manuel cohen

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  • Scene of Saint Louis or King Louis IX of France, 1214-70, carrying the relics of the crown of thorns on a cushion to the Sainte Chapelle in Paris, which he had built to house the relics. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC002.jpg
  • Scene of Saint Louis or King Louis IX of France, 1214-70, carrying the relics of the crown of thorns on a cushion to the Sainte Chapelle in Paris, which he had built to house the relics, followed by a procession of monks. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC003.jpg
  • Scene of the Marquis de Sade, 1740-1814, French writer famous for his sexual exploits, on a bed in his cell with a prostitute. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC004.jpg
  • Scene of the Marquis de Sade, 1740-1814, French writer famous for his sexual exploits, on a bed in his cell with a prostitute. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC005.jpg
  • Scene of the Marquis de Sade, 1740-1814, French writer famous for his sexual exploits, on a bed in his cell with a prostitute. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC006.jpg
  • Scene of a man playing King Louis XIV of France, 1638-1715, seated on a throne. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC009.jpg
  • Scene of a knight from the Middle Ages wearing chainmail. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC014.jpg
  • Scene of a butcher's stall at a street market in the Middle Ages. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC015.jpg
  • Scene from a street market in the Middle Ages with a man performing a dental extraction. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC017.jpg
  • Scene of a blacksmith at work in the Middle Ages. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC016.jpg
  • Scene of a blacksmith at work in the Middle Ages stoking his fire. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC018.jpg
  • Scene from a street market in the Middle Ages with a man selling food, possibly rats. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC019.jpg
  • Scene from a street market in the Middle Ages with a man drinking soup from a ladle at a food stall. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC020.jpg
  • Scene from a street market in the Middle Ages with 2 men chatting behind the cooking pots at a food stall. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC021.jpg
  • Scene of men in prehistoric times at a river about to get into a canoe made from a hollowed out tree trunk. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC023.jpg
  • Scene of a woman in the Middle Ages working on a stall in a street market, weighing out chestnuts from a wicker basket. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC022.jpg
  • Scene of a man in prehistoric times rowing with an oar in a canoe made from a hollowed out tree trunk. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC025.jpg
  • Scene of hunter in prehistoric times carrying a dead boar on his shoulders. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC026.jpg
  • Scene of hunter in prehistoric times carrying a dead boar on his shoulders. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC027.jpg
  • Scene of a hunter about to throw a spear in prehistoric times. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC028.jpg
  • Scene of a hunter holding a spear in prehistoric times. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC029.jpg
  • Scene of men hunting with spears in prehistoric times. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC030.jpg
  • Scene of men hunting with spears in prehistoric times. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC031.jpg
  • Scene of men hunting with spears in prehistoric times. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC032.jpg
  • Scene of men hunting with spears in prehistoric times. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC033.jpg
  • Scene of hunter in prehistoric times carrying a dead boar on his shoulders. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC034.jpg
  • Scene of men hunting with spears in prehistoric times. Image taken from the filming of 'Paris la ville a remonter le temps' written by Carlo de Boutiny and Alain Zenou, directed by Xavier Lefebvre, a Gedeon Programmes production. Picture by Manuel Cohen
    LC11_FRANCE_MC035.jpg
  • The Greek Actor (L'Acteur Grec), bronze, 19th century by Charles Arthur Bourgeois (1838-86), Luxembourg Gardens, Paris, France. The actor is holding a script and has a mask pushed back across his forehead. In the distance the Pantheon, 1758-90, the National Mausoleum, is visible. Photograph by Manuel Cohen.
    LC12_Paris_MC204.jpg
  • The Greek Actor (L'Acteur Grec), bronze, 19th century by Charles Arthur Bourgeois (1838-86), Luxembourg Gardens, Paris, France. The actor is holding a script and has a mask pushed back across his forehead. In the distance the Pantheon, 1758-90, the National Mausoleum, is visible. Photograph by Manuel Cohen.
    LC12_Paris_MC174.jpg
  • Detail of The Greek Actor (L'Acteur Grec), bronze, 19th century by Charles Arthur Bourgeois (1838-86), Luxembourg Gardens, Paris, France. The actor is holding a script and has a mask pushed back across his forehead. Photograph by Manuel Cohen.
    LC12_Paris_MC176.jpg
  • The Greek Actor (L'Acteur Grec), bronze, 19th century by Charles Arthur Bourgeois (1838-86), Luxembourg Gardens, Paris, France. The actor is holding a script and has a mask pushed back across his forehead. In the distance the Pantheon, 1758-90, the National Mausoleum, is visible. Photograph by Manuel Cohen.
