manuel cohen

Show Navigation
  • Portfolio
  • Search (in english)
  • Reportages
  • Fine Art Prints
  • About
  • Contact
  • Instagram
  • Facebook
  • PicRights

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 2691 images found }

Loading ()...

  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with classical masks. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0027.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with classical masks. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0029.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with classical masks. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0018.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with classical masks. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0020.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with classical masks. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0022.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with classical masks. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0024.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with classical masks. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0036.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with classical masks. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0037.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with classical masks. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0040.jpg
  • Corner of the sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with classical masks. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0042.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with classical masks. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0031.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with classical masks. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0025.jpg
  • Michel Blay, philosopher and historian of science at CNRS (Centre National de la Recherche Scientifique), specialist in Physics of the Classical Age, pictured at his residence on October 30, 2009 in Paris, France. Author, notably with Efthymios Nicolaidis of "L'Europe des sciences. Constitution d'un espace scientifique" ("The Europe of Sciences. The Establishment of a Scientific Space", Le Seuil, 2001). Director with Robert Hailleux of "Le Dictionnaire critique de la science classique XVe - XVIIIe siècle" ("The Critical Dictionary of Classical Science in the 15th-18th centuries", Flammarion, 1998). Picture by Manuel Cohen
    10302009_MichelBlay_MCohen047.JPG
  • Michel Blay, philosopher and historian of science at CNRS (Centre National de la Recherche Scientifique), specialist in Physics of the Classical Age, pictured at his residence on October 30, 2009 in Paris, France. Author, notably with Efthymios Nicolaidis of "L'Europe des sciences. Constitution d'un espace scientifique" ("The Europe of Sciences. The Establishment of a Scientific Space", Le Seuil, 2001). Director with Robert Hailleux of "Le Dictionnaire critique de la science classique XVe - XVIIIe siècle" ("The Critical Dictionary of Classical Science in the 15th-18th centuries", Flammarion, 1998). Picture by Manuel Cohen
    10302009_MichelBlay_MCohen042.JPG
  • Michel Blay, philosopher and historian of science at CNRS (Centre National de la Recherche Scientifique), specialist in Physics of the Classical Age, pictured at his residence on October 30, 2009 in Paris, France. Author, notably with Efthymios Nicolaidis of "L'Europe des sciences. Constitution d'un espace scientifique" ("The Europe of Sciences. The Establishment of a Scientific Space", Le Seuil, 2001). Director with Robert Hailleux of "Le Dictionnaire critique de la science classique XVe - XVIIIe siècle" ("The Critical Dictionary of Classical Science in the 15th-18th centuries", Flammarion, 1998). Picture by Manuel Cohen
    10302009_MichelBlay_MCohen054.JPG
  • Michel Blay, philosopher and historian of science at CNRS (Centre National de la Recherche Scientifique), specialist in Physics of the Classical Age, pictured at his residence on October 30, 2009 in Paris, France. Author, notably with Efthymios Nicolaidis of "L'Europe des sciences. Constitution d'un espace scientifique" ("The Europe of Sciences. The Establishment of a Scientific Space", Le Seuil, 2001). Director with Robert Hailleux of "Le Dictionnaire critique de la science classique XVe - XVIIIe siècle" ("The Critical Dictionary of Classical Science in the 15th-18th centuries", Flammarion, 1998). Picture by Manuel Cohen
    10302009_MichelBlay_MCohen045.JPG
  • Michel Blay, philosopher and historian of science at CNRS (Centre National de la Recherche Scientifique), specialist in Physics of the Classical Age, pictured at his residence on October 30, 2009 in Paris, France. Author, notably with Efthymios Nicolaidis of "L'Europe des sciences. Constitution d'un espace scientifique" ("The Europe of Sciences. The Establishment of a Scientific Space", Le Seuil, 2001). Director with Robert Hailleux of "Le Dictionnaire critique de la science classique XVe - XVIIIe siècle" ("The Critical Dictionary of Classical Science in the 15th-18th centuries", Flammarion, 1998). Picture by Manuel Cohen
