manuel cohen

Show Navigation
  • Portfolio
  • Search (in english)
  • Reportages
  • Fine Art Prints
  • About
  • Contact
  • Instagram
  • Facebook
  • PicRights

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 6685 images found }

Loading ()...

  • Archeo-anthropologist Sabrina Parot working on April 08, 2013 in her laboratory in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Sabrina Parot is showing and manipulating a skull and bones excavated from the Romanesque church Saint Germain de Charonnes. Researches are actually presuming that the skeleton is dating back to Middle Ages. Picture by Manuel Cohen
    080413_SabrinaParot_MC022.jpg
  • Archeo-anthropologist Sabrina Parot working on April 08, 2013 in her laboratory in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Sabrina Parot is showing and manipulating a skull and bones excavated from the Romanesque church Saint Germain de Charonnes. Researches are actually presuming that the skeleton is dating back to Middle Ages. Picture by Manuel Cohen
    080413_SabrinaParot_MC014.jpg
  • Archeo-anthropologist Sabrina Parot working on April 08, 2013 in her laboratory in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Sabrina Parot is showing and manipulating a skull and bones excavated from the Romanesque church Saint Germain de Charonnes. Researches are actually presuming that the skeleton is dating back to Middle Ages. Picture by Manuel Cohen
    080413_SabrinaParot_MC019.jpg
  • Archeo-anthropologist Sabrina Parot working on April 08, 2013 in her laboratory in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Sabrina Parot is showing and manipulating a skull and bones excavated from the Romanesque church Saint Germain de Charonnes. Researches are actually presuming that the skeleton is dating back to Middle Ages. Picture by Manuel Cohen
    080413_SabrinaParot_MC010.jpg
  • Archeo-anthropologist Sabrina Parot working on April 08, 2013 in her laboratory in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Sabrina Parot is showing and manipulating a skull and bones excavated from the Romanesque church Saint Germain de Charonnes. Researches are actually presuming that the skeleton is dating back to Middle Ages. Picture by Manuel Cohen
    080413_SabrinaParot_MC012.jpg
  • Archeo-anthropologist Sabrina Parot working on April 08, 2013 in her laboratory in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Sabrina Parot is showing and manipulating a skull and bones excavated from the Romanesque church Saint Germain de Charonnes. Researches are actually presuming that the skeleton is dating back to Middle Ages. Picture by Manuel Cohen
    080413_SabrinaParot_MC013.jpg
  • Archeo-anthropologist Sabrina Parot working on April 08, 2013 in her laboratory in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Sabrina Parot is showing and manipulating a skull and bones excavated from the Romanesque church Saint Germain de Charonnes. Researches are actually presuming that the skeleton is dating back to Middle Ages. Picture by Manuel Cohen
    080413_SabrinaParot_MC016.jpg
  • Archeo-anthropologist Sabrina Parot working on April 08, 2013 in her laboratory in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Sabrina Parot is showing and manipulating a skull and bones excavated from the Romanesque church Saint Germain de Charonnes. Researches are actually presuming that the skeleton is dating back to Middle Ages. Picture by Manuel Cohen
    080413_SabrinaParot_MC017.jpg
  • Archeo-anthropologist Sabrina Parot working on April 08, 2013 in her laboratory in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Sabrina Parot is showing and manipulating a skull and bones excavated from the Romanesque church Saint Germain de Charonnes. Researches are actually presuming that the skeleton is dating back to Middle Ages. Picture by Manuel Cohen
    080413_SabrinaParot_MC007.jpg
  • Archeo-anthropologist Sabrina Parot working on April 08, 2013 in her laboratory in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Sabrina Parot is showing and manipulating a skull and bones excavated from the Romanesque church Saint Germain de Charonnes. Researches are actually presuming that the skeleton is dating back to Middle Ages. Picture by Manuel Cohen
    080413_SabrinaParot_MC021.jpg
  • Archeo-anthropologist Sabrina Parot working on April 08, 2013 in her laboratory in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Sabrina Parot is showing and manipulating a skull and bones excavated from the Romanesque church Saint Germain de Charonnes. Researches are actually presuming that the skeleton is dating back to Middle Ages. Picture by Manuel Cohen
    080413_SabrinaParot_MC024.jpg
  • Archeo-anthropologist Sabrina Parot working on April 08, 2013 in her laboratory in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Sabrina Parot is showing and manipulating a skull and bones excavated from the Romanesque church Saint Germain de Charonnes. Researches are actually presuming that the skeleton is dating back to Middle Ages. Picture by Manuel Cohen