    LC12_Paris_MC175.jpg
  • The Great Room of Acts, or Sala dos Capelos, or Red Room, decorated in the 17th century by master builder Antonio Tavares and reworked in the 18th century, with ceiling panels by Jacinto Pereira da Costa, part of the University of Coimbra in the royal palace or Paco Real, Coimbra, Portugal. Originally the throne room of the palace, and now used for University ceremonies, the room houses many large paintings of successive Kings of Portugal. The University of Coimbra was first founded in 1290 and moved to Coimbra in 1308 and to the royal palace in 1537. The buildings are listed as a historic monument and a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_PORTUGAL_MC_116.jpg
  • The Great Room of Acts, or Sala dos Capelos, or Red Room, decorated in the 17th century by master builder Antonio Tavares and reworked in the 18th century, with ceiling panels by Jacinto Pereira da Costa, part of the University of Coimbra in the royal palace or Paco Real, Coimbra, Portugal. Originally the throne room of the palace, and now used for University ceremonies, the room houses many large paintings of successive Kings of Portugal. The University of Coimbra was first founded in 1290 and moved to Coimbra in 1308 and to the royal palace in 1537. The buildings are listed as a historic monument and a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_PORTUGAL_MC_143.jpg
  • Kitchen room of a house built in 1929, in Les Cases Barates del Bon Pastor, or Cheap Houses of the Good Shepherd, now known as MUHBA Bon Pastor, were built before the International Exhibition of Barcelona in 1929 after the introduction of the Cheap Housing Act, to remove huts from Montjuic hill and give shelter to its inhabitants, Barcelona, Catalonia, Spain. 784 small houses were cheaply built and rented to poor families or migrant workers, with no community facilities, although the area is now regenerating. 16 of the houses are now managed by MUHBA (Museu d'Historia de Barcelona), and will be preserved, and exhibition spaces and community facilities created. Picture by Manuel Cohen
    LC20_SPAIN_MC_307.jpg
  • Living room of a restored house, now inhabited, in Les Cases Barates del Bon Pastor, or Cheap Houses of the Good Shepherd, now known as MUHBA Bon Pastor, were built before the International Exhibition of Barcelona in 1929 after the introduction of the Cheap Housing Act, to remove huts from Montjuic hill and give shelter to its inhabitants, Barcelona, Catalonia, Spain. 784 small houses were cheaply built and rented to poor families or migrant workers, with no community facilities, although the area is now regenerating. 16 of the houses are now managed by MUHBA (Museu d'Historia de Barcelona), and will be preserved, and exhibition spaces and community facilities created. Picture by Manuel Cohen
    LC20_SPAIN_MC_306.jpg
  • Living room of a derelict house built in the 1960s, in Les Cases Barates del Bon Pastor, or Cheap Houses of the Good Shepherd, now known as MUHBA Bon Pastor, were built before the International Exhibition of Barcelona in 1929 after the introduction of the Cheap Housing Act, to remove huts from Montjuic hill and give shelter to its inhabitants, Barcelona, Catalonia, Spain. 784 small houses were cheaply built and rented to poor families or migrant workers, with no community facilities, although the area is now regenerating. 16 of the houses are now managed by MUHBA (Museu d'Historia de Barcelona), and will be preserved, and exhibition spaces and community facilities created. Picture by Manuel Cohen
    LC20_SPAIN_MC_305.jpg
  • Living room of a derelict house built in the 1960s, in Les Cases Barates del Bon Pastor, or Cheap Houses of the Good Shepherd, now known as MUHBA Bon Pastor, were built before the International Exhibition of Barcelona in 1929 after the introduction of the Cheap Housing Act, to remove huts from Montjuic hill and give shelter to its inhabitants, Barcelona, Catalonia, Spain. 784 small houses were cheaply built and rented to poor families or migrant workers, with no community facilities, although the area is now regenerating. 16 of the houses are now managed by MUHBA (Museu d'Historia de Barcelona), and will be preserved, and exhibition spaces and community facilities created. Picture by Manuel Cohen
    LC20_SPAIN_MC_304.jpg
  • Les Cases Barates del Bon Pastor, or Cheap Houses of the Good Shepherd, now known as MUHBA Bon Pastor, were built before the International Exhibition of Barcelona in 1929 after the introduction of the Cheap Housing Act, to remove huts from Montjuic hill and give shelter to its inhabitants, Barcelona, Catalonia, Spain. 784 small houses were cheaply built and rented to poor families or migrant workers, with no community facilities, although the area is now regenerating. 16 of the houses are now managed by MUHBA (Museu d'Historia de Barcelona), and will be preserved, and exhibition spaces and community facilities created. Picture by Manuel Cohen
    LC20_SPAIN_MC_302.jpg
  • Les Cases Barates del Bon Pastor, or Cheap Houses of the Good Shepherd, now known as MUHBA Bon Pastor, were built before the International Exhibition of Barcelona in 1929 after the introduction of the Cheap Housing Act, to remove huts from Montjuic hill and give shelter to its inhabitants, Barcelona, Catalonia, Spain. 784 small houses were cheaply built and rented to poor families or migrant workers, with no community facilities, although the area is now regenerating. 16 of the houses are now managed by MUHBA (Museu d'Historia de Barcelona), and will be preserved, and exhibition spaces and community facilities created. Picture by Manuel Cohen
