manuel cohen

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  • Painting of St Augustine of Hippo, by the Master of Bolea, from the altarpiece of the high altar, Renaissance, 1490-1503, in the  Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. The altarpiece consists of 20 painted panels and wooden polychrome statuettes. The design and ornamentation are by Flemish master Gil de Brabant, and the paintings by Master of Bolea, an unknown Spanish artist. Picture by Manuel Cohen
    LC15_SPAIN_MC119.JPG
  • Central statue of the Virgin of the Assumption, standing on the moon surrounded by angels, from the altarpiece of the high altar, Renaissance, 1490-1503, in the  Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. The altarpiece consists of 20 painted panels and wooden polychrome statuettes. The design and ornamentation are by Flemish master Gil de Brabant, and the paintings by Master of Bolea, an unknown Spanish artist. Picture by Manuel Cohen
    LC15_SPAIN_MC125.jpg
  • Altarpiece of St Sebastian, 1503, in Gothic Flemish style, with statuettes by Flemish master Gil de Brabante of Saint-Roch, Saint-Nicaise of Reims, St Sebastian, Saint-Blaise and St Peter of Verona, in the  Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. The altarpiece also has 7 painted panels by Pedro de Aponte and Pedro de Dezpiota. Picture by Manuel Cohen
    LC15_SPAIN_MC122.jpg
  • Statuette of St Barbara with a tower and palm branch, from the St Barbara altarpiece, Baroque, 17th - 18th century, in the Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. Picture by Manuel Cohen
    LC15_SPAIN_MC124.jpg
  • Painting of St Teresa of Avila, 1515-82, by the Master of Bolea, an unknown Spanish artist, in the Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. Picture by Manuel Cohen
    LC15_SPAIN_MC123.jpg
  • Central statue of the Virgin of the Assumption, standing on the moon surrounded by angels, from the altarpiece of the high altar, Renaissance, 1490-1503, in the  Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. The altarpiece consists of 20 painted panels and wooden polychrome statuettes. The design and ornamentation are by Flemish master Gil de Brabant, and the paintings by Master of Bolea, an unknown Spanish artist. Picture by Manuel Cohen
    LC15_SPAIN_MC120.jpg
  • Painting of Pope St Gregory, reigned 590-604 AD, by the Master of Bolea, from the altarpiece of the high altar, Renaissance, 1490-1503, in the  Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. The altarpiece consists of 20 painted panels and wooden polychrome statuettes. The design and ornamentation are by Flemish master Gil de Brabant, and the paintings by Master of Bolea, an unknown Spanish artist. Picture by Manuel Cohen
    LC15_SPAIN_MC117.jpg
  • Painting of Christ wearing the crown of thorns, from the altarpiece of St Sebastian, 1503, in Gothic Flemish style, with paintings by Pedro de Aponte and Pedro de Dezpiota and statuettes by Flemish master Gil de Brabante, in the Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. Picture by Manuel Cohen
    LC15_SPAIN_MC121.jpg
  • Painting of St Augustine of Hippo, by the Master of Bolea, from the altarpiece of the high altar, Renaissance, 1490-1503, in the  Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. The altarpiece consists of 20 painted panels and wooden polychrome statuettes. The design and ornamentation are by Flemish master Gil de Brabant, and the paintings by Master of Bolea, an unknown Spanish artist. Picture by Manuel Cohen
    LC15_SPAIN_MC118.jpg
  • Altarpiece of the high altar, Renaissance, 1490-1503, in the Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. The altarpiece consists of 20 painted panels and wooden polychrome statuettes. The design and ornamentation are by Flemish master Gil de Brabant, and the paintings by Master of Bolea, an unknown Spanish artist. Picture by Manuel Cohen
    LC15_SPAIN_MC115.jpg
  • Painting of St Martin of Tours, 4th century bishop, in the Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. Picture by Manuel Cohen
    LC15_SPAIN_MC116.JPG
  • Altarpiece of the high altar, Renaissance, 1490-1503, in the  Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. The altarpiece consists of 20 painted panels and wooden polychrome statuettes. The design and ornamentation are by Flemish master Gil de Brabant, and the paintings by Master of Bolea, an unknown Spanish artist. Picture by Manuel Cohen
    LC15_SPAIN_MC091.jpg
  • Assumption, coronation and litany of the Virgin, polychrome stone in high relief, 1511, restored 1888-95, from the East wall of the Chapel of Our Lady of the Assumption in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC117.jpg
  • One of Saints Crispin and Crispinian, patron saints of cobblers, about to be beheaded by a soldier with a sword, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC122.jpg
