manuel cohen

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  • Drones Are Not Permitted sign at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The use of drones or unmanned aircraft is banned in national, state, and city parks. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_133.jpg
  • Illustrated information panel depicting dinosaurs of the Cretaceous Period (Dakota Group), 100 million years ago, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. Many dinosaurs lived in this area, including the carnivorous Acrocanthosaurs and the herbivorous Iguanodon Theiophytalia Kerri. Gradually, central Colorado became a coastal region as the vast Cretaceous Seaway formed, eventually covering the middle of what is now North America. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_141.jpg
  • Illustrated information panel depicting dinosaurs of the Cretaceous Period (Dakota Group), 100 million years ago, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. Many dinosaurs lived in this area, including the carnivorous Acrocanthosaurs and the herbivorous Iguanodon Theiophytalia Kerri. Gradually, central Colorado became a coastal region as the vast Cretaceous Seaway formed, eventually covering the middle of what is now North America. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_142.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_154.jpg
  • Gray Rock (left) and South Gateway Rock (right), with the Manitou Springs incline behind and Pikes Peak above, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_157.jpg
  • Illustrated information panel depicting dinosaurs of the Jurassic Period (Morrison Formation), 150 million years ago, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. These Colorado dinosaurs are a camptosaurs, diplodocus and stegosaurus. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_137.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_159.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_164.jpg
  • Gray Rock (left) and South Gateway Rock (right), with the Manitou Springs incline behind and Pikes Peak above, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of  sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_161.jpg
  • Gray Rock (left) and South Gateway Rock (right), with the Manitou Springs incline behind and Pikes Peak above, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_162.jpg
  • Gray Rock (left) and South Gateway Rock (right), with the Manitou Springs incline behind and Pikes Peak above, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_160.jpg
  • Gray Rock (left) and South Gateway Rock (right), with the Manitou Springs incline behind and Pikes Peak above, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_158.jpg
  • Narrow vertical fin formations with rock climbers, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_156.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_155.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_151.jpg
  • Fin formations in Cathedral Valley, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_153.jpg
  • Fin formations at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_152.jpg
  • Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_149.jpg
  • Pinnacles of the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_148.jpg
  • Gray Rock (left) and South Gateway Rock (right), with the Manitou Springs incline behind and Pikes Peak above, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_147.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_145.jpg
  • Garden of The Gods, with the Three Graces formation (left), an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_146.jpg
  • Pinnacles of the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_144.jpg
  • Illustrated information panel depicting dinosaurs of the Jurassic Period (Morrison Formation), 150 million years ago, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. These Colorado dinosaurs are a camptosaur and stegosaurus. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_143.jpg
  • Illustrated information panel depicting dinosaurs of the Permian Period (Lyons Sandstone), 280 million years ago, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. Eroded sand from the Rocky Mountains formed towering dunes. A reptilian ancestor to mammals called Lycaenops is known to have prowled these dunes which became the Lyons Sandstone. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_135.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_163.jpg
  • Cathedral Valley with hogback formations and sentinels, Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The formations are the result of vertical tilting due to the uplift forces of the Rocky Mountains and the Pikes Peak massif, of the horizontal layers of sandstones, conglomerates and limestones, resulting after erosion in the formation of fins and pinnacles. Native Americans have visited the area since 1330 BC and camped here since 250 BC, sheltering under the cliffs and producing rock art. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_150.jpg
