manuel cohen

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  • St Barbara holding a palm frond and a 3-windowed tower, on the lower section of the Altarpiece of the Transfiguration of Christ, late 15th century, by Jaume Huguet, 1412-92, in the Cathedral of St Mary, designed by Benito Dalguayre in Catalan Gothic style and begun 1347 on the site of a Romanesque cathedral, consecrated 1447 and completed in 1757, Tortosa, Catalonia, Spain. The altarpiece was originally in the Transfiguration Chapel but is now in the Cathedral Museum. The cathedral has 3 naves with chapels between the buttresses and an ambulatory with radial chapels. Picture by Manuel Cohen
    LC16_SPAIN_MC547.jpg
  • The Last Judgement, from the right section of the Altarpiece of the Transfiguration of Christ, late 15th century, by Jaume Huguet, 1412-92, in the Cathedral of St Mary, designed by Benito Dalguayre in Catalan Gothic style and begun 1347 on the site of a Romanesque cathedral, consecrated 1447 and completed in 1757, Tortosa, Catalonia, Spain. The altarpiece was originally in the Transfiguration Chapel but is now in the Cathedral Museum. The cathedral has 3 naves with chapels between the buttresses and an ambulatory with radial chapels. Picture by Manuel Cohen
    LC16_SPAIN_MC514.JPG
  • Painted panel of Christ of Sorrows, surrounded by the instruments of the Passion, from the lower section of the Altarpiece of the Transfiguration of Christ, late 15th century, by Jaume Huguet, 1412-92, in the Cathedral of St Mary, designed by Benito Dalguayre in Catalan Gothic style and begun 1347 on the site of a Romanesque cathedral, consecrated 1447 and completed in 1757, Tortosa, Catalonia, Spain. The altarpiece was originally in the Transfiguration Chapel but is now in the Cathedral Museum. The cathedral has 3 naves with chapels between the buttresses and an ambulatory with radial chapels. Picture by Manuel Cohen
    LC16_SPAIN_MC518.jpg
  • Sinners climbing out of Hell to appeal to Jesus, detail from The Last Judgement, on the right section of the Altarpiece of the Transfiguration of Christ, late 15th century, by Jaume Huguet, 1412-92, in the Cathedral of St Mary, designed by Benito Dalguayre in Catalan Gothic style and begun 1347 on the site of a Romanesque cathedral, consecrated 1447 and completed in 1757, Tortosa, Catalonia, Spain. The altarpiece was originally in the Transfiguration Chapel but is now in the Cathedral Museum. The cathedral has 3 naves with chapels between the buttresses and an ambulatory with radial chapels. Picture by Manuel Cohen
    LC16_SPAIN_MC517.jpg
  • Apostles James and John, from the Transfiguration of Christ, detail, Renaissance fresco, 1437-45, by Fra Angelico, 1387-1455, in the convent of the Basilica di San Marco, in Florence, Tuscany, Italy. The fresco depicts Christ with outstretched arms and the apostles Peter, James and John at his feet, flanked by the Virgin Mary and St Dominic, with the heads of Elijah and Moses. The fresco is painted in cell no. 6, a monk's cell, to encourage private devotion. The convent is now the Museo Nazionale di San Marco, and was home to Fra Angelico, who was a Dominican monk and prior and who decorated the chapter house, cloister and first floor cells. Picture by Manuel Cohen
    LC20_ITALY_MC_651.JPG
  • Archangel St Michael killing the devil with a spear, on the right section of the Altarpiece of the Transfiguration of Christ, late 15th century, by Jaume Huguet, 1412-92, in the Cathedral of St Mary, designed by Benito Dalguayre in Catalan Gothic style and begun 1347 on the site of a Romanesque cathedral, consecrated 1447 and completed in 1757, Tortosa, Catalonia, Spain. The altarpiece was originally in the Transfiguration Chapel but is now in the Cathedral Museum. The cathedral has 3 naves with chapels between the buttresses and an ambulatory with radial chapels. Picture by Manuel Cohen
    LC16_SPAIN_MC570.jpg
  • Painted panel of Christ of Sorrows, surrounded by the instruments of the Passion, detail, from the lower section of the Altarpiece of the Transfiguration of Christ, late 15th century, by Jaume Huguet, 1412-92, in the Cathedral of St Mary, designed by Benito Dalguayre in Catalan Gothic style and begun 1347 on the site of a Romanesque cathedral, consecrated 1447 and completed in 1757, Tortosa, Catalonia, Spain. The altarpiece was originally in the Transfiguration Chapel but is now in the Cathedral Museum. The cathedral has 3 naves with chapels between the buttresses and an ambulatory with radial chapels. Picture by Manuel Cohen
