manuel cohen

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  • Rome Against Carthage, marble relief by Giuseppe Mazzullo, 1940, on the Palazzo dell'INPS, (the Istituto Nazionale della Previdenza Sociale or National Institute of Social Security), 1940-54, designed by Giovanni Muzio, Mario Paniconi and Giulio Pediconi, on the Piazza delle Esedre, renamed Piazzale delle Nazioni Uniti, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC062.jpg
  • Statue at the Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC089.jpg
  • Obelisco Mussolini and Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC088.jpg
  • The PalaLottomatica or Palazzo dello Sport building (also known as PalaSport or PalaEur), built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The PalaLottomatica was designed in 1956 by architect Marcello Piacentini and engineer Pier Luigi Nervi, and built 1958-60 for the 17th Olympic Games in Rome, and now hosts sporting events, conventions and concerts. The EUR exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC376.jpg
  • Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC091.jpg
  • Statue at the Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC090.jpg
  • Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC087.jpg
  • Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC086.jpg
  • Universita La Sapienza, or the Sapienza University of Rome, new campus building built 1935 by Marcello Piacentini, 1881-1960, in Fascist architectural style, Rome, Italy. La Sapienza is the largest university in Europe, and was founded in 1303. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC002.jpg
  • "Christ Appearance" fresco, North transept, Arcibasilica Papale di San Giovanni in Laterano (The Papal Archbasilica of St. John Lateran), 324 AD, Vatican City, Rome, Italy. This Gothic cathedral is the official seat of the Bishop of Rome (i.e. the Pope), contains the papal throne, ranks above St Peters Basilica and falls under the special jurisdiction of the Holy See despite being in Rome. Picture by Manuel Cohen
    LCITALY12_MC137.jpg
  • Palazzo Dei Congressi or Palace of Congress, 1938-54, designed by Libera, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC133.jpg
  • Statues in the arches of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC127.jpg
  • Museo Nationale delle Arti e Tradizioni Populare, designed by Castellazzi, Morresi and Vitellozzi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC125.jpg
  • Stele, 1940-42, by Ercole Drei, with a relief of agricultural workers, in the Parco del Turismo, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC077.jpg
  • Posta Italiana, post office building on Via Marmorata designed by Libera, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition, planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC079.JPG
  • Posta Italiana, post office building on Via Marmorata designed by Libera, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC078.JPG
  • High relief in classical style in the Parco del Turismo, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC074.jpg
  • Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC073.jpg
  • Posta Italiana, post office building on Via Marmorata designed by Libera, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC067.jpg
  • Obelisk, 1939-59, dedicated to Guglielmo Marconi, by Arturo Dazzi, on the Piazza Guglielmo Marconi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC068.jpg
  • Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC060.jpg
  • Mosaic, 1941, by Enrico Prampolini, on the Museo Nationale delle Arti e Tradizioni Populare, designed by Castellazzi, Morresi and Vitellozzi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC057.jpg
  • Palazzo dell'INPS, 1940-54, designed by Giovanni Muzio, Mario Paniconi and Giulio Pediconi, on the Piazza delle Esedre, renamed Piazzale delle Nazioni Uniti, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC053.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC052.jpg
  • Museo Nationale delle Arti e Tradizioni Populare, designed by Castellazzi, Morresi and Vitellozzi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC051.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC045.jpg
  • Genio Dello Sport, or the Genius of Sport, a bronze sculpture by Italo Griselli, 1880-1958, near the entrance of the Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC038.jpg
  • Obelisk, 1939-59, dedicated to Guglielmo Marconi, by Arturo Dazzi, on the Piazza Guglielmo Marconi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC035.jpg
  • Colonnade of the Palazzo delle Arte e Tradizioni Populare and behind, the obelisk, 1939-59, dedicated to Guglielmo Marconi, by Arturo Dazzi, on the Piazza Guglielmo Marconi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC034.jpg
  • Mosaic, 1941, by Enrico Prampolini, on the Museo Nationale delle Arti e Tradizioni Populare, designed by Castellazzi, Morresi and Vitellozzi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC031.jpg
  • Obelisk, 1939-59, dedicated to Guglielmo Marconi, by Arturo Dazzi, on the Piazza Guglielmo Marconi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC032.jpg
  • Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC027.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC024.jpg
  • Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC025.jpg
  • Universita La Sapienza, or the Sapienza University of Rome, new campus building built 1935 by Marcello Piacentini, 1881-1960, in Fascist architectural style, and statue of Minerva by Arturo Martini, 1889-1947, Rome, Italy. La Sapienza is the largest university in Europe, and was founded in 1303. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC001.jpg
  • Universita La Sapienza, or the Sapienza University of Rome, new campus building built 1935 by Marcello Piacentini, 1881-1960, in Fascist architectural style, and statue of Minerva by Arturo Martini, 1889-1947, Rome, Italy. La Sapienza is the largest university in Europe, and was founded in 1303. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC003.jpg
  • Neo-classical facade of Arcibasilica Papale di San Giovanni in Laterano (The Papal Archbasilica of St. John Lateran), by Constantine the Great, 4th century, Vatican City, Rome, Italy. Official seat of the Bishop of Rome (i.e. the Pope), the cathedral contains the papal throne, ranks above St Peters Basilica and falls under the special jurisdiction of the Holy See despite being in Rome. Picture by Manuel Cohen
    LCITALY12_MC141.jpg
  • Neo-classical facade of Arcibasilica Papale di San Giovanni in Laterano (The Papal Archbasilica of St. John Lateran), by Constantine the Great, 4th century, Vatican City, Rome, Italy. Official seat of the Bishop of Rome (i.e. the Pope), the cathedral contains the papal throne, ranks above St Peters Basilica and falls under the special jurisdiction of the Holy See despite being in Rome. Picture by Manuel Cohen
    LCITALY12_MC140.JPG
  • Roofline statues of Christ and saints, Arcibasilica Papale di San Giovanni in Laterano (The Papal Archbasilica of St. John Lateran), by Constantine the Great, 4th century, Vatican City, Rome, Italy. Seat of the Bishop of Rome (i.e. the Pope), the cathedral contains the papal throne, ranks above St Peters Basilica and falls under the special jurisdiction of the Holy See despite being in Rome. Picture by Manuel Cohen
    LCITALY12_MC139.jpg
  • "Christ Appearance" fresco, North transept, Arcibasilica Papale di San Giovanni in Laterano (The Papal Archbasilica of St. John Lateran), 324 AD, Vatican City, Rome, Italy. This Gothic cathedral is the official seat of the Bishop of Rome (i.e. the Pope), contains the papal throne, ranks above St Peters Basilica and falls under the special jurisdiction of the Holy See despite being in Rome. Picture by Manuel Cohen
    LCITALY12_MC138.JPG
  • Pascal Janovjak, French-Swiss writer, b. 1975, author of a collection of poetic prose, novels and a romanticised correspondence with Quebec author Kim Thuy. Photographed at Rome Zoo, Rome, Lazio, Italy, or Bioparco di Roma, the title of his recent novel published 2019, on 20th June 2019 by Manuel Cohen
    200619_PascalJanovjak_MC_01.jpg
  • Pascal Janovjak, French-Swiss writer, b. 1975, author of a collection of poetic prose, novels and a romanticised correspondence with Quebec author Kim Thuy. Photographed at Rome Zoo, Rome, Lazio, Italy, or Bioparco di Roma, the title of his recent novel published 2019, on 20th June 2019 by Manuel Cohen
    200619_PascalJanovjak_MC_02.jpg
  • Pascal Janovjak, French-Swiss writer, b. 1975, author of a collection of poetic prose, novels and a romanticised correspondence with Quebec author Kim Thuy. Photographed at Rome Zoo, Rome, Lazio, Italy, or Bioparco di Roma, the title of his recent novel published 2019, on 20th June 2019 by Manuel Cohen
    200619_PascalJanovjak_MC_03.JPG
  • Pascal Janovjak, French-Swiss writer, b. 1975, author of a collection of poetic prose, novels and a romanticised correspondence with Quebec author Kim Thuy. Photographed at Rome Zoo, Rome, Lazio, Italy, or Bioparco di Roma, the title of his recent novel published 2019, on 20th June 2019 by Manuel Cohen
    200619_PascalJanovjak_MC_04.jpg
  • Pascal Janovjak, French-Swiss writer, b. 1975, author of a collection of poetic prose, novels and a romanticised correspondence with Quebec author Kim Thuy. Photographed at Rome Zoo, Rome, Lazio, Italy, or Bioparco di Roma, the title of his recent novel published 2019, on 20th June 2019 by Manuel Cohen
    200619_PascalJanovjak_MC_05.jpg
  • Pascal Janovjak, French-Swiss writer, b. 1975, author of a collection of poetic prose, novels and a romanticised correspondence with Quebec author Kim Thuy. Photographed at Rome Zoo, Rome, Lazio, Italy, or Bioparco di Roma, the title of his recent novel published 2019, on 20th June 2019 by Manuel Cohen
    200619_PascalJanovjak_MC_06.jpg
  • Pascal Janovjak, French-Swiss writer, b. 1975, author of a collection of poetic prose, novels and a romanticised correspondence with Quebec author Kim Thuy. Photographed at Rome Zoo, Rome, Lazio, Italy, or Bioparco di Roma, the title of his recent novel published 2019, on 20th June 2019 by Manuel Cohen. Behind is the giant bird cage, a geodesic dome structure designed in 1935 by architect Raffaele de Vico.
