manuel cohen

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  • Square nave of the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows by Marguerite Hure, a Neo-Gothic interior and a 107m tall octagonal tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0566.jpg
  • Looking up at the octagonal tower studded with stained glass by Marguerite Hure, in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0567.jpg
  • Looking up at the octagonal tower studded with stained glass by Marguerite Hure, in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0573.jpg
  • Looking up at the octagonal tower studded with stained glass by Marguerite Hure, with spiral staircase, in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0574.jpg
  • Anse des Regates marina and behind, the tower of the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church's 107m tall tower acts as a beacon from out at sea. Perret led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0577.jpg
  • Apartment buildings on the Rue de Paris, designed by Auguste Perret, 1874-1954, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII, Le Havre, Normandy, France. This is the oldest street in Le Havre and was based on the Rue de Rivoli in Paris, with grand apartment blocks with shops on the ground floor and colonnades along the pavements. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0581.jpg
  • Looking up at the octagonal tower studded with stained glass by Marguerite Hure, in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0585.jpg
  • Chapel with crucifix sculpture in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows by Marguerite Hure, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0586.jpg
  • Looking up at the octagonal tower studded with stained glass by Marguerite Hure, with spiral staircase, in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0589.jpg
  • Apartment block at Porte Oceane, completed 1956, designed by Auguste Perret, 1874-1954, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII, Le Havre, Normandy, France. This monumental complex consists of 6-storey buildings and 2 13-storey towers, symbolising the entrance gates to the city. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0592.jpg
  • Apartment block at Porte Oceane, completed 1956, designed by Auguste Perret, 1874-1954, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII, Le Havre, Normandy, France. This monumental complex consists of 6-storey buildings and 2 13-storey towers, symbolising the entrance gates to the city. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0593.jpg
  • Corner of the apartment blocks on the Boulevard Clemenceau (left), and the tower of the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with tall thin stained glass windows by Marguerite Hure, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0594.jpg
  • Beach and city of Le Havre, seen from Sainte Adresse, Seine-Maritime, Normandy, France. In the centre is the tower of the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier. Either side are the apartment blocks at Porte Oceane, completed 1956, also designed by Perret, with the docks of the port behind. Perret led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0597.jpg
  • Beach and city of Le Havre, Normandy, France. In the centre is the tower of the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier. Either side are the apartment blocks at Porte Oceane, completed 1956, also designed by Perret, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0602.jpg
  • Pedestrians walking along the Chemin de la Mer, at Le Havre, Normandy, France. Behind is the tower of the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier. Either side are the apartment blocks at Porte Oceane, completed 1956, also designed by Perret, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0604.jpg
  • Le Volcan or the Volcano, an apartment block designed by Auguste Perret and the tower of the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. Perret led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The Volcano is an auditorium opened 1982, designed by Oscar Niemeyer, 1907-2012, and Jean-Maur Lyonnet, at the Maison de la Culture du Havre. The large volcano (left) contains a 1200 seat theatre and 350 seat cinema, while the small volcano (right) has a 500 seat hall and 80 seat auditorium and is now used as a reference library. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0611.jpg
  • Detail of the facade of the apartment block at 50 Avenue Foch, with stone relief by Pierre Colombo, designed by Auguste Perret, 1874-1954, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII, Le Havre, Normandy, France. Avenue Foch is one of the widest avenues in Europe and forms part of the 'Monumental Triangle' at the heart of Le Havre's reconstruction plans. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0617.jpg
