manuel cohen

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  • Cliff Palace, 1898, colour photochrom print, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Cliff Palace, 13th century, is a huge multi-storey Native American Puebloan dwelling, housing 125 people, with 23 kivas and 150 rooms, rediscovered in 1888. It is the largest cliff house in the park, possibly used for social and ceremonial purposes and is thought to be part of a larger community encompassing 60 pueblos and 600 people. It is made from sandstone blocks, mortar and wooden beams and was originally painted with earthen plasters. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_072.jpg
  • Woman working at spinning machine, photograph from 'Fabra i Coats, Sewn Stories', a digital altarpiece or mural installation by Friends of the Fabra i Coats, using photographs and interviews with former workers, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. The project was run by the Barcelona History Museum as part of the MUHBA Fabra i Coats project. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_350.jpg
  • Woman working at spinning machine, photograph from 'Fabra i Coats, Sewn Stories', a digital altarpiece or mural installation by Friends of Fabra i Coats, using photographs and interviews with former workers, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. The project was run by the Barcelona History Museum as part of the MUHBA Fabra i Coats project. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_326.jpg
  • Ship docked at Papeete harbour, photograph by an unknown photographer, early 20th century, <br />
in the MTI-TFM Collection (fonds de la Polynesie Francaise), in the Musee de Tahiti et des Iles, or Te Fare Manaha, at Punaauia, on the island of Tahiti, in the Windward Islands, Society Islands, French Polynesia. The Museum of Tahiti and the Islands was opened in 1974 and displays collections of nature and anthropology, habitations and artefacts, social and religious life and the history of French Polynesia. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_292.jpg
  • Photograph of Verlaine, in the Musee Verlaine, formerly the inn Auberge du Lion d'Or, in Juniville, Ardennes, Grand Est, France. The building is opposite the home of Paul Verlaine, French poet, 1844-96, where he lived 1880-82. Verlaine went to the inn every day to write. The museum opened in 1994 on the 150th anniversary of Verlaine's birth, and was inaugurated in 1996. The museum is on the Rimbaud Verlaine Trail. Picture by Manuel Cohen
    LC21_FRANCE_MC_1956.jpg
  • Louis-Philippe Albert d'Orleans, comte de Paris, 1838-94, sitting with a newspaper by the garden wall of the Chateau d'Eu, photograph, by his younger brother Robert d'Orleans, duc de Chartres, in the collection of the Chateau d'Eu, in Eu, Normandy, France. The original was donated by the Association des Amis du Musee Louis-Philippe in 2017. The chateau was begun in 1581 by Henri de Guise and Catherine de Cleves and finished in 1665 by Anne-Marie-Louise d'Orleans, the Grande Mademoiselle. In the 19th century the chateau was a royal residence of King Louis Philippe. The chateau houses the Musee Louis-Philippe and is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0912.jpg
  • Women working on fishing nets, photograph from 'Fabra i Coats, Sewn Stories', a digital altarpiece or mural installation by Friends of the Fabra i Coats, using photographs and interviews with former workers, at the old Fabra i Coats factory in San Andreu, Barcelona, Catalonia, Spain. The project was run by the Barcelona History Museum as part of the MUHBA Fabra i Coats project. Fabra i Coats was a large industrial site with cotton spinning factory employing 3000 people in the early 20th century. The factory declined from the 1970s and closed in 2005. A portion of the industrial site has since been refurbished as a cultural centre, the Centre Can Fabra, housing a library, startup companies, artist studios, contemporary arts centre and community and social centres. The remaining factory is destined to also become a cultural space. Picture by Manuel Cohen
    LC20_SPAIN_MC_349.jpg
  • Barbar Temple II, aerial site photograph, constructed with cut limestone blocks, containing a sacrificial courtyard, altars, shrines and an underground shrine built around a fresh water spring, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. This large temple was discovered near the village of Barbar and the site consists of 3 successive temples, with the 2 oldest temples terraced with a central platform above an outer oval platform, in Sumerian style. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_215.jpg
  • Royal Burial Mounds of A'ali, aerial photograph, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. This is a royal cemetery built for the Dilmun kings outside their capital Qal'at al-Bahrain, with 14 mounds built along a ceremonial route. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_235.jpg
  • Royal Burial Mounds of A'ali, photograph, in the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. This is a royal cemetery built for the Dilmun kings outside their capital Qal'at al-Bahrain, with 14 mounds built along a ceremonial route. The Bahrain National Museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_236.jpg
