
  • Caroline Senot at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0956.jpg
  • Caroline Senot at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0964.jpg
  • Caroline Senot at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0963.jpg
  • Caroline Senot at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0955.jpg
  • Large Divided Oval: Butterfly, 1985-86, sculpture by Henry Moore, outside the Haus der Kulturen der Welt, or House of the Cultures of the World, the national centre for international contemporary arts, especially of non-European cultures, originally the Kongresshalle conference hall, built 1957 by Hugh Stubbins, Tiergarten, Berlin, Germany. After the roof collapsed, the building was rebuilt and reopened in 1987. Picture by Manuel Cohen
    LC14_BERLIN_MC0734.jpg
  • Large Divided Oval: Butterfly, 1985-86, sculpture by Henry Moore, outside the Haus der Kulturen der Welt, or House of the Cultures of the World, the national centre for international contemporary arts, especially of non-European cultures, originally the Kongresshalle conference hall, built 1957 by Hugh Stubbins, Tiergarten, Berlin, Germany. After the roof collapsed, the building was rebuilt and reopened in 1987. Picture by Manuel Cohen
    LC14_BERLIN_MC0735.jpg
  • Haus der Kulturen der Welt, or House of the Cultures of the World, the national centre for international contemporary arts, especially of non-European cultures, originally the Kongresshalle conference hall, built 1957 by Hugh Stubbins, Tiergarten, Berlin, Germany. After the roof collapsed, the building was rebuilt and reopened in 1987. Picture by Manuel Cohen
    LC14_BERLIN_MC0733.jpg
  • Low angle view of Panorama Conference and Meeting Room, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on April 27, 2011 in the afternoon. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
    _MG_4872.jpg
  • Mirrored room with blue velvet seating and erotic tile frescos at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0948.jpg
  • Seated statue with no head, and behind, Le Palais des Congres, originally inaugurated in 1970, renamed after Georges Pompidou and remodelled in 1995 by Alain Sarfati, on the Place Armand Lanoux in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1157.jpg
  • Meeting rooms seen through the windows of the Paul-Lobe-Haus, architect Stephane Braunfels, 2001, a government building for the new parliamentary complex in the new government quarter of Berlin, on the banks of the river Spree on Federal Row, Platz der Republik 1, Berlin, Germany. It is connected to the Chancellery and together with the Marie-Elisabeth-Luders House on the opposite side of the Spree it forms a formal and functional whole. The building contains more than 900 offices for the parliamentary deputies. It is named after Paul Lobe, 1875-1967, the last democratic president of the Weimar Republic. Picture by Manuel Cohen
    LC14_BERLIN_MC0678.jpg
  • Part of the Forum Building, also known as the Museu Blau de les Ciences Naturals, with a girl walking reflected in a wall of mirrored glass, Barcelona, Catalonia, Spain. The Forum building was designed by Herzog & de Meuron for the 2004 Universal Forum of Cultures and has an auditorium seating 3200 and an exhibition hall of nearly 5,000 square metres. Its triangular shape fits between Diagonal Mar, Rambla de Prim and the Ronda Litoral. Picture by Manuel Cohen
    LCSPAIN12_MC504.jpg
  • Forum Building, also known as the Museu Blau de les Ciences Naturals, and behind it the top of the Telefonica-Diagonal Zero Tower, head quarters of Telefonica Digital telecommunications company, Barcelona, Catalonia, Spain. The Forum building was designed by Herzog & de Meuron for the 2004 Universal Forum of Cultures and has an auditorium seating 3200 and an exhibition hall of nearly 5,000 square metres. Its triangular shape fits between Diagonal Mar, Rambla de Prim and the Ronda Litoral. Picture by Manuel Cohen
    LCSPAIN12_MC503.jpg
  • The Berliner Congress Center GmbH or BCC, built by Hermann Henselmann in the 1960s, with an aluminium cupola, exhibiton space and 30 function rooms, Alexanderstrasse 11, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0504.jpg