  • Apartment buildings on the Rue de Paris, designed by Auguste Perret, 1874-1954, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII, and a cruiseship seen at the end of the road, Le Havre, Normandy, France. This is the oldest street in Le Havre and was based on the Rue de Rivoli in Paris, with grand apartment blocks with shops on the ground floor and colonnades along the pavements. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0619.jpg
  • Living room furniture suite by Rene Gabriel, and concrete pillar in the hallway supporting the structure, allowing the space to be open and flexible, in the Historic Show Flat, on the first floor of an ISAI or Immeubles Sans Affectation Individuelle apartment block, designed from 1946 by Auguste Perret, 1874-1954, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII, Le Havre, Normandy, France. The apartment, of early 1950s design, used all modern conveniences, including internal kitchen and bathroom, contemporary mass produced oak furniture, natural light flowing from front and back, children's study bedroom, central heating and domestic appliances such as vacuum cleaners and refrigerators. Rene Gabriel and Marcel Gascoin designed the furniture in Scandinavian style, which came to typify reconstruction design. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0626.jpg
  • Kitchen with integrated appliances, and living room with furniture suite by Rene Gabriel, in the Historic Show Flat, on the first floor of an ISAI or Immeubles Sans Affectation Individuelle apartment block, designed from 1946 by Auguste Perret, 1874-1954, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII, Le Havre, Normandy, France. The apartment, of early 1950s design, used all modern conveniences, including internal kitchen and bathroom, contemporary mass produced oak furniture, natural light flowing from front and back, children's study bedroom, central heating and domestic appliances such as vacuum cleaners and refrigerators. Rene Gabriel and Marcel Gascoin designed the furniture in Scandinavian style, which came to typify reconstruction design. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0628.jpg
  • Square nave of the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows by Marguerite Hure, a Neo-Gothic interior and a 107m tall octagonal tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0631.jpg
  • Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with tall thin stained glass windows by Marguerite Hure, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0632.jpg
  • Panoramic view of the beach and city of Le Havre, Normandy, France. In the centre is the tower of the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier. Either side are the apartment blocks at Porte Oceane, completed 1956, also designed by Perret, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0634.jpg
  • Looking up at the octagonal tower studded with stained glass by Marguerite Hure, with spiral staircase, in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0569.jpg
  • Looking up at the octagonal tower studded with stained glass by Marguerite Hure, in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0570.jpg
  • Looking up at the octagonal tower studded with stained glass by Marguerite Hure, with spiral staircase, in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0571.jpg
  • Altar beneath the octagonal tower in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows by Marguerite Hure, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0572.jpg
  • Stained glass by Marguerite Hure in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows in vertical strips, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0575.JPG
  • Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with tall thin stained glass windows by Marguerite Hure, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0576.jpg
  • Altar beneath the octagonal tower in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows by Marguerite Hure, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0584.jpg
  • Looking up at the octagonal tower studded with stained glass by Marguerite Hure, with spiral staircase, in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0588.jpg
  • Looking up at the tower of Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with tall thin stained glass windows by Marguerite Hure, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0591.jpg
  • Spiral staircase leading to the organ on the first floor, in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows by Marguerite Hure, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0590.jpg
  • Apartment blocks at Porte Oceane, completed 1956, designed by Auguste Perret, 1874-1954, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII, Le Havre, Normandy, France. This monumental complex consists of 6-storey buildings and 2 13-storey towers, symbolising the entrance gates to the city. Behind is the tower of the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret and Raymond Audigier. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0595.jpg
  • Beach and city of Le Havre, seen from Sainte Adresse, Seine-Maritime, Normandy, France. To the left is the tower of the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier. Either side are the apartment blocks at Porte Oceane, completed 1956, also designed by Perret, with the docks of the port behind. Perret led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0599.jpg