    LC20_SPAIN_MC_303.jpg
  • Les Cases Barates del Bon Pastor, or Cheap Houses of the Good Shepherd, now known as MUHBA Bon Pastor, were built before the International Exhibition of Barcelona in 1929 after the introduction of the Cheap Housing Act, to remove huts from Montjuic hill and give shelter to its inhabitants, Barcelona, Catalonia, Spain. 784 small houses were cheaply built and rented to poor families or migrant workers, with no community facilities, although the area is now regenerating. 16 of the houses are now managed by MUHBA (Museu d'Historia de Barcelona), and will be preserved, and exhibition spaces and community facilities created. Picture by Manuel Cohen
    LC20_SPAIN_MC_301.jpg
  • Les Cases Barates del Bon Pastor, or Cheap Houses of the Good Shepherd, now known as MUHBA Bon Pastor, were built before the International Exhibition of Barcelona in 1929 after the introduction of the Cheap Housing Act, to remove huts from Montjuic hill and give shelter to its inhabitants, Barcelona, Catalonia, Spain. 784 small houses were cheaply built and rented to poor families or migrant workers, with no community facilities, although the area is now regenerating. 16 of the houses are now managed by MUHBA (Museu d'Historia de Barcelona), and will be preserved, and exhibition spaces and community facilities created. Picture by Manuel Cohen
    LC20_SPAIN_MC_300.jpg
  • Les Cases Barates del Bon Pastor, or Cheap Houses of the Good Shepherd, now known as MUHBA Bon Pastor, were built before the International Exhibition of Barcelona in 1929 after the introduction of the Cheap Housing Act, to remove huts from Montjuic hill and give shelter to its inhabitants, Barcelona, Catalonia, Spain. 784 small houses were cheaply built and rented to poor families or migrant workers, with no community facilities, although the area is now regenerating. 16 of the houses are now managed by MUHBA (Museu d'Historia de Barcelona), and will be preserved, and exhibition spaces and community facilities created. Picture by Manuel Cohen
    LC20_SPAIN_MC_298.jpg
  • Les Cases Barates del Bon Pastor, or Cheap Houses of the Good Shepherd, now known as MUHBA Bon Pastor, were built before the International Exhibition of Barcelona in 1929 after the introduction of the Cheap Housing Act, to remove huts from Montjuic hill and give shelter to its inhabitants, Barcelona, Catalonia, Spain. 784 small houses were cheaply built and rented to poor families or migrant workers, with no community facilities, although the area is now regenerating. 16 of the houses are now managed by MUHBA (Museu d'Historia de Barcelona), and will be preserved, and exhibition spaces and community facilities created. Picture by Manuel Cohen
    LC20_SPAIN_MC_299.jpg
  • Funerary games, fresco, c. 510 BC, in the Tomba dei Giocolieri, at the Monterozzi Etruscan necropolis near Tarquinia, Vitero, Lazio, Italy. This fresco depicts the deceased (right) watching an acrobat, a balancing act, a musician and a juggler. Above are a red lion and a blue panther. The necropolis was founded in the 7th century BC and contains around 6000 graves, many of which are covered in frescos. Monterozzi is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_ITALY_MC_638.JPG
  • Portrait of King Manuel I or Emmanuel I, known as the Manuel the Fortunate or Manuel o Afortunado, 1469-1521, 14th King of Portugal, 1495, in the Great Room of Acts, or Sala dos Capelos, or Red Room, decorated in the 17th century by master builder Antonio Tavares and reworked in the 18th century, at the University of Coimbra in the royal palace or Paco Real, Coimbra, Portugal. The University of Coimbra was first founded in 1290 and moved to Coimbra in 1308 and to the royal palace in 1537. The buildings are listed as a historic monument and a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_PORTUGAL_MC_144.jpg
  • Portrait of King John III or Joao III of Portugal, 1521-57, who transferred the University from Lisbon to the royal palace at Coimbra in 1537, 1521, in the Great Room of Acts, or Sala dos Capelos, or Red Room, decorated in the 17th century by master builder Antonio Tavares and reworked in the 18th century, at the University of Coimbra in the royal palace or Paco Real, Coimbra, Portugal. The University of Coimbra was first founded in 1290 and moved to Coimbra in 1308 and to the royal palace in 1537. The buildings are listed as a historic monument and a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_PORTUGAL_MC_142.jpg
  • Portrait of King Alfonso I of Portugal, 1109-85, in 1112, also known as Dom Afonso Henriques, or the Conqueror or O Conquistador, first King of Portugal, in the Great Room of Acts, or Sala dos Capelos, or Red Room, decorated in the 17th century by master builder Antonio Tavares and reworked in the 18th century, at the University of Coimbra in the royal palace or Paco Real, Coimbra, Portugal. The University of Coimbra was first founded in 1290 and moved to Coimbra in 1308 and to the royal palace in 1537. The buildings are listed as a historic monument and a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_PORTUGAL_MC_141.jpg
