manuel cohen

Show Navigation
  • Portfolio
  • Search (in english)
  • Reportages
  • Fine Art Prints
  • About
  • Contact
  • Instagram
  • Facebook
  • PicRights

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 11175 images found }

Loading ()...

  • Sarcophagus lid fragment, late 2nd - early 3rd century AD, white marble, with high relief of the myth of Meleager, depicting hunters returning with the game in a net, in the Museo di Antichita, created 1940, housing collections of Greek and Roman antiquities and Turin and Piedmont history, from the House of Savoy, in the Palazzo Reale in Turin, Piedmont, Italy. The sculpture previously hung over a fireplace in the Grand Gallery in the Royal Palace in Torino. Picture by Manuel Cohen
    LC22_ITALY_MC_0627.jpg
  • Sculpture by Salim Almarhoon (right), in the sculpture courtyard at the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_108.jpg
  • Sculpture by Salim Almarhoon (right), in the sculpture courtyard at the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_109.jpg
  • Sculpture by Salim Almarhoon (right), in the sculpture courtyard at the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_144.jpg
  • The Python, sculpture depicting the giant serpent of Greek mythology, with a pearl, in the sculpture courtyard at the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_187.jpg
  • Sculpture courtyard at the Bahrain National Museum seen through an octagonal hole in a  sculpture, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_243.jpg
  • Mobile sculpture with hanging geometric shapes, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Below are Les Herbes Folles, a kinetic sculpture with gold plated steel wire, and a kinetic sculpture in metal wire and dried flowers. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_62.jpg
  • Sculpture by Salim Almarhoon (right), in the sculpture courtyard at the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_189.jpg
  • The Black Horse, black marble sculpture, 2005, by Mark Wallinger, b. 1959, exhibited as part of Sculpture in the City 2017, an annual public art programme, July 2017, City of London, London, England. The horse sculpture was made by scanning a live racehorse. Picture by Manuel Cohen
    LC17_ENGLAND_MC_177.jpg
  • Descent from the Cross from Erill la Vall, early 12th century Romanesque sculpture in polychrome poplar wood, by the workshop of Erill, from the Church of Santa Eulalia, Erill la Vall, la Vall de Boi, Alta Ribagorca, in the Museu Episcopal de Vic, specialising in medieval liturgical catalan art, in Vic, Catalonia, Spain. The monumental sculpture shows Nicodemus and Joseph of Arimathea taking Christ's body down from the cross, and sculptures of Dismas and Geslas are also in the collection. The arms are articulated so as to be used in liturgical dramas at Easter. Picture by Manuel Cohen
    LC20_SPAIN_MC_269.jpg
  • Head of Christ, from Descent from the Cross from Erill la Vall, early 12th century Romanesque sculpture in polychrome poplar wood, by the workshop of Erill, from the Church of Santa Eulalia, Erill la Vall, la Vall de Boi, Alta Ribagorca, in the Museu Episcopal de Vic, specialising in medieval liturgical catalan art, in Vic, Catalonia, Spain. The monumental sculpture shows Nicodemus and Joseph of Arimathea taking Christ's body down from the cross, and sculptures of Dismas and Geslas are also in the collection. The arms are articulated so as to be used in liturgical dramas at Easter. Picture by Manuel Cohen
    LC20_SPAIN_MC_205.jpg
  • Descent from the Cross from Erill la Vall, early 12th century Romanesque sculpture in polychrome poplar wood, by the workshop of Erill, from the Church of Santa Eulalia, Erill la Vall, la Vall de Boi, Alta Ribagorca, in the Museu Episcopal de Vic, specialising in medieval liturgical catalan art, in Vic, Catalonia, Spain. The monumental sculpture shows Nicodemus and Joseph of Arimathea taking Christ's body down from the cross, and sculptures of Dismas and Geslas are also in the collection. The arms are articulated so as to be used in liturgical dramas at Easter. Picture by Manuel Cohen
    LC20_SPAIN_MC_237.jpg
  • Mobile sculpture with metal geometric shapes (foreground), and behind, Les Herbes Folles, a kinetic sculpture with gold plated steel wire, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_31.jpg
  • Sculpture courtyard at the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_246.jpg