  • Beach and city of Le Havre, seen from Sainte Adresse, Seine-Maritime, Normandy, France. In the centre is the tower of the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier. Either side are the apartment blocks at Porte Oceane, completed 1956, also designed by Perret, with the docks of the port behind. Perret led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0598.jpg
  • Beach and city of Le Havre, Normandy, France. In the centre is the tower of the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier. Either side are the apartment blocks at Porte Oceane, completed 1956, also designed by Perret, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0600.jpg
  • Apartment buildings on the Rue de Paris, designed by Auguste Perret, 1874-1954, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII, Le Havre, Normandy, France. This is the oldest street in Le Havre and was based on the Rue de Rivoli in Paris, with grand apartment blocks with shops on the ground floor and colonnades along the pavements. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0609.jpg
  • Apartment block at Porte Oceane, completed 1956, designed by Auguste Perret, 1874-1954, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII, Le Havre, Normandy, France. This monumental complex consists of 6-storey buildings and 2 13-storey towers, symbolising the entrance gates to the city. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0615.JPG
  • Detail of the facade of an apartment block on the corner of Avenue Foch and Rue Sery, designed by Auguste Perret, 1874-1954, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII, Le Havre, Normandy, France. The relief sculpture, 1953, is by Jean-Marie Baumel and his wife Marthe Schwenck, and shows a man in classical style playing a lyre representing Music, with inscribed names of artists, Andre Caplet, Pierre Beauvalet, Pierre Maumont and Henry Woollett. Avenue Foch is one of the widest avenues in Europe and forms part of the 'Monumental Triangle' at the heart of Le Havre's reconstruction plans. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0616.jpg
  • Detail of the facade of the apartment block at 50 Avenue Foch (right), designed by Auguste Perret, 1874-1954, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII, Le Havre, Normandy, France. Avenue Foch is one of the widest avenues in Europe and forms part of the 'Monumental Triangle' at the heart of Le Havre's reconstruction plans. Seen between the buildings is the tower of the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret and Raymond Audigier. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0618.jpg
  • Entrance hall with concrete pillar supporting the structure, allowing the space to be open and flexible, and living room furniture suite by Rene Gabriel, in the Historic Show Flat, on the first floor of an ISAI or Immeubles Sans Affectation Individuelle apartment block, designed from 1946 by Auguste Perret, 1874-1954, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII, Le Havre, Normandy, France. The apartment, of early 1950s design, used all modern conveniences, including internal kitchen and bathroom, contemporary mass produced oak furniture, natural light flowing from front and back, children's study bedroom, central heating and domestic appliances such as vacuum cleaners and refrigerators. Rene Gabriel and Marcel Gascoin designed the furniture in Scandinavian style, which came to typify reconstruction design. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0625.jpg
  • Living room with dining table and chairs by the windows, and study behind, in the Historic Show Flat, on the first floor of an ISAI or Immeubles Sans Affectation Individuelle apartment block, designed from 1946 by Auguste Perret, 1874-1954, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII, Le Havre, Normandy, France. The apartment, of early 1950s design, used all modern conveniences, including internal kitchen and bathroom, contemporary mass produced oak furniture, natural light flowing from front and back, children's study bedroom, central heating and domestic appliances such as vacuum cleaners and refrigerators. Rene Gabriel and Marcel Gascoin designed the furniture in Scandinavian style, which came to typify reconstruction design. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0627.jpg
  • Study, with red wall, early 1950s furniture and modern typewriter, in the Historic Show Flat, on the first floor of an ISAI or Immeubles Sans Affectation Individuelle apartment block, designed from 1946 by Auguste Perret, 1874-1954, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII, Le Havre, Normandy, France. The apartment, of early 1950s design, used all modern conveniences, including internal kitchen and bathroom, contemporary mass produced oak furniture, natural light flowing from front and back, children's study bedroom, central heating and domestic appliances such as vacuum cleaners and refrigerators. Rene Gabriel and Marcel Gascoin designed the furniture in Scandinavian style, which came to typify reconstruction design. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0629.jpg