    10302009_MichelBlay_MCohen041.JPG
  • Michel Blay, philosopher and historian of science at CNRS (Centre National de la Recherche Scientifique), specialist in Physics of the Classical Age, pictured at his residence on October 30, 2009 in Paris, France. Author, notably with Efthymios Nicolaidis of "L'Europe des sciences. Constitution d'un espace scientifique" ("The Europe of Sciences. The Establishment of a Scientific Space", Le Seuil, 2001). Director with Robert Hailleux of "Le Dictionnaire critique de la science classique XVe - XVIIIe siècle" ("The Critical Dictionary of Classical Science in the 15th-18th centuries", Flammarion, 1998). Picture by Manuel Cohen
    10302009_MichelBlay_MCohen035.JPG
  • Michel Blay, philosopher and historian of science at CNRS (Centre National de la Recherche Scientifique), specialist in Physics of the Classical Age, pictured at his residence on October 30, 2009 in Paris, France. Author, notably with Efthymios Nicolaidis of "L'Europe des sciences. Constitution d'un espace scientifique" ("The Europe of Sciences. The Establishment of a Scientific Space", Le Seuil, 2001). Director with Robert Hailleux of "Le Dictionnaire critique de la science classique XVe - XVIIIe siècle" ("The Critical Dictionary of Classical Science in the 15th-18th centuries", Flammarion, 1998). Picture by Manuel Cohen
    10302009_MichelBlay_MCohen033.JPG
  • Michel Blay, philosopher and historian of science at CNRS (Centre National de la Recherche Scientifique), specialist in Physics of the Classical Age, pictured at his residence on October 30, 2009 in Paris, France. Author, notably with Efthymios Nicolaidis of "L'Europe des sciences. Constitution d'un espace scientifique" ("The Europe of Sciences. The Establishment of a Scientific Space", Le Seuil, 2001). Director with Robert Hailleux of "Le Dictionnaire critique de la science classique XVe - XVIIIe siècle" ("The Critical Dictionary of Classical Science in the 15th-18th centuries", Flammarion, 1998). Picture by Manuel Cohen
    10302009_MichelBlay_MCohen024.JPG
  • Michel Blay, philosopher and historian of science at CNRS (Centre National de la Recherche Scientifique), specialist in Physics of the Classical Age, pictured at his residence on October 30, 2009 in Paris, France. Author, notably with Efthymios Nicolaidis of "L'Europe des sciences. Constitution d'un espace scientifique" ("The Europe of Sciences. The Establishment of a Scientific Space", Le Seuil, 2001). Director with Robert Hailleux of "Le Dictionnaire critique de la science classique XVe - XVIIIe siècle" ("The Critical Dictionary of Classical Science in the 15th-18th centuries", Flammarion, 1998). Picture by Manuel Cohen
    10302009_MichelBlay_MCohen012.JPG
  • Michel Blay, philosopher and historian of science at CNRS (Centre National de la Recherche Scientifique), specialist in Physics of the Classical Age, pictured at his residence on October 30, 2009 in Paris, France. Author, notably with Efthymios Nicolaidis of "L'Europe des sciences. Constitution d'un espace scientifique" ("The Europe of Sciences. The Establishment of a Scientific Space", Le Seuil, 2001). Director with Robert Hailleux of "Le Dictionnaire critique de la science classique XVe - XVIIIe siècle" ("The Critical Dictionary of Classical Science in the 15th-18th centuries", Flammarion, 1998). Picture by Manuel Cohen
    10302009_MichelBlay_MCohen011.JPG
  • Michel Blay, philosopher and historian of science at CNRS (Centre National de la Recherche Scientifique), specialist in Physics of the Classical Age, pictured at his residence on October 30, 2009 in Paris, France. Author, notably with Efthymios Nicolaidis of "L'Europe des sciences. Constitution d'un espace scientifique" ("The Europe of Sciences. The Establishment of a Scientific Space", Le Seuil, 2001). Director with Robert Hailleux of "Le Dictionnaire critique de la science classique XVe - XVIIIe siècle" ("The Critical Dictionary of Classical Science in the 15th-18th centuries", Flammarion, 1998). Picture by Manuel Cohen
    10302009_MichelBlay_MCohen003.JPG
  • Michel Blay, philosopher and historian of science at CNRS (Centre National de la Recherche Scientifique), specialist in Physics of the Classical Age, pictured at his residence on October 30, 2009 in Paris, France. Author, notably with Efthymios Nicolaidis of "L'Europe des sciences. Constitution d'un espace scientifique" ("The Europe of Sciences. The Establishment of a Scientific Space", Le Seuil, 2001). Director with Robert Hailleux of "Le Dictionnaire critique de la science classique XVe - XVIIIe siècle" ("The Critical Dictionary of Classical Science in the 15th-18th centuries", Flammarion, 1998). Picture by Manuel Cohen
    10302009_MichelBlay_MCohen001.JPG
  • Auditorium with wooden interior used for unamplified classical concerts, at La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, a large concert hall seating 6000, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0837.jpg
  • Auditorium with wooden interior used for unamplified classical concerts, at La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, a large concert hall seating 6000, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0838.jpg
