manuel cohen

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  • Apse of Saint Sauveur church, built 1198-1202, at Petit Andely in the early morning, illuminated in the mist, Les Andelys, Eure, Haute-Normandie, France. Picture by Manuel Cohen
    LC13_FRANCE_MC348.JPG
  • River Seine at sunset, Les Andelys, Eure, Haute-Normandie, France. Picture by Manuel Cohen
    LC13_FRANCE_MC349.JPG
  • Renaissance spiral staircase leading to the organ in the nave of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The staircase was built by Jean Grappin in the 16th century. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church is 70m long and the nave is 24m high with a rib-vaulted ceiling. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC077.jpg
  • Above; Notre Dame de Liesse or Our Lady of Liesse, 1634, and below; the vicar and Gisors townspeople thanking the Virgin for saving them from the plague, by Ebroicien Duhamel-Marette, 1895, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. This is a grisaille stained glass window with limited colours, originally Renaissance in design but later added to. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC079.jpg
  • Saints Crispin and Crispinian, patron saints of cobblers, at Soissons, hanging by their armpits at the gallows, possibly with the governor Rictus Varus giving the order, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC087.jpg
  • East Rose window, stained glass by Jacques Bony, 1979-80, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC101.jpg
  • Detail of The Visitation, with Mary visiting her sister Elizabeth, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC105.jpg
  • Detail from The Adoration of the Magi, with Mary and the Christ child with a king, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC108.jpg
  • The Holy Spirit represented by a dove, at the apex of the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC111.jpg
  • Detail of a figure in heaven, possibly God in a representation of the trinity, near the apex of the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC109.jpg
  • Assumption, coronation and litany of the Virgin, polychrome stone in high relief, 1511, restored 1888-95, from the East wall of the Chapel of Our Lady of the Assumption in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC117.jpg
  • One of Saints Crispin and Crispinian, patron saints of cobblers, about to be beheaded by a soldier with a sword, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC122.jpg
  • One of Saints Crispin and Crispinian, patron saints of cobblers, about to be beheaded by a soldier with a sword, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC123.jpg
  • The Lamentation, high relief in stone, 1572, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC137.jpg
  • King Charles V, 1500-58, and his wife Isabella of Portugal, kneeling in prayer, polychrome stone in high relief, 1511, restored 1888-95, from the South East wall of the Chapel of Our Lady of the Assumption in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC082.jpg
  • Nave and organ of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church is 70m long and the nave is 24m high with a rib-vaulted ceiling. The organ was built in 1580 by Nicolas Barbier. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC076.JPG
  • Carved capital depiting an angel holding a scroll, possibly 15th century, in the transept of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC083.jpg
  • Moses holding the tablet of the law, from the Transfiguration, mural painting, 16th century, on the South wall of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC085.jpg
  • Saints Crispin and Crispinian, patron saints of cobblers, martyred at Soissons by being boiled alive in a cauldron of oil, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC086.jpg
  • Assumption, coronation and litany of the Virgin, polychrome stone in high relief, 1511, restored 1888-95, from the East wall of the Chapel of Our Lady of the Assumption in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC091.jpg
  • Detail from the Lamentation with the Virgin Mary mourning Jesus, high relief in stone, 1572, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC095.jpg
  • The Visitation, with Mary visiting her sister Elizabeth, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC096.jpg
  • The Annunciation to the Shepherds, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC097.jpg
  • The Marriage of the Virgin, with Joseph holding his flowering rod, the holy spirit above and the high priest performing the ceremony, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC104.jpg