    080413_SabrinaParot_MC011.jpg
  • Archeo-anthropologist Sabrina Parot working on April 08, 2013 in her laboratory in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Sabrina Parot is showing and manipulating a skull and bones excavated from the Romanesque church Saint Germain de Charonnes. Researches are actually presuming that the skeleton is dating back to Middle Ages. Picture by Manuel Cohen
    080413_SabrinaParot_MC015.jpg
  • Archeo-anthropologist Sabrina Parot working on April 08, 2013 in her laboratory in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Sabrina Parot is showing and manipulating a skull and bones excavated from the Romanesque church Saint Germain de Charonnes. Researches are actually presuming that the skeleton is dating back to Middle Ages. Picture by Manuel Cohen
    080413_SabrinaParot_MC018.jpg
  • Archeo-anthropologist Sabrina Parot working on April 08, 2013 in her laboratory in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Sabrina Parot is showing and manipulating a skull and bones excavated from the Romanesque church Saint Germain de Charonnes. Researches are actually presuming that the skeleton is dating back to Middle Ages. Picture by Manuel Cohen
    080413_SabrinaParot_MC008.jpg
  • Skeleton probably dating back to Middle Ages, excavated from the Romanesque church Saint Germain de Charonnes, and subject of researches by Archeo-anthropologist Sabrina Parot in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Picture by Manuel Cohen
    080413_SabrinaParot_MC003.jpg
  • Skeleton probably dating back to Middle Ages, excavated from the Romanesque church Saint Germain de Charonnes, and subject of researches by Archeo-anthropologist Sabrina Parot in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Picture by Manuel Cohen
    080413_SabrinaParot_MC005.jpg
  • Skeleton probably dating back to Middle Ages, excavated from the Romanesque church Saint Germain de Charonnes, and subject of researches by Archeo-anthropologist Sabrina Parot in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Picture by Manuel Cohen
    080413_SabrinaParot_MC002.jpg
  • Skeleton probably dating back to Middle Ages, excavated from the Romanesque church Saint Germain de Charonnes, and subject of researches by Archeo-anthropologist Sabrina Parot in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Picture by Manuel Cohen
    080413_SabrinaParot_MC001.jpg
  • Skeleton probably dating back to Middle Ages, excavated from the Romanesque church Saint Germain de Charonnes, and subject of researches by Archeo-anthropologist Sabrina Parot in Departement Histoire de l'Architecture et Archeologie de Paris et secretariat de la Commission du Vieux Paris (Architecture and Archeology of Paris History Department), Paris, France. Picture by Manuel Cohen
    080413_SabrinaParot_MC004.jpg
  • Amesbury Sarcophagus, a Roman stone sarcophagus from the 3rd century AD, discovered by Wessex Archeology in 2007 during the excavation of a large Roman cemetery near Boscombe Down, Amesbury, in the Salisbury Museum, housing archaeological collections from Stonehenge and other local sites from prehistory to the present day, in The King's House, Cathedral Close, Salisbury, Wiltshire, England. The sarcophagus contained the remains of a woman holding a young child in her arms. The use of a stone sarcophagus was rare and reserved only for people of importance. Picture by Manuel Cohen
    LC17_ENGLAND_MC_064.jpg
  • Funerary masks in polychrome wood, Ptolemaic period, Egypt, in the Mediterranean Archaeology Room, in the Musee Joseph Denais, in Beaufort-en-Anjou, Maine-et-Loire, France. The museum houses the personal collection of Joseph Denais, humanist, historian and journalist, who created this museum in 1905. The collection covers fine arts, archeology, ethnography and natural history. Picture by Manuel Cohen
    LC21_FRANCE_MC_0742.JPG
  • Breastplate from a child's coffin, terracotta, Theban period, found in a large New Kingdom necropolis at Tounah el-Gebel, Egypt, excavated by Raymond Weill, in the Mediterranean Archaeology Room, in the Musee Joseph Denais, in Beaufort-en-Anjou, Maine-et-Loire, France. The museum houses the personal collection of Joseph Denais, humanist, historian and journalist, who created this museum in 1905. The collection covers fine arts, archeology, ethnography and natural history. Picture by Manuel Cohen
    LC21_FRANCE_MC_0735.JPG
  • Isic priestess, 3rd - 4th century, human remains found during excavations 1845-1914 at Antinoopolis, Egypt, a city founded by Emperor Hadrian, by Albert Gayet, in the Mediterranean Archaeology Room, in the Musee Joseph Denais, in Beaufort-en-Anjou, Maine-et-Loire, France. The museum houses the personal collection of Joseph Denais, humanist, historian and journalist, who created this museum in 1905. The collection covers fine arts, archeology, ethnography and natural history. Picture by Manuel Cohen