    LC16_SPAIN_MC519.jpg
  • Apostles James and John, from the Transfiguration of Christ, detail, Renaissance fresco, 1437-45, by Fra Angelico, 1387-1455, in the convent of the Basilica di San Marco, in Florence, Tuscany, Italy. The fresco depicts Christ with outstretched arms and the apostles Peter, James and John at his feet, flanked by the Virgin Mary and St Dominic, with the heads of Elijah and Moses. The fresco is painted in cell no. 6, a monk's cell, to encourage private devotion. The convent is now the Museo Nazionale di San Marco, and was home to Fra Angelico, who was a Dominican monk and prior and who decorated the chapter house, cloister and first floor cells. Picture by Manuel Cohen
    LC20_ITALY_MC_722.jpg
  • Apostle John, from the Transfiguration of Christ, detail, Renaissance fresco, 1437-45, by Fra Angelico, 1387-1455, in the convent of the Basilica di San Marco, in Florence, Tuscany, Italy. The fresco depicts Christ with outstretched arms and the apostles Peter, James and John at his feet, flanked by the Virgin Mary and St Dominic, with the heads of Elijah and Moses. The fresco is painted in cell no. 6, a monk's cell, to encourage private devotion. The convent is now the Museo Nazionale di San Marco, and was home to Fra Angelico, who was a Dominican monk and prior and who decorated the chapter house, cloister and first floor cells. Picture by Manuel Cohen
    LC20_ITALY_MC_654.jpg
  • Apostle Peter, from the Transfiguration of Christ, detail, Renaissance fresco, 1437-45, by Fra Angelico, 1387-1455, in the convent of the Basilica di San Marco, in Florence, Tuscany, Italy. The fresco depicts Christ with outstretched arms and the apostles Peter, James and John at his feet, flanked by the Virgin Mary and St Dominic, with the heads of Elijah and Moses. The fresco is painted in cell no. 6, a monk's cell, to encourage private devotion. The convent is now the Museo Nazionale di San Marco, and was home to Fra Angelico, who was a Dominican monk and prior and who decorated the chapter house, cloister and first floor cells. Picture by Manuel Cohen
    LC20_ITALY_MC_649.jpg
  • Apostles Peter and James, from the Transfiguration of Christ, detail, Renaissance fresco, 1437-45, by Fra Angelico, 1387-1455, in the convent of the Basilica di San Marco, in Florence, Tuscany, Italy. The fresco depicts Christ with outstretched arms and the apostles Peter, James and John at his feet, flanked by the Virgin Mary and St Dominic, with the heads of Elijah and Moses. The fresco is painted in cell no. 6, a monk's cell, to encourage private devotion. The convent is now the Museo Nazionale di San Marco, and was home to Fra Angelico, who was a Dominican monk and prior and who decorated the chapter house, cloister and first floor cells. Picture by Manuel Cohen
    LC20_ITALY_MC_648.jpg
  • Elias pleading for the Gentiles, detail, from the right section of the Altarpiece of the Transfiguration of Christ, late 15th century, by Jaume Huguet, 1412-92, in the Cathedral of St Mary, designed by Benito Dalguayre in Catalan Gothic style and begun 1347 on the site of a Romanesque cathedral, consecrated 1447 and completed in 1757, Tortosa, Catalonia, Spain. The altarpiece was originally in the Transfiguration Chapel but is now in the Cathedral Museum. The cathedral has 3 naves with chapels between the buttresses and an ambulatory with radial chapels. Picture by Manuel Cohen
    LC16_SPAIN_MC516.jpg
  • Christ, from the Transfiguration of Christ, detail, Renaissance fresco, 1437-45, by Fra Angelico, 1387-1455, in the convent of the Basilica di San Marco, in Florence, Tuscany, Italy. The fresco depicts Christ with outstretched arms and the apostles Peter, James and John at his feet, flanked by the Virgin Mary and St Dominic, with the heads of Elijah and Moses. The fresco is painted in cell no. 6, a monk's cell, to encourage private devotion. The convent is now the Museo Nazionale di San Marco, and was home to Fra Angelico, who was a Dominican monk and prior and who decorated the chapter house, cloister and first floor cells. Picture by Manuel Cohen
    LC20_ITALY_MC_657.jpg