  • Saints Crispin and Crispinian, patron saints of cobblers, at work in a cobblers workshop in Soissons, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC131.jpg
  • King Charles V, 1500-58, and his wife Isabella of Portugal, kneeling in prayer, polychrome stone in high relief, 1511, restored 1888-95, from the South East wall of the Chapel of Our Lady of the Assumption in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC082.jpg
  • Nave and organ of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church is 70m long and the nave is 24m high with a rib-vaulted ceiling. The organ was built in 1580 by Nicolas Barbier. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC076.JPG
  • Renaissance spiral staircase leading to the organ in the nave of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The staircase was built by Jean Grappin in the 16th century. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church is 70m long and the nave is 24m high with a rib-vaulted ceiling. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC077.jpg
  • Sculpted pillar supporting rib vaults in the nave of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church is 70m long and the nave is 24m high with a rib-vaulted ceiling. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC078.jpg
  • Above; Notre Dame de Liesse or Our Lady of Liesse, 1634, and below; the vicar and Gisors townspeople thanking the Virgin for saving them from the plague, by Ebroicien Duhamel-Marette, 1895, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. This is a grisaille stained glass window with limited colours, originally Renaissance in design but later added to. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC079.jpg
  • Nave of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church is 70m long and the nave is 24m high with a rib-vaulted ceiling. Here we look East towards the altar, chevet and rose window. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC080.jpg
  • Carved capital depiting an angel holding a scroll, possibly 15th century, in the transept of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC083.jpg
  • Detail of the crucifixion from an altarpiece originally from the Mathurins Convent at Gisors, sculpted from painted and gilded wood, early 18th century, at the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC081.JPG
  • Carved capital with vine leaves and grapes, possibly 15th century, in the transept of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC084.jpg
  • Sculpture of Christ on the cross in painted stone at the crown of the rib vaulted ceiling of the ambulatory in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC093.jpg
  • Moses holding the tablet of the law, from the Transfiguration, mural painting, 16th century, on the South wall of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC085.jpg
  • Saints Crispin and Crispinian, patron saints of cobblers, martyred at Soissons by being boiled alive in a cauldron of oil, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC086.jpg
  • East Rose window, stained glass by Jacques Bony, 1979-80, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC088.jpg
  • Saints Crispin and Crispinian, patron saints of cobblers, at Soissons, hanging by their armpits at the gallows, possibly with the governor Rictus Varus giving the order, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC087.jpg
  • Detail of the organ, built 1580 by Nicolas Barbier, in the nave of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC089.jpg
  • Detail of Christ's head wearing the crown of thorns, from Christ carrying the Cross, meeting Veronica with her cloth and a kneeling donor, mural painting, 1561, restored 1902, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC090.jpg
  • Assumption, coronation and litany of the Virgin, polychrome stone in high relief, 1511, restored 1888-95, from the East wall of the Chapel of Our Lady of the Assumption in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC091.jpg
  • Statuette of a woman in attitude of prayer, possibly the Virgin, protected by iron bars, in a niche in a pillar in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC092.JPG
  • Detail from the Lamentation with the Virgin Mary mourning Jesus, high relief in stone, 1572, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC094.jpg
  • Detail from the Lamentation with the Virgin Mary mourning Jesus, high relief in stone, 1572, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC095.jpg
  • The Visitation, with Mary visiting her sister Elizabeth, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC096.jpg
  • Detail from the Circumcision of Christ in the temple, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC107.jpg