  • Illustrated information panel depicting dinosaurs of the Cretaceous Period (Pierre Sahle), 70 million years ago, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. Pteranodons flew in the skies above the Cretaceous Seaway and the ferocious pliosaurs lurked in the depth below. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_140.jpg
  • Illustrated information panel depicting the large mammals of the Quarterly Period (Mesa Gravels), 25,000 years ago,  including long-horned bison, short-faced bears and mammoths, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. At higher elevations glaciers covered the modern Rocky Mountains. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_139.jpg
  • Illustrated information panel depicting the dinosaurs of the Cretaceous Period (Niobrara Formation), 80 million years ago, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. Ancient marine animal known as Plesiosaurs, along with sharks and relatives of the modern nautilus called ammonites, prowled the deep ocean waters of the Cretaceous Seaway, which then covered central Colorado. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_138.jpg
  • Illustrated information panel depicting dinosaurs of the Permian Period (Lyons Sandstone), 280 million years ago, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. Eroded sand from the Rocky Mountains formed towering dunes. A reptilian ancestor to mammals called Lycaenops is known to have prowled these dunes which became the Lyons Sandstone. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_136.jpg
  • Illustrated information panel depicting past geological volcanic activity, with hot springs, mud pools, lava flows and volcanic eruptions, at the Garden of the Gods Visitor and Nature Center, at the Garden of The Gods, an area of geological rock formations protected as a public park, near Colorado Springs, Colorado, USA. The Garden of the Gods was listed as a National Natural Landmark in 1971. Picture by Manuel Cohen
    LC16_COLORADO_MC_134.jpg
  • Castle Rock Pueblo, site of an Anasazi settlement 1250–1275, with Great Houses, 16 kivas, 40 rooms, 9 towers, and a D-shaped enclosure, at the Canyons of the Ancients National Monument, Colorado, USA. The Canyons of the Ancients National Monument encompasses most of the Hovenweep National Monument and protects over 6000 archaeological sites. Picture by Manuel Cohen
    LC16_COLORADO_MC_120.jpg
  • Castle Rock Pueblo, site of an Anasazi settlement 1250–1275, with Great Houses, 16 kivas, 40 rooms, 9 towers, and a D-shaped enclosure, at the Canyons of the Ancients National Monument, Colorado, USA. The Canyons of the Ancients National Monument encompasses most of the Hovenweep National Monument and protects over 6000 archaeological sites. Picture by Manuel Cohen
    LC16_COLORADO_MC_119.JPG
  • Castle Rock Pueblo, site of an Anasazi settlement 1250–1275, with Great Houses, 16 kivas, 40 rooms, 9 towers, and a D-shaped enclosure, at the Canyons of the Ancients National Monument, Colorado, USA. The Canyons of the Ancients National Monument encompasses most of the Hovenweep National Monument and protects over 6000 archaeological sites. Picture by Manuel Cohen
    LC16_COLORADO_MC_118.jpg
  • Petroglyphs, images etched into the rock face, by the Basketmaker people, 500-750 AD, at the Ismay Rock Shelter in the Canyons of the Ancients National Monument, Colorado, USA. The Basketmaker were pre-Puebloan people who lived in this area from 1500 BC. The rock shelter itself consists of a sleeping area underneath a rock overhang, whose surfaces are covered with petroglyphs including animals, spirals and long scribe lines. The Canyons of the Ancients National Monument encompasses most of the Hovenweep National Monument and protects over 6000 archaeological sites. Picture by Manuel Cohen
    LC16_COLORADO_MC_053.jpg
  • Wall of Honor, bearing a list of 775,000 names including slaves, Native Americans, and immigrants not processed on the island, on Ellis Island, immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. The Wall of Honour was built and extended from 1980s to 2001, raising funds to pay for the restoration fo the Island. Behind is the main building, designed by William Alciphron Boring and Edward Lippincott Tilton and built early 20th century in French Renaissance style, containing registry rooms, detention rooms and offices. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_080.jpg