  • Stairwell lined in concrete, leading to the Historic Show Flat, on the first floor of an ISAI or Immeubles Sans Affectation Individuelle apartment block, designed from 1946 by Auguste Perret, 1874-1954, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII, Le Havre, Normandy, France. The apartment, of early 1950s design, used all modern conveniences, including internal kitchen and bathroom, contemporary mass produced oak furniture, natural light flowing from front and back, children's study bedroom, central heating and domestic appliances such as vacuum cleaners and refrigerators. Rene Gabriel and Marcel Gascoin designed the furniture in Scandinavian style, which came to typify reconstruction design. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0630.jpg
  • Eglise Saint-Joseph or St Joseph's Church at night, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with tall thin stained glass windows by Marguerite Hure, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0635.jpg
  • Wooden confessional with lattice in the shape of a cross, in the Eglise Saint-Joseph or St Joseph's Church, built 1951-58 as a memorial to the 5000 citizens of the town who died during the Second World War, designed by Auguste Perret, 1874-1954, and Raymond Audigier, Le Havre, Normandy, France. The church is built from pre-cast concrete, with geometric stained glass windows by Marguerite Hure, a Neo-Gothic interior and a 107m tall tower which acts as a beacon from out at sea. Perret was mentor to Le Corbusier and specialised in the use of concrete. He led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0568.jpg
  • Reconstruction of an anti-aircraft position (DCA) near Berlin, Germany, 1944, WWII, in the Musee Guerre et Paix en Ardennes, or Museum of War and Peace in the Ardennes, opened 2003 and reopened 2018 after refurbishment, commemorating the Franco-Prussian War, First World War and Second World War, in Novion-Porcien, Ardennes, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_2487.jpg
  • War memorial outside the town hall, commemorating villagers who died in WWI and WWII, in Hautvillers in the Champagne vineyard region of Vallee de la Marne, Grand Est, France. The surrounding Champagne hillsides are a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_FRANCE_MC_2275.jpg
  • Signing of the act of German surrender on 7th May 1945 at 2.41 am in Reims, photograph, in the Musee de la Reddition, or Surrender Museum, a history museum commemorating the Nazi surrender in 1945 ending WWII, opened in 1985, in Reims, Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1987.jpg
  • War Room, with maps plotting the operations of 7th May 1945, in the Musee de la Reddition, or Surrender Museum, a history museum commemorating the Nazi surrender in 1945 ending WWII, opened in 1985, in Reims, Marne, Grand Est, France. In this room, the Allied Forces received the surrender of the Third Reich. Picture by Manuel Cohen
    LC21_FRANCE_MC_1984.jpg
  • Second tapestry of children gardening, wool, Flemish or French, late 17th - early 18th century, copied from an original series made at the Manufacture des Gobelins in 1664, in the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. The subject of children gardening came from Charles le Brun's decoration of the Pavillon de l'Aurore at the Chateau de Sceaux. Taken by the Nazis during WWII, these tapestries were in the Kaiser Wilhelm Museum in Krefeld 1940-48, were returned to France after Liberation and given to the Bourges museum in 1960. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0694.jpg
  • Tapestry of children gardening, wool, Flemish or French, late 17th - early 18th century, copied from an original series made at the Manufacture des Gobelins in 1664, in the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. The subject of children gardening came from Charles le Brun's decoration of the Pavillon de l'Aurore at the Chateau de Sceaux. Taken by the Nazis during WWII, these tapestries were in the Kaiser Wilhelm Museum in Krefeld 1940-48, were returned to France after Liberation and given to the Bourges museum in 1960. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0693.jpg
  • Wealthy couple, detail from the wool tapestry representing Spring, from the series Les Saisons de Lucas, after the artist who is thought to have drawn the original cartoons, Lucas van Leyden, Flemish, 17th century, in the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. The tapestry shows the agricultural pursuits of the peasants such as gardening and fishing with nets and the leisure pursuits of the nobility in Flanders in the 1530s. After being damaged in WWII, the tapestry was owned by the Nazi Hermann Goering, and was returned to France in 1947 on Liberation, and given to the Bourges museum in 1967. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0691.jpg