  • Settlement on the island of Mo'orea, photograph, 1885-89, by G Spitz, in the MTI-TFM Collection (fonds de la Polynesie Francaise), in the Musee de Tahiti et des Iles, or Te Fare Manaha, at Punaauia, on the island of Tahiti, in the Windward Islands, Society Islands, French Polynesia. The Museum of Tahiti and the Islands was opened in 1974 and displays collections of nature and anthropology, habitations and artefacts, social and religious life and the history of French Polynesia. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_298.jpg
  • Indigenous house on stilts with thatched roof, on Bora Bora in the Society Islands, photograph, 1885-94, by G Spitz, in the MTI-TFM Collection (fonds de la Polynesie Francaise), in the Musee de Tahiti et des Iles, or Te Fare Manaha, at Punaauia, on the island of Tahiti, in the Windward Islands, Society Islands, French Polynesia. The Museum of Tahiti and the Islands was opened in 1974 and displays collections of nature and anthropology, habitations and artefacts, social and religious life and the history of French Polynesia. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_297.JPG
  • Village of Hitia'a, Tahiti, with the chief's hut, photograph, 1863-64, by E Courret, in the MTI-TFM Collection (fonds de la Polynesie Francaise), in the Musee de Tahiti et des Iles, or Te Fare Manaha, at Punaauia, on the island of Tahiti, in the Windward Islands, Society Islands, French Polynesia. The Museum of Tahiti and the Islands was opened in 1974 and displays collections of nature and anthropology, habitations and artefacts, social and religious life and the history of French Polynesia. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_295.jpg
  • Traditional village with round huts with thatched roofs at Tautira, Tahiti, during the reign of Pomare V, 1839-91, the last King of Tahiti, photograph, 1885-89, by G Spitz, in the MTI-TFM Collection (fonds de la Polynesie Francaise), in the Musee de Tahiti et des Iles, or Te Fare Manaha, at Punaauia, on the island of Tahiti, in the Windward Islands, Society Islands, French Polynesia. The Museum of Tahiti and the Islands was opened in 1974 and displays collections of nature and anthropology, habitations and artefacts, social and religious life and the history of French Polynesia. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_294.jpg
  • Portrait of Pomare V, 1839-91, last King of Tahiti, ruled 1877-80, photograph by Hoare Studio, taken before 1891, in the MTI-TFM Collection (fonds de la Polynesie Francaise), in the Musee de Tahiti et des Iles, or Te Fare Manaha, at Punaauia, on the island of Tahiti, in the Windward Islands, Society Islands, French Polynesia. The Museum of Tahiti and the Islands was opened in 1974 and displays collections of nature and anthropology, habitations and artefacts, social and religious life and the history of French Polynesia. Picture by Manuel Cohen
    LC17_POLYNESIA_MC_285.jpg
  • Cliff Palace, 1896, A white marble city, photograph by Thomas M McKee, 1854-1939, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Cliff Palace, 13th century, is a huge multi-storey Native American Puebloan dwelling, housing 125 people, with 23 kivas and 150 rooms, rediscovered in 1888. It is the largest cliff house in the park, possibly used for social and ceremonial purposes and is thought to be part of a larger community encompassing 60 pueblos and 600 people. It is made from sandstone blocks, mortar and wooden beams and was originally painted with earthen plasters. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_067.jpg
  • Photograph on the altar of Sainte Therese de 
l’Enfant Jesus et de la Sainte Face, also known as Therese Martin, a pilgrim who recovered from a serious disease during mass in the church, in the Basilica of Notre-Dame-des-Victoires, Roman catholic convent church built 1629-1740 in Baroque style, on the Rue Notre Dame des Victoires, Place des Petits-Peres, 2nd arrondissement, Paris, France. Originally the chapel of the Augustinian fathers, the church was rebuilt from 1656 by Pierre Le Muet, consecrated in 1666 and finished by Sylvain Cartaud. The basilica was once a station on the Compostela pilgrimage route, and is famous for its ex voto offerings. The building is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0683.jpg
  • Photograph on the altar of Sainte Therese de 
l’Enfant Jesus et de la Sainte Face, also known as Therese Martin, a pilgrim who recovered from a serious disease during mass in the church, surrounded by ex voto plaques, in the Basilica of Notre-Dame-des-Victoires, Roman catholic convent church built 1629-1740 in Baroque style, on the Rue Notre Dame des Victoires, Place des Petits-Peres, 2nd arrondissement, Paris, France. Originally the chapel of the Augustinian fathers, the church was rebuilt from 1656 by Pierre Le Muet, consecrated in 1666 and finished by Sylvain Cartaud. The basilica was once a station on the Compostela pilgrimage route, and is famous for its ex voto offerings. The building is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0674.jpg