  • Detail of the portrait of King Manuel I or Emmanuel I, known as the Manuel the Fortunate or Manuel o Afortunado, 1469-1521, 14th King of Portugal, in the Great Room of Acts, or Sala dos Capelos, or Red Room, decorated in the 17th century by master builder Antonio Tavares and reworked in the 18th century, at the University of Coimbra in the royal palace or Paco Real, Coimbra, Portugal. The University of Coimbra was first founded in 1290 and moved to Coimbra in 1308 and to the royal palace in 1537. The buildings are listed as a historic monument and a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_PORTUGAL_MC_122.jpg
  • Portrait of King John V or Joao V, 1689-1750, known as John the Magnanimous or Joao o Magnanimo and the Portuguese Sun King or Rei-Sol Portugues, in the Great Room of Acts, or Sala dos Capelos, or Red Room, decorated in the 17th century by master builder Antonio Tavares and reworked in the 18th century, at the University of Coimbra in the royal palace or Paco Real, Coimbra, Portugal. The University of Coimbra was first founded in 1290 and moved to Coimbra in 1308 and to the royal palace in 1537. The buildings are listed as a historic monument and a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_PORTUGAL_MC_120.jpg
  • Portrait of King Peter I of Brazil or Pedro I do Brasil, also King Peter IV of Portugal or Pedro IV de Portugal, 1798-1834, who reigned in Brazil 1822-31 and in Portugal in 1826, in the Great Room of Acts, or Sala dos Capelos, or Red Room, decorated in the 17th century by master builder Antonio Tavares and reworked in the 18th century, at the University of Coimbra in the royal palace or Paco Real, Coimbra, Portugal. The University of Coimbra was first founded in 1290 and moved to Coimbra in 1308 and to the royal palace in 1537. The buildings are listed as a historic monument and a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_PORTUGAL_MC_121.jpg
  • Detail of the portrait of King Alfonso I of Portugal, 1109-85, also known as Dom Afonso Henriques, or the Conqueror or O Conquistador, first King of Portugal, in the Great Room of Acts, or Sala dos Capelos, or Red Room, decorated in the 17th century by master builder Antonio Tavares and reworked in the 18th century, at the University of Coimbra in the royal palace or Paco Real, Coimbra, Portugal. The University of Coimbra was first founded in 1290 and moved to Coimbra in 1308 and to the royal palace in 1537. The buildings are listed as a historic monument and a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_PORTUGAL_MC_117.jpg
  • Portrait of King Denis I of Portugal, 1261-1325, and his wife Elizabeth of Aragon, 1271-1336, in the Great Room of Acts, or Sala dos Capelos, or Red Room, decorated in the 17th century by master builder Antonio Tavares and reworked in the 18th century, at the University of Coimbra in the royal palace or Paco Real, Coimbra, Portugal. Denis founded the University of Lisbon in 1290 with his decree 'Magna Charta Priveligiorum' and moved it to Coimbra in 1307, and promoted the use of the Latin language. The University of Coimbra moved to Coimbra in 1308 and to the royal palace in 1537. The buildings are listed as a historic monument and a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_PORTUGAL_MC_118.jpg
  • Portrait of King Peter I of Portugal, 1320-67, known as Peter the Just or Pedro o Justiceiro, 8th King of Portugal, 1357-67, in the Great Room of Acts, or Sala dos Capelos, or Red Room, decorated in the 17th century by master builder Antonio Tavares and reworked in the 18th century, at the University of Coimbra in the royal palace or Paco Real, Coimbra, Portugal. The University of Coimbra was first founded in 1290 and moved to Coimbra in 1308 and to the royal palace in 1537. The buildings are listed as a historic monument and a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_PORTUGAL_MC_119.jpg
  • Low angle view of a sculpture of a Roman actor with a mask in the garden of the National Archaeological Museum. Carthage, Tunisia, pictured on January 29, 2008, in the afternoon. Carthage was founded in 814 BC by the Phoenicians who fought three Punic Wars against the Romans over this immensely important Mediterranean harbour. The Romans finally conquered the city in 146 BC. Subsequently it was conquered by the Vandals and the Byzantine Empire. Today it is a UNESCO World Heritage. The National Archaeological Museum (Musee National de Carthage) houses an impressive collection of Punic and Christian relics found in the excavations, including stelae, jewellery, sarcophagi and reliefs. It also features maps, photographs and models of the ancient city. Picture by Manuel Cohen.
    LCTunisia_08_MC_061.jpg
  • Detail of a sculpture of a Roman actor with a mask in the garden of the National Archaeological Museum, Carthage, Tunisia, pictured on January 29, 2008, in the afternoon. Carthage was founded in 814 BC by the Phoenicians who fought three Punic Wars against the Romans over this immensely important Mediterranean harbour. The Romans finally conquered the city in 146 BC. Subsequently it was conquered by the Vandals and the Byzantine Empire. Today it is a UNESCO World Heritage. The National Archaeological Museum (Musee National de Carthage) houses an impressive collection of Punic and Christian relics found in the excavations, including stelae, jewellery, sarcophagi and reliefs. Picture by Manuel Cohen.