  • Elias pleading for the Gentiles, from the right section of the Altarpiece of the Transfiguration of Christ, late 15th century, by Jaume Huguet, 1412-92, in the Cathedral of St Mary, designed by Benito Dalguayre in Catalan Gothic style and begun 1347 on the site of a Romanesque cathedral, consecrated 1447 and completed in 1757, Tortosa, Catalonia, Spain. The altarpiece was originally in the Transfiguration Chapel but is now in the Cathedral Museum. The cathedral has 3 naves with chapels between the buttresses and an ambulatory with radial chapels. Picture by Manuel Cohen
    LC16_SPAIN_MC515.jpg
  • Moses, representing the law, from the Transfiguration of Christ, detail, Renaissance fresco, 1437-45, by Fra Angelico, 1387-1455, in the convent of the Basilica di San Marco, in Florence, Tuscany, Italy. The fresco depicts Christ with outstretched arms and the apostles Peter, James and John at his feet, flanked by the Virgin Mary and St Dominic, with the heads of Elijah and Moses. The fresco is painted in cell no. 6, a monk's cell, to encourage private devotion. The convent is now the Museo Nazionale di San Marco, and was home to Fra Angelico, who was a Dominican monk and prior and who decorated the chapter house, cloister and first floor cells. Picture by Manuel Cohen
    LC20_ITALY_MC_723.jpg
  • Apostle Peter, from the Transfiguration of Christ, detail, Renaissance fresco, 1437-45, by Fra Angelico, 1387-1455, in the convent of the Basilica di San Marco, in Florence, Tuscany, Italy. The fresco depicts Christ with outstretched arms and the apostles Peter, James and John at his feet, flanked by the Virgin Mary and St Dominic, with the heads of Elijah and Moses. The fresco is painted in cell no. 6, a monk's cell, to encourage private devotion. The convent is now the Museo Nazionale di San Marco, and was home to Fra Angelico, who was a Dominican monk and prior and who decorated the chapter house, cloister and first floor cells. Picture by Manuel Cohen
    LC20_ITALY_MC_653.JPG
  • Elijah, representing the prophets, from the Transfiguration of Christ, detail, Renaissance fresco, 1437-45, by Fra Angelico, 1387-1455, in the convent of the Basilica di San Marco, in Florence, Tuscany, Italy. The fresco depicts Christ with outstretched arms and the apostles Peter, James and John at his feet, flanked by the Virgin Mary and St Dominic, with the heads of Elijah and Moses. The fresco is painted in cell no. 6, a monk's cell, to encourage private devotion. The convent is now the Museo Nazionale di San Marco, and was home to Fra Angelico, who was a Dominican monk and prior and who decorated the chapter house, cloister and first floor cells. Picture by Manuel Cohen
    LC20_ITALY_MC_656.jpg
  • Christ, from the Transfiguration of Christ, detail, Renaissance fresco, 1437-45, by Fra Angelico, 1387-1455, in the convent of the Basilica di San Marco, in Florence, Tuscany, Italy. The fresco depicts Christ with outstretched arms and the apostles Peter, James and John at his feet, flanked by the Virgin Mary and St Dominic, with the heads of Elijah and Moses. The fresco is painted in cell no. 6, a monk's cell, to encourage private devotion. The convent is now the Museo Nazionale di San Marco, and was home to Fra Angelico, who was a Dominican monk and prior and who decorated the chapter house, cloister and first floor cells. Picture by Manuel Cohen
    LC20_ITALY_MC_652.JPG
  • Virgin Mary, from the Transfiguration of Christ, detail, Renaissance fresco, 1437-45, by Fra Angelico, 1387-1455, in the convent of the Basilica di San Marco, in Florence, Tuscany, Italy. The fresco depicts Christ with outstretched arms and the apostles Peter, James and John at his feet, flanked by the Virgin Mary and St Dominic, with the heads of Elijah and Moses. The fresco is painted in cell no. 6, a monk's cell, to encourage private devotion. The convent is now the Museo Nazionale di San Marco, and was home to Fra Angelico, who was a Dominican monk and prior and who decorated the chapter house, cloister and first floor cells. Picture by Manuel Cohen
    LC20_ITALY_MC_724.jpg