  • Auditorium with wooden interior used for unamplified classical concerts, at La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, a large concert hall seating 6000, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0839.jpg
  • Terracotta shell with a classical figure, sculptural detail in the Upper courtyard of the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. These classical and mythological references are typical of the Renaissance period (others include a faun and a Medusa). The sculptural decoration on the building, made by both French and Italian sculptors, has been interpreted by Fulcanelli and others as having an alchemical symbolism. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0657.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with lion's heads representing St Mark the Evangelist, patron saint of Venice. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0028.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with lion's heads representing St Mark the Evangelist, patron saint of Venice. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0030.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with lion's heads representing St Mark the Evangelist, patron saint of Venice. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0019.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with lion's heads representing St Mark the Evangelist, patron saint of Venice. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0023.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with lion's heads representing St Mark the Evangelist, patron saint of Venice. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0039.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with lion's heads representing St Mark the Evangelist, patron saint of Venice. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0021.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with lion's heads representing St Mark the Evangelist, patron saint of Venice. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0026.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with lion's heads representing St Mark the Evangelist, patron saint of Venice. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0038.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with lion's heads representing St Mark the Evangelist, patron saint of Venice. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0041.jpg
  • Sculpted frieze of putti above the first floor Ionic arcade of the Biblioteca Nazionale Marciana, or National Library of St Mark's, built in Renaissance style in 1537-53 by Jacopo Sansovino, then extended by Vincenzo Scamozzi in 1588, on the Piazzetta San Marco, between the Piazza San Marco and the Venetian lagoon, Venice, Italy. The columns are topped with Ionic capitals and the spandrel figures are angels in classical or all'antica style, and above, puttis hold decorative garlands, with lion's heads representing St Mark the Evangelist, patron saint of Venice. The 2-storey building is lined with a Doric arcade on the ground floor and Ionic arcade on the first floor, with sculptural decoration and a line of rooftop statues. The library houses an important collection of classical, Oriental and medieval codices and manuscripts. The historical centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0142.jpg
  • Porch of the Caryatids, detail, of the Erechtheion, a classical Greek temple built 421-406 BC, dedicated to Athena and Poseidon, on the North side of the Acropolis of Athens, an ancient citadel site raised above the city, in Athens, Greece. The porch consists of 6 female statues acting as supports for the roof. The Erechtheion is thought to have been designed by architect Mnesicles and sculpted and decorated by Phidias. Pericles developed the acropolis in the 5th century BC, adding the Parthenon, Propylaia, Erechtheion and Temple of Athena Nike to the site. The acropolis is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LCGREECE07_10_176.jpg
  • Odeon of Herodes Atticus, a stone theatre built 161 AD by Herodes Atticus in memory of his wife, Aspasia Annia Regilla, on the Southern slopes of the Acropolis of Athens, Greece. The theatre was renovated with a marble auditorium in the 1950s and many classical concerts are held there. The Acropolis of Athens is an ancient citadel site raised above the city, developed by Pericles in the 5th century BC, with the addition of the Parthenon, Propylaia, Erechtheion and Temple of Athena Nike. The acropolis is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LCGREECE07_10_168.jpg
  • The Acropolis of Athens, an ancient citadel site raised above the city, with the Parthenon, a Classical Greek temple built 447-432 BC dedicated to the goddess Athena, in Athens, Greece. The Parthenon was designed by the architects Ictinos and Callicrates, with sculptural decorated by Phidias. Pericles developed the acropolis in the 5th century BC, adding the Parthenon, Propylaia, Erechtheion and Temple of Athena Nike to the site. The acropolis is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LCGREECE07_10_165.jpg