  • Detail from The Annunciation, with God in heaven sending his holy spirit to Mary, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC106.jpg
  • Detail from The Adoration of the Magi, with Joseph and a king bearing his gift, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC110.jpg
  • The Transfiguration, Christ with the prophets Moses and Elijah, mural painting, 16th century, on the South wall of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC113.jpg
  • The apostles Peter, James and John, and a kneeling female donor, from the Transfiguration, mural painting, 16th century, on the West wall of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC112.jpg
  • High relief of an anonymous corpse, 1530, in the Chapel of Saint Claude in the side aisle of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The corpse is accompanied by inscriptions in Latin and French, warning that we will all be like this one day and to make the most of life. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC119.jpg
  • Sculpted pillar supporting rib vaults in the nave of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church is 70m long and the nave is 24m high with a rib-vaulted ceiling. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC115.jpg
  • Altarpiece originally from the Mathurins Convent at Gisors, with the crucifixion and adoration of the trinity triangle by angels, sculpted from painted and gilded wood, early 18th century, at the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC116.jpg
  • Saints Crispin and Crispinian, patron saints of cobblers, at Soissons, being drowned in the river with millstones round their necks while the governor Rictus Varus looks on, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC124.jpg
  • Section from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, possibly depicting a guard with a spear talking to the governor, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC125.jpg
  • The Emperor talks to a soldier with a sword, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC126.jpg
  • Saints Crispin and Crispinian, patron saints of cobblers, at Soissons, hanging by their armpits at the gallows while soldiers cut them with knives and the governor Rictus Varus looks on, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC127.jpg
  • Saints Crispin and Crispinian, patron saints of cobblers, tied to a pillar and flogged with whips, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC129.jpg
  • Saints Crispin and Crispinian, patron saints of cobblers, at work in a cobblers workshop in Soissons, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC131.jpg
  • St Peter holding the keys of heaven and below, the donor family, stained glass window by Romain Buron of Gisors, 1530, restored c. 1950, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC134.jpg
  • Sculpted pillar supporting rib vaults in the nave of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church is 70m long and the nave is 24m high with a rib-vaulted ceiling. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC078.jpg
  • Nave of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church is 70m long and the nave is 24m high with a rib-vaulted ceiling. Here we look East towards the altar, chevet and rose window. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC080.jpg
  • Detail of the crucifixion from an altarpiece originally from the Mathurins Convent at Gisors, sculpted from painted and gilded wood, early 18th century, at the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC081.JPG
  • Carved capital with vine leaves and grapes, possibly 15th century, in the transept of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC084.jpg
  • Sculpture of Christ on the cross in painted stone at the crown of the rib vaulted ceiling of the ambulatory in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC093.jpg
  • East Rose window, stained glass by Jacques Bony, 1979-80, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC088.jpg
  • Detail of the organ, built 1580 by Nicolas Barbier, in the nave of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC089.jpg
  • Detail of Christ's head wearing the crown of thorns, from Christ carrying the Cross, meeting Veronica with her cloth and a kneeling donor, mural painting, 1561, restored 1902, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC090.jpg
  • Statuette of a woman in attitude of prayer, possibly the Virgin, protected by iron bars, in a niche in a pillar in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC092.JPG
  • Detail from the Lamentation with the Virgin Mary mourning Jesus, high relief in stone, 1572, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC094.jpg