  • Excavations of the tell at Qal'at al Bahrain by PV Glob and G Bibby from the Prehistoric Museum of Moesgard, Denmark, 1954-72, photograph, in the Qal'at Al-Bahrain Site Museum, near Manama in Bahrain. From 1977 the research was continued by the French National Center for Scientific Research (CNRS), alongside archaeologist from Bahrain. The museum was opened in 2008, displaying artefacts of the history and archaeology of the Qal'at al-Bahrain, or Bahrain Fort or Portuguese Fort, built 6th century AD, once the capital of the Dilmun Civilisation. Qal'at al-Bahrain is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_BAHREIN_MC_154.jpg
  • Excavations of a copper smelting workshop in <br />
Qal’at-al-Bahrain, built c. 550-500 BC, with 2 smelting areas fed by bellows discovered in 1964, photograph, in the Qal'at Al-Bahrain Site Museum, near Manama in Bahrain. The museum was opened in 2008, displaying artefacts of the history and archaeology of the Qal'at al-Bahrain, or Bahrain Fort or Portuguese Fort, built 6th century AD, once the capital of the Dilmun Civilisation. Qal'at al-Bahrain is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC19_BAHREIN_MC_164.jpg
  • Aerial photograph of La Isabela from the 1960s, before its erosion by the sea, showing the original walls surrounding the Casa del Almirante, in the museum, or Museo de la Isabela, in the Parque Nacional Historico y Arqueologico de La Isabela, or Historical National Park of La Isabela, one of the oldest European settlements in the New World, in Luperon province, on the North coast of the Dominican Republic, in the Caribbean. The town of La Isabela was founded in 1493 by Christopher Columbus and a fort, houses, church, warehouses, and an arsenal were built, but the settlement was abandoned in 1496 due to hurricane damage. Picture by Manuel Cohen
    LC18_DominicanRepublic_MC_030.jpg
  • ESSAOUIRA, MOROCCO - MAY 11 : A low angle view of the Skala of the Port at dusk on May 11, 2009 in Essaouira, Morocco. The walls and tower of the 18th century Skala are silhouetted against the evening sky. In the foreground the sea glimmers faintly on the darkened beach. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090066.jpg
  • ESSAOUIRA, MOROCCO - MAY 11 : A general view of Mogador Island on May 11, 2009 in Essaouira, Morocco. Mogador Island is silhouetted against the sky as dusk falls over the sea. On the windswept Atlantic coast of Morocco,  Essaouira was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. This island protects the harbour from storms. (Photo by Manuel Cohen)
    LCMOROCCO090065.JPG
  • ESSAOUIRA, MOROCCO - MAY 11 : A general view of a turret on the Ramparts and the Medina on May 11, 2009 in Essaouira, Morocco. The Ramparts, seen on a calm sunlit spring evening, protected the Medina from invaders approaching across  the wild Atlantic Ocean, and from the sea itself. A boy is walking on the rocks below the Ramparts. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090064.JPG
  • ESSAOUIRA, MOROCCO - MAY 11 : A detail of a turret on the Ramparts on May 11, 2009 in Essaouira, Morocco. The Ramparts protected the Medina from invaders approaching across the wild Atlantic Ocean, and from the sea itself, seen here on a calm sunlit spring evening. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090063.JPG
  • ESSAOUIRA, MOROCCO - MAY 11: A low angle view of boathouses on May 11, 2009 in Essaouira, Morocco. The long line of doors, all painted blue, under a soft spring morning sky, leads to the tower of the Skala of the Port in the background. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090061.JPG
  • ESSAOUIRA, MOROCCO - MAY 10 : A detail of a turret next to the Porte de la Marine on May 10, 2009 in Essaouira, Morocco. The beginning of the Porte de la Marine, built in 1771, is to the left of the turret. Essaouira, on the windswept Atlantic coast, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090060.JPG
  • ESSAOUIRA, MOROCCO - MAY 10 : A general view of trawlers and fishing boats on May 10, 2009 in Essaouira, Morocco. In a soft evening light traditional blue painted wooden boats are moored close together at low tide, overlooked by larger trawlers moored on the other side of the harbour wall. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090059.JPG
  • ESSAOUIRA, MOROCCO - MAY 10 : A low angle view of the Porte de la Marine on May 10, 2009 in Essaouira, Morocco. A man in traditional dress walks through the arch of the Porte de la Marine, built in 1771,  towards the boats. In the background the Ramparts and the Medina are lit by the evening sun. Essaouira, on the windswept Atlantic coast, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090058.JPG
  • ESSAOUIRA, MOROCCO - MAY 10 : A detail of a window and a turret on the Skala of the Port on May 10, 2009 in Essaouira, Morocco. The window, lit by the morning sun and covered by decorative wrought iron shutters.  The turret is on a corner of the square tower of the 18th century Skala of the Port. In the background waves are  breaking on the shore. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090056.JPG
  • ESSAOUIRA, MOROCCO - MAY 10 : A low angle view of a turret on the Skala of the Port on May 10, 2009 in Essaouira, Morocco. The turret, partially hidden by a wall, is on a corner of the square tower of the 18th century Skala of the Port overlooking the harbour. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090055.JPG