  • The Acropolis of Athens, an ancient citadel site raised above the city, with the Parthenon, a Classical Greek temple built 447-432 BC dedicated to the goddess Athena, in Athens, Greece. The Parthenon was designed by the architects Ictinos and Callicrates, with sculptural decorated by Phidias. Pericles developed the acropolis in the 5th century BC, adding the Parthenon, Propylaia, Erechtheion and Temple of Athena Nike to the site. The acropolis is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LCGREECE07_10_163.jpg
  • The Acropolis of Athens, an ancient citadel site raised above the city, with the Parthenon, a Classical Greek temple built 447-432 BC dedicated to the goddess Athena, in Athens, Greece. The Parthenon was designed by the architects Ictinos and Callicrates, with sculptural decorated by Phidias. Pericles developed the acropolis in the 5th century BC, adding the Parthenon, Propylaia, Erechtheion and Temple of Athena Nike to the site. The acropolis is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LCGREECE07_10_162.jpg
  • Temple of Hephaestus, or Hephaisteion, an ancient Greek Doric temple built 449-415 BC, on the North West side of the Ancient Agora of Athens, on top of the Agoraios Kolonos hill, in Athens, Greece. From the 7th century AD until 1834, it was used as the Greek Orthodox church of Saint George Akamates. The Agora of Athens is a large area built 6th century BC in the Classical Greek period, used as a commercial, assembly, or residential gathering place. Picture by Manuel Cohen
    LCGREECE07_10_177.jpg
  • Odeon of Herodes Atticus, a Roman stone theatre built 161 AD by Herodes Atticus in memory of his wife, Aspasia Annia Regilla, on the Southern slopes of the Acropolis of Athens, Greece. The theatre was renovated with a marble auditorium in the 1950s and many classical concerts are held there. The Acropolis of Athens is an ancient citadel site raised above the city, developed by Pericles in the 5th century BC, with the addition of the Parthenon, Propylaia, Erechtheion and Temple of Athena Nike. The acropolis is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LCGREECE07_10_167.jpg
  • Porch of the Caryatids of the Erechtheion, a classical Greek temple built 421-406 BC, dedicated to Athena and Poseidon, on the North side of the Acropolis of Athens, an ancient citadel site raised above the city, in Athens, Greece. The porch consists of 6 female statues acting as supports for the roof. The Erechtheion is thought to have been designed by architect Mnesicles and sculpted and decorated by Phidias. Pericles developed the acropolis in the 5th century BC, adding the Parthenon, Propylaia, Erechtheion and Temple of Athena Nike to the site. The acropolis is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LCGREECE07_10_164.jpg
  • Famous Men and Women from Classical and Biblical Antiquity, from the Universal Chronical, also known as the Cockerell Chronicle, c. 1450, pen and ink with watercolour on paper, attributed to Barthelemy D'Eyck, 1420-70, Dutch painter and manuscript illuminator, from the Metropolitan Museum Of Art, New York, USA. The figures depicted are Minos, Jephthah sacrificing his daughter, Agamemnon, Menelaus, Priam, Helen of Troy, Paris, Jason with the Golden Fleece, and Hector. Picture by Manuel Cohen
    LC15_ART_MC004.jpg
  • The Artemision or Temple of Artemis, centre for the cult of Artemis, with a column recreated from fragments found on site in 1973, Ephesus, Izmir, Turkey.<br />
The Artemision was the most important sanctuary of Ephesus, dedicated to the goddess Artemis. Three Artemisions have been built and subsequently destroyed, in the 6th, 4th and 3rd centuries BC. Today only the foundations and a few sculptures remain. This column is an architectural model created from sections of various columns found on the site, standing on an original column base from the last, late classical temple. Beneath this lies a base from the 6th century BC Croesus Temple. Storks now nest on top of the column, as seen here. The site has become overcome with swamp in recent centuries. The temple was one of the Seven Wonders of the Ancient World. Ephesus was an ancient Greek city founded in the 10th century BC, and later a major Roman city, on the Ionian coast near present day Selcuk. Picture by Manuel Cohen
    LC13_Turkey_MC637.jpg
  • The Artemision or Temple of Artemis, centre for the cult of Artemis, with a column recreated from fragments found on site in 1973, Ephesus, Izmir, Turkey.<br />
The Artemision was the most important sanctuary of Ephesus, dedicated to the goddess Artemis. Three Artemisions have been built and subsequently destroyed, in the 6th, 4th and 3rd centuries BC. Today only the foundations and a few sculptures remain. This column is an architectural model created from sections of various columns found on the site, standing on an original column base from the last, late classical temple. Beneath this lies a base from the 6th century BC Croesus Temple. Storks now nest on top of the column, as seen here. The site has become overcome with swamp in recent centuries. The temple was one of the Seven Wonders of the Ancient World. Ephesus was an ancient Greek city founded in the 10th century BC, and later a major Roman city, on the Ionian coast near present day Selcuk. Picture by Manuel Cohen