  • The Annunciation to the Shepherds, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC097.jpg
  • The Circumcision of Christ in the temple, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC098.jpg
  • The Adoration of the Magi, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC099.jpg
  • Detail of The Visitation, with Mary visiting her sister Elizabeth, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC100.jpg
  • East Rose window, stained glass by Jacques Bony, 1979-80, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC101.jpg
  • The procession of the Brotherhood of the Visitation of Our Lady, mural painting, c. 1558, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The royal brotherhood, created in 1360 by Charles V, funded the chapel of Our Lady of the Assumption in the chancel of the church. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC102.jpg
  • The Annunciation, with the Angel Gabriel announcing to Mary that she will have a baby, and God in heaven sending his holy spirit, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC103.jpg
  • The Marriage of the Virgin, with Joseph holding his flowering rod, the holy spirit above and the high priest performing the ceremony, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC104.jpg
  • Detail of The Visitation, with Mary visiting her sister Elizabeth, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC105.jpg
  • Detail from The Annunciation, with God in heaven sending his holy spirit to Mary, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC106.jpg
  • Detail from The Adoration of the Magi, with Mary and the Christ child with a king, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC108.jpg
  • The Holy Spirit represented by a dove, at the apex of the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC111.jpg
  • Detail of a figure in heaven, possibly God in a representation of the trinity, near the apex of the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC109.jpg
  • Detail from The Adoration of the Magi, with Joseph and a king bearing his gift, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC110.jpg
  • The Transfiguration, Christ with the prophets Moses and Elijah, mural painting, 16th century, on the South wall of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC113.jpg
  • The apostles Peter, James and John, and a kneeling female donor, from the Transfiguration, mural painting, 16th century, on the West wall of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC112.jpg
  • High relief of an anonymous corpse, 1530, in the Chapel of Saint Claude in the side aisle of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The corpse is accompanied by inscriptions in Latin and French, warning that we will all be like this one day and to make the most of life. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC119.jpg
  • Christ carrying the Cross, meeting Veronica with her cloth and a kneeling donor, mural painting, 1561, restored 1902, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC114.jpg
  • Sculpted pillar supporting rib vaults in the nave of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church is 70m long and the nave is 24m high with a rib-vaulted ceiling. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC115.jpg
  • Altarpiece originally from the Mathurins Convent at Gisors, with the crucifixion and adoration of the trinity triangle by angels, sculpted from painted and gilded wood, early 18th century, at the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC116.jpg
  • Above; Notre Dame de Liesse or Our Lady of Liesse, 1634, and below; the vicar and Gisors townspeople thanking the Virgin for saving them from the plague, by Ebroicien Duhamel-Marette, 1895, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. This is a grisaille stained glass window with limited colours, originally Renaissance in design but later added to. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC118.jpg
  • Saints Crispin and Crispinian, patron saints of cobblers, at Soissons, hanging by their armpits at the gallows, possibly with the governor Rictus Varus giving the order, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC120.jpg
  • A horned devil in the bedroom of one of Saints Crispin and Crispinian, patron saints of cobblers, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC121.jpg
  • Saints Crispin and Crispinian, patron saints of cobblers, meeting the bishop of Saint Denis, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC130.jpg
  • One of Saints Crispin and Crispinian, patron saints of cobblers, about to be beheaded by a soldier with a sword, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC123.jpg