  • Kinetic sculpture in metal wire and dried flowers, and behind, mobile sculpture with hanging geometric shapes, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_60.jpg
  • Mobile sculpture with metal geometric shapes (foreground), and behind, Les Herbes Folles, a kinetic sculpture with gold plated steel wire, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_25.jpg
  • Mobile sculpture with metal geometric shapes (foreground), and behind, Les Herbes Folles, a kinetic sculpture with gold plated steel wire, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_24.jpg
  • Sculpture courtyard at the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_185.jpg
  • Sculpture courtyard at the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_186.jpg
  • Sculpture courtyard at the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_188.jpg
  • Sculpture courtyard at the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_190.jpg
  • Pearl diver statue in the sculpture courtyard at the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_204.jpg
  • Sculpture courtyard at the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_241.jpg
  • Sculpture courtyard at the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_244.jpg
  • Sculpture courtyard at the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_245.jpg
  • Sculpture courtyard at the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_262.jpg
  • Les Herbes Folles, a kinetic sculpture with gold plated steel wire, detail, and above, mobile sculpture with metal geometric shapes, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_59.jpg
  • Mobile sculpture with metal geometric shapes (foreground), and behind, Les Herbes Folles, a kinetic sculpture with gold plated steel wire, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_30.jpg
  • Sculpture courtyard at the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_143.jpg
  • Sculpture courtyard at the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_240.jpg
  • Sculpture courtyard at the Bahrain National Museum, designed by Krohn and Hartvig Rasmussen, inaugurated December 1988 by Amir Shaikh Isa Bin Salman Al-Khalifa, in Manama, Bahrain. The museum houses cultural and archaeological collections covering 6000 years of history, with rooms entitled Burial Mounds, Dilmun, Tylos and Islam, Customs and Traditions, Traditional Trades and Crafts, and Documents and Manuscripts. Picture by Manuel Cohen
    LC19_BAHREIN_MC_242.jpg
  • Mobile sculpture with metal geometric shapes (foreground), and behind, Les Herbes Folles, a kinetic sculpture with gold plated steel wire, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_29.jpg
  • Le Dieu Envole or L'Implorante, coloured plaster sculpture, 1895, by Camille Claudel, 1864-1943, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. The sculpture was a study for the sculptural group L'Age Mur. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0043.jpg
  • Le Dieu Envole or L'Implorante, detail, coloured plaster sculpture, 1895, by Camille Claudel, 1864-1943, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. The sculpture was a study for the sculptural group L'Age Mur. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0044.jpg
  • Perseus and the Gorgon, detail, marble sculpture, c. 1897, by Camille Claudel, 1864-1943, and Francois Pompon, commissioned by countess Arthur de Maigret for her home on the Rue Teheran, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. The mythological subject of the monumental sculpture, with Perseus having beheaded Medusa, is a metaphor for the artist's life. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0036.jpg
  • Perseus and the Gorgon, marble sculpture, c. 1897, by Camille Claudel, 1864-1943, and Francois Pompon, commissioned by countess Arthur de Maigret for her home on the Rue Teheran, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. The mythological subject of the monumental sculpture, with Perseus having beheaded Medusa, is a metaphor for the artist's life. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0035.jpg
  • La Fortune, bronze sculpture, 1902-04, by Camille Claudel, 1864-1943, forged by E Blot, n° 12, 1905, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Fortune is a variation on one of the dancing women in her sculpture The Waltz. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0047.jpg