  • ESSAOUIRA, MOROCCO - MAY 10 : A low angle view of a turret on the Skala of the Port on May 10, 2009 in Essaouira, Morocco. The turret is on a corner of the square tower of the 18th century Skala of the Port overlooking the harbour. In the background the coast and nearby houses are visible in the morning sunshine. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists.(Photo by Manuel Cohen)
    LCMOROCCO090053.JPG
  • ESSAOUIRA, MOROCCO - MAY 10 : A low angle view of boats moored by the Skala of the Port on May 10, 2009 in Essaouira, Morocco. The traditional blue painted wooden boats lie close together in the harbour at low tide overlooked by the wall and tower of the 18th century Skala in the morning sunshine. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090051.JPG
  • ESSAOUIRA, MOROCCO -MAY 9 : A general view of two men fishing on the beach at low tide on May 9, 2009 in Essaouira, Morocco. The Ramparts around the port are visible in the background with the towers of the Skala of the Medina. In the hazy evening light seagulls wait hoping to sample the fish. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. It is a now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090049.JPG
  • ESSAOUIRA, MOROCCO - MAY 9 : A low angle view of a narrow street in the Medina on May 9, 2009 in Essaouira, Morocco. Between crumbling walls a dark archway and its fading yellow surrounding walls, inset with decorated tiles, and a bright turquoise doorway, form the end of the cobbled street. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090048.JPG
  • ESSAOUIRA, MOROCCO - MAY 8 : A low angle view of boats at sunset on May 8, 2009 in Essaouira, Morocco. In the background are the Portuguese Tower and Ramparts. On the windswept Atlantic coast of Morocco, Essaouira was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090046.JPG
  • ESSAOUIRA, MOROCCO - MAY 8 : A low angle view of a couple of woman walking along the beach on May 8 2009. They are wearing traditional dresses as they stroll along at the edge of the sea in the morning light. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090045.jpg
  • ESSAOUIRA, MOROCCO - MAY 11 : A general view of the town at night on May 11, 2009 in Essaouira, Morocco. The ramparts are seen here at sunset, light by floodlights. Essaouira  on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090044.JPG
  • ESSAOUIRA, MOROCCO - MAY 11: A general view of an evening by the sea on May 11, 2009 in Essaouira, Morocco. Mogador Island is silhouetted against the sky as dusk falls over the sea. On the windswept Atlantic coast of Morocco,  Essaouira was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. This island protects the harbour from storms. (Photo by Manuel Cohen)
    LCMOROCCO090043.JPG
  • ESSAOUIRA, MOROCCO - MAY 11 : A general view of rooftop communities on May 11, 2009 in Essaouira, Morocco. People and seagulls enjoy sun and companionship high above the town lit by the warm light of the sunset. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090042.JPG
  • ESSAOUIRA, MOROCCO - MAY 11 : A view from behind of the Porte de la Marine on May 11, 2009 in Essaouira, Morocco. Men in traditional hooded Djellabas walk through the arch of the Porte de la Marine, built in 1771,  towards the boats. Essaouira, on the windswept Atlantic coast, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090040.JPG
  • ESSAOUIRA, MOROCCO - MAY 11 : A general view of a fishing boat on May 11, 2009 at sea near Essaouira. A wooden boat at sea seen in the dim light of early morning in spring. On the windswept Atlantic coast of Morocco, Essaouira was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists who enjoy freshly caught local fish. (Photo by Manuel Cohen)
    LCMOROCCO090039.JPG
  • ESSAOUIRA, MOROCCO - MAY 10 2009 : A low angle view of boats at their moorings on May 10, 2009 in Essaouira, Morocco. A man wearing a cap, catches a few rays of spring sunshine,  by the harbour side. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090038.JPG
  • ESSAOUIRA, MOROCCO - MAY 10: A view from above of boats at their moorings on May 10, 2009 in Essaouira, Morocco. Traditional blue painted wooden boats jostle together in the harbour. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090037.JPG
  • ESSAOUIRA, MOROCCO - MAY 10 : A long side view from the Skala on May 10, 2009 in Essaouira, Morocco. Crumbling walls have turned from white to brown. With blue painted windows the old walls by the ramparts soak up the spring sun, its low rays casting a heavy shadow across the scene. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090036.JPG
  • ESSAOUIRA, MOROCCO - MAY 10: A general view of the beach on May 10, 2009 in Essaouira, Morocco. Seagulls rest on the sand where waves are breaking in the hazy spring light. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090034.JPG
  • ESSAOUIRA, MOROCCO - MAY 8 : a low angle view of beach umbrellas at night on May 8, 2009 in Essaouira, Morocco. Black circles of shadow are thrown onto white sand by the bright lighting. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090032.JPG
  • ESSAOUIRA, MOROCCO - MAY 7: A view from above of a man walking by the quayside on  May 7, 2009 in Essaouira, Morocco. Water laps the steps of the quayside which are dotted with seagulls. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. Photo by Manuel Cohen