    LC21_FRANCE_MC_0734.jpg
  • Centro de Arqueologia Subacuatica (CAS) (Center for Underwater Archeology), on La Caleta beach, Cadiz, Andalusia, Southern Spain. The building was inaugurated in 1926 and was originally the Balneario de Nuestra Senora de la Palma Real, a spa and bathhouse with a central access pavilion and 2 long curved wings built on pillars above the sand. Cadiz is one of the oldest cities in Europe, founded by the Phoenicians in 1100 BC, and later became a Carthaginian then a Roman city, and Spain's constitution was signed here in 1812. It is situated on a peninsula on the Costa de la Luz. Picture by Manuel Cohen
    LC17_SPAIN_MC322.jpg
  • La Caleta beach, and the Centro de Arqueologia Subacuatica (CAS) (Center for Underwater Archeology), Cadiz, Andalusia, Southern Spain. The building was inaugurated in 1926 and was originally the Balneario de Nuestra Senora de la Palma Real, a spa and bathhouse with a central access pavilion and 2 long curved wings built on pillars above the sand. Cadiz is one of the oldest cities in Europe, founded by the Phoenicians in 1100 BC, and later became a Carthaginian then a Roman city, and Spain's constitution was signed here in 1812. It is situated on a peninsula on the Costa de la Luz. Picture by Manuel Cohen
    LC17_SPAIN_MC316.jpg
  • Centro de Arqueologia Subacuatica (CAS) (Center for Underwater Archeology), on La Caleta beach, at sunset, Cadiz, Andalusia, Southern Spain. The building was inaugurated in 1926 and was originally the Balneario de Nuestra Senora de la Palma Real, a spa and bathhouse with a central access pavilion and 2 long curved wings built on pillars above the sand. Cadiz is one of the oldest cities in Europe, founded by the Phoenicians in 1100 BC, and later became a Carthaginian then a Roman city, and Spain's constitution was signed here in 1812. It is situated on a peninsula on the Costa de la Luz. Picture by Manuel Cohen
    LC17_SPAIN_MC297.jpg
  • Centro de Arqueologia Subacuatica (CAS) (Center for Underwater Archeology), on La Caleta beach, Cadiz, Andalusia, Southern Spain. The building was inaugurated in 1926 and was originally the Balneario de Nuestra Senora de la Palma Real, a spa and bathhouse with a central access pavilion and 2 long curved wings built on pillars above the sand. Cadiz is one of the oldest cities in Europe, founded by the Phoenicians in 1100 BC, and later became a Carthaginian then a Roman city, and Spain's constitution was signed here in 1812. It is situated on a peninsula on the Costa de la Luz. Picture by Manuel Cohen
    LC17_SPAIN_MC318.jpg
  • Native American celebration, painting by Romando Vigil or Tse Ye Mu, Puebloan artist, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Romando Vigil is from San Ildefonso Pueblo, New Mexico, and was a contributor to the murals at the Santa Fe Indian School and also painted for Walt Disney studios. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_074.jpg
  • Cliff Palace, 1911, photograph, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Cliff Palace, 13th century, is a huge multi-storey Native American Puebloan dwelling, housing 125 people, with 23 kivas and 150 rooms, rediscovered in 1888. It is the largest cliff house in the park, possibly used for social and ceremonial purposes and is thought to be part of a larger community encompassing 60 pueblos and 600 people. It is made from sandstone blocks, mortar and wooden beams and was originally painted with earthen plasters. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_073.jpg
  • Cliff Palace, 1917, photograph, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Cliff Palace, 13th century, is a huge multi-storey Native American Puebloan dwelling, housing 125 people, with 23 kivas and 150 rooms, rediscovered in 1888. It is the largest cliff house in the park, possibly used for social and ceremonial purposes and is thought to be part of a larger community encompassing 60 pueblos and 600 people. It is made from sandstone blocks, mortar and wooden beams and was originally painted with earthen plasters. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_071.jpg
  • Pottery Making, painting by Romando Vigil or Tse Ye Mu, Puebloan artist, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Romando Vigil is from San Ildefonso Pueblo, New Mexico, and was a contributor to the murals at the Santa Fe Indian School and also painted for Walt Disney studios. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_065.jpg
  • Pottery jar with narrow neck and loop handles, with black on white geometric design, made 1200-76 AD, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. The jar was found full of corn in February 1955 by Robert and Eugene Ismay of McElmo Canyon Colorado, in a cave. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_063.jpg