  • Hercules and Antaeus, high relief sculpture from the facade of the loggia, in the Musee des Beaux-Arts, in the Louis XII Gothic wing of the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The sculpture depicts Hercules lifting Antaeus and killing him by squeezing, in the Eleventh Labour. The chateau is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC23_FRANCE_MC_0061.jpg
  • Perseus and the Gorgon, detail, marble sculpture, c. 1897, by Camille Claudel, 1864-1943, and Francois Pompon, commissioned by countess Arthur de Maigret for her home on the Rue Teheran, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. The mythological subject of the monumental sculpture, with Perseus having beheaded Medusa, is a metaphor for the artist's life. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0037.jpg
  • La Valse, or The Waltz, patinated plaster sculpture, 1893, retouched by the artist before 1896, by Camille Claudel, 1864-1943, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. The sculpture, inspired by her love affair with Rodin, depicts a couple spinning as they dance, with a great sense of movement. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0046.jpg
  • La Fortune, bronze sculpture, 1902-04, by Camille Claudel, 1864-1943, forged by E Blot, n° 12, 1905, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Fortune is a variation on one of the dancing women in her sculpture The Waltz. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0048.jpg
  • Au But, bronze sculpture, 1886, by Alfred Boucher, 1850-1934, cast by F Barbedienne, reduction no. 1, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. The sculpture depicts 3 athletes in varying poses, reaching for the finish line of a race. Camille Claudel, 1864-1943, was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0068.jpg
  • Reflection of the park in the steel page of the Open Book sculpture, by Diane Mclean, installed 2015, in the Parc Clichy-Batignolles - Martin Luther-King, a new development of parkland and buildings developed since 2007 and set to cover 10 hectares in size, in the Batignolles area of the 17th arrondissement of Paris, France. The sculpture was gifted by Queen Elizabeth II in 2014 as a symbol of friendship between France and Britain. Made from steel, the sculpture invites us to reflect on our history and write our own future. The park has been developed from a large railway freight yard district and is a sustainable development with green space, many natural ecosystems and renewable energy sources. Picture by Manuel Cohen
    LC19_PARIS_MC_1363.jpg
  • Open Book sculpture, by Diane Mclean, installed 2015, in the Parc Clichy-Batignolles - Martin Luther-King, a new development of parkland and buildings developed since 2007 and set to cover 10 hectares in size, in the Batignolles area of the 17th arrondissement of Paris, France. The sculpture was gifted by Queen Elizabeth II in 2014 as a symbol of friendship between France and Britain. Made from steel, the sculpture invites us to reflect on our history and write our own future. The park has been developed from a large railway freight yard district and is a sustainable development with green space, many natural ecosystems and renewable energy sources. Picture by Manuel Cohen
    LC19_PARIS_MC_1366.jpg
  • Mobile sculpture by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_58.jpg
  • Wire frame of a mobile sculpture, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_33.jpg
  • Sculpture, portrait of Cicero, an allegorical walnut wood sculpture by Francesco Pianta, 1657-76, in the Sala Capitolare or Chapter Room, in the Scuola Grande di San Rocco, a lay confraternity founded in 1478, based on the cult of St Roch, in San Polo in Venice, Italy. The series is moralising in tone, with vices and virtues, and representations of the arts. The sculptures are dossali, originally intended for the rear of an altar. Picture by Manuel Cohen
    LC19_ITALY_MC_064.jpg
  • Sculpture, portrait of Cicero, an allegorical walnut wood sculpture by Francesco Pianta, 1657-76, in the Sala Capitolare or Chapter Room, in the Scuola Grande di San Rocco, a lay confraternity founded in 1478, based on the cult of St Roch, in San Polo in Venice, Italy. The series is moralising in tone, with vices and virtues, and representations of the arts. The sculptures are dossali, originally intended for the rear of an altar. Picture by Manuel Cohen
    LC19_ITALY_MC_062.jpg