  • Wool tapestry representing Spring, from the series Les Saisons de Lucas, after the artist who is thought to have drawn the original cartoons, Lucas van Leyden, Flemish, 17th century, in the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. The tapestry shows the agricultural pursuits of the peasants such as gardening and fishing with nets and the leisure pursuits of the nobility in Flanders in the 1530s. After being damaged in WWII, the tapestry was owned by the Nazi Hermann Goering, and was returned to France in 1947 on Liberation, and given to the Bourges museum in 1967. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0689.jpg
  • Front page of Le Canard Enchaine, issue number 1212, 24th year, published 20th September 1939 during WWII, with blank spaces as evidence of imposed military censorship. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0206.jpg
  • Front page of Le Canard Enchaine, issue number 1211, 24th year, published 13th September 1939 during WWII, with blank spaces with scissors symbols symbolising imposed military censorship. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0205.jpg
  • Page 3 of Le Canard Enchaine, issue number 1209, 24th year, published 30th August 1939, with cartoons and headlines referring to the imminent outbreak of WWII, and a blank space with cartoon of person cutting with scissors, symbolising imposed censorship. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0204.jpg
  • Monument of the Partisan Heroes, stone monument depicting 2 women standing heroically with nooses around their neck, Gjirokastra, Albania. The statue pays tribute to 2 teenage girls Bule Naipi and Persefoni Kokedhima who were partisans during WWII providing assistance to the rebel forces in the contryside. Betrayed to the German forces occupying the city they were hanged in 1944. Gjirokastra was settled by the Greek Chaonians, the Romans and Byzantines before becoming an Ottoman city in 1417. Its old town was listed as a UNESCO World Heritage Site in 2005. Picture by Manuel Cohen
    LC14_Albania_MC208.jpg
  • Statue of Margarita Tutulani, heroine and populist and a member of the anti-nazi resistance during WWII, in Berat, South-Central Albania, capital of the District of Berat and the County of Berat. Picture by Manuel Cohen
    LC14_Albania_MC129.jpg
  • An LCVP or Landing Craft Vehicle Personnel, loaded with American soldiers approaches the "easy Red" sector of Omaha beach at 7.30 am on 6th June 1944 during the Normandy Landings, photograph, in the Musee de la Reddition, or Surrender Museum, a history museum commemorating the Nazi surrender in 1945 ending WWII, opened in 1985, in Reims, Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1989.jpg
  • Dwight 'Ike' Eisenhower records the victory speech on 7th May 1945 at 3.30 am in Reims, photograph, in the Musee de la Reddition, or Surrender Museum, a history museum commemorating the Nazi surrender in 1945 ending WWII, opened in 1985, in Reims, Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1986.jpg
  • Act of military surrender of the armies of the Third Reich, signed in Reims on 7th May 1945 at 2.41 am, in the Musee de la Reddition, or Surrender Museum, a history museum commemorating the Nazi surrender in 1945 ending WWII, opened in 1985, in Reims, Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1985.jpg
  • War Room, with maps plotting the operations of 7th May 1945, in the Musee de la Reddition, or Surrender Museum, a history museum commemorating the Nazi surrender in 1945 ending WWII, opened in 1985, in Reims, Marne, Grand Est, France. In this room, the Allied Forces received the surrender of the Third Reich. Picture by Manuel Cohen
    LC21_FRANCE_MC_1983.jpg
  • War Room, with maps plotting the operations of 7th May 1945, in the Musee de la Reddition, or Surrender Museum, a history museum commemorating the Nazi surrender in 1945 ending WWII, opened in 1985, in Reims, Marne, Grand Est, France. In this room, the Allied Forces received the surrender of the Third Reich. Picture by Manuel Cohen
    LC21_FRANCE_MC_1982.jpg
  • Tapestry of children gardening, wool, Flemish or French, late 17th - early 18th century, copied from an original series made at the Manufacture des Gobelins in 1664, in the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. The subject of children gardening came from Charles le Brun's decoration of the Pavillon de l'Aurore at the Chateau de Sceaux. Taken by the Nazis during WWII, these tapestries were in the Kaiser Wilhelm Museum in Krefeld 1940-48, were returned to France after Liberation and given to the Bourges museum in 1960. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0692.jpg
  • Front page of Le Canard Enchaine, issue number 1209, 24th year, published 30th August 1939, with the headline 'Anastasie reprend du service', a reference to the imposition of military censorship on the eve of the outbreak of WWII. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0203.jpg
