manuel cohen

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  • Fresco detail of Emperor Charles V on a grey horse between Cardinal Alessandro Farnese (left) and Ottavio Farnese, Duke of Parma (right), leaving with their troops for the Lutheran War, painted 1561-63 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0424.jpg
  • Fresco of King Francois I of France welcoming Emperor Charles V and Cardinal Alessandro Farnese into Paris in 1540, painted 1550 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0381.jpg
  • Fresco of the nomination of Pier Luigi Farnese, 1503-47, first Duke of Parma, as papal general by Pope Paul III (Alessandro Farnese), in 1535, painted 1560-66 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0422.jpg
  • Fresco detail of King Francois I of France welcoming Emperor Charles V and Cardinal Alessandro Farnese into Paris in 1540, painted 1550 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0416.jpg
  • Fresco of Emperor Charles V on a grey horse between Cardinal Alessandro Farnese (left) and Ottavio Farnese, Duke of Parma (right), leaving with their troops for the Lutheran War, painted 1561-63 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0389.jpg
  • Fresco of King Francois I of France welcoming Emperor Charles V and Cardinal Alessandro Farnese into Paris in 1540, painted 1550 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0388.jpg
  • Fresco detail of the nomination of Pier Luigi Farnese, 1503-47, first Duke of Parma, as papal general by Pope Paul III (Alessandro Farnese), in 1535, painted 1560-66 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0423.jpg
  • Fresco of the nomination of Pier Luigi Farnese, 1503-47, first Duke of Parma, as papal general by Pope Paul III (Alessandro Farnese), in 1535, painted 1560-66 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0385.jpg
  • Fresco of the marriage of Orazio Farnese and Diana daughter of Henri II of France, 1519-59, painted 1561-63 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0383.jpg
  • Fresco of the marriage of Orazio Farnese and Diana daughter of Henri II of France, 1519-59, painted 1561-63 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0419.jpg
  • Fresco of Emperor Charles V on a grey horse between Cardinal Alessandro Farnese (left) and Ottavio Farnese, Duke of Parma (right), leaving with their troops for the Lutheran War, painted 1561-63 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0384.jpg
  • Ceiling fresco depicting the Farnese family’s period of accent and territorial affirmation from 1100 to 1435, painted 1561-63 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0391.jpg
  • Fresco detail of King Francois I of France (left) welcoming Emperor Charles V (centre) and Cardinal Alessandro Farnese (right) into Paris in 1540, painted 1550 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0417.jpg
  • Fresco detail of the meeting between Pope Paul III (Alexander Farnese), 1468-1549, and Charles V, 1500-58, Holy Roman Emperor and King of Spain, at Worms, Germany, in 1540, painted 1561-63 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0420.jpg
  • Fresco of the meeting between Pope Paul III (Alessandro Farnese), 1468-1549, and Charles V, 1500-58, Holy Roman Emperor and King of Spain, at Worms, Germany, in 1540, painted 1561-63 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0382.jpg
  • Fresco of the meeting between Pope Paul III (Alexander Farnese), 1468-1549, and Charles V, 1500-58, Holy Roman Emperor and King of Spain, at Worms, Germany, in 1540, painted 1561-63 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0393.JPG
  • Fresco of the Consecration of Pope Paul III, (Alexander Farnese), 1468-1549, painted 1560-66 by Taddeo Zuccari, 1529-66, in the Anteroom of the council or Anticamera del Concilio, also known as the Room of the Council of Trent, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0425.jpg
  • Fresco detail of the marriage of Orazio Farnese and Diana daughter of Henri II of France, 1519-59, painted 1561-63 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0418.jpg
  • Fresco detail of the Truce of Nice, 1538, between Francois I, King of France, 1494-1547, and Charles V, Holy Roman Emperor and King of Spain, 1500-58, negotiated by Pope Paul III (Alexander Farnese), 1468-1549, painted 1560-66 by Taddeo Zuccari, 1529-66, and Federico Zuccari, 1542-1609, in the Anteroom of the council or Anticamera del Concilio, also known as the Room of the Council of Trent, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0415.jpg
  • Fresco of Ottavio Farnese, 1524-86, Duke of Parma and Piacenza, receiving the Fiefdom of Parma from Julius III, painted 1561-63 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0421.jpg
  • Fresco detail of King Francois I of France welcoming Emperor Charles V and Cardinal Alessandro Farnese into Paris in 1540, painted 1550 by Taddeo Zuccari, 1529-66, in the Sala dei Fasti Farnesiani, or Hall of the Farnese Deeds, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room is decorated with frescoes depicting the diplomatic activities of Cardinal Farnese. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0390.jpg
  • Fresco of the Truce of Nice, 1538, between Francois I, King of France, 1494-1547, and Charles V, Holy Roman Emperor and King of Spain, 1500-58, negotiated by Pope Paul III (Alexander Farnese), 1468-1549, painted 1560-66 by Taddeo Zuccari, 1529-66, and Federico Zuccari, 1542-1609, in the Anteroom of the council or Anticamera del Concilio, also known as the Room of the Council of Trent, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0386.jpg