    LC13_Turkey_MC638.jpg
  • Gabinetto di Apollo, or Apollo Cabinet, designed in classical style by Pelagio Palagi, used as the waiting room of Carlo Alberto, in the Castello Reale di Racconigi, royal palace of the House of Savoy, at Racconigi, Cuneo, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0554.jpg
  • Sala dei Dignitari, or Hall of Dignitaries, used as the king's waiting room, designed 1834-39 by Pelagio Palagi and decorated with classical themes by Bellosio, Airaghi, Sala, Cinati and Trefogli, in the Castello Reale di Racconigi, royal palace of the House of Savoy, at Racconigi, Cuneo, Piedmont, Italy. On plinths are marble busts of princesses Maria Pia and Maria Clotilde, daughters of Vittorio Emanuele II, by Santo Varni. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0552.jpg
  • Sala dei Dignitari, or Hall of Dignitaries, used as the king's waiting room, designed 1834-39 by Pelagio Palagi and decorated with classical themes by Bellosio, Airaghi, Sala, Cinati and Trefogli, in the Castello Reale di Racconigi, royal palace of the House of Savoy, at Racconigi, Cuneo, Piedmont, Italy. On plinths are marble busts of princesses Maria Pia and Maria Clotilde, daughters of Vittorio Emanuele II, by Santo Varni. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0551.jpg
  • Sala Da Pranzo, or Dining Room, by Ernesto Melano and Pelagio Palagi, with decoration following classical mythological themes, used from 1832 by Carlo Alberto as a legislative room, in the Castello Reale di Racconigi, royal palace of the House of Savoy, at Racconigi, Cuneo, Piedmont, Italy. The 4 statues are by Giuseppe Bogliani, Luigi Cauda, Carlo Canigia and Giuseppe Gaggini, fireplace by Gaggini and mosaic floor by Baldassare Macchi. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0534.jpg
  • Classical ruins, painting in the Sala delle Prospettive, or Hall of Perspectives, decorated with restored trompe l'oeil architectural painted panels, 1751-53, by Giovanni Battista Alberoni, used as a living room, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0527.jpg
  • Classical ruins, painting in the Sala delle Prospettive, or Hall of Perspectives, decorated with restored trompe l'oeil architectural painted panels, 1751-53, by Giovanni Battista Alberoni, used as a living room, in the Palazzina di caccia di Stupinigi, a hunting residence, rebuilt and designed early 18th century by Filippo Juvarra for Vittorio Amedeo II of Savoy, in Stupinigi, Nichelino, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0489.jpg
  • Allegory of a classical military triumph, Renaissance marble high relief panel, 1515-23, by Agostino Busti, 1483-1548, from the funerary monument of Gaston de Foix, in the Museo Civico d'Arte Antica, in the Palazzo Madama e Casaforte degli Acaja, built in the 14th - 18th century by the House of Savoy as a castle and royal residence, in Turin, Piedmont, Italy. The palace is part of the House of Savoy UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0260.jpg
  • Reclining statue of Leonardo da Vinci, 1452-1519, as a classical god, 1923, by Amleto Cataldi, 1886-1930, on the Ile Saint-Jean on the river Loire, opposite the Chateau d'Amboise, in Amboise, Indre-et-Loire, France. Leonardo da Vinci lived 1517-19 and died in the nearby Chateau du Clos Luce, a manor house built 1468-71, designed in Renaissance style by Albert Dufet, originally a stronghold of the Chateau d'Amboise and later a royal summer residence. Picture by Manuel Cohen
    LC23_FRANCE_MC_0112.jpg
  • Classical style statue in the window of the Cabinet Vert, the study and library of Catherine de Medici, in the Chateau de Chenonceau, built 1514-22 in late Gothic and early Renaissance style on the River Cher near Chenonceaux, Indre-et-Loire, France. The chateau was extended on a bridge across the river, commissioned by Diane de Poitiers and built 1556-59 by Philibert de l'Orme, with a gallery added 1570-76 by Jean Bullant. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC23_FRANCE_MC_0198.jpg
  • Painted classical scene on the wall of the Study of the Emperor, in the Emperor's Apartment used by Napoleon, in the Royal Palace of Venice, now the Correr Museum, on the Piazza San Marco in Venice, Veneto, Italy. The Napoleonic wing was built 1807-13 designed by Giovanni Antonio Antolini and Giuseppe Maria Soli and was used by Napoleon until 1814, the Emperor of Austria until 1866 and the king of Italy until 1919. The historic centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0175.jpg
  • Ceiling painted with classical scenes, in the Study of the Emperor, in the Emperor's Apartment used by Napoleon, in the Royal Palace of Venice, now the Correr Museum, on the Piazza San Marco in Venice, Veneto, Italy. The Napoleonic wing was built 1807-13 designed by Giovanni Antonio Antolini and Giuseppe Maria Soli and was used by Napoleon until 1814, the Emperor of Austria until 1866 and the king of Italy until 1919. The historic centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0174.jpg