  • Display of black and white photographs of immigrants and their families, in the National Immigration Museum, in the main building on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. Ellis Island and its Immigration Museum are part of the Statue of Liberty National Monument and are managed by the National Park Authority. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_014.jpg
  • House of Representatives, the largest room in the Texas State Capitol, designed in 1881 by Elijah E Myers and built 1882-88, Austin, Texas, USA. The chamber has been restored to its 1909 appearance, with 150 oak desks by A H Andrews, brown leather armchairs, brass chandeliers and an oak panelled public gallery. The building is in Italian Neo-Renaissance style, with both Corinthian and Doric details and a large central dome. The State Capitol houses the Senate, Governor's Office, House of Representatives and Supreme Court. It is listed on the National Register of Historic Places and is a National Historic Landmark. Picture by Manuel Cohen
    LC17_TEXAS_MC043.jpg
  • House of Representatives, the largest room in the Texas State Capitol, designed in 1881 by Elijah E Myers and built 1882-88, Austin, Texas, USA. The chamber has been restored to its 1909 appearance, with 150 oak desks by A H Andrews, brown leather armchairs, brass chandeliers and an oak panelled public gallery. The building is in Italian Neo-Renaissance style, with both Corinthian and Doric details and a large central dome. The State Capitol houses the Senate, Governor's Office, House of Representatives and Supreme Court. It is listed on the National Register of Historic Places and is a National Historic Landmark. Picture by Manuel Cohen
    LC17_TEXAS_MC042.jpg
  • The Surrender of Santa Anna, detail, 1886, by William Huddle, 1847-92, in the South Foyer of the Texas State Capitol (where it has hung since 1891), designed in 1881 by Elijah E Myers and built 1882-88, Austin, Texas, USA. The painting depicts April 22nd 1836, the day after the Battle of San Jacinto. Mexican general Antonio Lopez de Santa Anna is brought before Texas General Sam Houston as a prisoner of war. Houston, wounded, rests under an oak tree while arranging an armistice with Santa Anna. To the right is Erastus 'Deaf' Smith, a Texan scout, and captured Mexican battle flags lean against a tree. Behind Houston is Secretary of War Thomas Jefferson Rusk, who is standing next to Colonel Mirabeau B Lamar. Picture by Manuel Cohen
    LC17_TEXAS_MC028.jpg
  • The Surrender of Santa Anna, 1886, by William Huddle, 1847-92, in the South Foyer of the Texas State Capitol (where it has hung since 1891), designed in 1881 by Elijah E Myers and built 1882-88, Austin, Texas, USA. The painting depicts April 22nd 1836, the day after the Battle of San Jacinto. Mexican general Antonio Lopez de Santa Anna is brought before Texas General Sam Houston as a prisoner of war. Houston, wounded, rests under an oak tree while arranging an armistice with Santa Anna. To the right is Erastus 'Deaf' Smith, a Texan scout, and captured Mexican battle flags lean against a tree. Behind Houston is Secretary of War Thomas Jefferson Rusk, who is standing next to Colonel Mirabeau B Lamar. Picture by Manuel Cohen
    LC17_TEXAS_MC027.jpg
  • Battle of San Jacinto, detail, 1895, by Henry McArdle, 1836-1908, in the Senate, in the Texas State Capitol, designed in 1881 by Elijah E Myers and built 1882-88, Austin, Texas, USA. The painting depicts the conflict and chaos as 800 Texans defeat Santa Anna's 1,600 Mexican Army soldiers on April 21st, 1836, ending the Texas Revolution. Picture by Manuel Cohen
    LC17_TEXAS_MC035.jpg
  • Battle of San Jacinto, detail, 1895, by Henry McArdle, 1836-1908, in the Senate, in the Texas State Capitol, designed in 1881 by Elijah E Myers and built 1882-88, Austin, Texas, USA. The painting depicts the conflict and chaos as 800 Texans defeat Santa Anna's 1,600 Mexican Army soldiers on April 21st, 1836, ending the Texas Revolution. Picture by Manuel Cohen
    LC17_TEXAS_MC033.jpg
  • Battle of San Jacinto, detail, 1895, by Henry McArdle, 1836-1908, in the Senate, in the Texas State Capitol, designed in 1881 by Elijah E Myers and built 1882-88, Austin, Texas, USA. The painting depicts the conflict and chaos as 800 Texans defeat Santa Anna's 1,600 Mexican Army soldiers on April 21st, 1836, ending the Texas Revolution. Picture by Manuel Cohen
    LC17_TEXAS_MC032.jpg
  • Battle of San Jacinto, 1895, by Henry McArdle, 1836-1908, in the Senate, in the Texas State Capitol, designed in 1881 by Elijah E Myers and built 1882-88, Austin, Texas, USA. The painting depicts the conflict and chaos as 800 Texans defeat Santa Anna's 1,600 Mexican Army soldiers on April 21st, 1836, ending the Texas Revolution. Picture by Manuel Cohen
    LC17_TEXAS_MC031.jpg
  • Our Lady of Loreto statue, detail, late 17th century, brought to Texas by the Franciscans or by Rene Robert Cavelier de la Salle, behind the altar in the Chapel of Our Lady of Loreto, built 1775-90, at the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC261.jpg