  • Fresco detail from the ceiling of the Room of the Swans, used as a theatre, in the Winter Apartment, painted 1567-69 by Federico Zuccari, 1542-1609, with the coat of arms of Odoardo Farnese and flying swans, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The ceiling was inspired by Giulio Romani's ceiling in Villa Madama. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0377.jpg
  • Portrait of Ferdinand Magellan, 1480-1521, Portuguese explorer, with trompe l'oeil decoration of framework and putti blowing trumpets, fresco in the Hall of Maps, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Hall of Maps is also known as the Room of the World Map or Sala del Mappamondo and displays maps of the whole known world as well as of the heavens, in a ceiling fresco of the planets and constellations. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0407.jpg
  • Jacob's Ladder, oval ceiling fresco, painted 1569-71 by Jacopo Zanguidi called Bertoja, 1544-74, in the Room of Dreams, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0397.jpg
  • Detail of satyr statues in the grotto, a large artificial cave with fountain, in the garden of the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This grotto is in the Giardini di Sotto or lower gardens and was designed by da Vignola as a cool and quiet place to relax, which has been a tradition in Italy since Roman times. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0399.jpg
  • Fresco of the Entombment of Christ from the circular chapel in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0392.jpg
  • Portrait of Amerigo Vespucci, 1454-1512, Italian explorer, with trompe l'oeil decoration of garlands, putti with trumpets and allegorical figures, fresco in the Hall of Maps, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Hall of Maps is also known as the Room of the World Map or Sala del Mappamondo and displays maps of the whole known world as well as of the heavens, in a ceiling fresco of the planets and constellations. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0409.jpg
  • South East facade of the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. A double staircase leads to the main entrance (with carriage entrance in the basement below), with the main floor decorated with 5 enormous arched windows. 2 further storeys house bedrooms and servants quarters. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0404.jpg
  • Fresco of Pope Paul III (Alexander Farnese), 1468-1549,  appointing various cardinals, 4 of whom are destined to become Popes, painted 1560-66 by Taddeo Zuccari, 1529-66, in the Anteroom of the council or Anticamera del Concilio, also known as the Room of the Council of Trent, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0387.jpg
  • Fresco panel of a youth representing Spring, wearing a crown of myrtle, a plant sacred to Venus suggesting Springtime love and the vitality of the seasons, painted 1560-62 by Taddeo Zuccari, 1529-66, and assistants, in the Spring Room, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0379.jpg
  • Fresco of the Judgement of Solomon, with a soldier threatening to kill the baby claimed by 2 women, painted 1569-71 by Jacopo Zanguidi called Bertoja, 1544-74, from the central ceiling vault of the Room of Judgement, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This is the room where the Cardinal granted audience. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0394.jpg
  • Detail of the Zodiac and Constellations, 1574, ceiling fresco in the Hall of Maps by Giovanni de Vecchi, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Hall of Maps is also known as the Room of the World Map or Sala del Mappamondo and displays maps of the whole known world as well as of the heavens. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0427.jpg
  • Detail of Europe, Africa and Asia, from the Map of the world, 1574, painting by Giovanni Antonio Da Varese, in the Hall of Maps, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Hall of Maps is also known as the Room of the World Map or Sala del Mappamondo and displays maps of the whole known world as well as of the heavens, in a ceiling fresco of the planets and constellations. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0413.jpg
  • Ceiling fresco with central panel depicting Minerva teaching mankind to wear clothes, from the Room of the Woolmakers, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0396.jpg
  • Fresco of scenes of Jupiter’s childhood, 1560-62, with Jupiter looked after by nymphs and raised on Mount Ida in Crete by the goat Amalthea, in the Room of Hercules or Sala d'Ercole, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This room was originally known as the Room of the Perspective Views, after the room painted by Baldassarre Peruzzi at the Villa Farnesina in Rome. It is on the Piano Nobile or main floor, and was used as a summer dining room. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0378.jpg
  • Detail of satyr statues in the grotto, a large artificial cave with fountain, in the garden of the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This grotto is in the Giardini di Sotto or lower gardens and was designed by da Vignola as a cool and quiet place to relax, which has been a tradition in Italy since Roman times. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0398.jpg
  • Central panel of the ceiling fresco depicting Minerva teaching mankind to wear clothes, from the Room of the woolmakers, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0395.jpg