    200619_PascalJanovjak_MC_08.jpg
  • Pascal Janovjak, French-Swiss writer, b. 1975, author of a collection of poetic prose, novels and a romanticised correspondence with Quebec author Kim Thuy. Photographed at Rome Zoo, Rome, Lazio, Italy, or Bioparco di Roma, the title of his recent novel published 2019, on 20th June 2019 by Manuel Cohen. Behind is the giant bird cage, a geodesic dome structure designed in 1935 by architect Raffaele de Vico.
    200619_PascalJanovjak_MC_09.jpg
  • Pascal Janovjak, French-Swiss writer, b. 1975, author of a collection of poetic prose, novels and a romanticised correspondence with Quebec author Kim Thuy. Photographed at Rome Zoo, Rome, Lazio, Italy, or Bioparco di Roma, the title of his recent novel published 2019, on 20th June 2019 by Manuel Cohen
    200619_PascalJanovjak_MC_07.jpg
  • Marble relief with angel with saints and evangelists, 1940, on the Palazzo dell'INPS, (the Istituto Nazionale della Previdenza Sociale or National Institute of Social Security), 1940-54, designed by Giovanni Muzio, Mario Paniconi and Giulio Pediconi, on the Piazza delle Esedre, renamed Piazzale delle Nazioni Uniti, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC063.jpg
  • Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC132.jpg
  • Detail of relief on the obelisk, 1939-59, dedicated to Guglielmo Marconi, by Arturo Dazzi, on the Piazza Guglielmo Marconi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC129.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC131.jpg
  • Apartment buildings on the Viale Civilita del Lavoro, which leads to the Palazzo Dei Congressi and the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC130.jpg
  • Detail of relief on the obelisk, 1939-59, dedicated to Guglielmo Marconi, by Arturo Dazzi, on the Piazza Guglielmo Marconi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC128.jpg
  • Palazzo Dei Congressi or Palace of Congress, 1938-54, designed by Libera, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC126.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC124.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC123.jpg
  • Chiesa dei Santi Pietro e Paolo, or Church of St Peter and St Paul, built 1938-55, designed by Arnaldo Foschini, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC122.jpg
  • Stele, 1940-42, by Ercole Drei, with a relief of agricultural workers, in the Parco del Turismo, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC076.JPG
  • High relief in classical style in the Parco del Turismo, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC075.jpg
  • Entrance to the Palazzo Mostra delle Romanita, now the Museo della Civilita Romana or Museum of Roman Civilisation, designed 1939-41 by Pietro Ascheri, D Bernardini and Cesare Pascoletti, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC070.jpg
  • Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC072.jpg
  • Colonnade of the Palazzo Mostra delle Romanita, now the Museo della Civilita Romana or Museum of Roman Civilisation, designed 1939-41 by Pietro Ascheri, D Bernardini and Cesare Pascoletti, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC071.jpg
  • Viale della Civilita Romana and behind, the Palazzo de Arti et Traditione Populare and obelisk, 1939-59, dedicated to Guglielmo Marconi, by Arturo Dazzi, on the Piazza Guglielmo Marconi, all built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC069.jpg
  • Posta Italiana, post office building on Via Marmorata designed by Libera, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC066.jpg
  • Mosaic, 1941, by Enrico Prampolini, on the Museo Nationale delle Arti e Tradizioni Populare, designed by Castellazzi, Morresi and Vitellozzi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC058.jpg
  • Palazzo della Civilita Italiana, 1938-43, designed 1937 by  Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC061.jpg
  • Palazzo dell'INPS, 1940-54, designed by Giovanni Muzio, Mario Paniconi and Giulio Pediconi, on the Piazza delle Esedre, renamed Piazzale delle Nazioni Uniti, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC054.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC049.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC050.jpg
  • Statue at the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC048.jpg
  • Statue at the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC047.JPG
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC046.jpg
  • Relief of Benito Mussolini, 1939, by Publio Morbiducci, at the entrance of the Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980,  and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC043.jpg
  • Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC044.jpg
  • Relief of Benito Mussolini, 1939, by Publio Morbiducci, at the entrance of the Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC042.jpg
  • Palazzo Dei Congressi or Palace of Congress, 1938-54, designed by Libera, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC041.jpg