  • Chapel of Our Lady of Loreto, built 1775-90, and defensive walls with turret, at the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC190.jpg
  • Chapel of Our Lady of Loreto, built 1775-90, and defensive walls, at the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC187.jpg
  • Nave, with groin vaulted ceiling and Annunciation fresco, 1946, by Antonio Garcia, of the Chapel of Our Lady of Loreto, built 1775-90, at the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC260.jpg
  • Nave, with groin vaulted ceiling and Annunciation fresco, 1946, by Antonio Garcia, of the Chapel of Our Lady of Loreto, built 1775-90, at the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC259.jpg
  • Defensive walls and corner turret, with the Chapel of Our Lady of Loreto, built 1775-90, on the right, in the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC198.jpg
  • Chapel of Our Lady of Loreto, built 1775-90, inside the defensive walls of the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC197.jpg
  • Chapel of Our Lady of Loreto, built 1775-90, illuminated at night, with a full moon, inside the defensive walls of the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC196.jpg
  • Chapel of Our Lady of Loreto, built 1775-90, inside the defensive walls of the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC195.jpg
  • Chapel of Our Lady of Loreto, built 1775-90, and defensive walls with turret, at the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC194.jpg
  • Chapel of Our Lady of Loreto, built 1775-90, inside the defensive walls of the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC192.jpg
  • Chapel of Our Lady of Loreto, built 1775-90, inside the defensive walls of the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC193.jpg
  • Chapel of Our Lady of Loreto, built 1775-90, inside the defensive walls of the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC191.jpg
  • Chapel of Our Lady of Loreto, built 1775-90, at the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC189.jpg
  • Chapel of Our Lady of Loreto, built 1775-90, and defensive walls with turret, at the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC185.jpg
  • Chapel of Our Lady of Loreto, built 1775-90 (right), and defensive walls with turret and cannon, at the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC186.jpg
  • Chapel of Our Lady of Loreto, built 1775-90, at the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC184.jpg
  • Chapel of Our Lady of Loreto, built 1775-90, and defensive walls with turret, at the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC182.jpg
  • Nave, with groin vaulted ceiling and Annunciation fresco, 1946, by Antonio Garcia, of the Chapel of Our Lady of Loreto, built 1775-90, at the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC180.jpg
  • Annunciation fresco, detail, 1946, by Antonio Garcia, in the nave of the Chapel of Our Lady of Loreto, built 1775-90, at the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. This fresco of the Archangel Gabriel and the Virgin was commissioned by a couple who were married in the chapel. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC177.jpg
  • Chapel of Our Lady of Loreto, built 1775-90, and defensive walls with turret, at the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC179.jpg
  • Our Lady of Loreto statue, late 17th century, brought to Texas by the Franciscans or by Rene Robert Cavelier de la Salle, behind the altar in the Chapel of Our Lady of Loreto, built 1775-90, at the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC176.jpg
  • Nave, with groin vaulted ceiling and Annunciation fresco, 1946, by Antonio Garcia, of the Chapel of Our Lady of Loreto, built 1775-90, at the Presidio la Bahia, or Presidio Nuestra Senora de Loreto de la Bahia, a fort built 1747-49 by the Spanish army to protect the nearby Spanish missions, near Goliad, Texas, USA. During the Texas Revolution, the Battle of Goliad, October 1835, and the Goliad Massacre, March 1836, took place here. Picture by Manuel Cohen
    LC17_TEXAS_MC175.jpg
  • Our Lady of Guadalupe, on the ornate sculpted portal restored 1947-52 by Archbishop Robert E Lucey, of the church, built 1768, at the Mission San Jose, or Mission San Jose y San Miguel de Aguayo, a Spanish catholic colonial mission and church originally established in 1720 and completed in 1782, to spread Christianity among Native Americans, the largest of 4 missions in the San Antonio Missions National Historical Park, in San Antonio, Texas, USA. The complex was home to 350 Indians and had its own mill and granary. It was restored in the 1930s and again in 2011. It forms part of the San Antonio Missions UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_TEXAS_MC123.jpg