    LCMOROCCO090030.JPG
  • ESSAOUIRA, MOROCCO - MAY 7: A low angle view of boats in the harbour on May 7, 2009 in Essaouira, Morocco. A man standing on the moored wooden boats gazes towards the sunlit ramparts of the town as a bird flies overhead. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdallah. Surrounded by ramparts, it is a charming small town now becoming more popular with tourists. Photo by Manuel Cohen
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  • ESSAOUIRA, MOROCCO - MAY 11: A view from below of parasols on a roof terrace on May 11, 2009 in Essaouira, Morocco. The parasols, jutting out over the edge of a roof terrace, are silhouetted against the afternoon sky. Below them a window with traditional wooden shutters, one closed for shade, pierces the white wall. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
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  • ESSAOUIRA, MOROCCO - MAY 10 : A detail of an abandoned building on May 10, 2009 in Essaouira, Morocco. The evening sun shines through the frame of a missing window lighting  half of a green double door,  inside the deserted building. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090057.JPG
  • ESSAOUIRA, MOROCCO - MAY 10 : A wide angle view of Place Moulay Hasan on May 10, 2009 in Essaouira, Morocco. The wide square sweeps towards the distant wall and tower of the 18th century Skala of the Port, dwarfing the people walking in the morning sunshine. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090054.JPG
  • ESSAOUIRA, MOROCCO - MAY 10: A low angle view of the prow of a fishing boat on May 10, 2009 in Essaouira, Morocco. The traditional wooden boat is moored near the boathouse whose blue doors echo the blue of the sky in the morning sunshine. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090052.JPG
  • ESSAOUIRA, MOROCCO - MAY 10 : A general view of boats moored by the Skala of the Port on May 10, 2009 in Essaouira, Morocco. The traditional blue painted wooden boats lie close together in the harbour at low tide overlooked by the wall and tower of the 18th century Skala in the morning sunshine. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090050.JPG
  • ESSAOUIRA, MOROCCO - MAY 8 : A low angle view of an evening by the sea on May 10, 2009 in Essaouira, Morocco. Taken from the Skala Medina it shows the rocky coast and  cloudy sky as dusk falls over the sea. Three people are watching as the sky darkens into night. On the windswept Atlantic coast of Morocco,  Essaouira was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. (Photo by Manuel Cohen)
    LCMOROCCO090047.JPG
  • ESSAOUIRA, MOROCCO - MAY 11 : A view from below of a seagull in flight on May 11, 2009 in Essaouira, Morocco. A bird sweeps over the Ramparts at sunset. The old town is visible in the background. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090041.JPG
  • ESSAOUIRA, MOROCCO -MAY 10: A general view of a family gathering shellfish on May 10, 2009 in Essaouira, Morocco. They are on the beach at low tide. A Portuguese tower on the Ramparts around the port is reflected in the shallow sea. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. It is a now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090035.JPG
  • ESSAOUIRA, MOROCCO - MAY 8 : A tilted view of boats at sunset on May 8, 2009 in Essaouira, Morocco. In the background are the Portuguese Tower and Ramparts. On the windswept Atlantic coast of Morocco, Essaouira was re-built in the 18th century by French architect Theodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. (Photo by Manuel Cohen)
    LCMOROCCO090031.JPG
  • Carpet shop, May 2009, Essouira, Morocco. Man in traditional robe and hat walking down a street in the old town which runs alongside the ramparts. It is  hung with carpets. Essaouira, on the windswept Atlantic coast of Morocco, was re-built in the 18th century by French architect Théodore Cornut to the orders of Sultan Ben Abdullah. Surrounded by ramparts it is a charming small town now becoming more popular with tourists. Picture by Manuel Cohen
    LCMOROCCO090033.JPG
  • Institute of Art and Archaeology, red brick, 1925-30, designed by Paul Bigot (1870-1942), Paris, France. L'Institut d'Art et d'Archeologie, turreted with moulded friezework evoking ancient buildings of Tropical Africa, is part of Paris-Sorbonne University. Classified as a Historical Monument, 1996. Photograph by Manuel Cohen.
    LC12_Paris_MC225.jpg
  • Panoramic View of the North West City Walls, 11th-14th century, Avila, Spain, with Cathedral, 11th-15th century, in the distance. Avila has superbly preserved walls built as fortifications against the Moors, an ancient cathedral, Romanesque churches, and is a pilgrimage destination due to its association with Carmelite nun St Teresa (1515-82), canonized 1622. The Old Town has been designated a UNESCO World Heritage Site. Photograph by Manuel Cohen.
    LCSPAIN11_MC350.jpg
  • Detail of Retable of main Altar, Convento de Santa Teresa,(Convent of St Teresa), 1629-36,  Avila, Spain, built in Baroque style on the site of St Teresa's birthplace by architect and monk Alonso de san Jose (1600-54). The altar depicts Santa Teresa (1515-82), Carmelite nun, canonized 1622. Photograph by Manuel Cohen.