  • Painted classical scene on the wall of the Study of the Emperor, in the Emperor's Apartment used by Napoleon, in the Royal Palace of Venice, now the Correr Museum, on the Piazza San Marco in Venice, Veneto, Italy. The Napoleonic wing was built 1807-13 designed by Giovanni Antonio Antolini and Giuseppe Maria Soli and was used by Napoleon until 1814, the Emperor of Austria until 1866 and the king of Italy until 1919. The historic centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0221.jpg
  • Classical style woman with cornucopia in trompe l'oeil frame, wall painting by Pietro Ricchi, 1606-75, in the antechamber to the Chambre de la Parade, or Parade Room, at the Chateau de Flecheres, built 1610-16 by Jean de Seve, in Dombes, Fareins, Ain, France. The chateau was built on an earlier 12th century fortress and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1351.jpg
  • Courthouse, built in classical style with portico and pediment, at Vouziers, Ardennes, Grand Est, France, where Paul Verlaine, French poet, 1844-96, was tried in 1885 and sentenced to prison for a month for drunkenness. Picture by Manuel Cohen
    LC21_FRANCE_MC_1912.JPG
  • Gare de Reims, or Reims train station, opened 1858 by the Compagnie des Chemins de Fer des Ardennes, designed by Felix Langlais, 1827-89, on the Esplanade Francois Mitterrand in Reims, Marne, Grand Est, France. The building is classical in style with pillars and pilasters with capitals between arches, and a clock pediment on the roofline. Picture by Manuel Cohen
    LC21_FRANCE_MC_1596.jpg
  • Holy Trinity statue, late 15th - early 16th century, in the Eglise Saint-Martin, built 13th - 18th centuries in Gothic and Classical styles, in Langres, Haute-Marne, Grand Est, France. The church is a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_2330.jpg
  • Votive relief of a hero wearing a chlamys (cloak) and petasus (hat) at an altar, with his horse and a woman wearing chiton (tunic), himation (cloak) and cecryphalus (headband), classical Greek, 4th century BC, from Delos, Cyclades, with modern restoration, in the Musee Lapidaire, or Lapidary Museum, in Avignon, Provence-Alpes-Cote-d'Azur, France. The museum houses archaeological artefacts from the Collection Archeologique de la Fondation Calvet, from the Musee Calvet. Picture by Manuel Cohen
    LC21_FRANCE_MC_1314.jpg
  • Glazed terracotta frieze with classical scenes, detail, attributed to Bertolodi Giovanni, 1440-91 and Andrea Sansovino, 1467-1529, in the Sala del Fregio or Frieze Room, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The frieze was originally on the architrave of the pediment of the loggia of the villa, but was moved inside in 1992 and restored 2010-11. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_185.jpg
  • Glazed terracotta frieze with classical scenes, detail, attributed to Bertolodi Giovanni, 1440-91 and Andrea Sansovino, 1467-1529, in the Sala del Fregio or Frieze Room, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The frieze was originally on the architrave of the pediment of the loggia of the villa, but was moved inside in 1992 and restored 2010-11. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_156.jpg
  • Glazed terracotta frieze with classical scenes, detail, attributed to Bertolodi Giovanni, 1440-91 and Andrea Sansovino, 1467-1529, in the Sala del Fregio or Frieze Room, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The frieze was originally on the architrave of the pediment of the loggia of the villa, but was moved inside in 1992 and restored 2010-11. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_155.jpg
  • Glazed terracotta frieze with classical scenes, detail, attributed to Bertolodi Giovanni, 1440-91 and Andrea Sansovino, 1467-1529, in the Sala del Fregio or Frieze Room, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The frieze was originally on the architrave of the pediment of the loggia of the villa, but was moved inside in 1992 and restored 2010-11. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_153.jpg
  • Glazed terracotta frieze with classical scenes, detail, attributed to Bertolodi Giovanni, 1440-91 and Andrea Sansovino, 1467-1529, in the Sala del Fregio or Frieze Room, in the Villa di Poggio a Caiano, a Medici Villa built from 1480 in Renaissance style by Giuliano da Sangallo, 1443-1516, for Lorenzo de Medici, in Poggio a Caiano, Prato, Tuscany, Italy. The frieze was originally on the architrave of the pediment of the loggia of the villa, but was moved inside in 1992 and restored 2010-11. The villa was begun 1480-95 and completed 1513-20 under Giovanni de Medici by Andrea di Cosimo Feltrini and Franciabigio. The museum now houses 2 museums, the Museo della Natura Morta or Still Life Museum, and the Historic Apartments. It forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_152.JPG