  • Saints Crispin and Crispinian, patron saints of cobblers, at Soissons, being drowned in the river with millstones round their necks while the governor Rictus Varus looks on, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC124.jpg
  • Section from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, possibly depicting a guard with a spear talking to the governor, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC125.jpg
  • The Emperor talks to a soldier with a sword, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC126.jpg
  • Saints Crispin and Crispinian, patron saints of cobblers, at Soissons, hanging by their armpits at the gallows while soldiers cut them with knives and the governor Rictus Varus looks on, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC127.jpg
  • Saints Crispin and Crispinian, patron saints of cobblers, martyred at Soissons by being boiled alive in a cauldron of oil, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC128.jpg
  • Saints Crispin and Crispinian, patron saints of cobblers, tied to a pillar and flogged with whips, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC129.jpg
  • St Genevieve, 422-502 AD, and ladies kneeling and praying in Renaissance costume, stained glass window by Romain Buron of Gisors, 1530, restored c. 1950, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC132.jpg
  • The Lamentation, high relief in stone, 1572, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC137.jpg
  • St Clotilde, 475-545 AD, holding a model of a church, stained glass window by Romain Buron of Gisors, 1530, restored c. 1950, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC133.jpg
  • St Peter holding the keys of heaven and below, the donor family, stained glass window by Romain Buron of Gisors, 1530, restored c. 1950, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC134.jpg
  • Virgin and child stained glass window, by Romain Buron of Gisors, 1530, restored c. 1950, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC135.jpg
  • Detail of Notre Dame de Liesse or Our Lady of Liesse, 1634, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. This is a grisaille stained glass window with limited colours, originally Renaissance in design but later added to. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC136.jpg
  • MANTES-LA-JOLIE - OCTOBER 29 : A general view of the Collegiate Church of Notre Dame, Mantes-la-Jolie, Yvelines, France on October 29, 2008. Mainly built in the late 12th century in the Gothic tradition, and added to until the 14th century, the church resembles in style Notre Dame de Paris. It has fine sculptural doorways and a rose window. The area was heavily bombed during the 2nd World war after which the church was restored. It is seen here in morning mist. (Photo by Manuel Cohen)
    DFRANCE080566.JPG
  • MANTES-LA-JOLIE - OCTOBER 29  : A view from below of gargoyles on the Collegiate Church of Notre Dame, Mantes-la-Jolie, Yvelines, France on October 29, 2008. Mainly built in the late 12th century in the Gothic tradition, and added to until the 14th century, the church resembles in style Notre Dame de Paris. It has fine sculptural doorways and a rose window. The area was heavily bombed during the 2nd World war after which the church was restored. In the background the tower is just visble through the morning mist. (Photo by Manuel Cohen)
    DFRANCE080565.JPG
  • MANTES-LA-JOLIE - OCTOBER 29  : A view from below of gargoyles on the Collegiate Church of Notre Dame, Mantes-la-Jolie, Yvelines, France on October 29, 2008. Mainly built in the late 12th century in the Gothic tradition, and added to until the 14th century, the church resembles in style Notre Dame de Paris. It has fine sculptural doorways and a rose window. The area was heavily bombed during the 2nd World war after which the church was restored. In the background the tower is just visble through the morning mist. (Photo by Manuel Cohen)
    DFRANCE080564.JPG
  • MANTES-LA-JOLIE - OCTOBER 29 : A general view of the Collegiate Church of Notre Dame, Mantes-la-Jolie, Yvelines, France on October 29, 2008. Mainly built in the late 12th century in the Gothic tradition, and added to until the 14th century, the church resembles in style Notre Dame de Paris. It has fine sculptural doorways and a rose window. The area was heavily bombed during the 2nd World war after which the church was restored. It is seen here in morning mist. (Photo by Manuel Cohen)
    DFRANCE080563.JPG
  • MANTES-LA-JOLIE - OCTOBER 29 : A low angle view of sculpted pinacles and gargoyles of the Collegiate Church of Notre Dame, Mantes-la-Jolie, Yvelines, France on October 29, 2008. Mainly built in the late 12th century in the Gothic tradition, and added to until the 14th century, the church resembles in style Notre Dame de Paris. It has fine sculptural doorways and a rose window. The area was heavily bombed during the 2nd World war after which the church was restored. It is seen here in morning mist. (Photo by Manuel Cohen)