  • Pueblo Dancers, painting, 1917, by Crescendo Martinez, d. 1918, Puebloan artist, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. The dancers are dressed as eagles and the drummers accompanying them played music and sang throughout the public ceremony. Crescendo Martinez is from San Ildefonso Pueblo, New Mexico, and is of the Santa Fe Indian School of Art. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_060.jpg
  • Buffalo dancer following a man in a green shirt carrying a bow, by Alfonso Royal or Awa Tsireh, 1895-1955, Puebloan artist, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Alfonso Royal is from San Ildefonso Pueblo, New Mexico, and is of the Santa Fe Indian School of Art. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_059.jpg
  • Buffalo Dance, a Pueblo ritual performed in most villages, painting probably by Tomas Vigil or Pan Yo Pin, 1889-1960, Puebloan artist, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Tomas Vigil is from Tesuque Pueblo, New Mexico, and is of the Santa Fe Indian School of Art. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_061.jpg
  • Cliff Palace, 1896, A white marble city, photograph by Thomas M McKee, 1854-1939, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Cliff Palace, 13th century, is a huge multi-storey Native American Puebloan dwelling, housing 125 people, with 23 kivas and 150 rooms, rediscovered in 1888. It is the largest cliff house in the park, possibly used for social and ceremonial purposes and is thought to be part of a larger community encompassing 60 pueblos and 600 people. It is made from sandstone blocks, mortar and wooden beams and was originally painted with earthen plasters. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_067.jpg
  • Model depicting the Great Classic Pueblo Period, 1100-1300 AD, when people moved from small, compact villages on the mesa tops to alcoves where they built cliff dwellings like Spruce Tree House, shown here in the late 13th century, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_068.jpg
  • Detail of the Native American celebration, painting by Romando Vigil or Tse Ye Mu, Puebloan artist, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Romando Vigil is from San Ildefonso Pueblo, New Mexico, and was a contributor to the murals at the Santa Fe Indian School and also painted for Walt Disney studios. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_066.JPG
  • Cliff Palace, 1898, colour photochrom print, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Cliff Palace, 13th century, is a huge multi-storey Native American Puebloan dwelling, housing 125 people, with 23 kivas and 150 rooms, rediscovered in 1888. It is the largest cliff house in the park, possibly used for social and ceremonial purposes and is thought to be part of a larger community encompassing 60 pueblos and 600 people. It is made from sandstone blocks, mortar and wooden beams and was originally painted with earthen plasters. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_072.jpg
  • Dancers, painting by Tomas Vigil or Pan Yo Pin, 1889-1960, Puebloan artist, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Tomas Vigil is from Tesuque Pueblo, New Mexico, and is of the Santa Fe Indian School of Art. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_062.jpg
  • Rio Grande Pueblo Indian on horseback, painting by Abel Sanchez or Oqwa Pi, 1899-1971, Puebloan artist, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Abel Sanchez is from New Mexico, and is of the Santa Fe Indian School of Art. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_058.jpg
  • Model depicting the Developmental Pueblo Period, 750-1100 AD, when the pueblo or village architecture developed, pottery-making flourished, new farming techniques emerged and trade became significant, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. The village shown is from 850 AD and shows Puebloan Indians in a series of connected living and storage rooms, facing South or South West. The pit room in front of the dwellings was used for living or ceremonial purposes. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_069.jpg
  • Discovery of the Two Storey Cliff House in Mancos Canyon by the Jackson Party in 1874, painting, 1936, oil on canvas, by William Henry Jackson at the age of 93, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Jackson was a pioneer photographer who was working in the mountains at Mesa Verde when he met John Moss, a rancher and explorer, who showed him the ancient dwellings in the cliffs. Jackson took the first photographs of the ruins in 1874. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_064.jpg
  • View of the Jordan Valley near the archeological site of Pella, Jordan. Picture by Manuel Cohen