  • Dali's studio, with a classical male nude statue and other props, in the Salvador Dali House Museum in Portlligat, Cap de Creus, Cadaques, Catalonia, Spain. Salvador Dali, 1904-89, Spanish Surrealist painter, lived and worked here from 1930 to 1982, when his partner and muse Gala died. The building was originally several fisherman's cottages which the couple bought and developed, with windows overlooking the bay, a swimming pool and garden studio. The house became a museum in 1997, run by the Dali Foundation. Picture by Manuel Cohen
    LC20_SPAIN_MC_0559.jpg
  • Mermaid sculpture by Maria Llimona i Benet, 1894-1985, in the Santa Clotilde Gardens, at Lloret de Mar, on the Costa Brava, in Catalonia, Spain. The garden was commissioned by the Marquis of Roviralta in 1919 and created by Nicolau Maria Rubio i Tuduri. It overlooks the Mediterranean Sea, Boadella cove and Fenals beach. The garden is planted in catalan noucentisme style, seeking classical symmetry and order in its planting, using pine trees, ivy, lindens, poplars, Japanese mock-orange and cypresses, interspersed with fountains and sculptures. Picture by Manuel Cohen
    LC20_SPAIN_MC_0625.jpg
  • Neoclassical marble bust, in the Santa Clotilde Gardens, at Lloret de Mar, on the Costa Brava, in Catalonia, Spain. The garden was commissioned by the Marquis of Roviralta in 1919 and created by Nicolau Maria Rubio i Tuduri. It overlooks the Mediterranean Sea, Boadella cove and Fenals beach. The garden is planted in catalan noucentisme style, seeking classical symmetry and order in its planting, using pine trees, ivy, lindens, poplars, Japanese mock-orange and cypresses, interspersed with fountains and sculptures. Picture by Manuel Cohen
    LC20_SPAIN_MC_0616.jpg
  • Central courtyard or Cour Louis XIV, at Fontfroide Abbey or l'Abbaye Sainte-Marie de Fontfroide, at Narbonne, Languedoc-Roussillon, Occitanie, France. In the middle ages this courtyard housed the well, bakery, forge and joinery. It was redesigned in the 18th century in a more classical style. Founded by the Viscount of Narbonne in 1093, Fontfroide linked to the Cistercian order in 1145. Today the abbey is privately owned and its estate produces AOC Corbieres wine. Picture by Manuel Cohen
    LC20_FRANCE_MC_0439.jpg
  • Central courtyard or Cour Louis XIV, at Fontfroide Abbey or l'Abbaye Sainte-Marie de Fontfroide, at Narbonne, Languedoc-Roussillon, Occitanie, France. In the middle ages this courtyard housed the well, bakery, forge and joinery. It was redesigned in the 18th century in a more classical style. Founded by the Viscount of Narbonne in 1093, Fontfroide linked to the Cistercian order in 1145. Today the abbey is privately owned and its estate produces AOC Corbieres wine. Picture by Manuel Cohen
    LC20_FRANCE_MC_0413.jpg
  • Classical statue in a niche, in the first antechamber of the Intendant's apartments, in the Hotel de la Marine, built 1757-74 by Ange-Jacques Gabriel, 1698-1782, architect to King Louis XV, on the Place de la Concorde, in the 8th arrondissement of Paris, France. The building was made to house the Garde-Meuble de la Couronne, the king's furniture collection. The Intendant of the Garde-Meuble was an important officer to the king, and was housed in this building in lavish apartments (Pierre-Elisabeth de Fontanieu from 1765, and Marc-Antoine Thierry de Ville d’Avray from 1786). From 1789, the building became the Ministere de la Marine, the navy ministry. It was restored 2017-20 and is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0790.jpg
  • West and north galleries of the main Grand-Moutier Cloister at Fontevraud Abbey, Fontevraud-l'Abbaye, Loire Valley, Maine-et-Loire, France. The cloister, built to house virgin nuns, was originally Romanesque but was rebuilt in the 16th century. Renee de Bourbon renovated the south gallery in Gothic style in 1519, then Louise de Bourbon rebuilt the 3 other galleries in classical style 1530-60. The abbey was founded in 1100 by Robert of Arbrissel, who created the Order of Fontevraud. It was a double monastery for monks and nuns, run by an abbess. The abbey is listed as a historic monument and a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_FRANCE_MC_0035.jpg
  • North gallery of the main Grand-Moutier Cloister at Fontevraud Abbey, Fontevraud-l'Abbaye, Loire Valley, Maine-et-Loire, France. The cloister, built to house virgin nuns, was originally Romanesque but was rebuilt in the 16th century. Renee de Bourbon renovated the south gallery in Gothic style in 1519, then Louise de Bourbon rebuilt the 3 other galleries in classical style 1530-60. The abbey was founded in 1100 by Robert of Arbrissel, who created the Order of Fontevraud. It was a double monastery for monks and nuns, run by an abbess. The abbey is listed as a historic monument and a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_FRANCE_MC_0160.jpg
  • Modernist style mosaic of a classical scene with reclining man playing a lyre, on the open air amphitheatre used for musical performances, in the Square Sarah Bernhardt, built 1936, in the Charonne quarter of the 20th arrondissement of Paris, France. The square is named after French actress Henriette-Marie-Sarah Bernhardt, known as Sarah Bernhardt, 1844-1923. Picture by Manuel Cohen
