manuel cohen

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  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_571.jpg
  • Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_566.JPG
  • Costume hall, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_562.jpg
  • Top of the staircase leading from the internal courtyard to the main entrance, with marble sculptures by Ignazio Marabitti, 1719-97, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_559.jpg
  • Top of the staircase leading from the internal courtyard to the main entrance, with marble sculptures by Ignazio Marabitti, 1719-97, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_557.JPG
  • Staircase leading from the internal courtyard to the main entrance, with marble sculptures by Ignazio Marabitti, 1719-97, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_580.jpg
  • Decorative detail of sculpted griffons on a sofa in the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_577.jpg
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_570.jpg
  • Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_568.jpg
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_587.jpg
  • Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_586.jpg
  • Portrait of Giuseppe Mantegna, Prince of Gangi, 1750, in the costume hall, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_584.jpg
  • Top of the staircase leading from the internal courtyard to the main entrance, with marble sculptures by Ignazio Marabitti, 1719-97, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_561.jpg
  • Palazzo Valguarnera-Gangi in the evening, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_553.jpg
  • Painted panel in gilded boiserie on the wall of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_574.JPG
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_573.jpg
  • Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_567.jpg
  • Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_585.jpg
  • Dining room, with white decoration and furniture and painted panels by Giuseppe Velasco, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_564.jpg
  • Internal courtyard with staircases and palm trees in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_558.JPG
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_569.jpg
  • Costume hall, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_563.jpg
  • Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_554.jpg
  • Top of the staircase leading from the internal courtyard to the main entrance, with marble sculptures by Ignazio Marabitti, 1719-97, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_582.jpg
  • Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_579.jpg
  • Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_578.jpg
  • Dining room, with white decoration and furniture and painted panels by Giuseppe Velasco, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_565.jpg
  • Fountain on the terrace of the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_555.jpg
  • Terrace of the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_581.jpg
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_575.jpg
  • Decorative detail on the vaulted ceiling of the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_572.jpg
  • Top of the staircase leading from the internal courtyard to the main entrance, with marble sculptures by Ignazio Marabitti, 1719-97, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_560.jpg
  • Decorative detail of a sculpted portrait medallion next to a curtain in the Ballroom, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The ballroom has a Baroque openwork vault designed by Andrea Gigante and enormous chandeliers, and was used to film the ballroom scene in Luchino Visconti's film The Leopard. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_576.jpg
  • Staircase leading from the internal courtyard to the main entrance, with marble sculptures by Ignazio Marabitti, 1719-97, in the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_583.jpg
  • Chiesa di Sant'Anna della Misericordia, or Church of St Anne the Mercy, a Baroque church <br />
designed by Mariano Smiriglio and Giovanni Biagio Amico and built 1609-32, seen from the terrace of the Palazzo Valguarnera-Gangi, commissioned by the prince and princess of Gangi, Pietro and Marianna Valguarnera, and built 1749-59, on the Piazza Croce dei Vespri in the Kalsa district of Palermo, Sicily, Italy. The mansion was decorated in Sicilian Baroque style by Marianna Valguarnera and later in Neoclassical stye, with great opulence throughout. Picture by Manuel Cohen
    LC20_ITALY_MC_556.jpg
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