  • Apostle Peter, from the Transfiguration of Christ, detail, Renaissance fresco, 1437-45, by Fra Angelico, 1387-1455, in the convent of the Basilica di San Marco, in Florence, Tuscany, Italy. The fresco depicts Christ with outstretched arms and the apostles Peter, James and John at his feet, flanked by the Virgin Mary and St Dominic, with the heads of Elijah and Moses. The fresco is painted in cell no. 6, a monk's cell, to encourage private devotion. The convent is now the Museo Nazionale di San Marco, and was home to Fra Angelico, who was a Dominican monk and prior and who decorated the chapter house, cloister and first floor cells. Picture by Manuel Cohen
    LC20_ITALY_MC_650.jpg
  • Transfiguration of Christ, detail, Renaissance fresco, 1437-45, by Fra Angelico, 1387-1455, in the convent of the Basilica di San Marco, in Florence, Tuscany, Italy. The fresco depicts Christ with outstretched arms and the apostles Peter, James and John at his feet, flanked by the Virgin Mary and St Dominic, with the heads of Elijah and Moses. The fresco is painted in cell no. 6, a monk's cell, to encourage private devotion. The convent is now the Museo Nazionale di San Marco, and was home to Fra Angelico, who was a Dominican monk and prior and who decorated the chapter house, cloister and first floor cells. Picture by Manuel Cohen
    LC20_ITALY_MC_721.jpg
  • St Dominic, from the Transfiguration of Christ, detail, Renaissance fresco, 1437-45, by Fra Angelico, 1387-1455, in the convent of the Basilica di San Marco, in Florence, Tuscany, Italy. The fresco depicts Christ with outstretched arms and the apostles Peter, James and John at his feet, flanked by the Virgin Mary and St Dominic, with the heads of Elijah and Moses. The fresco is painted in cell no. 6, a monk's cell, to encourage private devotion. The convent is now the Museo Nazionale di San Marco, and was home to Fra Angelico, who was a Dominican monk and prior and who decorated the chapter house, cloister and first floor cells. Picture by Manuel Cohen
    LC20_ITALY_MC_655.jpg
  • Apostles James and John, from the Transfiguration of Christ, detail, Renaissance fresco, 1437-45, by Fra Angelico, 1387-1455, in the convent of the Basilica di San Marco, in Florence, Tuscany, Italy. The fresco depicts Christ with outstretched arms and the apostles Peter, James and John at his feet, flanked by the Virgin Mary and St Dominic, with the heads of Elijah and Moses. The fresco is painted in cell no. 6, a monk's cell, to encourage private devotion. The convent is now the Museo Nazionale di San Marco, and was home to Fra Angelico, who was a Dominican monk and prior and who decorated the chapter house, cloister and first floor cells. Picture by Manuel Cohen
    LC20_ITALY_MC_647.jpg
  • The Transfiguration, Christ with the prophets Moses and Elijah, mural painting, 16th century, on the South wall of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC113.jpg
  • The Baptism of Jesus by John the Baptist in the river Jordan and the Transfiguration of Jesus at Mount Tabor, from the Retaule de l'Esperit Sant (Retablo del Espiritu Santo), or Altarpiece of the Holy Spirit, 1394, by Pere Serra, a Catalan artist, with 22 scenes and 36 figures of saints, in the Colegiata Basilica de Santa Maria, or Collegiate Basilica of Santa Maria, also known as La Seu, built in Gothic style by Berenguer de Montagut, from 1328 until 1486, around an existing 11th century Romanesque church, Manresa, Catalonia, Spain. In the Transfiguration scene, Jesus the Pantocrator is flanked by Moses and Elijah, and on the rocks below are Peter, James and John. Saints are painted in Gothic niches between the panels. The altarpiece was commissioned by the Guild of Tanners and contains scenes of the Holy Spirit and Life of Christ, with a predella originally from a different altarpiece (dedicate to St Anthony and disappeared), with the Lamentation, 1410, by Lluis Borrassa. Picture by Manuel Cohen
    LC16_SPAIN_MC066.jpg
  • Transfiguration, detail, from the Renaissance altarpiece, 1566, by Cosme Damian Bas, in the main chapel of the Catedral del Salvador de Albarracin, 16th century, in the medieval town of Albarracin, Teruel, Aragon, Spain. The polychrome altarpiece holds statues of saints and scenes from the life of Jesus and the Virgin, with a central high relief of the Transfiguration. Albarracin was founded as a Moorish town in the 11th century and became an independent lordship until the 13th century. The town is listed as a national monument. Picture by Manuel Cohen
    LC19_SPAIN_MC176.jpg