  • Figure of Victory on the Monument aux morts et a la Victoire, sculpture by Pierre-Marie Poisson, opened 1924, a memorial to the 6000 citizens of Le Havre who died in the First World War, whose names are inscribed on the base, Le Havre, Normandy, France. The monumental sculpture depicts Victory leading various allegorical figures, both civic and military. On the left are apartment blocks designed by Auguste Perret, 1874-1954, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0578.jpg
  • Monument aux morts et a la Victoire, sculpture by Pierre-Marie Poisson, opened 1924, a memorial to the 6000 citizens of Le Havre who died in the First World War, whose names are inscribed on the base, Le Havre, Normandy, France. The monumental sculpture depicts Victory leading various allegorical figures, both civic and military. To the right is Le Volcan or the Volcano, an auditorium opened 1982, designed by Oscar Niemeyer, 1907-2012, and Jean-Maur Lyonnet, at the Maison de la Culture du Havre. Behind is an apartment block designed by Auguste Perret, 1874-1954, who led the reconstruction of Le Havre in the 1950s, after the town was completely destroyed in WWII. The centre of Le Havre is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_FRANCE_MC_0582.jpg
  • Signing of the act of German surrender on 7th May 1945 at 2.41 am in Reims, painting by Jonnas, 1946, in the Musee de la Reddition, or Surrender Museum, a history museum commemorating the Nazi surrender in 1945 ending WWII, opened in 1985, in Reims, Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1988.jpg
  • Musee de la Reddition, or Surrender Museum, a history museum commemorating the Nazi surrender in 1945 ending WWII, opened in 1985, in Reims, Marne, Grand Est, France. Outside the museum are the flags of the United Kingdom, the USA, France and the Soviet Union. Picture by Manuel Cohen
    LC21_FRANCE_MC_2623.jpg
  • Men fishing with nets in a castle moat, detail from the wool tapestry representing Spring, from the series Les Saisons de Lucas, after the artist who is thought to have drawn the original cartoons, Lucas van Leyden, Flemish, 17th century, in the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. The tapestry shows the agricultural pursuits of the peasants such as gardening and fishing with nets and the leisure pursuits of the nobility in Flanders in the 1530s. After being damaged in WWII, the tapestry was owned by the Nazi Hermann Goering, and was returned to France in 1947 on Liberation, and given to the Bourges museum in 1967. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC17_FRANCE_MC_0690.jpg
  • Musee Guerre et Paix en Ardennes, or Museum of War and Peace in the Ardennes, opened 2003 and reopened 2018 after refurbishment, commemorating the Franco-Prussian War, First World War and Second World War, in Novion-Porcien, Ardennes, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_2480.jpg
  • Tour de la Miotte, an observation tower built 1840 at the Fort de la Miotte, or Fort Kleber, built 1831-35 by Haxo on the Miotte Hill, at Belfort, Bourgogne-Franche-Comte, France. The tower was destroyed in the Siege of Belfort in 1870-71 and again in 1940, but rebuilt each time. The fort defends the road to Colmar and forms part of the Belfort fortifications outside the citadel. Picture by Manuel Cohen
    DRN_LC22_FRANCE_MC_0133.jpg
  • Man reading information panel entitled 'Treize Chibanis Harkis', an exhibition of paintings inspired by harki families from North Africa who fled to France and were interned at Rivesaltes and other camps, in Rivesaltes Memorial Museum, at a military camp built 1938 in Rivesaltes, Pyrenees-Orientales, France. Also known as Camp Marechal Joffre, the camp was originally built as a military base, and became a camp for refugees after the Spanish Civil War, then an internment camp during the Second World War, and eventually a transit camp for Jews, 2000 of whom were transferred to Auschwitz. The Rivesaltes Memorial Museum, designed by Rudy Ricciotti, was inaugurated in 2015 to commemorate the victims of the camp. It is a half submerged monolithic concrete building containing exhibition halls, an auditorium, research centre and learning labs. Picture by Manuel Cohen
    LC20_FRANCE_MC_1470.jpg
  • Rivesaltes Memorial Museum, at a military camp built 1938 in Rivesaltes, Pyrenees-Orientales, France. Also known as Camp Marechal Joffre, the camp was originally built as a military base, and became a camp for refugees after the Spanish Civil War, then an internment camp during the Second World War, and eventually a transit camp for Jews, 2000 of whom were transferred to Auschwitz. The Rivesaltes Memorial Museum, designed by Rudy Ricciotti, was inaugurated in 2015 to commemorate the victims of the camp. It is a half submerged monolithic concrete building containing exhibition halls, an auditorium, research centre and learning labs. Picture by Manuel Cohen
    LC20_FRANCE_MC_1459.jpg