    LC12_Jordan_MC224.jpg
  • King Sargon II of Assyria, reigned 722-705 BC, alabaster limestone Assyrian relief fragment, from Khorsabad, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4123.jpg
  • Bust of Trajan, 98-117 AD, Roman emperor, 110-119 AD, Pentelic marble, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4164.jpg
  • Punic votive stele with inscription and decorative border, 3rd - 2nd century BC, limestone,<br />
from near the Gate of Furnos in Carthage, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4155.jpg
  • Gaius Julius Caesar, 100-44 BC, Roman general and statesman, white marble head, 45-44 BC, from Tusculum, Italy, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4247.jpg
  • Winged female demon leading a horseman, representing the journey to the afterlife, relief on the chest of a cinerary urn, alabaster, 240-210 BC, of a son of the founder of the hypogeum, with a reclining sculpture of the deceased holding a bowl, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4231.jpg
  • Head of Sophocles, 497-405 BC, Greek playwright, late 2nd - early 3rd century AD, Roman, white marble, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4109.jpg
  • Mesopotamian clay tablets with scribal exercises in cuneiform script, paleo-Babylonian, 1900-1600 BC, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. The tablets show the various tasks student scribes undertook, such as <br />
multiplication tables, tracing syllabic graphemes,  copying texts, transcribing dictated verses and poems, and mathematics. Picture by Manuel Cohen
    DSCF4222.jpg
  • Cinerary urn, 1 of a pair, alabaster, 260-220 BC, thought to be that of the wife of the founder of the hypogeum, with reclining sculpture of the deceased holding a pomegranate, symbol of rebirth, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. On the chest is a relief of a battle scene with horseman, reminiscent of others depicting Alexander the Great. Picture by Manuel Cohen
    DSCF4234.jpg
  • Statue of a veiled female votary, 2nd - 1st century BC, Roman, in limestone, from Cyprus, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4237.jpg
  • Bust of Annia Galeria Faustina, known as Faustina the Younger of Bruttia Crispina, 130-176 AD, Roman empress and wife of Marcus Aurelius, 2nd century AD, white marble, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4170.jpg
  • Cinerary urn from Chiusi, Etruscan, terracotta, 3rd - 2nd century BC, with reclining sculpture of deceased and on the chest, a polychrome relief scene of deceased being led by a winged figure, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4203.jpg
  • Cinerary urn larce Rezu, from Chiusi, Etruscan, alabaster, 230-220 BC, with reclining sculpture of deceased as a banqueter wearing a wreath and holding a libation bowl or patera, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. On the chest is a rosette frieze, and relief of a horseman led by a cloaked man, representing the journey to the afterlife, or a family farewell. Picture by Manuel Cohen
    DSCF4199.jpg
  • Cinerary urn from Chiusi, Etruscan, terracotta, 2nd century BC, with reclining sculpture of deceased and on the chest, a polychrome relief of a battle scene reminiscent of large Greco-Hellenistic friezes, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. The hero fights with a plough, and has been identified with various figures in Greek and Etruscan mythology, mainly Echetlus, who fought the Persians in Marathon. Picture by Manuel Cohen
    DSCF4137.jpg
  • Brick of Nebuchadnezzar II, reigned 605-562 BC, with cuneiform stamped inscriptions of the name and titles of the king, clay, Neo-Babylonian, from Babylon, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Bricks of this type were produced by the thousands throughout southern Mesopotamia and used in building projects during his reign. Picture by Manuel Cohen
    DSCF4224.jpg
  • Hand wearing rings, statue fragment, 6th - 3rd century BC, terracotta and limestone, from Cyprus, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4243.jpg
  • Stele, Punic, with relief of figure playing tambourine, 4th - 3rd century BC, grey feldspar rhyolite (liparite), from the Tophet Sanctuary, Sulky, Sant'Antioco, Carbonia-Iglesias, Sardinia, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4151.jpg
  • Relief of family arriving at a door, from the chest of a cinerary urn from Chiusi, Etruscan, terracotta, 3rd - 2nd century BC, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4207.jpg
  • Stele, Punic, with relief of woman holding flower, 6th - 5th century BC, grey feldspar rhyolite (liparite), from the Tophet Sanctuary, Sulky, Sant'Antioco, Carbonia-Iglesias, Sardinia, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4145.jpg