  • Nave, used for galas, conferences and other events, in the Palais Brongniart, or Palais de la Bourse, built by Alexandre-Theodore Brongniart 1808-13 and Eloi Labarre 1813-26, on the Place de la Bourse in the 2nd arrondissement of Paris, France. The nave is a 2 storey hall lined with arcades, with a painted ceiling by Alexandre Denis Abel de Pujol and Charles Meynier, housing 500 at conference or 1200 for drinks. The building housed the Bourse de Paris or Paris Stock Exchange from the late 19th century, and Euronext Paris from 2000, and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1085.jpg
  • Nave, used for galas, conferences and other events, in the Palais Brongniart, or Palais de la Bourse, built by Alexandre-Theodore Brongniart 1808-13 and Eloi Labarre 1813-26, on the Place de la Bourse in the 2nd arrondissement of Paris, France. The nave is a 2 storey hall lined with arcades, with a painted ceiling by Alexandre Denis Abel de Pujol and Charles Meynier, housing 500 at conference or 1200 for drinks. The building housed the Bourse de Paris or Paris Stock Exchange from the late 19th century, and Euronext Paris from 2000, and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1084.jpg
  • Africa, allegorical ceiling fresco, 1826, by Charles Meynier, 1763-1832, in the nave, used for galas, conferences and other events, in the Palais Brongniart, or Palais de la Bourse, built by Alexandre-Theodore Brongniart 1808-13 and Eloi Labarre 1813-26, on the Place de la Bourse in the 2nd arrondissement of Paris, France. The nave is a 2 storey hall lined with arcades, housing 500 at conference or 1200 for drinks. The building housed the Bourse de Paris or Paris Stock Exchange from the late 19th century, and Euronext Paris from 2000, and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1068.jpg
  • Union of business, sciences and the arts, with Mercury god of commerce, Erato muse of fine arts and poetry, Urania muse of astronomy, and divinities with a horn of plenty and wheel, at the altar of Pluto, allegorical ceiling fresco, 1826, by Charles Meynier, 1763-1832, in the nave, used for galas, conferences and other events, in the Palais Brongniart, or Palais de la Bourse, built by Alexandre-Theodore Brongniart 1808-13 and Eloi Labarre 1813-26, on the Place de la Bourse in the 2nd arrondissement of Paris, France. The nave is a 2 storey hall lined with arcades, housing 500 at conference or 1200 for drinks. The building housed the Bourse de Paris or Paris Stock Exchange from the late 19th century, and Euronext Paris from 2000, and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1067.jpg
  • America, allegorical ceiling fresco, 1826, by Charles Meynier, 1763-1832, in the nave, used for galas, conferences and other events, in the Palais Brongniart, or Palais de la Bourse, built by Alexandre-Theodore Brongniart 1808-13 and Eloi Labarre 1813-26, on the Place de la Bourse in the 2nd arrondissement of Paris, France. The nave is a 2 storey hall lined with arcades, housing 500 at conference or 1200 for drinks. The building housed the Bourse de Paris or Paris Stock Exchange from the late 19th century, and Euronext Paris from 2000, and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1066.jpg
  • Personification of Paris presenting the key to the stock exchange to Mercury, god of commerce and industry, and inviting justice to never abandon the institution, allegorical ceiling fresco, 1831, by Alexandre Denis Abel de Pujol, 1785-1861, in the nave, used for galas, conferences and other events, in the Palais Brongniart, or Palais de la Bourse, built by Alexandre-Theodore Brongniart 1808-13 and Eloi Labarre 1813-26, on the Place de la Bourse in the 2nd arrondissement of Paris, France. The nave is a 2 storey hall lined with arcades, housing 500 at conference or 1200 for drinks. The building housed the Bourse de Paris or Paris Stock Exchange from the late 19th century, and Euronext Paris from 2000, and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1065.jpg
  • Asia, allegorical ceiling fresco, 1826, by Alexandre Denis Abel de Pujol, 1785-1861, in the nave, used for galas, conferences and other events, in the Palais Brongniart, or Palais de la Bourse, built by Alexandre-Theodore Brongniart 1808-13 and Eloi Labarre 1813-26, on the Place de la Bourse in the 2nd arrondissement of Paris, France. The nave is a 2 storey hall lined with arcades, housing 500 at conference or 1200 for drinks. The building housed the Bourse de Paris or Paris Stock Exchange from the late 19th century, and Euronext Paris from 2000, and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1064.jpg