  • Arrest of Crispin and Crispinian, polychrome sculptural group, mid 16th century, in the Eglise Saint-Pantaleon, built 16th - 18th century, in Troyes, Aube, Grand Est, France. The sculpture depicts Crepinien cutting leather and Crepin mending a show, while soldiers arrive to arrest them. The Flemish inspired sculpture depicts 16th century fashion. The church is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_0450.jpg
  • Mobile sculpture with geometric shapes on a wire frame, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_63.jpg
  • Les Herbes Folles, a kinetic sculpture with gold plated steel wire, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_61.jpg
  • Kinetic sculpture made from site and felt balls, detail, in the studio of Christel Sadde, kinetic artist, on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_36.jpg
  • Kinetic sculpture in metal wire and dried flowers on a wooden base, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_35.jpg
  • Kinetic sculpture in metal wire and dried flowers, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_34.jpg
  • Mobile sculpture with geometric shapes on a wire frame, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_32.jpg
  • Kinetic sculpture in metal wire and dried flowers, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_28.jpg
  • Kinetic sculpture in metal wire and dried flowers, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_27.jpg
  • Kinetic sculpture Les Herbes Folles, in gold plated steel wire, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_26.jpg
  • Mobile sculpture with metal geometric shapes, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_23.jpg
  • Mobile sculpture with small interlinked metal discs, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_22.jpg
  • Mobile sculpture with small interlinked metal discs, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_19.jpg
  • Mobile sculpture with small interlinked metal discs, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_20.jpg
  • Head of a horse, High Empire Gallo-Roman, 1st - 3rd century AD, limestone sculpture discovered in 1993 at Isomes along the Roman road between Langres and Genevre, in the Musee de Langres, or Langres Museum of Art and History, in Langres, Haute-Marne, France. This sculpture was discovered at one of the rest stops along the Roman road, along with other horse sculptures, possibly originally a chariot group. The place is thought to be home to a cult to the Gallic goddess Epona, protector of horses. Founded in 1841, the museum has been housed in a new building in the old town since 1997. It exhibits art, artefacts and archaeology from prehistory to the 20th century. Picture by Manuel Cohen
    LC21_FRANCE_MC_0999.jpg
  • Molecule Man sculpture, designed by American artist Jonathan Borofsky, erected 1999 in the river Spree at An den Treptowers 1, Berlin, Germany. Similar sculptures have been erected in many cities around the world. The sculpture depicts 3 figures meeting and full of holes, representing molecules of all men coming together. In the distance is the Oberbaum bridge. Picture by Manuel Cohen
    LC14_BERLIN_MC0813.jpg
  • Three in One, sculptural study in plaster of 3 standing nude women, before 1903, by Paul Richer, 1849-1933, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. The sculpture represents idealised women from (left-right) the Renaissance, antiquity and the modern age. Camille Claudel, 1864-1943, was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0077.jpg
  • Per Adriano, bronze sculpture by Igor Mitoraj, b. 1944, installed 2004 outside the new Musee des Beaux Arts on Place Saint Eloi, Angers, Maine-et-Loire, France. The museum is located in the Logis Barrault, and displays fine arts of the 19th and 20th centuries and exhibitions on the history of Angers. Picture by Manuel Cohen
    LC21_FRANCE_MC_0613.jpg
  • Per Adriano, bronze sculpture by Igor Mitoraj, b. 1944, installed 2004 outside the new Musee des Beaux Arts on Place Saint Eloi, Angers, Maine-et-Loire, France. The museum is located in the Logis Barrault, and displays fine arts of the 19th and 20th centuries and exhibitions on the history of Angers. Picture by Manuel Cohen
    LC21_FRANCE_MC_0611.jpg
  • Molecule Man sculpture, designed by American artist Jonathan Borofsky, erected 1999 in the river Spree at An den Treptowers 1, Berlin, Germany. Similar sculptures have been erected in many cities around the world. The sculpture depicts 3 figures meeting and full of holes, representing molecules of all men coming together. Picture by Manuel Cohen
    LC14_BERLIN_MC0814.jpg