  • Relief of Benito Mussolini, 1939, by Publio Morbiducci, at the entrance of the Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC039.jpg
  • Chiesa dei Santi Pietro e Paolo, or Church of St Peter and St Paul, built 1938-55, designed by Arnaldo Foschini, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC040.jpg
  • Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC037.jpg
  • Posta Italiana, post office building on Via Marmorata designed by Libera, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC036.jpg
  • Mosaic, 1941, by Enrico Prampolini, on the Museo Nationale delle Arti e Tradizioni Populare, designed by Castellazzi, Morresi and Vitellozzi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC033.jpg
  • Obelisk, 1939-59, dedicated to Guglielmo Marconi, by Arturo Dazzi, on the Piazza Guglielmo Marconi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC030.jpg
  • Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC029.jpg
  • Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC028.jpg
  • Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC026.jpg
  • Statues in the arches of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC023.jpg
  • Buildings at the Foro Italico or Foro Mussolini, Rome, Italy, a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC095.jpg
  • Sculpture of the Capitoline Wolf, a she-wolf suckling Romulus and Remus, founders of Rome, on the Ponte Flaminio, built 1938-51, designed by Armando Brasini, 1879-1965, in Fascist style, with columns and monumental sculptures of eagles, Corso di Francia, Rome, Italy. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC059.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, and behind, the CONI (Comitato Olimpico Nazionale Italiano) swimming complex at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC108.jpg
  • Buildings at the Foro Italico or Foro Mussolini, Rome, Italy, a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC094.jpg
  • Obelisco Mussolini and buildings at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC093.jpg
  • Apsidal mosaic, 1291, created by Jacopo Torriti, commissioned by Nicholas IV, Arcibasilica Papale di San Giovanni in Laterano (The Papal Archbasilica of St. John Lateran), by Constantine the Great, 4th century, Vatican City, Rome, Italy. The apse mosaic depicts the miraculous appearance of Christ in the basilicas apse at the time of its consecration by Pope Sylvester. Picture by Manuel Cohen
    LCITALY12_MC136.jpg
  • Ponte Vittorio Emanuele II (Vittorio Emanuele II bridge), Ennio de Rossi, Rome, Italy. Though De Rossis design was made in 1886 the bridge was not inaugurated until the year 1911. It connects the historical centre of Rome to the Vatican City. It consists of three arches spanning a distance of 110 metres. Picture by Manuel Cohen
    LCITALY12_MC128.jpg
  • Piazza San Pietro (St. Peter's Square) and San Pietro in Vaticano (St Peter's Basilica), 16th - 17th century, Vatican City, Rome, Italy. The square was designed by Bernini, 1656 - 1667, and is outlined by a monumental colonnade. The current building of St Peter's Basilica began under Pope Julius II in 1506 and was completed in 1615 under Pope Paul V. Donato Bramante was to be the first chief architect, Michelangelo designed the dome which was completed by Giacomo della Porta with the assistance of Domenico Fontana. Picture by Manuel Cohen
    LCITALY12_MC107.jpg
  • Piazza San Pietro (St. Peter's Square) and San Pietro in Vaticano (St Peter's Basilica), 16th - 17th century, Vatican City, Rome, Italy. The square was designed by Bernini, 1656 - 1667, and is outlined by a monumental colonnade. The current building of St Peter's Basilica began under Pope Julius II in 1506 and was completed in 1615 under Pope Paul V. Donato Bramante was to be the first chief architect, Michelangelo designed the dome which was completed by Giacomo della Porta with the assistance of Domenico Fontana. Picture by Manuel Cohen
    LCITALY12_MC106.jpg
  • Statue of St. Paul outside of St. Peter's Basilica, at the Vatican, Rome, Italy. Picture by Manuel Cohen
    LCITALY12_MC102.jpg
  • Dome of San Pietro in Vaticano (St Peter's Basilica), 16th century, Michelangelo, Vatican City, Rome, Italy. At Michelangelo's death in 1564, the dome was unfinished and was completed in 1590 by the architect Giacomo della Porta with the assistance of Domenico Fontana. Picture by Manuel Cohen
    LCITALY12_MC099.jpg
  • San Pietro in Vaticano (St Peter's Basilica), 16th - 17th century, Vatican City, Rome, Italy. The current building began under Pope Julius II in 1506 and was completed in 1615 under Pope Paul V. Donato Bramante was to be the first chief architect, Michelangelo designed the dome which was completed by Giacomo della Porta with the assistance of Domenico Fontana and St. Peter's Square was designed by Bernini, 1656 - 1667. Picture by Manuel Cohen
    LCITALY12_MC094.jpg
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