manuel cohen

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  • Martyrdom of St Denis, with St Denis, Rustique and Eleuthera led away in chains for their beliefs, detail, relief on the tympanum of the North portal of the West facade, made 1135 and restored in 1839, at the Basilique Saint-Denis, Paris, France. Abbot Suger originally had a mosaic made on this tympanum, and was introducing a hagiography of St Denis with this imagery. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0370.jpg
  • Martyrdom of St Denis, with St Denis, Rustique and Eleuthera led away in chains for their beliefs, relief on the tympanum of the North portal of the West facade, made 1135 and restored in 1839, at the Basilique Saint-Denis, Paris, France. Abbot Suger originally had a mosaic made on this tympanum, and was introducing a hagiography of St Denis with this imagery. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0369.jpg
  • Archivolt figures and detail from the Martyrdom of St Denis, with St Denis, Rustique and Eleuthera led away in chains for their beliefs, relief on the tympanum of the North portal of the West facade, made 1135 and restored in 1839, at the Basilique Saint-Denis, Paris, France. Abbot Suger originally had a mosaic made on this tympanum, and was introducing a hagiography of St Denis with this imagery. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0367.jpg
  • Archivolt figures and detail from the Martyrdom of St Denis, with St Denis, Rustique and Eleuthera led away in chains for their beliefs, relief on the tympanum of the North portal of the West facade, made 1135 and restored in 1839, at the Basilique Saint-Denis, Paris, France. Abbot Suger originally had a mosaic made on this tympanum, and was introducing a hagiography of St Denis with this imagery. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0356.jpg
  • Martyrdom of St Denis, with St Denis, Rustique and Eleuthera led away in chains for their beliefs, detail, relief on the tympanum of the North portal of the West facade, made 1135 and restored in 1839, at the Basilique Saint-Denis, Paris, France. Abbot Suger originally had a mosaic made on this tympanum, and was introducing a hagiography of St Denis with this imagery. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0355.jpg
  • Martyrdom of St Denis, with St Denis, Rustique and Eleuthera led away in chains for their beliefs, relief on the tympanum of the North portal of the West facade, made 1135 and restored in 1839, at the Basilique Saint-Denis, Paris, France. Abbot Suger originally had a mosaic made on this tympanum, and was introducing a hagiography of St Denis with this imagery. The basilica is a large medieval 12th century Gothic abbey church and burial site of French kings from 10th - 18th centuries. Picture by Manuel Cohen
    LC18_FRANCE_MC_0354.jpg
  • Elders of the church and winged ox of St Luke, detail from scene of God in Majesty, detail of the first piece depicting the Seven Seals, from the Tenture de l'Apocalypse or Apocalypse Tapestry, made 1373-82 by Nicolas Bataille in the workshop of Robert Poincon after preparatory drawings by Hennequin de Bruges, in the Musee de la Tapisserie de l'Apocalypse, in the Chateau d'Angers, Angers, Maine-et-Loire, France. The tapestry was commissioned by Louis I duc d'Anjou and depicts the Apocalypse of John. It measures 140m and is divided into 6 pieces with 90 scenes. Although bequeathed to Angers Cathedral by King Rene in the 15th century, the tapestry was reconstructed and restored in the 19th century, listed as a historic monument and exhibited in the castle. Picture by Manuel Cohen
    _CC_2163.jpg
  • Germanus of Auxerre  and Saint Loup, bishop of Troyes, blessing Sainte Genevieve, fresco in the Northern transept, 1926 - 1927, directed by Maitre Paul Baudoin, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC298.jpg
  • Eucharist, small frescoes by Joseph Radan in the ambulatory, depicting the seven sacraments, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC282.jpg
  • Christ in majesty, detail of the monumental fresco on the vault of the choir painted by Leon Toublanc, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC267.JPG
  • Well of Saint Genevieve (Sainte Geneviève), in front of the Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. According to the legend of Saint Genevieve, born at the place of the cathedral circa 422, Saint Genevieve's tears -because of her mother being opposed to her mysticism- shed into the well, would have cured her mother from blindness. Since then it is a place of pilgrimage, including Anne of Austria, future mother of Louis XIV who came to the well in 1636 to grant her wish of maternity. Picture by Manuel Cohen
    LC13_Paris_MC254.jpg
  • The Annunciation and Nativity scenes :  Mary standing on the left and listening to angel Gabriel (not pictured) and Mary lying next to Joseph in the middle and Jesus lying in a bed on the right, detail of the 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC038.jpg