    LCTunisia_08_MC_060.jpg
  • Porch of the Caryatids, detail, of the Erechtheion, a classical Greek temple built 421-406 BC, dedicated to Athena and Poseidon, on the North side of the Acropolis of Athens, an ancient citadel site raised above the city, in Athens, Greece. The porch consists of 6 female statues acting as supports for the roof. The Erechtheion is thought to have been designed by architect Mnesicles and sculpted and decorated by Phidias. Pericles developed the acropolis in the 5th century BC, adding the Parthenon, Propylaia, Erechtheion and Temple of Athena Nike to the site. The acropolis is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LCGREECE07_10_176.jpg
  • Porch of the Caryatids of the Erechtheion, a classical Greek temple built 421-406 BC, dedicated to Athena and Poseidon, on the North side of the Acropolis of Athens, an ancient citadel site raised above the city, in Athens, Greece. The porch consists of 6 female statues acting as supports for the roof. The Erechtheion is thought to have been designed by architect Mnesicles and sculpted and decorated by Phidias. Pericles developed the acropolis in the 5th century BC, adding the Parthenon, Propylaia, Erechtheion and Temple of Athena Nike to the site. The acropolis is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LCGREECE07_10_164.jpg
  • Modernist street, designed to act as a firebreak between the main workspaces (the previous factory burned down), and the Water Tower, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1351.jpg
  • Modernist street, designed to act as a firebreak between the main workspaces (the previous factory burned down), and the Clock Tower, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1350.jpg
  • Modernist street, designed to act as a firebreak between the main workspaces (the previous factory burned down), at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1325.jpg
  • Modernist street, designed to act as a firebreak between the main workspaces (the previous factory burned down), and the Water Tower, at CaixaForum Barcelona, a cultural centre opened 2002 in the former Casaramona textile factory built 1911, designed by Josep Puig i Cadafalch, in Montjuic, Barcelona, Catalonia, Spain. The centre was repurposed by Japanese architect Arata Isozaki, b. 1931. It is sponsored by La Caixa bank, and holds temporary exhibitions, concerts, educational workshops and films, and has a media library, auditorium, classroom, restaurant and children's activity space. Picture by Manuel Cohen
    LC20_SPAIN_MC_1323.jpg
  • Stained glass window depicting the act of perjury before the knight and his wife, a bishop and judges, when the knight's friend denies him and the crucifixion statue leaks 3 drops of blood, 1869, detail, by Emil Hirsch, 1832-1904, in the Chapelle des Trois Gouttes de Sang, in Quimper Cathedral, or the Cathedrale Saint-Corentin de Quimper, a Gothic Roman Catholic cathedral founded in 1239 and completed in the 15th century, in Quimper, Finistere, Brittany, France. The cathedral is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1416.jpg
  • Wupamo katsina doll, made c. 1910 by a Hopi artist from wood, paint, feathers and string, anonymous gift in the name of Julia Johnson, in the collection of Denver Art Museum, Denver, Colorado, USA. Hopi katsina figures or kachina dolls are figures carved, typically from cottonwood root, by Hopi people to teach girls about katsinas or katsinam, the immortal beings that bring rain and act as messengers between humans and the spirits. Wupamo katsina are guards, one of the Mongwi or Chief Katsinam. The Hopi tribe live in North East Arizona and have been making these katsina figures since the 19th century. Picture by Manuel Cohen
    LC16_COLORADO_MC_228.jpg
  • Tootsa katsina by Viets Lomahaftewa, Hopi, Shung-opavi artist, made 1952 from wood, paint and feathers, bought through the Native Arts Acquisition Fund, in the Denver Art Museum, Denver, Colorado, USA. Hopi katsina figures or kachina dolls are figures carved, typically from cottonwood root, by Hopi people to teach girls about katsinas or katsinam, the immortal beings that bring rain and act as messengers between humans and the spirits. The Tootsa katsina is a hummingbird katsina (seen here with the bird on his head) who sings prayers for moisture and dances quickly to encourage rain. The Hopi tribe live in North East Arizona and have been making these katsina figures since the 19th century. Picture by Manuel Cohen
    LC16_COLORADO_MC_227.jpg
  • Sakwa Hu katsina, made by Tom Callateta, Hopi artist, in the 1980s, from wood, paint, fur, shells, cloth and feather, from the Elizabeth P Landry Collection, in the Denver Art Museum, Denver, Colorado, USA. Hopi katsina figures or kachina dolls are figures carved, typically from cottonwood root, by Hopi people to teach girls about katsinas or katsinam, the immortal beings that bring rain and act as messengers between humans and the spirits. Sakwa Hu is a guard, often seen carrying whips. The Hopi tribe live in North East Arizona and have been making these katsina figures since the 19th century. Picture by Manuel Cohen
    LC16_COLORADO_MC_226.jpg