  • Stained glass window depicting mother and daughter in a garden, in the entrance door of the Maternite Suisse d'Elne, or Swiss Maternity Hospital, a chateau built 1901-02 for the industrialist Eugene Bardou and used as a maternity hospital by the Swiss Red Cross 1939-44, in Elne, Pyrenees-Orientales, Catalogne du Nord, France. Eugene Bardou was a grandson of Jean Bardou, of the Job cigarette paper company. The hospital was founded to provide a safe and sanitary place for women of the retirada to give birth, and also helped displaced women during the Second World War. The building is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_0649.jpg
  • Les Braves War Memorial, commemorating American soldiers killed on 6th June 1944, 2004, by Anilore Banon, on Omaha Beach, between Port-en-Bessin and the Vire river, Saint-Laurent-sur-Mer, Manche, Normandy, France. The sculpture represents the Wings of Hope, Rise to Freedom, and Wings Of Fraternity. It was commissioned by the French government to commemorate the 60th anniversary of D-Day. Omaha Beach is where on June 6th 1944 the US Army 29th and 1st Infantry Divisions landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
    LC19_FRANCE_MC_0068.jpg
  • Bunker at the North end of Utah Beach in the Dunes of Saint Martin de Vareville, where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War, at Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. Picture by Manuel Cohen
    LC19_FRANCE_MC_0063.jpg
  • Front cover of issue no. 280 of Historia, a monthly history magazine, published March 1970, featuring an article on the bombing of Tokyo on 9th March 1945. Historia was created by Jules Tallandier and published 1909-37 and again from 1945. Picture by Manuel Cohen
    LC_HISTORY_MC_0454.jpg
  • Haussmann Memorial, commemorating the nearly 2000 Societe Generale employees killed in armed service in the 2 World Wars, inaugurated 1948, in the lobby of the registered head office of Societe Generale, at 29 Boulevard Haussmann in the 9th arrondissement of Paris, France. The bank was founded in 1864 and these buildings were transformed 1906-12 by Jacques Hermant, and in use from 1915. Societe Generale remains one of the largest banks in the world, although its headquarters are now at La Defense. The Haussmann building is listed as a historic monument. Picture by Manuel Cohen
    LC18_SOCIETEGENERALE_MC_001.jpg
  • Photograph of the Grand-Rue bridge at Sable-sur-Sarthe, Pays de la Loire, France, destroyed in a bombing raid on 7th August 1944 by the German Luftwaffe, during the Second World War. The bridge was bombed in order to slow down the advance of the Allies into the town. Collection G Cherrier. Picture by Manuel Cohen / Further clearances required
    LC_HISTORY_MC_0370.jpg
  • The town hall in Sable-sur-Sarthe, Pays de la Loire, France, on the day of the visit by General de Gaulle,1890-1970, celebrating its liberation from German occupation during the Second World War, September 1944. Picture by Manuel Cohen
    LC_HISTORY_MC_0362.jpg
  • Report on the use of intelligence agents abroad by the Bureau des Menees Antinationales or BMA or Bureau of Anti-national Activities, which was set up during the Second World War to protect the military armistice, and dealt with military intelligence, dated 4th December 1940 and stamped Top Secret, from the collection of the Service Historique de La Defense, at the Chateau de Vincennes, Vincennes, Paris, France. The collection includes documents of the Vichy government detailing spying activities of the French Secret Services on the German Nazi regime. The Centre Historique des Archives at Vincennes forms part of the SHD, which stores the archives of the Ministry of Defence and its armed forces. It was set up by decree in 2005. Picture by Manuel Cohen
    LC_HISTORY_MC_0276.jpg
  • Page from the personnel file of Colonel Georges Ronin, 1894-1954, head of the Service de Renseignements Air, the Air Force intelligence service, listing his activities from 1934-54, from the collection of the Service Historique de La Defense, at the Chateau de Vincennes, Vincennes, Paris, France. The collection includes documents of the Vichy government detailing spying activities of the French Secret Services on the German Nazi regime. The Centre Historique des Archives at Vincennes forms part of the SHD, which stores the archives of the Ministry of Defence and its armed forces. It was set up by decree in 2005. Picture by Manuel Cohen
    LC_HISTORY_MC_0272.jpg
  • Memorial to the Murdered Jews of Europe, or Denkmal fur die ermordeten Juden Europas, a memorial in Berlin to the Jewish victims of the Holocaust, designed by architect Peter Eisenman and engineer Buro Happold, opened in 2005, Friedrichstadt, Berlin, Germany. The monument consists of 2711 concrete stelae of different heights arranged in a grid over a sloping site and the information centre contains a list of the names of all known Jewish holocaust victims. Picture by Manuel Cohen
    LC14_BERLIN_MC0833.jpg
  • Memorial to the Murdered Jews of Europe, or Denkmal fur die ermordeten Juden Europas, a memorial in Berlin to the Jewish victims of the Holocaust, designed by architect Peter Eisenman and engineer Buro Happold, opened in 2005, Friedrichstadt, Berlin, Germany. The monument consists of 2711 concrete stelae of different heights arranged in a grid over a sloping site and the information centre contains a list of the names of all known Jewish holocaust victims. Picture by Manuel Cohen