  • Detail of Matthew the Apostle, 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC020.jpg
  • Detail of Mark the Evangelist, flanked by a lion, his symbolic attribute in the desert, 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC022.jpg
  • Capital from column in internal courtyard of Ben Youssef Madrasa, Medina, Marrakech, Morocco. The Madrasa is an Islamic theological college founded in the 14th century and rebuilt by the Saadians in the 1560s. It is named after the Almoravid Sultan Ali ibn Yusuf, who reigned 1106-42. Picture by Manuel Cohen
    LCMOROCCO_12_MC125.jpg
  • Hall of the three niches, Saadian tombs, Medina, Marrakech, Morocco. The tombs, near the Kasbah mosque, date from the reign of Sultan Ahmad al-Mansur, 1578-1603, and contain the mausoleums of members of the Saadi dynasty. The chamber or hall of the three niches contains the tombs of Saadi princes and their wives and concubines and is richly decorated with mosaics and stucco. Picture by Manuel Cohen
    LCMOROCCO_12_MC159.jpg
  • Main courtyard of Ben Youssef Madrasa, Medina, Marrakech, Morocco. Students' dormitories look out over the courtyard from windows on the first floor. The walls are intricately decorated with carved stucco, cedar wood and zellige tilework. The Madrasa is an Islamic theological college founded in the 14th century and rebuilt by the Saadians in the 1560s. It is named after the Almoravid Sultan Ali ibn Yusuf, who reigned 1106-42. Picture by Manuel Cohen
    LCMOROCCO_12_MC130.jpg
  • Main courtyard of Ben Youssef Madrasa, Medina, Marrakech, Morocco. This view is taken from a student dormitory on the first floor. The walls are intricately decorated with carved stucco, cedar wood and zellige tilework. The Madrasa is an Islamic theological college founded in the 14th century and rebuilt by the Saadians in the 1560s. It is named after the Almoravid Sultan Ali ibn Yusuf, who reigned 1106-42. Picture by Manuel Cohen
    LCMOROCCO_12_MC129.jpg
  • Greek Doric temple of Segesta, 430-420 BC, by the Elymians, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC183.jpg
  • Ruins of the colossal Temple G, begun around 550 BC. The temple was still unfinished when Selinunte was destroyed in 409 BC., Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC230.jpg
  • Temple C, 6th-5th century BC, on the acropolis of Selinunte, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC216.jpg
  • Eastern Temple E, with Doric columns, dedicated to Hera or Dionysus, 6th-5th century BC Greek, Selinunte, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC204.jpg
  • SAVEOCK WATER, CORNWALL, ENGLAND - AUGUST 03: Overview of main site on August 3, 2008 in Saveock Water, Cornwall, England, featuring periods from a Mesolithic Camp to Neolithic Votive site and Copper Age metal smelting. Archaeologist Jacqui Wood is leading the excavation here. (Photo by Manuel Cohen)
    DENGLAND080195.jpg
  • Polychrome sculpture of apostle John the Baptist holding the lamb of God in a circle, symbol of eternity, 14th century, in the Collegiale Notre-Dame de Poissy, a catholic parish church founded c. 1016 by Robert the Pious and rebuilt 1130-60 in late Romanesque and early Gothic styles, in Poissy, Yvelines, France. The Collegiate Church of Our Lady of Poissy was listed as a Historic Monument in 1840. Picture by Manuel Cohen
    LC14_Paris_MC132.jpg
  • Tombstone of a priest (fragment), 14th century, Collegiale Notre-Dame de Poissy, a catholic parish church founded c. 1016 by Robert the Pious and rebuilt 1130-60 in late Romanesque and early Gothic styles, in Poissy, Yvelines, France. The Collegiate Church of Our Lady of Poissy was listed as a Historic Monument in 1840. Picture by Manuel Cohen
    LC14_Paris_MC135.jpg
  • Mary Magdalene, detail of the polychrome sculptures group of the Entombment, 16th century, Collegiale Notre-Dame de Poissy, a catholic parish church founded c. 1016 by Robert the Pious and rebuilt 1130-60 in late Romanesque and early Gothic styles, in Poissy, Yvelines, France. The Collegiate Church of Our Lady of Poissy was listed as a Historic Monument in 1840. Picture by Manuel Cohen
    LC14_Paris_MC133.jpg
  • Polychrome sculpture of Saint Louis, or King Louis IX of France, wearing a fleur de lys crown, in the Collegiale Notre-Dame de Poissy, a catholic parish church founded c. 1016 by Robert the Pious and rebuilt 1130-60 in late Romanesque and early Gothic styles, in Poissy, Yvelines, France. Saint Louis was baptised here in 1214. The Collegiate Church of Our Lady of Poissy was listed as a Historic Monument in 1840 and has been restored by Eugene Viollet-le-Duc. Picture by Manuel Cohen
    LC14_Paris_MC136.jpg
  • Wooden statue of the royal seal of King Louis IX of France, 1914, for the 700 anniversary of his birth, Collegiale Notre-Dame de Poissy, a catholic parish church founded c. 1016 by Robert the Pious and rebuilt 1130-60 in late Romanesque and early Gothic styles, in Poissy, Yvelines, France. Saint Louis was baptised here in 1214. The Collegiate Church of Our Lady of Poissy was listed as a Historic Monument in 1840 and has been restored by Eugene Viollet-le-Duc. Picture by Manuel Cohen