  • Europe, allegorical ceiling fresco, 1826, by Alexandre Denis Abel de Pujol, 1785-1861, in the nave, used for galas, conferences and other events, in the Palais Brongniart, or Palais de la Bourse, built by Alexandre-Theodore Brongniart 1808-13 and Eloi Labarre 1813-26, on the Place de la Bourse in the 2nd arrondissement of Paris, France. The nave is a 2 storey hall lined with arcades, housing 500 at conference or 1200 for drinks. The building housed the Bourse de Paris or Paris Stock Exchange from the late 19th century, and Euronext Paris from 2000, and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1063.jpg
  • France welcoming products from the 4 areas of the world, allegorical ceiling fresco, 1826, by Alexandre Denis Abel de Pujol, 1785-1861, in the nave, used for galas, conferences and other events, in the Palais Brongniart, or Palais de la Bourse, built by Alexandre-Theodore Brongniart 1808-13 and Eloi Labarre 1813-26, on the Place de la Bourse in the 2nd arrondissement of Paris, France. The nave is a 2 storey hall lined with arcades, housing 500 at conference or 1200 for drinks. The building housed the Bourse de Paris or Paris Stock Exchange from the late 19th century, and Euronext Paris from 2000, and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1062.jpg
  • Clock on the wall of the nave, used for galas, conferences and other events, in the Palais Brongniart, or Palais de la Bourse, built by Alexandre-Theodore Brongniart 1808-13 and Eloi Labarre 1813-26, on the Place de la Bourse in the 2nd arrondissement of Paris, France. The nave is a 2 storey hall lined with arcades, housing 500 at conference or 1200 for drinks. The building housed the Bourse de Paris or Paris Stock Exchange from the late 19th century, and Euronext Paris from 2000, and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1089.jpg
  • Nave, used for galas, conferences and other events, in the Palais Brongniart, or Palais de la Bourse, built by Alexandre-Theodore Brongniart 1808-13 and Eloi Labarre 1813-26, on the Place de la Bourse in the 2nd arrondissement of Paris, France. The nave is a 2 storey hall lined with arcades, with a painted ceiling by Alexandre Denis Abel de Pujol and Charles Meynier, housing 500 at conference or 1200 for drinks. The building housed the Bourse de Paris or Paris Stock Exchange from the late 19th century, and Euronext Paris from 2000, and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1087.jpg
  • Nave, used for galas, conferences and other events, in the Palais Brongniart, or Palais de la Bourse, built by Alexandre-Theodore Brongniart 1808-13 and Eloi Labarre 1813-26, on the Place de la Bourse in the 2nd arrondissement of Paris, France. The nave is a 2 storey hall lined with arcades, with a painted ceiling by Alexandre Denis Abel de Pujol and Charles Meynier, housing 500 at conference or 1200 for drinks. The building housed the Bourse de Paris or Paris Stock Exchange from the late 19th century, and Euronext Paris from 2000, and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1088.jpg
  • Nave, used for galas, conferences and other events, in the Palais Brongniart, or Palais de la Bourse, built by Alexandre-Theodore Brongniart 1808-13 and Eloi Labarre 1813-26, on the Place de la Bourse in the 2nd arrondissement of Paris, France. The nave is a 2 storey hall lined with arcades, with a painted ceiling by Alexandre Denis Abel de Pujol and Charles Meynier, housing 500 at conference or 1200 for drinks. The building housed the Bourse de Paris or Paris Stock Exchange from the late 19th century, and Euronext Paris from 2000, and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1086.jpg
  • Reading room of the Bibliotheca Alexandrina, the Library of Alexandria, built 1995-2002 in Alexandria, Egypt. The reading room sits on 7 levels covering 20,000m2 with desks for 2000 readers, and is lit from north facing skylights in its glass roof. The building also houses a cultural centre, conference centre, museums, art galleries and a planetarium. It commemorates the original Great Library of Alexandria, founded 3rd century BC. Picture by Manuel Cohen
    LC22_EGYPT_MC_0616.jpg