    LC19_PARIS_MC_1331.JPG
  • Clock, with reliefs of classical  winged figures, in the Galerie Vivienne, a covered shopping arcade built in 1823 for Marchoux, President of the Chamber of Notaries, designed by Francois Jean Delannoy, between the Rue des Petits-Champs, Rue de la Banque and Rue Vivienne, in the 2nd arrondissement of Paris, France. The arcade is decorated in Neoclassical Pompeian style. It is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1146.jpg
  • Decorative stucco detail with classical figures holding wreaths, in the Galerie Vivienne, a covered shopping arcade built in 1823 for Marchoux, President of the Chamber of Notaries, designed by Francois Jean Delannoy, between the Rue des Petits-Champs, Rue de la Banque and Rue Vivienne, in the 2nd arrondissement of Paris, France. The arcade is decorated in Neoclassical Pompeian style. It is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1155.jpg
  • Decorative stucco detail with classical figure holding a wreath, in the Galerie Vivienne, a covered shopping arcade built in 1823 for Marchoux, President of the Chamber of Notaries, designed by Francois Jean Delannoy, between the Rue des Petits-Champs, Rue de la Banque and Rue Vivienne, in the 2nd arrondissement of Paris, France. The arcade is decorated in Neoclassical Pompeian style. It is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1148.jpg
  • Decorative stucco detail with classical figure holding a wheat sheaf and scythe, in the Galerie Vivienne, a covered shopping arcade built in 1823 for Marchoux, President of the Chamber of Notaries, designed by Francois Jean Delannoy, between the Rue des Petits-Champs, Rue de la Banque and Rue Vivienne, in the 2nd arrondissement of Paris, France. The arcade is decorated in Neoclassical Pompeian style. It is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_1147.jpg
  • Erotic tile fresco with classical mythological theme at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0943.jpg
  • Erotic tile fresco with classical mythological theme at Aux Belles Poules, an art deco style 'maison close' or brothel built in 1904 and opened 1920, with original mirrors and erotic tile frescoes rediscovered in 2014, on the Rue Blondel in the 2nd arrondissement of Paris, France. Caroline Senot discovered the tiles when removing panelling when the building housed her father's technology company, and has restored and reopened the venue as a restaurant and events space, also used for meetings and conferences, sometimes with a burlesque element. Photographed on 11th December 2018 by Manuel Cohen
    LC19_PARIS_MC_0951.jpg
  • La Defense, 1879, sculpture by Auguste Rodin, 1840-1917, remade in bronze in 2017 by the Fonderie de Coubertin in Saint-Remy-les-Chevreuse, on the staircase of La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. The statue depicts a winged woman with arms raised and fists clenched, leaning on a dying warrior, representing courage and resilience. The complex includes La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0833.jpg
  • La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0830.jpg
  • Foyer of La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, a large concert hall seating 6000, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0841.jpg
  • La Grande Seine at La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, a large concert hall seating 6000, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0840.jpg
  • La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, at La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0836.jpg
  • La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0834.jpg
  • La Grande Seine at La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, a large concert hall seating 6000, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0850.jpg
  • La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, aerial view, at La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0846.jpg
  • La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, aerial view, at La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0847.jpg
  • Event or exhibition space in the La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, a large concert hall seating 6000, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0845.jpg
  • Sculptural detail with armorial shield and classical figure, from the Grand Salon, decorated by Paul Baudry and Eugene Delaplanche, in Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0042.jpg
  • Gold columns with classical decoration in the alcove in the Salon de Musique or Music Room, in Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0075.jpg
  • Sculptural detail with armorial shield and classical figure, from the Grand Salon, decorated by Paul Baudry and Eugene Delaplanche, in Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0054.jpg
  • Classical atlante statue with aulos, on the grand sculpted fireplace by Jules Dalou, in the Grande Salle a Manger or Large Dining Room, decorated in Renaissance style, in the Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0078.jpg
Next
  • Facebook
  • Twitter
x