  • Statue of Fray Antonio Margil de Jesus, 1657–1726, founder of the mission in 1720, in the grounds of the Mission San Jose, or Mission San Jose y San Miguel de Aguayo, a Spanish catholic colonial mission and church originally established in 1720 and completed in 1782, to spread Christianity among Native Americans, the largest of 4 missions in the San Antonio Missions National Historical Park, in San Antonio, Texas, USA. The complex was home to 350 Indians and had its own mill and granary. It was restored in the 1930s and again in 2011. It forms part of the San Antonio Missions UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_TEXAS_MC094.jpg
  • Eagle of Delight, or Hayne Hudjihini, 1795-1822, 1 of the 5 wives of Chief Shaumonekusse of the Otoe tribe in present-day Nebraska, hand-coloured lithograph, 1833, by Cephas G Childs, 1793-1871, American artist, after an original painting by Charles Bird King, 1785-1862, American artist, from the William Sr and Dorothy Harmsen Collection, in the Denver Art Museum, Denver, Colorado, USA. The original painting was commissioned by the Bureau of Indian Affairs after Eagle of Delight accompanied her husband and other Indian chiefs to Washington DC to meet with President James Monroe. The lithograph was published in History of the Indian Tribes of North America, published 1844. Picture by Manuel Cohen
    LC16_COLORADO_MC_219.jpg
  • Discovery of the Two Storey Cliff House in Mancos Canyon by the Jackson Party in 1874, painting, 1936, oil on canvas, by William Henry Jackson at the age of 93, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Jackson was a pioneer photographer who was working in the mountains at Mesa Verde when he met John Moss, a rancher and explorer, who showed him the ancient dwellings in the cliffs. Jackson took the first photographs of the ruins in 1874. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_064.jpg
  • Model depicting the Developmental Pueblo Period, 750-1100 AD, when the pueblo or village architecture developed, pottery-making flourished, new farming techniques emerged and trade became significant, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. The village shown is from 850 AD and shows Puebloan Indians in a series of connected living and storage rooms, facing South or South West. The pit room in front of the dwellings was used for living or ceremonial purposes. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_069.jpg
  • Cliff Palace, 1898, colour photochrom print, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Cliff Palace, 13th century, is a huge multi-storey Native American Puebloan dwelling, housing 125 people, with 23 kivas and 150 rooms, rediscovered in 1888. It is the largest cliff house in the park, possibly used for social and ceremonial purposes and is thought to be part of a larger community encompassing 60 pueblos and 600 people. It is made from sandstone blocks, mortar and wooden beams and was originally painted with earthen plasters. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_072.jpg
  • Cliff Palace, 1917, photograph, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Cliff Palace, 13th century, is a huge multi-storey Native American Puebloan dwelling, housing 125 people, with 23 kivas and 150 rooms, rediscovered in 1888. It is the largest cliff house in the park, possibly used for social and ceremonial purposes and is thought to be part of a larger community encompassing 60 pueblos and 600 people. It is made from sandstone blocks, mortar and wooden beams and was originally painted with earthen plasters. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_071.jpg
  • Cliff Palace, 1896, A white marble city, photograph by Thomas M McKee, 1854-1939, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Cliff Palace, 13th century, is a huge multi-storey Native American Puebloan dwelling, housing 125 people, with 23 kivas and 150 rooms, rediscovered in 1888. It is the largest cliff house in the park, possibly used for social and ceremonial purposes and is thought to be part of a larger community encompassing 60 pueblos and 600 people. It is made from sandstone blocks, mortar and wooden beams and was originally painted with earthen plasters. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_067.jpg
  • Nativity of the Virgin, c. 1480, painted German wooden sculpture of St Anne with a swaddled baby Virgin, in the Late Gothic Hall of The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The sculpture is thought to be the predella of the late Gothic altarpiece dedicated to St Anne in the parish church at Ebern, Germany. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC109.JPG