  • Reading room of the Bibliotheca Alexandrina, the Library of Alexandria, built 1995-2002 in Alexandria, Egypt. The reading room sits on 7 levels covering 20,000m2 with desks for 2000 readers, and is lit from north facing skylights in its glass roof. The building also houses a cultural centre, conference centre, museums, art galleries and a planetarium. It commemorates the original Great Library of Alexandria, founded 3rd century BC. Picture by Manuel Cohen
    LC22_EGYPT_MC_0615.jpg
  • Reading room of the Bibliotheca Alexandrina, the Library of Alexandria, built 1995-2002 in Alexandria, Egypt. The reading room sits on 7 levels covering 20,000m2 with desks for 2000 readers, and is lit from north facing skylights in its glass roof. The building also houses a cultural centre, conference centre, museums, art galleries and a planetarium. It commemorates the original Great Library of Alexandria, founded 3rd century BC. Picture by Manuel Cohen
    LC22_EGYPT_MC_0614.jpg
  • Reading room of the Bibliotheca Alexandrina, the Library of Alexandria, built 1995-2002 in Alexandria, Egypt. The reading room sits on 7 levels covering 20,000m2 with desks for 2000 readers, and is lit from north facing skylights in its glass roof. The building also houses a cultural centre, conference centre, museums, art galleries and a planetarium. It commemorates the original Great Library of Alexandria, founded 3rd century BC. Picture by Manuel Cohen
    LC22_EGYPT_MC_0613.jpg
  • Reading room of the Bibliotheca Alexandrina, the Library of Alexandria, built 1995-2002 in Alexandria, Egypt. The reading room sits on 7 levels covering 20,000m2 with desks for 2000 readers, and is lit from north facing skylights in its glass roof. The building also houses a cultural centre, conference centre, museums, art galleries and a planetarium. It commemorates the original Great Library of Alexandria, founded 3rd century BC. Picture by Manuel Cohen
    LC22_EGYPT_MC_0612.jpg
  • Roman naos in stuccoed wood topped with sculpture of the Egyptian god Horus as a falcon with solar disc, decorated with hieroglyphs of the sign of the sky and of justice, with Isis and Nephthys below, in the Antiquities Museum, established 2001, in the Bibliotheca Alexandrina, the Library of Alexandria, built 1995-2002 in Alexandria, Egypt. The building also houses a cultural centre, conference centre, museums, art galleries and a planetarium. Picture by Manuel Cohen
    LC22_EGYPT_MC_0611.jpg
  • Colossal head of Octavian, or Caesar Augustus, 63 BC - 14 AD, first emperor of the Roman Empire, Roman bust in marble, 1st century AD, in the Antiquities Museum, established 2001, in the Bibliotheca Alexandrina, the Library of Alexandria, built 1995-2002 in Alexandria, Egypt. The building also houses a cultural centre, conference centre, museums, art galleries and a planetarium. Picture by Manuel Cohen
    LC22_EGYPT_MC_0609.jpg
  • Statue of Asclepius, Greek god of medicine and healing, with snake representing the transition from death to life or sickness to health, Roman, 2nd century AD, marble, from El Mehamara, Sidi Bishr, in the Antiquities Museum, established 2001, in the Bibliotheca Alexandrina, the Library of Alexandria, built 1995-2002 in Alexandria, Egypt. The building also houses a cultural centre, conference centre, museums, art galleries and a planetarium. Picture by Manuel Cohen
    LC22_EGYPT_MC_0608.jpg
  • Statue of the Jesus the Good Shepherd carrying a sheep on his shoulders, with 2 sheep sitting at his feet, marble, Roman, 4th century AD, from Marsa Matrouh, in the Antiquities Museum, established 2001, in the Bibliotheca Alexandrina, the Library of Alexandria, built 1995-2002 in Alexandria, Egypt. The building also houses a cultural centre, conference centre, museums, art galleries and a planetarium. Picture by Manuel Cohen
    LC22_EGYPT_MC_0607.jpg
  • Statue of Dionysus, Greek god of wine, as a naked child, under a tree or vine, with a panther, Roman, 2nd century AD, marble, from El Mehamara, Sidi Bishr, in the Antiquities Museum, established 2001, in the Bibliotheca Alexandrina, the Library of Alexandria, built 1995-2002 in Alexandria, Egypt. The building also houses a cultural centre, conference centre, museums, art galleries and a planetarium. Picture by Manuel Cohen
    LC22_EGYPT_MC_0604.jpg