  • Transfiguration, detail, from the Renaissance altarpiece, 1566, by Cosme Damian Bas, in the main chapel of the Catedral del Salvador de Albarracin, 16th century, in the medieval town of Albarracin, Teruel, Aragon, Spain. The polychrome altarpiece holds statues of saints and scenes from the life of Jesus and the Virgin, with a central high relief of the Transfiguration. Albarracin was founded as a Moorish town in the 11th century and became an independent lordship until the 13th century. The town is listed as a national monument. Picture by Manuel Cohen
    LC19_SPAIN_MC226.jpg
  • Relief of the Transfiguration of Christ at Mount Tabor, on the main portal, designed by Andres de Vandelvira, 1509–75, in Plateresque style, and carved by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC179.jpg
  • Detail of an apostle from the Transfiguration of Christ, from the main altarpiece, c. 1560, by Alonso Berruguete, 1490-1561, in Spanish Renaissance style, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The original was destroyed in the Spanish Civil War (only the central Christ was saved) and it was restored by Juan Luis Vassal. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC127.jpg
  • Relief of the Transfiguration of Christ at Mount Tabor, on the main portal, designed by Andres de Vandelvira, 1509–75, in Plateresque style, and carved by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC169.jpg
  • Detail of an apostle from the Transfiguration of Christ, from the main altarpiece, c. 1560, by Alonso Berruguete, 1490-1561, in Spanish Renaissance style, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The original was destroyed in the Spanish Civil War (only the central Christ was saved) and it was restored by Juan Luis Vassal. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC141.jpg
  • Detail of Christ from the Transfiguration of Christ, from the main altarpiece, c. 1560, by Alonso Berruguete, 1490-1561, in Spanish Renaissance style, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The original was destroyed in the Spanish Civil War (only the central Christ was saved) and it was restored by Juan Luis Vassal. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC130.jpg
  • Transfiguration of Christ under an ornate canopy, central section of the main altarpiece, c. 1560, by Alonso Berruguete, 1490-1561, in Spanish Renaissance style, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The original was destroyed in the Spanish Civil War (only the central Christ was saved) and it was restored by Juan Luis Vassal. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC283.jpg
  • Transfiguration of Christ, from the main altarpiece, c. 1560, by Alonso Berruguete, 1490-1561, in Spanish Renaissance style, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The original was destroyed in the Spanish Civil War (only the central Christ was saved) and it was restored by Juan Luis Vassal. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC192.jpg
  • Detail of an apostle from the Transfiguration of Christ, from the main altarpiece, c. 1560, by Alonso Berruguete, 1490-1561, in Spanish Renaissance style, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The original was destroyed in the Spanish Civil War (only the central Christ was saved) and it was restored by Juan Luis Vassal. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC132.jpg
  • Relief of the Transfiguration of Christ at Mount Tabor, on the main portal, designed by Andres de Vandelvira, 1509–75, in Plateresque style, and carved by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC177.jpg
  • Transfiguration of Christ, from the main altarpiece, c. 1560, by Alonso Berruguete, 1490-1561, in Spanish Renaissance style, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The original was destroyed in the Spanish Civil War (only the central Christ was saved) and it was restored by Juan Luis Vassal. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC190.jpg
  • Jesus, on clouds, is flanked by Moses and Elijah, while below are the apostles Peter, James and John. The Transfiguration, by Thomas Boudin, 1611-12, from the choir screen, Chartres Cathedral, Eure-et-Loir, France. Chartres cathedral was built 1194-1250 and is a fine example of Gothic architecture. It was declared a UNESCO World Heritage Site in 1979. Picture by Manuel Cohen.