  • Eagle of Delight, or Hayne Hudjihini, 1795-1822, 1 of the 5 wives of Chief Shaumonekusse of the Otoe tribe in present-day Nebraska, painting, c. 1822, oil on canvas, by Charles Bird King, 1785-1862, American artist, from the William Sr and Dorothy Harmsen Collection, in the Denver Art Museum, Denver, Colorado, USA. This painting was commissioned by the Bureau of Indian Affairs after Eagle of Delight accompanied her husband and other Indian chiefs to Washington DC to meet with President James Monroe. Picture by Manuel Cohen
    LC16_COLORADO_MC_221.jpg
  • Cliff Palace, 1911, photograph, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Cliff Palace, 13th century, is a huge multi-storey Native American Puebloan dwelling, housing 125 people, with 23 kivas and 150 rooms, rediscovered in 1888. It is the largest cliff house in the park, possibly used for social and ceremonial purposes and is thought to be part of a larger community encompassing 60 pueblos and 600 people. It is made from sandstone blocks, mortar and wooden beams and was originally painted with earthen plasters. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_073.jpg
  • The Temptation of Christ by the Devil, fresco transferred to canvas, c. 1129-34, Spanish, from the hermitage of San Baudelio de Berlanga, near Soria, Spain, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The painting depicts (left-right) the devil daring Christ to turn stones into bread, Satan challenging Christ to jump from the temple and an angel talking to a demon in the last temptation of Christ. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC173.jpg
  • Miracles of Jesus, fresco transferred to canvas, c. 1129-34, Spanish, from the hermitage of San Baudelio de Berlanga, near Soria, Spain, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The painting depicts Jesus healing a blind man who kneels at his feet, and Jesus raising Lazarus from the dead, as Mary and Martha lift the stone from his tomb. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC172.jpg
  • Man of Sorrows, fresco transferred to canvas, of Christ in his tomb, c. 1370, by Niccolo di Tommaso, Italian, from a monastery in Florence, Italy, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC155.jpg
  • Man of Sorrows, detail, fresco transferred to canvas, of Christ in his tomb, c. 1370, by Niccolo di Tommaso, Italian, from a monastery in Florence, Italy, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC047.jpg
  • Statue of Clothar I from the doorway from the monastery of Moutiers-Saint-Jean, Burgundy, France, founded by the first Christian kings of France, Clovis and his son Clothar, c. 1250, in the Romanesque Hall of The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC034.jpg
  • Reliquary bust of St Juliana, sculpture with copper, gilding, gesso and tempera, c. 1376, by the workshop of Giovanni di Bartolo, Italian, in the Treasury of The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC082.jpg
  • Arrest of Christ, tempera painting on wood, detail, 13th century, Spanish, in The Cloisters, a museum specialising in European medieval architecture, sculpture and decorative arts, part of the Metropolitan Museum of Art, at Fort Tryon Park, Manhattan, New York, USA. The Cloisters collection includes Byzantine, Romanesque, Gothic and Renaissance works from 12th to 15th centuries. Picture by Manuel Cohen
    LC20_NYC_USA_MC160.jpg
  • Statue of Liberty, or Liberty Enlightening the World, copper neoclassical statue by Auguste Bartholdi with internal metal framework by Gustave Eiffel, inaugurated 28th October 1886, on Liberty Island, Manhattan, New York, NY, USA. The statue was a gift of friendship from France to the USA and symbolises freedom and democracy. The statue and island are listed as a National Monument and managed by the National Parks Service. It is also a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_091.jpg
  • Statue of Liberty, or Liberty Enlightening the World, copper neoclassical statue by Auguste Bartholdi with internal metal framework by Gustave Eiffel, inaugurated 28th October 1886, on Liberty Island, Manhattan, New York, NY, USA. The statue was a gift of friendship from France to the USA and symbolises freedom and democracy. The statue and island are listed as a National Monument and managed by the National Parks Service. It is also a UNESCO World Heritage Site. In the distance is downtown Manhattan. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_052.JPG
  • Statue of Liberty, or Liberty Enlightening the World, copper neoclassical statue by Auguste Bartholdi with internal metal framework by Gustave Eiffel, inaugurated 28th October 1886, on Liberty Island, Manhattan, New York, NY, USA. The statue was a gift of friendship from France to the USA and symbolises freedom and democracy. The statue and island are listed as a National Monument and managed by the National Parks Service. It is also a UNESCO World Heritage Site. In the distance is downtown Manhattan. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_051.jpg