  • Tootsa katsina by Viets Lomahaftewa, Hopi, Shung-opavi artist, made 1952 from wood, paint and feathers, bought through the Native Arts Acquisition Fund, in the Denver Art Museum, Denver, Colorado, USA. Hopi katsina figures or kachina dolls are figures carved, typically from cottonwood root, by Hopi people to teach girls about katsinas or katsinam, the immortal beings that bring rain and act as messengers between humans and the spirits. The Tootsa katsina is a hummingbird katsina (seen here with the bird on his head) who sings prayers for moisture and dances quickly to encourage rain. The Hopi tribe live in North East Arizona and have been making these katsina figures since the 19th century. Picture by Manuel Cohen
    LC16_COLORADO_MC_184.jpg
  • Kwew katsina, by Hopi artist, made 1910-20 from wood and paint, anonymous gift in the name of Julia Johnson, in the Denver Art Museum, Denver, Colorado, USA. Hopi katsina figures or kachina dolls are figures carved, typically from cottonwood root, by Hopi people to teach girls about katsinas or katsinam, the immortal beings that bring rain and act as messengers between humans and the spirits. The kwew or knew'u katsina is a wolf katsina. The Hopi tribe live in North East Arizona and have been making these katsina figures since the 19th century. Picture by Manuel Cohen
    LC16_COLORADO_MC_179.jpg
  • Hopi figure, Si’okatsina’putsqatihu, made c. 1885 from wood, paint and feather, bought through the Native Arts Acquisition Fund, in the Denver Art Museum, Denver, Colorado, USA. Hopi katsina figures or kachina dolls are figures carved, typically from cottonwood root, by Hopi people to teach girls about katsinas or katsinam, the immortal beings that bring rain and act as messengers between humans and the spirits. The Hopi tribe live in North East Arizona and have been making these katsina figures since the 19th century. Picture by Manuel Cohen
    LC16_COLORADO_MC_178.jpg
  • The Latin Bridge, originally a 16th century Ottoman bridge over the river Miljacka but rebuilt 1798-99, and on the right, the Museum of the Assassination of Franz Ferdinand, marking the spot where, on the 28th June 1914, Gavrilo Princip assassinated Archduke Franz Ferdinand and his wife Sofia, an act which led to the outbreak of the First World War, Stari Grad, Sarajevo, Bosnia and Herzegovina. The bridge is a National Monument. Picture by Manuel Cohen
    LC15_Sarajevo_MC094.jpg
  • The Latin Bridge, originally a 16th century Ottoman bridge over the river Miljacka but rebuilt 1798-99, and on the left, the Museum of the Assassination of Franz Ferdinand, marking the spot where, on the 28th June 1914, Gavrilo Princip assassinated Archduke Franz Ferdinand and his wife Sofia, an act which led to the outbreak of the First World War, Stari Grad, Sarajevo, Bosnia and Herzegovina. The bridge is a National Monument. Picture by Manuel Cohen
    LC15_Sarajevo_MC093.jpg
  • Tram passing in front of the Museum of the Assassination of Franz Ferdinand, on the spot where, on the 28th June 1914, Gavrilo Princip assassinated Archduke Franz Ferdinand, an act which led to the outbreak of the First World War, Sarajevo, Bosnia and Herzegovina. Picture by Manuel Cohen
    LC15_Sarajevo_MC092.jpg
  • Mannequin of Archduke Franz Ferdinand in the Museum of the Assassination of Franz Ferdinand, built on the spot where, on the 28th June 1914, Gavrilo Princip assassinated Archduke Franz Ferdinand, an act which led to the outbreak of the First World War, Sarajevo, Bosnia and Herzegovina. Picture by Manuel Cohen
    LC15_Sarajevo_MC089.jpg
  • Mannequins of Archduke Franz Ferdinand and his wife Sofia in the Museum of the Assassination of Franz Ferdinand, built on the spot where, on the 28th June 1914, Gavrilo Princip assassinated Archduke Franz Ferdinand, an act which led to the outbreak of the First World War, Sarajevo, Bosnia and Herzegovina. Picture by Manuel Cohen
    LC15_Sarajevo_MC088.jpg
  • Plaque on the Museum of the Assassination of Franz Ferdinand, marking the spot where, on the 28th June 1914, Gavrilo Princip assassinated Archduke Franz Ferdinand and his wife Sofia, an act which led to the outbreak of the First World War, Sarajevo, Bosnia and Herzegovina. Picture by Manuel Cohen
    LC15_Sarajevo_MC085.jpg
  • Plaque on the Museum of the Assassination of Franz Ferdinand, marking the spot where, on the 28th June 1914, Gavrilo Princip assassinated Archduke Franz Ferdinand and his wife Sofia, an act which led to the outbreak of the First World War, Sarajevo, Bosnia and Herzegovina. Picture by Manuel Cohen
    LC15_Sarajevo_MC086.jpg
  • Mannequins of Archduke Franz Ferdinand and his wife Sofia in the Museum of the Assassination of Franz Ferdinand, built on the spot where, on the 28th June 1914, Gavrilo Princip assassinated Archduke Franz Ferdinand, an act which led to the outbreak of the First World War, Sarajevo, Bosnia and Herzegovina. Picture by Manuel Cohen
    LC15_Sarajevo_MC087.jpg
  • The Latin Bridge, originally a 16th century Ottoman bridge over the river Miljacka but rebuilt 1798-99, and on the right, the Museum of the Assassination of Franz Ferdinand, marking the spot where, on the 28th June 1914, Gavrilo Princip assassinated Archduke Franz Ferdinand and his wife Sofia, an act which led to the outbreak of the First World War, Stari Grad, Sarajevo, Bosnia and Herzegovina. The bridge is a National Monument. Picture by Manuel Cohen
    LC15_Sarajevo_MC068.jpg
  • The Latin Bridge, originally a 16th century Ottoman bridge over the river Miljacka but rebuilt 1798-99, and in pink, the Museum of the Assassination of Franz Ferdinand, marking the spot where, on the 28th June 1914, Gavrilo Princip assassinated Archduke Franz Ferdinand and his wife Sofia, an act which led to the outbreak of the First World War, Stari Grad, Sarajevo, Bosnia and Herzegovina. The bridge is a National Monument. Picture by Manuel Cohen