  • Molecule Man sculpture, designed by American artist Jonathan Borofsky, erected 1999 in the river Spree at An den Treptowers 1, Berlin, Germany. Similar sculptures have been erected in many cities around the world. The sculpture depicts 3 figures meeting and full of holes, representing molecules of all men coming together. Picture by Manuel Cohen
    LC14_BERLIN_MC0812.jpg
  • L'Arbre-Serpents, sculpture and fountain in polyester resin and paint, 1992, by Nikki de Saint-Phalle, 1930-2002, in the courtyard of the Musee des Beaux Arts, opened 2004 on Place Saint Eloi, Angers, Maine-et-Loire, France. The museum is located in the Logis Barrault, and displays fine arts of the 19th and 20th centuries and exhibitions on the history of Angers. Picture by Manuel Cohen
    LC21_FRANCE_MC_0596.jpg
  • Per Adriano, bronze sculpture by Igor Mitoraj, b. 1944, installed 2004 outside the new Musee des Beaux Arts on Place Saint Eloi, Angers, Maine-et-Loire, France. The museum is located in the Logis Barrault, and displays fine arts of the 19th and 20th centuries and exhibitions on the history of Angers. Picture by Manuel Cohen
    LC21_FRANCE_MC_0612.jpg
  • Angels holding a soul, marble sculpture from Lombardy, late 14th century, in the Musee des Beaux-Arts de Lyon, a fine arts museum opened 1801 in a former convent on the Place des Terreaux in Lyon, Rhone, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_0773.jpg
  • Perseus and the Gorgon, marble sculpture, c. 1897, by Camille Claudel, 1864-1943, and Francois Pompon, commissioned by countess Arthur de Maigret, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC21_FRANCE_MC_2469.jpg
  • Abandon, bronze sculpture, c. 1886, 1905 version, by Camille Claudel, 1864-1943, forged by E Blot, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC21_FRANCE_MC_2474.jpg
  • The Little Siren, or The Flute Player, bronze sculpture, c. 1905, by Camille Claudel, 1864-1943, cast by  E Blot, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0038.jpg
  • Etude pour la tete d'Hamadryade, or Study for the Head of Hamadryad, patinated plaster sculpture, c. 1895, by Camille Claudel, 1864-1943, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0042.jpg
  • Head of Auguste Rodin, 1840-1917, French sculptor, known as Rodin with short hair, patinated plaster sculpture, c. 1884, by Camille Claudel, 1864-1943, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0045.jpg
  • Paul Claudel aged 37, portrait bust of Paul Claudel, 1868-1955, writer, diplomat and brother of the artist, bronze sculpture, 1905, by Camille Claudel, 1864-1943, cast by P Converset, 1912-13, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0049.jpg
  • Jeune Femme aux yeux clos, or Young Woman with eyes closed, bronze sculpture c. 1885, by Camille Claudel, 1864-1943, cast by Delval, only test cast, 1987, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0055.jpg
  • Loin du Monde, or Far from the World, marble sculpture, 1894, by Henri Allouard, 1844-1929, of Heloise, 1101-64, wife of Abelard and first abbess of the Abbey of the Paraclete, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Camille Claudel, 1864-1943, was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0070.jpg
  • Loin du Monde, or Far from the World, marble sculpture, 1894, by Henri Allouard, 1844-1929, of Heloise, 1101-64, wife of Abelard and first abbess of the Abbey of the Paraclete, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Camille Claudel, 1864-1943, was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0071.jpg
  • Mignon, marble sculpture of a bust of a young girl, 1867-70, by Camille Claudel, 1864-1943, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0075.jpg
  • Lion of Belfort, bronze relief, by Auguste Bartholdi, 1834-1904, study for the 1880 sculpture dedicated to the defenders of the Siege of Belfort 1870-71 during the Franco-Prussian War, in the Musee d'Histoire or History Museum, at the Citadelle de Belfort, at Belfort, Bourgogne-Franche-Comte, France. The museum houses collections on archaeology, Bartholdi sculpture and military history. Picture by Manuel Cohen
    LC22_FRANCE_MC_0207.jpg
  • Reve au coin du feu, or Dream by the Fire, bronze and marble sculpture, c. 1899, cast by E Blot c. 1905, by Camille Claudel, 1864-1943, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0040.jpg
  • Etude pour la tete d'Hamadryade, or Study for the Head of Hamadryad, patinated plaster sculpture, c. 1895, by Camille Claudel, 1864-1943, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0041.jpg