  • Statue of Liberty, or Liberty Enlightening the World, copper neoclassical statue by Auguste Bartholdi with internal metal framework by Gustave Eiffel, inaugurated 28th October 1886, on Liberty Island, Manhattan, New York, NY, USA. The statue was a gift of friendship from France to the USA and symbolises freedom and democracy. The statue and island are listed as a National Monument and managed by the National Parks Service. It is also a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_050.jpg
  • Statue of Liberty, or Liberty Enlightening the World, copper neoclassical statue by Auguste Bartholdi with internal metal framework by Gustave Eiffel, inaugurated 28th October 1886, on Liberty Island, Manhattan, New York, NY, USA. The statue was a gift of friendship from France to the USA and symbolises freedom and democracy. The statue and island are listed as a National Monument and managed by the National Parks Service. It is also a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_049.jpg
  • Statue of Liberty, or Liberty Enlightening the World, copper neoclassical statue by Auguste Bartholdi with internal metal framework by Gustave Eiffel, inaugurated 28th October 1886, on Liberty Island, Manhattan, New York, NY, USA. The statue was a gift of friendship from France to the USA and symbolises freedom and democracy. The statue and island are listed as a National Monument and managed by the National Parks Service. It is also a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_048.jpg
  • Statue of Liberty, or Liberty Enlightening the World, copper neoclassical statue by Auguste Bartholdi with internal metal framework by Gustave Eiffel, inaugurated 28th October 1886, on Liberty Island, Manhattan, New York, NY, USA. The statue was a gift of friendship from France to the USA and symbolises freedom and democracy. The statue and island are listed as a National Monument and managed by the National Parks Service. It is also a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_047.jpg
  • Statue of Liberty, or Liberty Enlightening the World, copper neoclassical statue by Auguste Bartholdi with internal metal framework by Gustave Eiffel, inaugurated 28th October 1886, on Liberty Island, Manhattan, New York, NY, USA. The statue was a gift of friendship from France to the USA and symbolises freedom and democracy. The statue and island are listed as a National Monument and managed by the National Parks Service. It is also a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_004.jpg
  • Statue of Liberty, or Liberty Enlightening the World, copper neoclassical statue by Auguste Bartholdi with internal metal framework by Gustave Eiffel, inaugurated 28th October 1886, on Liberty Island, Manhattan, New York, NY, USA. The statue was a gift of friendship from France to the USA and symbolises freedom and democracy. The statue and island are listed as a National Monument and managed by the National Parks Service. It is also a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_003.jpg
  • Statue of Liberty, or Liberty Enlightening the World, copper neoclassical statue by Auguste Bartholdi with internal metal framework by Gustave Eiffel, inaugurated 28th October 1886, on Liberty Island, Manhattan, New York, NY, USA. The statue was a gift of friendship from France to the USA and symbolises freedom and democracy. The statue and island are listed as a National Monument and managed by the National Parks Service. It is also a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_002.jpg
  • Model depicting the Great Classic Pueblo Period, 1100-1300 AD, when people moved from small, compact villages on the mesa tops to alcoves where they built cliff dwellings like Spruce Tree House, shown here in the late 13th century, in the Chapin Mesa Archeological Museum, in Mesa Verde National Park, Montezuma County, Colorado, USA. Mesa Verde is the largest archaeological site in America, with Native Americans inhabiting the area from 7500 BC to 13th century AD. It is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_COLORADO_MC_068.jpg
  • Europeans landing in America, oil painting, early 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. This scene takes place in the Southern USA or the Antilles,<br />
with the captain holding a white flag and accepting a peace pipe from the Indian chief, while his men offer a barrel and tools. Picture by Manuel Cohen
    LC15_FRANCE_MC_1337.jpg
  • Europeans landing in America, oil painting, early 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. This scene takes place in the Southern USA or the Antilles, <br />
with the captain holding a white flag and accepting a peace pipe from the Indian chief, while his men offer a barrel and tools. Picture by Manuel Cohen
    LC15_FRANCE_MC_1338.jpg
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