    LC14_BERLIN_MC0062.JPG
  • Memorial to the Murdered Jews of Europe, or Denkmal fur die ermordeten Juden Europas, a memorial in Berlin to the Jewish victims of the Holocaust, designed by architect Peter Eisenman and engineer Buro Happold, opened in 2005, Friedrichstadt, Berlin, Germany. The monument consists of 2711 concrete stelae of different heights arranged in a grid over a sloping site and the information centre contains a list of the names of all known Jewish holocaust victims. Picture by Manuel Cohen
    LC14_BERLIN_MC0096.JPG
  • Memorial to the Murdered Jews of Europe, or Denkmal fur die ermordeten Juden Europas, a memorial in Berlin to the Jewish victims of the Holocaust, designed by architect Peter Eisenman and engineer Buro Happold, opened in 2005, Friedrichstadt, Berlin, Germany. The monument consists of 2711 concrete stelae of different heights arranged in a grid over a sloping site and the information centre contains a list of the names of all known Jewish holocaust victims. Picture by Manuel Cohen
    LC14_BERLIN_MC0101.jpg
  • Bust of Sir Winston Churchill, 1874-1965, British politician and prime minister, by Frantisek Belsky, Czech sculptor, next to the British Embassy in Thunovska Street, Lesser quarter or Mala Strana, Prague, Czech Republic. The bronze bust was inaugurated in 1992 with Czechoslovak soldiers holding a guard of honour. The historic centre of Prague was declared a UNESCO World Heritage Site in 1992. Picture by Manuel Cohen
    LC13_PRAGUE_MC046.jpg
  • Memorial in honour of prisoners from Buna-Monowitz and Auschwitz III concentration camps (bronze), 1993, by Louis Mitelberg (1919-2002), Pere Lachaise Cemetery (Cimetiere du Pere-Lachaise) Paris, France, opened 1804, designed by Alexandre-Theodore Brongniart. Named after Pere Francois de la Chaise (1624-1709), confessor to Louis XIV (1638-1713), who lived in the Jesuit house on the site of the chapel. Picture by Manuel Cohen
    LC_PARIS_11_MC149.jpg
  • Military uniforms on display at the Musee Guerre et Paix en Ardennes, or War and Peace in the Ardennes Museum, opened 2003 and reopened 2018 after refurbishment, commemorating the Franco-Prussian War, First World War and Second World War, in Novion-Porcien, Ardennes, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1931.JPG
  • Exhibition at the Musee Guerre et Paix en Ardennes, or War and Peace in the Ardennes Museum, opened 2003 and reopened 2018 after refurbishment, commemorating the Franco-Prussian War, First World War and Second World War, in Novion-Porcien, Ardennes, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1932.jpg
  • Guns and uniforms on display at the Musee Guerre et Paix en Ardennes, or War and Peace in the Ardennes Museum, opened 2003 and reopened 2018 after refurbishment, commemorating the Franco-Prussian War, First World War and Second World War, in Novion-Porcien, Ardennes, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1933.jpg
  • Military vehicle at the Musee Guerre et Paix en Ardennes, or War and Peace in the Ardennes Museum, opened 2003 and reopened 2018 after refurbishment, commemorating the Franco-Prussian War, First World War and Second World War, in Novion-Porcien, Ardennes, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1934.jpg
  • Head of Adolf Hitler, 1937-45, after Arno Breker, and a Nazi swastika flag, at the Musee Guerre et Paix en Ardennes, or War and Peace in the Ardennes Museum, opened 2003 and reopened 2018 after refurbishment, commemorating the Franco-Prussian War, First World War and Second World War, in Novion-Porcien, Ardennes, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1935.jpg
  • Musee Guerre et Paix en Ardennes, or War and Peace in the Ardennes Museum, aerial view, opened 2003 and reopened 2018 after refurbishment, commemorating the Franco-Prussian War, First World War and Second World War, in Novion-Porcien, Ardennes, Grand Est, France. Picture by Manuel Cohen
    DRN_ LC21_FRANCE_MC_2009.jpg
  • Musee Guerre et Paix en Ardennes, or War and Peace in the Ardennes Museum, aerial view, opened 2003 and reopened 2018 after refurbishment, commemorating the Franco-Prussian War, First World War and Second World War, in Novion-Porcien, Ardennes, Grand Est, France. Picture by Manuel Cohen
    DRN_ LC21_FRANCE_MC_2008.jpg
  • Bust of Adolf Hitler after Nazi sculptor Arno Breker, 1937-45, and swastika flag, in the Musee Guerre et Paix en Ardennes, or Museum of War and Peace in the Ardennes, opened 2003 and reopened 2018 after refurbishment, commemorating the Franco-Prussian War, First World War and Second World War, in Novion-Porcien, Ardennes, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_2486.jpg
  • Musee Guerre et Paix en Ardennes, or Museum of War and Peace in the Ardennes, opened 2003 and reopened 2018 after refurbishment, commemorating the Franco-Prussian War, First World War and Second World War, in Novion-Porcien, Ardennes, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_2475.jpg
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