  • Colossal head of Octavian, or Caesar Augustus, 63 BC - 14 AD, first emperor of the Roman Empire, Roman bust in marble, 1st century AD, in the Antiquities Museum, established 2001, in the Bibliotheca Alexandrina, the Library of Alexandria, built 1995-2002 in Alexandria, Egypt. The building also houses a cultural centre, conference centre, museums, art galleries and a planetarium. Picture by Manuel Cohen
    LC22_EGYPT_MC_0602.jpg
  • Statue of Harpocrates, with curly hair and with his right hand on his mouth, Roman, 2nd century AD, marble, from El Mehamara, Sidi Bishr, in the Antiquities Museum, established 2001, in the Bibliotheca Alexandrina, the Library of Alexandria, built 1995-2002 in Alexandria, Egypt. Harpocrates as a god was worshipped in Ptolemaic Alexandria and depicted in this gesture of the hieroglyph 'child', but later became the Hellenistic god of silence and secrets. The building also houses a cultural centre, conference centre, museums, art galleries and a planetarium. Picture by Manuel Cohen
    LC22_EGYPT_MC_0603.jpg
  • Bust of Xenophon, Greek philosopher, military leader and historian, d. 354 BC, Roman, c. 120 AD, marble, in the Antiquities Museum, established 2001, in the Bibliotheca Alexandrina, the Library of Alexandria, built 1995-2002 in Alexandria, Egypt. The building also houses a cultural centre, conference centre, museums, art galleries and a planetarium. Picture by Manuel Cohen
    LC22_EGYPT_MC_0601.jpg
  • Bust of Socrates, Greek philosopher, 470-399 BC, Roman copy of a Greek original, from the Antoniadis Gardens in Alexandria, in the Antiquities Museum, established 2001, in the Bibliotheca Alexandrina, the Library of Alexandria, built 1995-2002 in Alexandria, Egypt. The building also houses a cultural centre, conference centre, museums, art galleries and a planetarium. Picture by Manuel Cohen
    LC22_EGYPT_MC_0599.jpg
  • Bust of Socrates, Greek philosopher, 470-399 BC, Roman coy of a Greek original, marble, from the Antoniadis Gardens in Alexandria, in the Antiquities Museum, established 2001, in the Bibliotheca Alexandrina, the Library of Alexandria, built 1995-2002 in Alexandria, Egypt. The building also houses a cultural centre, conference centre, museums, art galleries and a planetarium. Picture by Manuel Cohen
    LC22_EGYPT_MC_0598.jpg
  • Door handle, iron, in the shape of a lizard, at the Episcopal Palace, 18th century, now the Palacio de Reuniones y Congresos, where meetings and conferences can be held, in the medieval town of Albarracin, Teruel, Aragon, Spain. The building also houses the Diocesan Museum. Albarracin was founded as a Moorish town in the 11th century and became an independent lordship until the 13th century. The town is listed as a national monument. Picture by Manuel Cohen
    LC19_SPAIN_MC171.jpg
  • Door handle, iron, in the shape of a lizard, at the Episcopal Palace, 18th century, now the Palacio de Reuniones y Congresos, where meetings and conferences can be held, in the medieval town of Albarracin, Teruel, Aragon, Spain. The building also houses the Diocesan Museum. Albarracin was founded as a Moorish town in the 11th century and became an independent lordship until the 13th century. The town is listed as a national monument. Picture by Manuel Cohen
    LC19_SPAIN_MC172.jpg
  • Grand Amphiteatre, a 2 storey amphitheatre seating nearly 1,000, in the Palais Academique at the Sorbonne, the main building of the University of Paris in the 5th arrondissement of Paris, France. In the centre is the painting Sacred Wood, by Puvis de Chavannes, with allegorical representations of the Sciences and Arts. The amphitheatre is used for speeches, conferences, concerts and awards ceremonies. The Palais Academique today houses the seat of the chancellery of the universities and the academy of Paris. The amphitheatre is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0686.jpg
  • Pearling Path Visitor Center, designed by architect Valerio Olgiati, inaugurated November 2018 and to be opened March 2019, in Muharraq, Bahrain. The complex envelopes archaeological finds and historic buildings and also provides an exhibition and multimedia centre, community spaces, an archive and library and conference and lecture rooms. The centre celebrates the history of pearl diving and pearl trade in Bahrain and forms part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_BAHREIN_MC_016.jpg