    LC15_Sarajevo_MC064.jpg
  • Pope Alexander VI giving Gonzalo de Cordoba, the Gran Capitan a sword as a reward for defending the Church (although it was Clement VII who actually performed this act), fresco to the upper left of the main chapel, in the Monasterio de San Jeronimo, or Monastery of St Jerome, 16th century Roman Catholic church and Hieronymite monastery founded by the Catholic monarchs in Santa Fe, Granada, Andalusia, Southern Spain. Granada was listed as a UNESCO World Heritage Site in 1984. Picture by Manuel Cohen
    LC14_GRANADA_MC280.jpg
  • A crowd containing sick and crippled men awaits the arrival of the relics of St Stephen. Pilgrims also came to Chartres to see the Virgin's relics hoping to be cured and the cathedral is here endorsing this act. Section of the crowd gathering around the relics, 1220-25, from the Life of St Stephen and transferral of his relics window in the ambulatory of Chartres Cathedral, Eure-et-Loir, France. This window, unusually dominantly red in colour, tells the story of the life of St Stephen, the first Christian martyr, who died c. 36 AD and whose relics are held at Chartres. It is situated in the chapel dedicated to martyrs. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. Most of its windows date from 1205-40 although a few earlier 12th century examples are also intact. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen
    LC13_FRANCE_MC492.jpg
  • Peyrepertuse Castle or Chateau Pierre Pertuse, Cathar Castle, Duilhac-sous-Peyrepertuse, Corbieres, Aude, France. This castle consists of a Lower Castle built by the Kings of Aragon in the 11th century and a High Castle built by Louis IX in the 13th century, joined by a huge staircase. Its name means pierced rock in Occitan and it has been associated with the Counts of Narbonne and Barcelona. It is one of the "Five Sons of Carcassonne" or "cinq fils de Carcassonne" and is a listed monument historique. View from a distance showing steep cliffs which act as a natural defense. Picture by Manuel Cohen
    LC13_FRANCE_MC105.jpg
  • Peyrepertuse Castle or Chateau Pierre Pertuse, Cathar Castle, Duilhac-sous-Peyrepertuse, Corbieres, Aude, France. This castle consists of a Lower Castle built by the Kings of Aragon in the 11th century and a High Castle built by Louis IX in the 13th century, joined by a huge staircase. Its name means pierced rock in Occitan and it has been associated with the Counts of Narbonne and Barcelona. It is one of the "Five Sons of Carcassonne" or "cinq fils de Carcassonne" and is a listed monument historique. View from a distance showing steep cliffs which act as a natural defense. Picture by Manuel Cohen
    LC13_FRANCE_MC013.jpg
  • Old keep of the Lower Castle, Peyrepertuse Castle or Chateau Pierre Pertuse, Cathar Castle, Duilhac-sous-Peyrepertuse, Corbieres, Aude, France. This castle consists of a Lower Castle built by the Kings of Aragon in the 11th century and a High Castle built by Louis IX in the 13th century, joined by a huge staircase. Its name means pierced rock in Occitan and it has been associated with the Counts of Narbonne and Barcelona. It is one of the "Five Sons of Carcassonne" or "cinq fils de Carcassonne" and is a listed monument historique. This view shows steep cliffs which act as natural defenses. Picture by Manuel Cohen
    LC13_FRANCE_MC014.jpg
  • Tootsa katsina, by Viets Lomahaftewa, Hopi Shung-opavi artist, made 1952 from wood, paint and feathers, bought through the Native Arts Acquisition Fund, in the Denver Art Museum, Denver, Colorado, USA. Hopi katsina figures or kachina dolls are figures carved, typically from cottonwood root, by Hopi people to teach girls about katsinas or katsinam, the immortal beings that bring rain and act as messengers between humans and the spirits. The Tootsa katsina is a hummingbird katsina who sings prayers for moisture and dances quickly to encourage rain. The Hopi tribe live in North East Arizona and have been making these katsina figures since the 19th century. Picture by Manuel Cohen
    LC16_COLORADO_MC_225.jpg
  • Islamic berber cistern, built 9th - 11th century, in the basement of the Palacio de las Veletas, which houses the Museo de Caceres or Caceres Museum, in Caceres, Extremadura, Spain. The cistern acts as a reservoir for fresh water, in a waterproof underground room with roof supported by horseshoe arches on columns. Caceres was founded as Castra Caecilia by Quintus Caecilius Metellus Pius in 25 BC and is a walled town with many medieval buildings. Caceres is listed as a UNESCO World Heritage Site Picture by Manuel Cohen
    LC21_SPAIN_MC_1117.jpg
  • Looking up at the octagonal tower studded with stained glass by Marguerite Hure, in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0567.jpg
  • Looking up at the octagonal tower studded with stained glass by Marguerite Hure, with spiral staircase, in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0569.jpg
  • Looking up at the octagonal tower studded with stained glass by Marguerite Hure, in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0570.jpg
  • Looking up at the octagonal tower studded with stained glass by Marguerite Hure, in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0573.jpg
  • Looking up at the octagonal tower studded with stained glass by Marguerite Hure, with spiral staircase, in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0574.jpg