    LC13_FRANCE_MC671.jpg
  • The apostles Peter, James and John, and a kneeling female donor, from the Transfiguration, mural painting, 16th century, on the West wall of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC112.jpg
  • Renaissance altarpiece, 1566, by Cosme Damian Bas, in the main chapel of the Catedral del Salvador de Albarracin, 16th century, in the medieval town of Albarracin, Teruel, Aragon, Spain. The polychrome altarpiece holds statues of saints and scenes from the life of Jesus and the Virgin, with a central high relief of the Transfiguration. Albarracin was founded as a Moorish town in the 11th century and became an independent lordship until the 13th century. The town is listed as a national monument. Picture by Manuel Cohen
    LC19_SPAIN_MC253.jpg
  • Main portal, with a relief of the Transfiguration of Christ, a frieze of scenes from Exodus, an arched doorway flanked by corinthian columns, and the coats of arms of Cobos and Mendoza, designed by Andres de Vandelvira, 1509–75, in Plateresque style, and carved by Esteban Jamete, 1515-65, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC242.jpg
  • Moses holding the tablet of the law, from the Transfiguration, mural painting, 16th century, on the South wall of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC085.jpg
  • John's first vision, with the transfigured Christ holding the book with 7 seals and the 7 stars, surrounded by 7 candlesticks representing the 7 churches of Asia Minor and with a sword in his mouth with Alpha-Omega inscribed on its blade, from the stained glass window of the Apocalypse, 1215-25, in bay 14, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0106.jpg
  • Main altarpiece, c. 1560, by Alonso Berruguete, 1490-1561, in Spanish Renaissance style, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The altarpiece features a central sculpture of the Transfiguration of Christ under an ornate canopy, and statues in niches separated by pilasters with corinthian capitals. The original was destroyed in the Spanish Civil War (only the central Christ was saved) and it was restored by Juan Luis Vassal. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC181.JPG
  • Adoration of the Magi, detail, from the Renaissance altarpiece, 1566, by Cosme Damian Bas, in the main chapel of the Catedral del Salvador de Albarracin, 16th century, in the medieval town of Albarracin, Teruel, Aragon, Spain. The polychrome altarpiece holds statues of saints and scenes from the life of Jesus and the Virgin, with a central high relief of the Transfiguration. Albarracin was founded as a Moorish town in the 11th century and became an independent lordship until the 13th century. The town is listed as a national monument. Picture by Manuel Cohen
    LC19_SPAIN_MC200.jpg
  • Statue of a saint writing on a book in a niche on the main altarpiece, c. 1560, by Alonso Berruguete, 1490-1561, in Spanish Renaissance style, at the Sacra Capilla del Salvador, or Sacred Chapel of the Saviour, designed by Diego de Siloe and Andres de Vandelvira and built for Francisco de los Cobos in 1536 in Spanish Renaissance style and consecrated in 1559, on the Plaza Vazquez de Molina, in Ubeda, Jaen, Andalusia, Spain. The altarpiece features a central sculpture of the Transfiguration of Christ under an ornate canopy, and statues in niches separated by pilasters with corinthian capitals. The original was destroyed in the Spanish Civil War (only the central Christ was saved) and it was restored by Juan Luis Vassal. The Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC140.jpg
  • Nativity, detail, from the Renaissance altarpiece, 1566, by Cosme Damian Bas, in the main chapel of the Catedral del Salvador de Albarracin, 16th century, in the medieval town of Albarracin, Teruel, Aragon, Spain. The polychrome altarpiece holds statues of saints and scenes from the life of Jesus and the Virgin, with a central high relief of the Transfiguration. Albarracin was founded as a Moorish town in the 11th century and became an independent lordship until the 13th century. The town is listed as a national monument. Picture by Manuel Cohen
    LC19_SPAIN_MC229.jpg
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