    LC14_Paris_MC139.jpg
  • Polychrome carved figure of Saint Louis under a neogothic canopy from a processional sceptre, 1820-50, in the Collegiale Notre-Dame de Poissy, a catholic parish church founded c. 1016 by Robert the Pious and rebuilt 1130-60 in late Romanesque and early Gothic styles, in Poissy, Yvelines, France. Saint Louis wears the fleur de lys crown and holds a sceptre and a book, possibly a Book of Trades which he commissioned. The Collegiate Church of Our Lady of Poissy was listed as a Historic Monument in 1840. Picture by Manuel Cohen
    LC14_Paris_MC138.jpg
  • Polychrome sculpture of Saint Louis, or King Louis IX of France, wearing a fleur de lys crown, in the Collegiale Notre-Dame de Poissy, a catholic parish church founded c. 1016 by Robert the Pious and rebuilt 1130-60 in late Romanesque and early Gothic styles, in Poissy, Yvelines, France. Saint Louis was baptised here in 1214. The Collegiate Church of Our Lady of Poissy was listed as a Historic Monument in 1840 and has been restored by Eugene Viollet-le-Duc. Picture by Manuel Cohen
    LC14_Paris_MC137.jpg
  • One of the seven stained glass windows of the absid, by Louis Barillet, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Every window describes with three symbols one scene of the Passion : the Eucharist, Agony in the Garden, the Sanhedrin trial of Jesus (Christ Before Caiaphas), Pilate's court, crucifixion of Jesus, the entombment of Christ, the Resurrection of Christ.  Picture by Manuel Cohen
    LC13_Paris_MC303.jpg
  • Our lady of the fields (Notre Dame des champs), polychrome statue in the ambulatory, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC304.jpg
  • One of the seven stained glass windows of the absid, by Louis Barillet, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Every window describes with three symbols one scene of the Passion : the Eucharist, Agony in the Garden, the Sanhedrin trial of Jesus (Christ Before Caiaphas), Pilate's court, crucifixion of Jesus, the entombment of Christ, the Resurrection of Christ.  Picture by Manuel Cohen
    LC13_Paris_MC305.jpg
  • Coronation of the Virgin by the Holy Trinity (detail), by Paul Baudoüin and Louis Dussour between 1926 and 1937, altar of the virgin, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC306.jpg
  • Radiant cross surrounded by nine angel, freco of the dome in the nave of Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC307.jpg
  • Monumental door (detail), 13,20m by 6,20m, stamped brass, tin and lead, 1974, by Pierre Sabatier, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC309.jpg
  • Wooden benches and chapel of the northern transept, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC308.jpg
  • Golden cross, with the symbols of the four evangelists, before the fresco of the altar of the Virgin, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC288.jpg
  • Nave and absid, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC289.JPG
  • Baptismal font sculpted in travertine stone, contemporary creation by Jean-Marie Duthilleul, 21st century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC291.JPG
  • Pews, frescoes and stained glass windows of the ambulatory in the absid of Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC293.jpg
  • Northern transept seen from the ambulatory, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC292.jpg
  • Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. The bell tower is the only remaining element of the old church dating back 14th century. Picture by Manuel Cohen
    LC13_Paris_MC294.jpg
  • Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. The bell tower is the only remaining element of the old church dating back 14th century. Picture by Manuel Cohen
    LC13_Paris_MC295.jpg
  • Wooden spiral staircase, northern transept, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC297.jpg
  • Sainte Genevieve curing her mother Geronce from blindness, fresco in the Northern transept, 1926 - 1927, directed by Maitre Paul Baudoin, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC300.jpg
  • Coronation of the Virgin by the Holy Trinity, by Paul Baudouin and Louis Dussour, 1926-37, altar of the virgin, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC299.jpg
  • Capital depicting Saint Genevieve's life (Sainte Geneviève), designed by Madeleine Froidevaux-Flandrin in a Neo-Romanesque style, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC275.jpg
  • Capital depicting Saint Genevieve's life (Sainte Geneviève), designed by Madeleine Froidevaux-Flandrin in a Neo-Romanesque style, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC276.jpg
  • Procession of the box reliquary of Saint Genevieve (Sainte Geneviève) in Paris during the 12th century, detail of the monumental fresco located below the stained glass windows of the ambulatory, by Paul Lemasson, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC279.jpg