  • Fresco of the Judgement of Solomon, with a soldier threatening to kill the baby claimed by 2 women, painted 1569-71 by Jacopo Zanguidi called Bertoja, 1544-74, from the central ceiling vault of the Room of Judgement, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This is the room where the Cardinal granted audience. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0431.jpg
  • Portrait of Christopher Columbus, 1451-1506, Italian explorer, with trompe l'oeil decoration of garlands and putti blowing trumpets, fresco in the Hall of Maps, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Hall of Maps is also known as the Room of the World Map or Sala del Mappamondo and displays maps of the whole known world as well as of the heavens, in a ceiling fresco of the planets and constellations. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0412.jpg
  • Grotto, a large artificial cave with fountain, embellished with statues of satyrs, in the garden of the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This grotto is in the Giardini di Sotto or lower gardens and was designed by da Vignola as a cool and quiet place to relax, which has been a tradition in Italy since Roman times. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0432.jpg
  • Portrait of Amerigo Vespucci, 1454-1512, Italian explorer, with trompe l'oeil decoration of garlands and putti with trumpets, fresco in the Hall of Maps, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Hall of Maps is also known as the Room of the World Map or Sala del Mappamondo and displays maps of the whole known world as well as of the heavens, in a ceiling fresco of the planets and constellations. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0410.jpg
  • Main spiral staircase known as the Scala Regia or Royal Stairs, supported by pairs of Ionic columns through 3 floors, with frescoes by Antonio Tempesta, 1555-1630, seen from the Piano Nobile, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0430.jpg
  • Detail of the Zodiac and Constellations, 1574, ceiling fresco in the Hall of Maps by Giovanni de Vecchi, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Hall of Maps is also known as the Room of the World Map or Sala del Mappamondo and displays maps of the whole known world as well as of the heavens. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0428.jpg
  • The Zodiac and Constellations, 1574, ceiling fresco in the Hall of Maps by Giovanni de Vecchi, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Hall of Maps is also known as the Room of the World Map or Sala del Mappamondo and displays maps of the whole known world as well as of the heavens. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0426.jpg
  • Detail of satyr statue in the grotto, a large artificial cave with fountain, in the garden of the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. This grotto is in the Giardini di Sotto or lower gardens and was designed by da Vignola as a cool and quiet place to relax, which has been a tradition in Italy since Roman times. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0400.jpg
  • Portrait of Ferdinand Magellan, 1480-1521, Portuguese explorer, with trompe l'oeil decoration, fresco in the Hall of Maps, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Hall of Maps is also known as the Room of the World Map or Sala del Mappamondo and displays maps of the whole known world as well as of the heavens, in a ceiling fresco of the planets and constellations. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0408.jpg
  • South East facade of the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. A double staircase leads to the main entrance (with carriage entrance in the basement below), with the main floor decorated with 5 enormous arched windows. 2 further storeys house bedrooms and servants quarters. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0402.jpg
  • Map of Europe, 1574, painting by Giovanni Antonio Da Varese, in the Hall of Maps, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Hall of Maps is also known as the Room of the World Map or Sala del Mappamondo and displays maps of the whole known world as well as of the heavens, in a ceiling fresco of the planets and constellations. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0414.jpg
  • Ceiling fresco, 1560-62, of Hercules proving his strength to local peasants, plunging his staff deep into the earth and removing it, creating the crater which became the Lago di Vico in the Cimini mountains near Caprarola, in the Room of Hercules or Sala d'Ercole, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The statues and putti were restored in the 16th century, some by Giovanni Battista de Bianchi. This room was originally known as the Room of the Perspective Views, after the room painted by Baldassarre Peruzzi at the Villa Farnesina in Rome. It is on the Piano Nobile or main floor, and was used as a summer dining room. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0380.jpg
  • Ceiling fresco of Dawn, in the central Oval Room, with a figure of Twilight with 2 torches pointing to night and dawn, with the moon on a cart pulled by oxen, and Mercury holding the Caduceus, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The fresco was probably painted by Taddeo Zuccari, 1529-66, following an iconographic programme by Annibale Caro. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0376.jpg
  • South East facade of the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. A double staircase leads to the main entrance (with carriage entrance in the basement below), with the main floor decorated with 5 enormous arched windows. 2 further storeys house bedrooms and servants quarters. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0405.jpg