  • Anse des Regates marina and behind, the tower of the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church's 107m tall tower acts as a beacon from out at sea. Perret led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0577.jpg
  • Looking up at the octagonal tower studded with stained glass by Marguerite Hure, with spiral staircase, in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0589.jpg
  • Corner of the apartment blocks on the Boulevard Clemenceau (left), and the tower of the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with tall thin stained glass windows by Marguerite Hure, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0594.jpg
  • A 'Granada y los Converses' book, used as a blood cleansing process, to confirm nobility and christian virtue by listing acts carried out by its owner, from the collection of the Crespo Lopez family exhibited in the 16th century Palacio de los Olvidados or Palace of the Forgotten, in El Albayzin, the medieval Moorish old town of Granada, Andalusia, Southern Spain. The Palace is one of the few remaining old aristocratic houses in good condition, thought to belong to a Jew and now housing artefacts of Jewish culture and history. Granada was listed as a UNESCO World Heritage Site in 1984. Picture by Manuel Cohen
    LC14_GRANADA_MC251.jpg
  • Courbevoie, Dimanche 20 juin 2010 : Nouvelle Èglise Saint Adrien construite par Vincent Bourgoin, consacrÈe par Mgr GÈrard Daucourt en prÈsence du PËre Michel Anglares curÈ de la paroisse. CrÈation du mobilier liturgique par Fleur Nabert. PrÈsence de Jacques Kossowski, maire de Courbevoie. Acte de consÈcration par l'application des saintes huiles sur l'autel. The Consecration of the new church of St Adrian, Courbevoie, Hauts de Seine, France on Sunday June 20, 2010. Built by Vincent Bourgoin, the church  was consecrated by Monseigneur Gerard Daucourt, with Father Michel Anglares, the Parish Priest in attendance. The church furniture was created by Fleur Nabert. Jacques Kossowski, Mayor of Courbevoie also attended the ceremony. Amospheric view of the consecration of the church Saint Adrien. Picture by Manuel Cohen
    200610_StAdrien_MCohen112.jpg
  • Courbevoie, Dimanche 20 juin 2010 : Nouvelle Èglise Saint Adrien construite par Vincent Bourgoin, consacrÈe par Mgr GÈrard Daucourt en prÈsence du PËre Michel Anglares curÈ de la paroisse. CrÈation du mobilier liturgique par Fleur Nabert. PrÈsence de Jacques Kossowski, maire de Courbevoie. Acte de consÈcration par l'application des saintes huiles sur l'autel. The Consecration of the new church of St Adrian, Courbevoie, Hauts de Seine, France on Sunday June 20, 2010. Built by Vincent Bourgoin, the church  was consecrated by Monseigneur Gerard Daucourt, with Father Michel Anglares, the Parish Priest in attendance. The church furniture was created by Fleur Nabert. Jacques Kossowski, Mayor of Courbevoie also attended the ceremony. Amospheric view of the consecration of the church Saint Adrien. Picture by Manuel Cohen
    200610_StAdrien_MCohen108.jpg
  • Courbevoie, Dimanche 20 juin 2010 : Nouvelle Èglise Saint Adrien construite par Vincent Bourgoin, consacrÈe par Mgr GÈrard Daucourt en prÈsence du PËre Michel Anglares curÈ de la paroisse. CrÈation du mobilier liturgique par Fleur Nabert. PrÈsence de Jacques Kossowski, maire de Courbevoie. Acte de consÈcration par Mgr GÈrard Daucourt portant la main aux quatre coins de l'Èglise. The Consecration of the new church of St Adrian, Courbevoie, Hauts de Seine, France on Sunday June 20, 2010. Built by Vincent Bourgoin, the church  was consecrated by Monseigneur Gerard Daucourt, with Father Michel Anglares, the Parish Priest in attendance. The church furniture was created by Fleur Nabert. Jacques Kossowski, Mayor of Courbevoie also attended the ceremony. Atmospheric view of the ceremony of consecration of the church Saint Adrien. Picture by Manuel Cohen
    200610_StAdrien_MCohen102.jpg
  • Courbevoie, Dimanche 20 juin 2010 : Nouvelle Èglise Saint Adrien construite par Vincent Bourgoin, consacrÈe par Mgr GÈrard Daucourt en prÈsence du PËre Michel Anglares curÈ de la paroisse. CrÈation du mobilier liturgique par Fleur Nabert. PrÈsence de Jacques Kossowski, maire de Courbevoie. Acte de consÈcration par Mgr GÈrard Daucourt portant la main aux quatre coins de l'Èglise. The Consecration of the new church of St Adrian, Courbevoie, Hauts de Seine, France on Sunday June 20, 2010. Built by Vincent Bourgoin, the church  was consecrated by Monseigneur Gerard Daucourt, with Father Michel Anglares, the Parish Priest in attendance. The church furniture was created by Fleur Nabert. Jacques Kossowski, Mayor of Courbevoie also attended the ceremony. Atmospheric view of the ceremony of consecration of the church Saint Adrien. Picture by Manuel Cohen
    200610_StAdrien_MCohen101.jpg
  • Inside the Oculus, the central retail and dining section of the new World Trade Center Transportation Hub, designed by Santiago Calatrava and opened in 2016, Lower Manhattan, New York, New York, USA. The Hub replaces the old train station which was destroyed in the 11 September 2001 terrorist attacks. The large white ribbed structure acts as a huge skylight to bring natural light into the underground train station. Picture by Manuel Cohen
    LC17_NEWYORK_MC_053.jpg
  • Wooden confessional with lattice in the shape of a cross, in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows by Marguerite Hure, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0568.jpg
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