    LCSPAIN11_MC348.jpg
  • Detail of Statue of St Teresa, in the Chapel built over the room where she was born, Convento de Santa Teresa,(Convent of St Teresa), 1629-36, Avila, Spain, constructed in Baroque style on the site of St Teresa's birthplace by architect and monk Alonso de san Jose (1600-54). Santa Teresa (1515-82), was a Carmelite nun, canonized 1622. Photograph by Manuel Cohen.
    LCSPAIN11_MC314.jpg
  • Detail of Statue of St Teresa, in the Chapel built over the room where she was born, Convento de Santa Teresa,(Convent of St Teresa), 1629-36, Avila, Spain, constructed in Baroque style on the site of St Teresa's birthplace by architect and monk Alonso de san Jose (1600-54). Santa Teresa (1515-82), was a Carmelite nun, canonized 1622. Photograph by Manuel Cohen.
    LCSPAIN11_MC311.jpg
  • Cathedral of San Salvador, 12th-14th century, Avila, Castile and Leon, Spain. Avila Cathedral is a strong, fortress-like cathedral adjoining the famous medieval city walls. The presbytery located in the wall and part of the walls oriented to the transept are Late Romanesque style. The development of the naves, its vaults and the two towers (one of them unfinished) are in first Gothic style. Photograph by Manuel Cohen
    LCSPAIN11_MC297.jpg
  • Verraco, Celtic statue of a boar, stone, Avila, Castile and Leon, Spain. The first known inhabitants of Avila, the Vettones, a Celtic tribe, arrived c.700 BC. Verracos, stone boars or bulls, appear across the West of the central Iberian plane and date from mid 4th-1st centuries BC. Photograph by Manuel Cohen
    LCSPAIN11_MC300.jpg
  • Northern City Walls, 11th-14th century, Avila, Spain. The Old Town has been designated a UNESCO World Heritage Site. Photograph by Manuel Cohen.
    LCSPAIN11_MC305.jpg
  • Armed man, wearing chain mail, 15th century, statue on the left side of the main door and entrance, Cathedral of San Salvador, 12th-14th century, Avila, Castile and Leon, Spain. Avila Cathedral is a strong, fortress-like cathedral adjoining the famous medieval city walls. Photograph by Manuel Cohen
    LCSPAIN11_MC303.jpg
  • City Walls, 11th-14th century, Avila, Spain. Avila has superbly preserved walls built as fortifications against the Moors, an ancient cathedral, Romanesque churches, and is a pilgrimage destination due to its association with Carmelite nun St Teresa (1515-82), canonized 1622. The Old Town has been designated a UNESCO World Heritage Site. Photograph by Manuel Cohen.
    LCSPAIN11_MC341.jpg
  • Panoramic View of the North West City Walls, 11th-14th century, Avila, Spain, with Cathedral, 11th-15th century, in the distance. Avila has superbly preserved walls built as fortifications against the Moors, an ancient cathedral, Romanesque churches, and is a pilgrimage destination due to its association with Carmelite nun St Teresa (1515-82), canonized 1622. The Old Town has been designated a UNESCO World Heritage Site. Photograph by Manuel Cohen.
    LCSPAIN11_MC344.jpg
  • City Walls, 11th-14th century, Avila, Spain, with Cathedral, 11th-15th century, in the distance (looking West). Avila has superbly preserved walls built as fortifications against the Moors, an ancient cathedral, Romanesque churches, and is a pilgrimage destination due to its association with Carmelite nun St Teresa (1515-82), canonized 1622. The Old Town has been designated a UNESCO World Heritage Site. Photograph by Manuel Cohen.
    LCSPAIN11_MC342.jpg
  • Panoramic View of the North West City Walls, 11th-14th century, Avila, Spain, with Cathedral, 11th-15th century, in the distance. Avila has superbly preserved walls built as fortifications against the Moors, an ancient cathedral, Romanesque churches, and is a pilgrimage destination due to its association with Carmelite nun St Teresa (1515-82), canonized 1622. The Old Town has been designated a UNESCO World Heritage Site. Photograph by Manuel Cohen.
    LCSPAIN11_MC345.jpg
  • Main facade, Convento de Santa Teresa, (Convent of St Teresa), 1629-36,  Avila, Spain, built in Baroque style on the site of St Teresa's birthplace by architect and monk Alonso de san Jose (1600-54). Santa Teresa (1515-82), was a Carmelite nun, canonized 1622. Photograph by Manuel Cohen.
    LCSPAIN11_MC346.jpg
  • Detail of Retable of main Altar, Convento de Santa Teresa,(Convent of St Teresa), 1629-36,  Avila, Spain, built in Baroque style on the site of St Teresa's birthplace by architect and monk Alonso de san Jose (1600-54). The altar depicts Santa Teresa (1515-82), Carmelite nun, canonized 1622. Photograph by Manuel Cohen.