  • Confession and absolution, small frescoes by Joseph Radan in the ambulatory, depicting the seven sacraments, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC280.jpg
  • Marriage (Matrimony), small frescoes by Joseph Radan in the ambulatory, depicting the seven sacraments, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC283.jpg
  • Confirmation, small frescoes by Joseph Radan in the ambulatory, depicting the seven sacraments, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC284.jpg
  • Lion, symbolizing Mark the Evangelist, painted cupola of the nave, by Raymond Feuillatte, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC285.jpg
  • Man, symbolizing Matthew the Apostle, painted cupola of the nave, by Raymond Feuillatte, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC286.jpg
  • Radiant cross surrounded by nine angel, freco of the dome in the nave of Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC261.jpg
  • One of the four cardinal virtues painted by Pierre Poulain on the vault of the central dome of the nave, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC262.jpg
  • Christ in majesty, Saint Genevieve (Sainte Geneviève) on his right and Saint Joan of Arc (Sainte Jeanne d'Arc) on his left, monumental fresco on the vault of the choir painted by Leon Toublanc, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC264.jpg
  • One of the four cardinal virtues painted by Pierre Poulain on the vault of the central dome of the nave, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC263.jpg
  • Saint Genevieve (Sainte Geneviève), protecting Paris and France, monumental fresco of the Northern transept, painted by Leon Toublanc, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC265.jpg
  • Saint Genevieve (Sainte Geneviève), protecting Paris and France, detail of the monumental fresco of the Northern transept, painted by Leon Toublanc, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC266.jpg
  • Detail of the seven stained glass windows of the absid, by Louis Barillet, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Every window describes with three symbols one scene of the Passion : the Eucharist, Agony in the Garden, the Sanhedrin trial of Jesus (Christ Before Caiaphas), Pilate's court, crucifixion of Jesus, the entombment of Christ, the Resurrection of Christ.  Picture by Manuel Cohen
    LC13_Paris_MC268.jpg
  • Detail of the seven stained glass windows of the absid, by Louis Barillet, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Every window describes with three symbols one scene of the Passion : the Eucharist, Agony in the Garden, the Sanhedrin trial of Jesus (Christ Before Caiaphas), Pilate's court, crucifixion of Jesus, the entombment of Christ, the Resurrection of Christ.  Picture by Manuel Cohen
    LC13_Paris_MC270.jpg
  • Detail of the seven stained glass windows of the absid, by Louis Barillet, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Every window describes with three symbols one scene of the Passion : the Eucharist, Agony in the Garden, the Sanhedrin trial of Jesus (Christ Before Caiaphas), Pilate's court, crucifixion of Jesus, the entombment of Christ, the Resurrection of Christ.  Picture by Manuel Cohen
    LC13_Paris_MC271.jpg
  • Detail of the seven stained glass windows of the absid, by Louis Barillet, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Every window describes with three symbols one scene of the Passion : the Eucharist, Agony in the Garden, the Sanhedrin trial of Jesus (Christ Before Caiaphas), Pilate's court, crucifixion of Jesus, the entombment of Christ, the Resurrection of Christ.  Picture by Manuel Cohen
    LC13_Paris_MC273.jpg
  • Detail of the seven stained glass windows of the absid, by Louis Barillet, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Every window describes with three symbols one scene of the Passion : the Eucharist, Agony in the Garden, the Sanhedrin trial of Jesus (Christ Before Caiaphas), Pilate's court, crucifixion of Jesus, the entombment of Christ, the Resurrection of Christ.  Picture by Manuel Cohen
    LC13_Paris_MC272.jpg
  • Detail of the seven stained glass windows of the absid, by Louis Barillet, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Every window describes with three symbols one scene of the Passion : the Eucharist, Agony in the Garden, the Sanhedrin trial of Jesus (Christ Before Caiaphas), Pilate's court, crucifixion of Jesus, the entombment of Christ, the Resurrection of Christ.  Picture by Manuel Cohen
    LC13_Paris_MC274.jpg
  • Germanus of Auxerre blessing Sainte Genevieve, fresco in the Northern transept, 1926 - 1927, directed by Maitre Paul Baudoin, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC256.jpg
  • Germanus of Auxerre blessing Sainte Genevieve, fresco in the Northern transept, 1926 - 1927, directed by Maitre Paul Baudoin, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC257.jpg
  • Coronation of the Virgin by the Holy Trinity, by Paul Baudoüin and Louis Dussour between 1926 and 1937, altar of the virgin, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC258.JPG