  • Detail from the Circumcision of Christ in the temple, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC107.jpg
  • The Circumcision of Christ in the temple, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC098.jpg
  • The Adoration of the Magi, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC099.jpg
  • Detail of The Visitation, with Mary visiting her sister Elizabeth, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC100.jpg
  • The procession of the Brotherhood of the Visitation of Our Lady, mural painting, c. 1558, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The royal brotherhood, created in 1360 by Charles V, funded the chapel of Our Lady of the Assumption in the chancel of the church. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC102.jpg
  • The Annunciation, with the Angel Gabriel announcing to Mary that she will have a baby, and God in heaven sending his holy spirit, from the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC103.jpg
  • Christ carrying the Cross, meeting Veronica with her cloth and a kneeling donor, mural painting, 1561, restored 1902, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC114.jpg
  • Above; Notre Dame de Liesse or Our Lady of Liesse, 1634, and below; the vicar and Gisors townspeople thanking the Virgin for saving them from the plague, by Ebroicien Duhamel-Marette, 1895, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. This is a grisaille stained glass window with limited colours, originally Renaissance in design but later added to. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC118.jpg
  • Saints Crispin and Crispinian, patron saints of cobblers, at Soissons, hanging by their armpits at the gallows, possibly with the governor Rictus Varus giving the order, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC120.jpg
  • A horned devil in the bedroom of one of Saints Crispin and Crispinian, patron saints of cobblers, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC121.jpg
  • Saints Crispin and Crispinian, patron saints of cobblers, meeting the bishop of Saint Denis, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC130.jpg
  • Saints Crispin and Crispinian, patron saints of cobblers, martyred at Soissons by being boiled alive in a cauldron of oil, from the Scenes of the Life and Martyrdom of Saints Crispin and Crispinian stained glass window, attributed to Nicolas le Prince, donated in 1530 by the cobblers guild in Gisors, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC128.jpg
  • St Genevieve, 422-502 AD, and ladies kneeling and praying in Renaissance costume, stained glass window by Romain Buron of Gisors, 1530, restored c. 1950, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC132.jpg
  • St Clotilde, 475-545 AD, holding a model of a church, stained glass window by Romain Buron of Gisors, 1530, restored c. 1950, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC133.jpg
  • Detail of Notre Dame de Liesse or Our Lady of Liesse, 1634, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. This is a grisaille stained glass window with limited colours, originally Renaissance in design but later added to. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC136.jpg
  • Virgin and child stained glass window, by Romain Buron of Gisors, 1530, restored c. 1950, in the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC135.jpg
  • Tomb of William I Duke of Normandy, or Guillaume Longue Epee, died 942, in Rouen Cathedral or the Cathedrale de Notre Dame de Rouen, built 12th century in Gothic style, with work continuing through the 13th and 14th centuries, Rouen, Normandy, France. The tomb dates from the 14th century, the body previously being buried in a sanctuary in the nave. Picture by Manuel Cohen
    LC15_FRANCE_MC0031.jpg
  • Tomb of William I Duke of Normandy, or Guillaume Longue Epee, died 942, in Rouen Cathedral or the Cathedrale de Notre Dame de Rouen, built 12th century in Gothic style, with work continuing through the 13th and 14th centuries, Rouen, Normandy, France. The tomb dates from the 14th century, the body previously being buried in a sanctuary in the nave. Picture by Manuel Cohen
    LC15_FRANCE_MC0030.jpg
  • Tomb of William I Duke of Normandy, or Guillaume Longue Epee, died 942, in Rouen Cathedral or the Cathedrale de Notre Dame de Rouen, built 12th century in Gothic style, with work continuing through the 13th and 14th centuries, Rouen, Normandy, France. The tomb dates from the 14th century, the body previously being buried in a sanctuary in the nave. Picture by Manuel Cohen
    LC15_FRANCE_MC0032.jpg