    DFRANCE080562.JPG
  • MANTES-LA-JOLIE - OCTOBER 29 : A low angle view of the Collegiate Church of Notre Dame, Mantes-la-Jolie, Yvelines, France on October 29, 2008. Mainly built in the late 12th century in the Gothic tradition, and added to until the 14th century, the church resembles in style Notre Dame de Paris. It has fine sculptural doorways and a rose window. The area was heavily bombed during the 2nd World war after which the church was restored. It is seen here in morning mist. (Photo by Manuel Cohen)
    DFRANCE080561.JPG
  • MANTES-LA-JOLIE - OCTOBER 29 : A low angle view of the facade of the Collegiate Church of Notre Dame, Mantes-la-Jolie, Yvelines, France on October 29, 2008. Mainly built in the late 12th century in the Gothic tradition, and added to until the 14th century, the church resembles in style Notre Dame de Paris. It has fine sculptural doorways and a rose window. The area was heavily bombed during the 2nd World war after which the church was restored. It is seen here in morning mist with a lamppost in the fireground. (Photo by Manuel Cohen)
    DFRANCE080559.JPG
  • Porch of Collegiate Church of Candes-Saint-Martin, Indre-et-Loire, France. The church was built in the 12th century and fortified in the 15th, and is built on the site of the death of St Martin in 397 AD. The porch, built c. 1250, is of 2 storeys. The chapel is above, and on the ground floor as seen here, carved vaults rest on a thin column. The door is crowned by 5 arches and carved scenes of the Last Judgement. The tympanum shows Christ with the Virgin Mary and St John, and niches contain sculptures of saints from the Old and New Testaments. At eye level are sculptures of heads of saints, kings, angels and masks amid vegetal decoration. This work was completed by many sculptors over half a century. Picture by Manuel Cohen
    LC13_FRANCE_MC129.jpg
  • Painted sculptures in southern nave of Collegiate Church of Candes-Saint-Martin, Indre-et-Loire, France. The sculptures represent 3 women holding a book, one crowned, placed opposite similar sculptures of Christ with St Peter and St John. The church was built in the 12th century and fortified in the 15th, and is built on the site of the death of St Martin in 397 AD. Picture by Manuel Cohen
    LC13_FRANCE_MC127.jpg
  • Stained glass window from St Martin Chapel at Collegiate Church of Candes-Saint-Martin, Indre-et-Loire, France.  The window depicts St Martin cutting his cloak with his sword and giving half to a beggar. The church was built in the 12th century and fortified in the 15th, and is built on the site of the death of St Martin in 397 AD. Picture by Manuel Cohen
    LC13_FRANCE_MC128.jpg
  • Painted sculpture of Virgin and child from Collegiate Church of Candes-Saint-Martin, Indre-et-Loire, France. The church was built in the 12th century and fortified in the 15th, and is built on the site of the death of St Martin in 397 AD. Picture by Manuel Cohen
    LC13_FRANCE_MC126.jpg
  • Painted sculptures in southern nave of Collegiate Church of Candes-Saint-Martin, Indre-et-Loire, France. The sculptures represent King David playing his harp, and above, Christ telling St Peter to put away his sword. The church was built in the 12th century and fortified in the 15th, and is built on the site of the death of St Martin in 397 AD. Picture by Manuel Cohen
    LC13_FRANCE_MC125.jpg
  • Painted sculptures in southern nave of Collegiate Church of Candes-Saint-Martin, Indre-et-Loire, France. The sculptures represent Christ telling St Peter to put away his sword. The church was built in the 12th century and fortified in the 15th, and is built on the site of the death of St Martin in 397 AD. Picture by Manuel Cohen
    LC13_FRANCE_MC124.jpg
  • Porch of Collegiate Church of Candes-Saint-Martin, Indre-et-Loire, France. These sculpted angels, masks, animals and vegetal designs in trefoiled niches surround the heads of Kings and saints, and give a fantastical air to the scene. They date from the 13th century. The church was built in the 12th century and fortified in the 15th, and is built on the site of the death of St Martin in 397 AD. Picture by Manuel Cohen
    LC13_FRANCE_MC130.jpg
  • Choir, with rood screen of 1521 with 26 bas reliefs in Gothic and Renaissance style, in the Collegiale de l'Assomption, or Collegiale de Notre-Dame, the Collegiate Church of Our Lady of the Assumption, aerial view, built 13th century, with 16th century nave and bell tower, in Villemaur-sur-Vanne, Aube, Grand Est, France. The rood screen is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_1754.JPG