  • Cinerary urn, 1 of a pair, alabaster, 260-220 BC, thought to be that of the grandson of the founder of the hypogeum, with a reclining sculpture of the deceased as a banqueter holding a libation bowl or patera, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. On the chest is a relief of a winged triton holding an oar and grasping 2 men with its tails. Picture by Manuel Cohen
    DSCF4235.jpg
  • Claudius, 10 BC - 54 AD, Roman emperor, late 1st century AD, Roman, white marble, from Susa, Piedmont, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4171.jpg
  • Thucydides, 460-400 BC, Greek historian, or Theophrastus, 371-287 BC, Greek philosopher, <br />
Roman marble head, 1st century AD, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4106.jpg
  • Stele, Punic, with relief of woman playing tambourine, 5th century BC, grey feldspar rhyolite (liparite), from the Tophet Sanctuary, Sulky, Sant'Antioco, Carbonia-Iglesias, Sardinia, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4146.jpg
  • Horses, 717-707 BC, alabaster limestone Assyrian relief fragment, from Khorsabad, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4125.jpg
  • Stele, Punic, with relief of animal, possibly sheep, under sun and moon, 2nd - 1st century BC, grey feldspar rhyolite (liparite), from the Tophet Sanctuary, Sulky, Sant'Antioco, Carbonia-Iglesias, Sardinia, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4154.jpg
  • Aphrodite holding Eros, late 4th century BC, from the sanctuary at Ayios Photios, Cyprus, Greece, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. The statue could represent the Great Goddess of Cyprus in Hellenistic style, wearing a Greek himation or cloak over her chiton, and a diadem decorated with palmettes. Picture by Manuel Cohen
    DSCF4238.jpg
  • Chiaramonti type bust of Gaius Julius Caesar, 100-44 BC, Roman general and statesman, early 1st century BC, Parian marble, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4157.jpg
  • Bust of Lucius Verus, 130-169 AD, Roman emperor, 160-170 AD, white marble, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4254.jpg
  • Cinerary urn from Chiusi, Etruscan, terracotta, 3rd - 2nd century BC, with reclining sculpture of deceased and on the chest, a polychrome relief scene, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4213.jpg
  • Statue of a seated goddess on a throne, body 400-380 BC, head c. 240 BC, detail, limestone, from Idalion, Cyprus, Greece, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4186.jpg
  • Stele, Punic, with relief of figure wearing stole, 4th - 3rd century BC, grey feldspar rhyolite (liparite), from the Tophet Sanctuary, Sulky, Sant'Antioco, Carbonia-Iglesias, Sardinia, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4153.jpg
  • Brick of Nebuchadnezzar II, reigned 605-562 BC, with cuneiform stamped inscriptions of the name and titles of the king, clay, Neo-Babylonian, from Babylon, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Bricks of this type were produced by the thousands throughout southern Mesopotamia and used in building projects during his reign. Picture by Manuel Cohen
    DSCF4226.jpg
  • Stele of Melkyaton, temple style, with lion in pediment and Greek female figure removing a veil, Punic, 3rd century BC, Parian marble, from the Tophet Sanctuary in Sulky, Sant'Antioco, Carbonia-Iglesias, Sardinia, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. The woman's gesture is associated with marriage and the goddess Persephone or Kone. The Punic inscription mentions Melkyaton, a sufet or high magistrate. Picture by Manuel Cohen
    DSCF4143.jpg
  • Cinerary urn, alabaster, 240-210 BC, of a son of the founder of the hypogeum, with a reclining sculpture of the deceased as a banqueter holding a libation bowl or patera, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. On the chest is a relief of a winged female demon leading a horseman, representing the journey to the afterlife. Picture by Manuel Cohen
    DSCF4229.jpg
  • Statue of a veiled female votary, 2nd - 1st century BC, Roman, in limestone, from Cyprus, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4220.jpg
  • Cinerary urn, Etruscan, terracotta, 3rd - 2nd century BC, from Chiusi, with reclining sculpture of deceased as a banqueter holding a libation bowl or patera, and on the chest, a relief of a depicts a battle scene reminiscent of large Greco-Hellenistic friezes, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4193.jpg
  • Head of a bearded male god, late 1st century - early 2nd century AD, Roman, white marble, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4120.jpg
  • Thucydides, 460-400 BC, Greek historian, or Theophrastus, 371-287 BC, Greek philosopher, <br />
Roman marble head, 1st century AD, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4110.jpg
  • Head of a dignitary, 717-707 BC, alabaster limestone Assyrian relief fragment, from Khorsabad, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4130.jpg