  • La Petite Chateleine, or The Little Lady of the Manor, patinated plaster sculpture, 1892-93, by Camille Claudel, 1864-1943, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0053.jpg
  • Head of Auguste Rodin, 1840-1917, French sculptor, bronze sculpture, 1888-89, by Camille Claudel, 1864-1943, cast by F Rudier, 1897-98, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0054.jpg
  • Giganti, or Tete de brigand, bronze sculpture, c. 1885, cast by Gruet, before 1892, by Camille Claudel, 1864-1943, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0059.jpg
  • Head of Auguste Rodin, 1840-1917, French sculptor, bronze sculpture, 1888-89, by Camille Claudel, 1864-1943, cast by F Rudier, 1897-98, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0060.jpg
  • Paul Claudel aged 37, portrait bust of Paul Claudel, 1868-1955, writer, diplomat and brother of the artist, bronze sculpture, 1905, by Camille Claudel, 1864-1943, cast by P Converset, 1912-13, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0061.jpg
  • Tete d'esclave, or Head of a slave, terracotta sculpture, c. 1887, by Camille Claudel, 1864-1943, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Claudel was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0065.jpg
  • Auguste Rodin working, bronze sculpture, 1909, by Antoine Bourdelle, 1861-1929, cast by Godard, test no. 7, 1967, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Camille Claudel, 1864-1943, was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0067.jpg
  • Joan of Arc listening to her voices, bronze marble and granite sculpture, 1907-11, by Alfred Boucher, 1850-1934, cast by Susse brothers, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Camille Claudel, 1864-1943, was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0069.jpg
  • Loin du Monde, or Far from the World, detail, marble sculpture, 1894, by Henri Allouard, 1844-1929, of Heloise, 1101-64, wife of Abelard and first abbess of the Abbey of the Paraclete, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Camille Claudel, 1864-1943, was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0072.jpg
  • Gaulois, or Gaul, bronze statue, c. 1885, by Emile Laporte, 1858-1907, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. The sculpture represents a Gallic soldier wearing winged helmet and animal skins, and holding a sword. Camille Claudel, 1864-1943, was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0074.jpg
  • Bacchantes Enlacees, or Entwined Bacchants, sculpture, 1898, marble edition 1903-10, by Auguste Rodin, 1840-1917, inscribed A P Escudier / Rodin, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Camille Claudel, 1864-1943, was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0076.jpg
  • Florentine singer from the 15th century, bronze sculpture, 1865, by Paul Dubois, 1829-1925, cast by F Barbedienne, mechanical reduction by A Collas, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Camille Claudel, 1864-1943, was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0078.jpg
  • Florentine singer from the 15th century, bronze sculpture, 1865, by Paul Dubois, 1829-1925, cast by F Barbedienne, mechanical reduction by A Collas, in the Camille Claudel Museum, opened 2017, in Nogent-sur-Seine, Aube, Grand Est, France. Camille Claudel, 1864-1943, was a female sculptor who moved to Nogent-sur-Seine in 1876. She studied under Alfred Boucher and was a model for, and mistress of, Auguste Rodin. Picture by Manuel Cohen
    LC22_FRANCE_MC_0079.jpg
  • Resolution des forces en presence, a large sculpture, 2014, by Vincent Mauger, in the Parc des Chantiers, a 13 hectare public park on the industrial heritage site of the former shipyards, which closed in 1987, on the Ile de Nantes, in Nantes, Pays de la Loire, France. The sculpture is made from sharpened spikes of wood radiating from a central core, resembling a medieval war machine. Picture by Manuel Cohen
    LC21_FRANCE_MC_0260.jpg
  • Sculpture made from wood and glass paste in the studio of sculptor Pauline Betin, b. 1986, in Betton, near Rennes, Ille-et-Vilaine, Brittany, France. Betin is a sculptor in glass paste who produces work exploring the nature of landscape and the crossover from urban to rural landscapes. Her work explores themes of the natural and man-made, the personal and collective, using contrasts of opacity and transparency; matt and shiny surfaces, and drawing, photography and sculpture. Picture by Manuel Cohen
    09062018_PaulineBetin_MC_05.jpg
Next
  • Facebook
  • Twitter
x