  • Sun on the ceiling of the Collegiale de l'Assomption, or Collegiale de Notre-Dame, the Collegiate Church of Our Lady of the Assumption, aerial view, built 13th century, with 16th century nave and bell tower, in Villemaur-sur-Vanne, Aube, Grand Est, France. The church is famous for its rood screen of 1521 with 26 bas reliefs in Gothic and Renaissance style. The rood screen is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_1756.jpg
  • Crucifixion sculpture above the rood screen, in the Collegiale de l'Assomption, or Collegiale de Notre-Dame, the Collegiate Church of Our Lady of the Assumption, aerial view, built 13th century, with 16th century nave and bell tower, in Villemaur-sur-Vanne, Aube, Grand Est, France. The rood screen is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_1755.jpg
  • Resurrection of Christ, detail from the rood screen of 1521, with 26 bas reliefs in Gothic and Renaissance style, in the Collegiale de l'Assomption, or Collegiale de Notre-Dame, the Collegiate Church of Our Lady of the Assumption, aerial view, built 13th century, with 16th century nave and bell tower, in Villemaur-sur-Vanne, Aube, Grand Est, France. The rood screen is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_1757.jpg
  • Christ carrying the cross, detail from the rood screen of 1521, with 26 bas reliefs in Gothic and Renaissance style, in the Collegiale de l'Assomption, or Collegiale de Notre-Dame, the Collegiate Church of Our Lady of the Assumption, aerial view, built 13th century, with 16th century nave and bell tower, in Villemaur-sur-Vanne, Aube, Grand Est, France. The rood screen is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_2017.jpg
  • Collegiale de l'Assomption, or Collegiale de Notre-Dame, the Collegiate Church of Our Lady of the Assumption, aerial view, built 13th century, with 16th century nave and bell tower, in Villemaur-sur-Vanne, Aube, Grand Est, France. The church is famous for its rood screen of 1521 with 26 bas reliefs in Gothic and Renaissance style. The rood screen is listed as a historic monument. Picture by Manuel Cohen
    DRN_ LC21_FRANCE_MC_2015.jpg
  • Virgin Mary embraced by St John the Baptist mourning the death of her son Jesus, detail of the polychrome sculptures group of the Entombment, 16th century, Collegiale Notre-Dame de Poissy, a catholic parish church founded c. 1016 by Robert the Pious and rebuilt 1130-60 in late Romanesque and early Gothic styles, in Poissy, Yvelines, France. The Collegiate Church of Our Lady of Poissy was listed as a Historic Monument in 1840. Picture by Manuel Cohen
    LC14_Paris_MC131.jpg
  • Polychrome sculpture of apostle John the Baptist holding the lamb of God in a circle, symbol of eternity, 14th century, in the Collegiale Notre-Dame de Poissy, a catholic parish church founded c. 1016 by Robert the Pious and rebuilt 1130-60 in late Romanesque and early Gothic styles, in Poissy, Yvelines, France. The Collegiate Church of Our Lady of Poissy was listed as a Historic Monument in 1840. Picture by Manuel Cohen
    LC14_Paris_MC132.jpg
  • Tombstone of a priest (fragment), 14th century, Collegiale Notre-Dame de Poissy, a catholic parish church founded c. 1016 by Robert the Pious and rebuilt 1130-60 in late Romanesque and early Gothic styles, in Poissy, Yvelines, France. The Collegiate Church of Our Lady of Poissy was listed as a Historic Monument in 1840. Picture by Manuel Cohen
    LC14_Paris_MC135.jpg
  • Foundation stone of priest Jehan Ysambert, died in 1483, text in Gothic script surmounted by two carved design, Collegiale Notre-Dame de Poissy, a catholic parish church founded c. 1016 by Robert the Pious and rebuilt 1130-60 in late Romanesque and early Gothic styles, in Poissy, Yvelines, France. The Collegiate Church of Our Lady of Poissy was listed as a Historic Monument in 1840. Picture by Manuel Cohen
    LC14_Paris_MC134.jpg
  • Mary Magdalene, detail of the polychrome sculptures group of the Entombment, 16th century, Collegiale Notre-Dame de Poissy, a catholic parish church founded c. 1016 by Robert the Pious and rebuilt 1130-60 in late Romanesque and early Gothic styles, in Poissy, Yvelines, France. The Collegiate Church of Our Lady of Poissy was listed as a Historic Monument in 1840. Picture by Manuel Cohen
    LC14_Paris_MC133.jpg
  • Polychrome sculpture of Saint Louis, or King Louis IX of France, wearing a fleur de lys crown, in the Collegiale Notre-Dame de Poissy, a catholic parish church founded c. 1016 by Robert the Pious and rebuilt 1130-60 in late Romanesque and early Gothic styles, in Poissy, Yvelines, France. Saint Louis was baptised here in 1214. The Collegiate Church of Our Lady of Poissy was listed as a Historic Monument in 1840 and has been restored by Eugene Viollet-le-Duc. Picture by Manuel Cohen
    LC14_Paris_MC136.jpg
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