manuel cohen

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  • Piedad, or Pieta, detail, oil painting on wood, attributed to Antonio de Comontes, 16th century, originally from the parish of El Peral, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC605.jpg
  • Piedad, or Pieta, oil painting on wood, attributed to Antonio de Comontes, 16th century, originally from the parish of El Peral, in the Museo Diocesano Cuenca or Cathedral Treasury Museum, in the Episcopal Palace, Cuenca, Spain. The historic walled town of Cuenca is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC604.jpg
  • View from above of the Carres de la Perspective (the plots of perspective) located in the Jardin des Plantes, Paris, 5th arrondissement, France. Founded in 1626 by Guy de La Brosse, Louis XIII's physician, the Jardin des Plantes, originally known as the Jardin du Roi, opened to the public in 1640. It became the Museum National d'Histoire Naturelle in 1793 during the French Revolution. Picture by Manuel Cohen
    LC_JDP_10_MC564.jpg
  • Perspective view of Versailles in 1668, oil painting by Pierre Patel, 1605-76, from the Musee du Chateau de Versailles, Versailles, Ile-de-France, France. The painting shows the palace and its gardens as they were in 1668, with most of the gardens laid out but without the chapel (built in 1710) and with much ongoing work. This is one of a series of paintings commissioned by King Louis XIV to present Versailles to the world as a show of wealth and power. Picture by Manuel Cohen
    LC_HISTORY_MC_0214.JPG
  • Aerial view of the Faro a Colon, or Columbus Lighthouse, a monument to Christopher Columbus designed by JL Gleave in 1931, and built 1986-92, in Santo Domingo Este, Dominican Republic, Caribbean. The concrete building is constructed in a cross shape, symbolising the christianisation of the region, and serves both as a museum and a mausoleum holding the remains of Columbus. 157 beams of light are emitted into the sky from the building. Picture by Manuel Cohen
    DRN_LC18_DominicanRepublic_MC_176.jpg
  • Aerial view of the Faro a Colon, or Columbus Lighthouse, a monument to Christopher Columbus designed by JL Gleave in 1931, and built 1986-92, in Santo Domingo Este, Dominican Republic, Caribbean. The concrete building is constructed in a cross shape, symbolising the christianisation of the region, and serves both as a museum and a mausoleum holding the remains of Columbus. 157 beams of light are emitted into the sky from the building. Picture by Manuel Cohen
    DRN_LC18_DominicanRepublic_MC_175.jpg
  • Faro a Colon, or Columbus Lighthouse, a monument to Christopher Columbus designed by JL Gleave in 1931, and built 1986-92, in Santo Domingo Este, Dominican Republic, Caribbean. The concrete building is constructed in a cross shape, symbolising the christianisation of the region, and serves both as a museum and a mausoleum holding the remains of Columbus. 157 beams of light are emitted into the sky from the building. Picture by Manuel Cohen
    DRN_LC18_DominicanRepublic_MC_346.JPG
  • Faro a Colon, or Columbus Lighthouse, a monument to Christopher Columbus designed by JL Gleave in 1931, and built 1986-92, in Santo Domingo Este, Dominican Republic, Caribbean. The concrete building is constructed in a cross shape, symbolising the christianisation of the region, and serves both as a museum and a mausoleum holding the remains of Columbus. 157 beams of light are emitted into the sky from the building. Picture by Manuel Cohen
    DRN_LC18_DominicanRepublic_MC_177.jpg
  • Chevet, looking towards its main stained glass window or maitresse-vitre, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    DRN_LC18_FRANCE_MC_0118.jpg
  • Chevet, looking towards its main stained glass window or maitresse-vitre, made 1280-90 and restored in the 17th, 19th and 20th centuries, in the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The window consists of 8 lancets depicting the lives of saints who have relics in the cathedral, and a tympanum of glass depicting the Last Judgement. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. Picture by Manuel Cohen
    DRN_LC18_FRANCE_MC_0119.jpg
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