  • Sundial on the South East facade of the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0403.jpg
  • Portrait of Christopher Columbus, 1451-1506, Italian explorer, with trompe l'oeil decoration of garlands and putti blowing trumpets, fresco in the Hall of Maps, in the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese, in Caprarola, Viterbo, Lazio, Italy. The Hall of Maps is also known as the Room of the World Map or Sala del Mappamondo and displays maps of the whole known world as well as of the heavens, in a ceiling fresco of the planets and constellations. The Villa Farnese is now owned by the state and run by the Polo Museale del Lazio. Picture by Manuel Cohen
    LC16_ITALY_MC_0411.jpg
  • View over the village of Caprarola, Viterbo, Lazio, Italy. This is the site of the Villa Farnese or Villa Caprarola, a 16th century Renaissance and Mannerist fortified villa designed by Giacomo Barozzi da Vignola and built 1559-73 for the Farnese family under Cardinal Alessandro Farnese. Picture by Manuel Cohen
    LC16_ITALY_MC_0401.jpg
  • Templo de Vignola or Temple of Eternity, a memorial to Giulia Farnese, wife of Pier Francesco Orsini, at the summit of the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The temple is octagonal topped by a cupola and bell, with a square colonnaded portico, in a mixture of Greek, Classical and Renaissance styles. The temple houses the tombs of Giovanni Bettini and Tina Severi, the owners who restored the garden in the 20th century. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0316.jpg
  • Templo de Vignola or Temple of Eternity, a memorial to Giulia Farnese, wife of Pier Francesco Orsini, at the summit of the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The temple is octagonal topped by a cupola and bell, with a square colonnaded portico, in a mixture of Greek, Classical and Renaissance styles. The temple houses the tombs of Giovanni Bettini and Tina Severi, the owners who restored the garden in the 20th century. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0348.jpg
  • Templo de Vignola or Temple of Eternity, a memorial to Giulia Farnese, wife of Pier Francesco Orsini, at the summit of the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The temple is octagonal topped by a cupola and bell, with a square colonnaded portico, in a mixture of Greek, Classical and Renaissance styles. The temple houses the tombs of Giovanni Bettini and Tina Severi, the owners who restored the garden in the 20th century. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0373.jpg
  • Templo de Vignola or Temple of Eternity, a memorial to Giulia Farnese, wife of Pier Francesco Orsini, at the summit of the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The temple is octagonal topped by a cupola and bell, with a square colonnaded portico, in a mixture of Greek, Classical and Renaissance styles. The temple houses the tombs of Giovanni Bettini and Tina Severi, the owners who restored the garden in the 20th century. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0349.jpg
  • Giant pinecones and acorns, and above, the Templo de Vignola or Temple of Eternity, a memorial to Giulia Farnese, wife of Pier Francesco Orsini, at the summit of the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The temple is octagonal topped by a cupola and bell, with a square colonnaded portico, in a mixture of Greek, Classical and Renaissance styles. The temple houses the tombs of Giovanni Bettini and Tina Severi, the owners who restored the garden in the 20th century. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0372.jpg
  • Detail of a sculpture of a dolphin, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0341.jpg
  • Seated statue of Neptune, Roman god of the sea, with dolphins in his hands, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0334.jpg
  • Detail of a statue of a man with sword an shield, in a niche in the Nymphaeum, a Classical monument dedicated to nymphs, usually at a grotto or spring, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0320.jpg
  • The 3-sided Nymphaeum, a Classical monument dedicated to nymphs, usually at a grotto or spring, with benches, statues in niches and an inscription, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0375.jpg
  • Casa Pendente or Leaning House, built on an inclined rock, dedicated to the cardinal Madruzzo and his wife, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0366.jpg
  • Huge statue of a turtle with a globe on his shell on which stands a woman, who was originally blowing into 2 trumpets, now lost, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0360.jpg
  • Detail of the sculpture of a dragon fighting with a dog, lions and a wolf, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0345.jpg
  • Statue of the Roman goddess Venus, known as Venus of the Cimini, dressed in a Roman toga but resembling a local Tuscian woman, standing on a conch shell in a niche, possibly a fountain, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0331.jpg
  • Sculpture of the Roman god Jupiter or Giove Ammone, with his open mouth representing the mouth of truth, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0330.jpg
  • Head of the huge statue of a turtle with a globe on his shell on which stands a woman, who was originally blowing into 2 trumpets, now lost, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0326.jpg
  • Sculpture of a mermaid on a bench near the Nymphaeum, a Classical monument dedicated to nymphs, usually at a grotto or spring, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0329.jpg