  • Baptismal font sculpted in travertine stone, contemporary creation by Jean-Marie Duthilleul, 21st century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC259.jpg
  • Nave and absid, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC260.jpg
  • Apse and choir decorated with 12th century frescoes, Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC033.jpg
  • Apse and choir decorated with 12th century frescoes, Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC034.jpg
  • Detail of Virgin Mary in Majesty shown within a diamond and surrounded by two angels, 12th century frescoes of the vaulted ceiling of the apse of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC035.jpg
  • Detail of the face of the Christ in Majesty shown within a mandorla, 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC023.jpg
  • Detail of the Magi, 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC039.jpg
  • Detail of the 24 elders, 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC024.jpg
  • The 24 elders, detail of the 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC026.jpg
  • Detail of Matthew the Apostle, 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC027.jpg
  • Detail of Mark the Evangelist, flanked by a lion, his symbolic attribute in the desert, 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC028.jpg
  • Detail of the Magi, 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC030.jpg
  • Christ in Majesty shown within a mandorla and surrounded by the four emblematic evangelists holding their book and flanked by their symbolic animal, detail of the 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC031.jpg
  • The Annunciation and Nativity scenes :  Mary standing on the left and listening to angel Gabriel (not pictured) and Mary lying next to Joseph on the right, detail of the 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC012.jpg
  • Detail of Jesus face lying in the Nativity scene, 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC015.jpg
  • Detail of the Annunciation : Mary standing and listening to angel Gabriel, 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC016.JPG
  • Detail of the Magi, 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC018.jpg
  • Detail of the procession of the Three Kings, carrying frankincense and cythara for the Nativity, 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC019.jpg
  • Detail of Mark the Evangelist, flanked by a lion, his symbolic attribute in the desert, 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC021.jpg
  • Christ in Majesty shown within a mandorla and surrounded by the four emblematic evangelists holding their book and flanked by their symbolic animal, detail of the 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC002.jpg
  • Detail of Christ in Majesty shown within a mandorla, 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC003.jpg
  • Procession of the Three Kings, carrying frankincense and cythara for the Nativity, detail of the 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC004.jpg
  • The Annunciation and Nativity scenes :  Mary standing on the left and listening to angel Gabriel (not pictured) and Mary lying next to Joseph on the right, detail of the 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC006.jpg
  • The 24 elders, detail of the 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC008.jpg
  • The 24 elders, detail of the 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC009.jpg
  • Detail of the Annunciation : Mary standing and listening to angel Gabriel (not pictured), 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC011.jpg
  • Detail of the Nativity scene, Jesus lying in a bed, 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC010.JPG
  • The Magi, detail of the 12th century frescoes in the choir of the Pre-Romanesque Chapel of Saint Martin de Fenollar (Sant Marti de Fenollar), 9th century, Maureillas Les Illas, Pyrenees Orientales, France. The frescoes are an outstanding piece of work, which greatly impressed modern artists, especially Pablo Picasso and Georges Braque in 1910. Picture by Manuel Cohen
    LC13_Fenollar_MC001.jpg
  • Inside a student dormitory of the Ben Youssef Madrasa, Medina, Marrakech, Morocco. The dormitories are on the first floor surrounding the main courtyard. The Madrasa is an Islamic theological college founded in the 14th century and rebuilt by the Saadians in the 1560s. It is named after the Almoravid Sultan Ali ibn Yusuf, who reigned 1106-42. Picture by Manuel Cohen
    LCMOROCCO_12_MC131.jpg
  • Kufic calligraphy in stucco from courtyard of Ben Youssef Madrasa, Medina, Marrakech, Morocco. This inscription is carved in Iraqi kufic style interwoven with a vegetal design. The Madrasa is an Islamic theological college founded in the 14th century and rebuilt by the Saadians in the 1560s. It is named after the Almoravid Sultan Ali ibn Yusuf, who reigned 1106-42. Picture by Manuel Cohen
    LCMOROCCO_12_MC120.jpg
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