  • Lion and dog at the feet of King Richard I of England or Richard the Lionheart, also Duke of Normandy, died 1199, on his tomb in Rouen Cathedral or the Cathedrale de Notre Dame de Rouen, built 12th century in Gothic style, with work continuing through the 13th and 14th centuries, Rouen, Normandy, France. In this tomb lies the embalmed heart of Richard I, his body being buried at Anjou. Picture by Manuel Cohen
    LC15_FRANCE_MC0103.jpg
  • Tomb of Henry the Young King, Junior King of England and Duke of Normandy, died 1183, in Rouen Cathedral or the Cathedrale de Notre Dame de Rouen, built 12th century in Gothic style, with work continuing through the 13th and 14th centuries, Rouen, Normandy, France. Picture by Manuel Cohen
    LC15_FRANCE_MC0057.jpg
  • Tomb of Henry the Young King, Junior King of England and Duke of Normandy, died 1183, in Rouen Cathedral or the Cathedrale de Notre Dame de Rouen, built 12th century in Gothic style, with work continuing through the 13th and 14th centuries, Rouen, Normandy, France. Picture by Manuel Cohen
    LC15_FRANCE_MC0029.jpg
  • Tomb of King Richard I of England or Richard the Lionheart, also Duke of Normandy, died 1199, in Rouen Cathedral or the Cathedrale de Notre Dame de Rouen, built 12th century in Gothic style, with work continuing through the 13th and 14th centuries, Rouen, Normandy, France. In this tomb lies the embalmed heart of Richard I, his body being buried at Anjou. Picture by Manuel Cohen
    LC15_FRANCE_MC0063.jpg
  • Higgins Boat Monument, with a life-sized replica of a LCVP or Higgins boat made of steel and set in sand as if beached, and sculptures by Fred Hoppe of soldiers running (1 from each of the 3 wars in which Higgins Boats served, World War II, Korean, and Vietnam Wars), inaugurated 2015, at Utah Beach, Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. The monument also features a statue of Andrew Jackson Higgins, 1886-1952, who designed the boat, of which 1089 were used in D-Day. The monument is next to the Utah Beach Museum. Utah Beach in the Dunes of Saint Martin de Vareville, is where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
    LC19_FRANCE_MC_0051.jpg
  • Higgins Boat Monument, with a life-sized replica of a LCVP or Higgins boat made of steel and set in sand as if beached, and sculptures by Fred Hoppe of soldiers running (1 from each of the 3 wars in which Higgins Boats served, World War II, Korean, and Vietnam Wars), inaugurated 2015, at Utah Beach, Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. The monument also features a statue of Andrew Jackson Higgins, 1886-1952, who designed the boat, of which 1089 were used in D-Day. The monument is next to the Utah Beach Museum. Utah Beach in the Dunes of Saint Martin de Vareville, is where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
    LC19_FRANCE_MC_0050.jpg
  • Utah Beach Bunker at the North end of Utah Beach, aerial view, in the Dunes of Saint Martin de Vareville, where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War, at Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0072.jpg
  • Les Braves War Memorial, commemorating American soldiers killed on 6th June 1944, 2004, by Anilore Banon, on Omaha Beach, between Port-en-Bessin and the Vire river, Saint-Laurent-sur-Mer, Manche, Normandy, France. The sculpture represents the Wings of Hope, Rise to Freedom, and Wings Of Fraternity. It was commissioned by the French government to commemorate the 60th anniversary of D-Day. Omaha Beach is where on June 6th 1944 the US Army 29th and 1st Infantry Divisions landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
    LC19_FRANCE_MC_0070.jpg
  • Les Braves War Memorial, commemorating American soldiers killed on 6th June 1944, 2004, by Anilore Banon, on Omaha Beach, between Port-en-Bessin and the Vire river, Saint-Laurent-sur-Mer, Manche, Normandy, France. The sculpture represents the Wings of Hope, Rise to Freedom, and Wings Of Fraternity. It was commissioned by the French government to commemorate the 60th anniversary of D-Day. Omaha Beach is where on June 6th 1944 the US Army 29th and 1st Infantry Divisions landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
    LC19_FRANCE_MC_0069.jpg
  • Les Braves War Memorial, commemorating American soldiers killed on 6th June 1944, 2004, by Anilore Banon, on Omaha Beach, between Port-en-Bessin and the Vire river, Saint-Laurent-sur-Mer, Manche, Normandy, France. The sculpture represents the Wings of Hope, Rise to Freedom, and Wings Of Fraternity. It was commissioned by the French government to commemorate the 60th anniversary of D-Day. Omaha Beach is where on June 6th 1944 the US Army 29th and 1st Infantry Divisions landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
    LC19_FRANCE_MC_0068.jpg