  • Detail of a statue of a dragon, fighting with a dog, lions and a wolf, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0323.jpg
  • Statue of 1 of the 2 sphinxes at the entrance to the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0321.jpg
  • Statue of Ceres, patron goddess of Rome and of agriculture, reclining on the earth and balancing a vase of flowers on her head, with a sculptural group of mermaids and children at her back, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0317.jpg
  • Statue of 1 of the 2 sphinxes at the entrance to the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0310.jpg
  • Bust of Pan-Giano, Greek god of the wild and nature, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0309.jpg
  • Statue of Pegasus, the winged horse of Greek mythology, climbing a hill in the centre of a fountain, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0362.jpg
  • Sculpture of the Roman god Jupiter or Giove Ammone, with his open mouth representing the mouth of truth, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0332.jpg
  • Obelisks topped with sculpted heads and capitals, in the theatre, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0368.jpg
  • Statue of the Roman goddess Venus, known as Venus of the Cimini, dressed in a Roman toga but resembling a local Tuscian woman, standing on a conch shell in a niche, possibly a fountain, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0365.jpg
  • Huge statue of a turtle with a globe on his shell on which stands a woman, who was originally blowing into 2 trumpets, now lost, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0361.jpg
  • Statue of the Greek god Hercules fighting with the monster Cacus who is shown here screaming and upside down, representing the battle of good over evil (Hercules may be a portrait of Vicino Orsini) in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0355.jpg
  • Statue of Ceres, patron goddess of Rome and of agriculture, reclining on the earth and balancing a vase of flowers on her head, with a sculptural group of mermaids and children at her back, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0342.jpg
  • Sculpture of the Roman god Jupiter or Giove Ammone set into a wall, with his open mouth representing the mouth of truth, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0340.jpg
  • Donna dormiente, reclining statue of a sleeping nymph, watched over by a small dog, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0339.jpg
  • Relief sculpture of the Three Graces embracing in a niche, next to the Nymphaeum, a Classical monument dedicated to nymphs, usually at a grotto or spring, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0328.jpg
  • Statue of Pegasus, the winged horse of Greek mythology, climbing a hill in the centre of a fountain, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0319.jpg
  • Statue of Ceres, patron goddess of Rome and of agriculture, reclining on the earth and balancing a vase of flowers on her head, with a sculptural group of mermaids and children at her back, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0313.jpg
  • Statue of the Greek god Hercules fighting with the monster Cacus who is shown here screaming and upside down, representing the battle of good over evil (Hercules may be a portrait of Vicino Orsini) in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0358.jpg
  • Statue of 1 of the 2 sphinxes at the entrance to the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0354.jpg
  • Seated statue of Neptune, Roman god of the sea, with dolphins in his hands, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0335.jpg
  • Statue of Ceres, patron goddess of Rome and of agriculture, reclining on the earth and balancing a vase of flowers on her head, with a sculptural group of mermaids and children at her back, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0314.jpg
  • Castle and town of Bomarzo, seen from the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0374.jpg
  • Detail of a statue of a dragon, fighting with a dog, lions and a wolf, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0371.jpg
  • The 3-sided Nymphaeum, a Classical monument dedicated to nymphs, usually at a grotto or spring, with benches, statues in niches and an inscription, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0364.jpg
  • Relief sculpture of the Three Graces embracing in a niche, next to the Nymphaeum, a Classical monument dedicated to nymphs, usually at a grotto or spring, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0363.jpg
  • Detail of a hand from the statue of the Greek god Hercules fighting with the monster Cacus, representing the battle of good over evil, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0359.jpg
  • Statue of the Greek god Hercules fighting with the monster Cacus who is shown here screaming and upside down, representing the battle of good over evil (Hercules may be a portrait of Vicino Orsini) in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0357.jpg
  • Huge sculpture of Proteus Glaucus, representing both the head of the Greek sea god Proteus with a globe and castle, symbols of the Orsini family, and Glaucus, the fisherman who became a sea god after eating a magical herb, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0352.jpg
  • Huge sculpture of Proteus Glaucus, representing both the head of the Greek sea god Proteus with a globe and castle, symbols of the Orsini family, and Glaucus, the fisherman who became a sea god after eating a magical herb, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen
    LC16_ITALY_MC_0353.jpg
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