    LCSPAIN11_MC347.jpg
  • Detail of Portrait of St Teresa, Retable of main Altar, Convento de Santa Teresa,(Convent of St Teresa), 1629-36, Avila, Spain, built in Baroque style on the site of St Teresa's birthplace by architect and monk Alonso de san Jose (1600-54). Santa Teresa (1515-82), was a Carmelite nun, canonized 1622. Photograph by Manuel Cohen.
    LCSPAIN11_MC316.jpg
  • Detail of small stained glass window showing Santa Teresa praying, left side of central nave, Convento de Santa Teresa,(Convent of St Teresa), 1629-36, Avila, Spain, built in Baroque style on the site of St Teresa's birthplace by architect and monk Alonso de san Jose (1600-54). Santa Teresa (1515-82), was a Carmelite nun, canonized 1622. Photograph by Manuel Cohen.
    LCSPAIN11_MC317.jpg
  • Detail of small stained glass window showing Santa Teresa praying, left side of central nave, Convento de Santa Teresa,(Convent of St Teresa), 1629-36, Avila, Spain, built in Baroque style on the site of St Teresa's birthplace by architect and monk Alonso de san Jose (1600-54). Santa Teresa (1515-82), was a Carmelite nun, canonized 1622. Photograph by Manuel Cohen.
    LCSPAIN11_MC318.jpg
  • Detail of Portrait of St Teresa, Retable of main Altar, Convento de Santa Teresa,(Convent of St Teresa), 1629-36, Avila, Spain, built in Baroque style on the site of St Teresa's birthplace by architect and monk Alonso de san Jose (1600-54). Santa Teresa (1515-82), was a Carmelite nun, canonized 1622. Photograph by Manuel Cohen.
    LCSPAIN11_MC319.jpg
  • Detail of Statue of St Teresa, in the Chapel built over the room where she was born, Convento de Santa Teresa,(Convent of St Teresa), 1629-36, Avila, Spain, constructed in Baroque style on the site of St Teresa's birthplace by architect and monk Alonso de san Jose (1600-54). Santa Teresa (1515-82), was a Carmelite nun, canonized 1622. Photograph by Manuel Cohen.
    LCSPAIN11_MC313.jpg
  • Detail of Statue of St Teresa, in the Chapel built over the room where she was born, Convento de Santa Teresa,(Convent of St Teresa), 1629-36, Avila, Spain, constructed in Baroque style on the site of St Teresa's birthplace by architect and monk Alonso de san Jose (1600-54). Santa Teresa (1515-82), was a Carmelite nun, canonized 1622. Photograph by Manuel Cohen.
    LCSPAIN11_MC315.jpg
  • Detail of Statue of St Teresa, main facade, Convento de Santa Teresa,(Convent of St Teresa), 1629-36, Avila, Spain, built in Baroque style on the site of St Teresa's birthplace by architect and monk Alonso de san Jose (1600-54). Santa Teresa (1515-82), was a Carmelite nun, canonized 1622. Photograph by Manuel Cohen.
    LCSPAIN11_MC309.jpg
  • Detail of Statue of St Teresa, main facade, Convento de Santa Teresa,(Convent of St Teresa), 1629-36, Avila, Spain, built in Baroque style on the site of St Teresa's birthplace by architect and monk Alonso de san Jose (1600-54). Santa Teresa (1515-82), was a Carmelite nun, canonized 1622. Photograph by Manuel Cohen.
    LCSPAIN11_MC310.jpg
  • Detail of Statue of St Teresa, in the Chapel built over the room where she was born, Convento de Santa Teresa,(Convent of St Teresa), 1629-36, Avila, Spain, constructed in Baroque style on the site of St Teresa's birthplace by architect and monk Alonso de san Jose (1600-54). Santa Teresa (1515-82), was a Carmelite nun, canonized 1622. Photograph by Manuel Cohen.
    LCSPAIN11_MC312.jpg
  • Southern transept, Cathedral of San Salvador, 12th-14th century, Avila, Castile and Leon, Spain. Avila Cathedral is a strong, fortress-like cathedral adjoining the famous medieval city walls. The presbytery located in the wall and part of the walls oriented to the transept are Late Romanesque style. The development of the naves, its vaults and the two towers (one of them unfinished) are in first Gothic style. Photograph by Manuel Cohen
    LCSPAIN11_MC298.jpg
  • Statue of St Teresa de Avila "transverberada", San Blass Chaptel (Capilla de san Blas), Cathedral, Avila, Spain. Avila Cathedral, 11th-15th century, is regarded as the first Spanish Gothic Cathedral and its style is French influenced. Santa Teresa (1515-82), was a Carmelite nun, canonized 1622. Photograph by Manuel Cohen.
    LCSPAIN11_MC328.jpg
  • Statue of St Teresa de Avila "transverberada", San Blass Chaptel (Capilla de san Blas), Cathedral, Avila, Spain. Avila Cathedral, 11th-15th century, is regarded as the first Spanish Gothic Cathedral and its style is French influenced. Santa Teresa (1515-82), was a Carmelite nun, canonized 1622. Photograph by Manuel Cohen.