  • Roman cavalryman wearing helmet with horse, Roman relief fragment, early 2nd century AD, Docimium marble, from Rome, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. The Praetorian Guard armour suggests that the relief came from a monument commemorating the Dacian campaigns of Trajan. It previously hung above a fireplace in the Grand Gallery in the ducal palace in Turin. Picture by Manuel Cohen
    DSCF4174.jpg
  • Bust of Gallienus, 208-268 AD, Roman emperor, late 3rd century AD, white marble, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4159.jpg
  • Sarcophagus lid fragment, late 2nd - early 3rd century AD, white marble, with high relief of the myth of Meleager, depicting hunters returning with the game in a net, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. The sculpture previously hung over a fireplace in the Grand Gallery in the Royal Palace in Torino. Picture by Manuel Cohen
    DSCF4188.jpg
  • Bust of Trajan, 98-117 AD, Roman emperor, 110-119 AD, Pentelic marble, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4175.jpg
  • Cinerary urn from Chiusi, Etruscan, terracotta, 2nd century BC, with reclining sculpture of deceased and on the chest, a polychrome relief of a battle scene reminiscent of large Greco-Hellenistic friezes, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. The hero fights with a plough, and has been identified with various figures in Greek and Etruscan mythology, mainly Echetlus, who fought the Persians in Marathon. Picture by Manuel Cohen
    DSCF4135.jpg
  • Brick of Nebuchadnezzar II, reigned 605-562 BC, with cuneiform stamped inscriptions of the name and titles of the king, clay, Neo-Babylonian, from Babylon, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Bricks of this type were produced by the thousands throughout southern Mesopotamia and used in building projects during his reign. Picture by Manuel Cohen
    DSCF4225.jpg
  • Victims in the river, Assyrian relief fragment, 704-631 BC, alabaster limestone, from Nineveh, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4131.jpg
  • Punic Stele fragment with inscription detailing religious rites and lists of offerings made at a religious festival, 4th - 3rd century BC, white marble, from Carthage, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4150.jpg
  • Head of a young woman, possibly Cleopatra, Roman, late 1st century BC, marble, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4140.jpg
  • Heads, possibly from a procession scene, an adventus (arrival) or an adlocutio (speech to the troops), Roman relief fragment, Docimium marble, 1st century AD, from Rome, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4172.jpg
  • Cinerary urn from Chiusi, Etruscan, terracotta, 2nd century BC, with reclining sculpture of deceased and on the chest, a polychrome relief of a battle scene reminiscent of large Greco-Hellenistic friezes, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. The hero fights with a plough, and has been identified with various figures in Greek and Etruscan mythology, mainly Echetlus, who fought the Persians in Marathon. Picture by Manuel Cohen
    DSCF4134.jpg
  • Archaeology Gallery, with Greek and Roman sculptures, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4103.jpg
  • Cinerary urn from Chiusi, Etruscan, terracotta, 3rd - 2nd century BC, with reclining sculpture of deceased and on the chest, a polychrome relief of a battle scene reminiscent of large Greco-Hellenistic friezes, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. The hero fights with a plough, and has been identified with various figures in Greek and Etruscan mythology, mainly Echetlus, who fought the Persians in Marathon. Picture by Manuel Cohen
    DSCF4214.jpg
  • Farewell scene or possibly a family meeting, polychrome relief from the chest of a cinerary urn from Chiusi, Etruscan, terracotta, 3rd - 2nd century BC, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4205.jpg
  • Colossal head of Hadrian, 76-138 AD, Roman emperor, mid 2nd century AD, white marble, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4162.jpg
  • Cinerary urn from Chiusi, Etruscan, terracotta, 2nd century BC, with reclining sculpture of deceased and on the chest, a polychrome relief of a battle scene reminiscent of large Greco-Hellenistic friezes, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. The hero fights with a plough, and has been identified with various figures in Greek and Etruscan mythology, mainly Echetlus, who fought the Persians in Marathon. Picture by Manuel Cohen
    DSCF4133.jpg
  • Stele, Punic, with relief of figure wearing stole, 4th - 3rd century BC, grey feldspar rhyolite (liparite), from the Tophet Sanctuary, Sulky, Sant'Antioco, Carbonia-Iglesias, Sardinia, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. Picture by Manuel Cohen
    DSCF4148.jpg
Next
  • Facebook
  • Twitter
x