  • Pearling Path Visitor Center, designed by architect Valerio Olgiati, inaugurated November 2018 and to be opened March 2019, in Muharraq, Bahrain. The complex envelopes archaeological finds and historic buildings and also provides an exhibition and multimedia centre, community spaces, an archive and library and conference and lecture rooms. The centre celebrates the history of pearl diving and pearl trade in Bahrain and forms part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_BAHREIN_MC_017.jpg
  • Pearling Path Visitor Center, designed by architect Valerio Olgiati, inaugurated November 2018 and to be opened March 2019, in Muharraq, Bahrain. The complex envelopes archaeological finds and historic buildings and also provides an exhibition and multimedia centre, community spaces, an archive and library and conference and lecture rooms. The centre celebrates the history of pearl diving and pearl trade in Bahrain and forms part of a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_BAHREIN_MC_015.jpg
  • Cushions made from fabric dyed using indigo, by fabric artist Betty de Paris, in her studio at Cite Aubry, in the 20th arrondissement of Paris, France. The Japanese indigo vat is a traditional dyeing technique using indigo leaf compost, a vegetal process involving no chemicals. Betty de Paris learned her art of traditional stencil dyeing and finishing from a master in Kyoto, Japan. Working as an artist, designer, consultant and Japanese interpreter, she has participated in numerous museum projects and workshops, regularly exhibits her work and speaks at international conferences. Picture by Manuel Cohen
    220417_BettyofParis_MC014.jpg
  • Cushions made from fabric dyed using indigo, by fabric artist Betty de Paris, in her studio at Cite Aubry, in the 20th arrondissement of Paris, France. The Japanese indigo vat is a traditional dyeing technique using indigo leaf compost, a vegetal process involving no chemicals. Betty de Paris learned her art of traditional stencil dyeing and finishing from a master in Kyoto, Japan. Working as an artist, designer, consultant and Japanese interpreter, she has participated in numerous museum projects and workshops, regularly exhibits her work and speaks at international conferences. Picture by Manuel Cohen
    220417_BettyofParis_MC011.jpg
  • Fabric dyed using indigo, by fabric artist Betty de Paris, in her studio at Cite Aubry, in the 20th arrondissement of Paris, France. The Japanese indigo vat is a traditional dyeing technique using indigo leaf compost, a vegetal process involving no chemicals. Betty de Paris learned her art of traditional stencil dyeing and finishing from a master in Kyoto, Japan. Working as an artist, designer, consultant and Japanese interpreter, she has participated in numerous museum projects and workshops, regularly exhibits her work and speaks at international conferences. Picture by Manuel Cohen
    220417_BettyofParis_MC010.jpg
  • Collection of fabrics dyed using indigo and hanging to dry, by fabric artist Betty de Paris, in her studio at Cite Aubry, in the 20th arrondissement of Paris, France. The Japanese indigo vat is a traditional dyeing technique using indigo leaf compost, a vegetal process involving no chemicals. Betty de Paris learned her art of traditional stencil dyeing and finishing from a master in Kyoto, Japan. Working as an artist, designer, consultant and Japanese interpreter, she has participated in numerous museum projects and workshops, regularly exhibits her work and speaks at international conferences. Picture by Manuel Cohen
    220417_BettyofParis_MC007.jpg
  • Indigo vat containing natural dye, in the studio of fabric artist Betty de Paris, at Cite Aubry, in the 20th arrondissement of Paris, France. The Japanese indigo vat is a traditional dyeing technique using indigo leaf compost, a vegetal process involving no chemicals. Betty de Paris learned her art of traditional stencil dyeing and finishing from a master in Kyoto, Japan. Working as an artist, designer, consultant and Japanese interpreter, she has participated in numerous museum projects and workshops, regularly exhibits her work and speaks at international conferences. Picture by Manuel Cohen
    220417_BettyofParis_MC008.jpg
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