    LCSPAIN11_MC329.jpg
  • Statue of St Teresa de Avila "transverberada", San Blass Chaptel (Capilla de san Blas), Cathedral, Avila, Spain. Avila Cathedral, 11th-15th century, is regarded as the first Spanish Gothic Cathedral and its style is French influenced. Santa Teresa (1515-82), was a Carmelite nun, canonized 1622. Photograph by Manuel Cohen.
    LCSPAIN11_MC327.jpg
  • Altar to the glory of the National Convention, stone, 1920, by Francois Leon Sicard (1862-1934), rear view looking towards nave and cupola, Pantheon, 1758-90, by Jacques-Gabriel Soufflot (1713-80) and completed by Jean-Baptiste Rondelet (1743-1829), Paris, France. Photograph by Manuel Cohen
    LC12_Paris_MC156.jpg
  • Interior of a dome, Pantheon, 1758-90, by Jacques-Gabriel Soufflot (1713-80) and completed by Jean-Baptiste Rondelet (1743-1829), Paris, France. Photograph by Manuel Cohen
    LC12_Paris_MC155.jpg
  • Louis Lazare Hoche (1768-97), General in the French Revolutionary army, c.1869, by Jules Dalou (1838-1902), Pantheon, 1758-90, by Jacques-Gabriel Soufflot (1713-80) and completed by Jean-Baptiste Rondelet (1743-1829), Paris, France. Photograph by Manuel Cohen
    LC12_Paris_MC157.jpg
  • Apse mosaic by Ernest Hebert (1817-1908), Pantheon, 1758-90, by Jacques-Gabriel Soufflot (1713-80) and completed by Jean-Baptiste Rondelet (1743-1829), Paris, France. Photograph by Manuel Cohen
    LC12_Paris_MC159.jpg
  • Maquette by Rondelet, Pantheon, 1758-90, by Jacques-Gabriel Soufflot (1713-80) and completed by Jean-Baptiste Rondelet (1743-1829), Paris, France. Photograph by Manuel Cohen
    LC12_Paris_MC165.jpg
  • Tomb of Jean-Jacques Rousseau (1712-78), French philosopher, crypt, Pantheon, 1758-90, by Jacques-Gabriel Soufflot (1713-80) and completed by Jean-Baptiste Rondelet (1743-1829), Paris, France. Photograph by Manuel Cohen
    LC12_Paris_MC160.jpg
  • Tomb of Jean Jaures (1869-1814), French Socialist leader, crypt, Pantheon, 1758-90, by Jacques-Gabriel Soufflot (1713-80) and completed by Jean-Baptiste Rondelet (1743-1829), Paris, France. Photograph by Manuel Cohen
    LC12_Paris_MC162.jpg
  • Statue of Voltaire (1694-1778), French writer and philosopher, by Jean-Antoine Houdon (1741-1828), crypt, Pantheon, 1758-90, by Jacques-Gabriel Soufflot (1713-80) and completed by Jean-Baptiste Rondelet (1743-1829), Paris, France. Photograph by Manuel Cohen
    LC12_Paris_MC161.jpg
  • Apse mosaic by Ernest Hebert (1817-1908), Pantheon, 1758-90, by Jacques-Gabriel Soufflot (1713-80) and completed by Jean-Baptiste Rondelet (1743-1829), Paris, France. Photograph by Manuel Cohen
    LC12_Paris_MC154.jpg
  • Louis Lazare Hoche (1768-97), General in the French Revolutionary army, c.1869, by Jules Dalou (1838-1902), with in background Towards Glory (Vers la gloire), 1902,  by Edouard Detaille (1848-1912), triptyc on canvas, Pantheon, 1758-90, by Jacques-Gabriel Soufflot (1713-80) and completed by Jean-Baptiste Rondelet (1743-1829), Paris, France. Photograph by Manuel Cohen
    LC12_Paris_MC158.jpg
  • Statue of Voltaire (1694-1778), French writer and philosopher, by Jean-Antoine Houdon (1741-1828), crypt, Pantheon, 1758-90, by Jacques-Gabriel Soufflot (1713-80) and completed by Jean-Baptiste Rondelet (1743-1829), Paris, France. Photograph by Manuel Cohen
    LC12_Paris_MC166.jpg
  • Tomb of Victor Hugo (1802-85), French author, crypt, Pantheon, 1758-90, by Jacques-Gabriel Soufflot (1713-80) and completed by Jean-Baptiste Rondelet (1743-1829), Paris, France. Photograph by Manuel Cohen
    LC12_Paris_MC163.jpg
  • Casa Rull, 1900, by LLuis Domenech i Montaner, Reus, Catalonia, Spain. Domenech i Montaner was a leading architect of the Catalan Modernist style, the local variation on Art Nouveau or Jugendstil. Photograph by Manuel Cohen.
    LCSPAIN11_MC353.jpg
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