  • Bunker, with entrance and ladder rungs to roof, at the North end of Utah Beach in the Dunes of Saint Martin de Vareville, where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War, at Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. Picture by Manuel Cohen
    LC19_FRANCE_MC_0066.jpg
  • Barbed wire fence surrounding a bunker at the North end of Utah Beach in the Dunes of Saint Martin de Vareville, where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War, at Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. Picture by Manuel Cohen
    LC19_FRANCE_MC_0065.jpg
  • Bunker at the North end of Utah Beach in the Dunes of Saint Martin de Vareville, where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War, at Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. Picture by Manuel Cohen
    LC19_FRANCE_MC_0064.jpg
  • Bunker at the North end of Utah Beach in the Dunes of Saint Martin de Vareville, where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War, at Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. Picture by Manuel Cohen
    LC19_FRANCE_MC_0063.jpg
  • Bunker at the North end of Utah Beach in the Dunes of Saint Martin de Vareville, where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War, at Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. Picture by Manuel Cohen
    LC19_FRANCE_MC_0061.jpg
  • Bunker at the North end of Utah Beach in the Dunes of Saint Martin de Vareville, where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War, at Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. Picture by Manuel Cohen
    LC19_FRANCE_MC_0060.jpg
  • Bunker at the North end of Utah Beach in the Dunes of Saint Martin de Vareville, where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War, at Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. Picture by Manuel Cohen
    LC19_FRANCE_MC_0059.jpg
  • Statue of Andrew Jackson Higgins, 1886-1952, who designed the Higgins boat, of which 1089 were used in D-Day, part of the Higgins Boat Monument, inaugurated 2015, at Utah Beach, Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. The monument is next to the Utah Beach Museum. Utah Beach in the Dunes of Saint Martin de Vareville, is where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
    LC19_FRANCE_MC_0055.jpg
  • Higgins Boat Monument, with a life-sized replica of a LCVP or Higgins boat made of steel and set in sand as if beached, and sculptures by Fred Hoppe of soldiers running (1 from each of the 3 wars in which Higgins Boats served, World War II, Korean, and Vietnam Wars), inaugurated 2015, at Utah Beach, Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. The monument also features a statue of Andrew Jackson Higgins, 1886-1952, who designed the boat, of which 1089 were used in D-Day. The monument is next to the Utah Beach Museum. Utah Beach in the Dunes of Saint Martin de Vareville, is where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
    LC19_FRANCE_MC_0054.jpg
  • Higgins Boat Monument, with a life-sized replica of a LCVP or Higgins boat made of steel and set in sand as if beached, and sculptures by Fred Hoppe of soldiers running (1 from each of the 3 wars in which Higgins Boats served, World War II, Korean, and Vietnam Wars), inaugurated 2015, at Utah Beach, Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. The monument also features a statue of Andrew Jackson Higgins, 1886-1952, who designed the boat, of which 1089 were used in D-Day. The monument is next to the Utah Beach Museum. Utah Beach in the Dunes of Saint Martin de Vareville, is where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
    LC19_FRANCE_MC_0053.jpg
  • Bunker used by the US Naval Operational Intelligence Centre after it was taken from the Germans on 6th June, from 8th June until 31st October 1944, at Utah Beach, Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. The 41 men working here led to the success of the landings of 836 000 men, 220 000 vehicles and 725 000 tons of equipment. Utah Beach in the Dunes of Saint Martin de Vareville, is where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
    LC19_FRANCE_MC_0048.jpg
  • Higgins Boat Monument, with a life-sized replica of a LCVP or Higgins boat made of steel and set in sand as if beached, and sculptures by Fred Hoppe of soldiers running (1 from each of the 3 wars in which Higgins Boats served, World War II, Korean, and Vietnam Wars), inaugurated 2015, at Utah Beach, Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. The monument also features a statue of Andrew Jackson Higgins, 1886-1952, who designed the boat, of which 1089 were used in D-Day. The monument is next to the Utah Beach Museum. Utah Beach in the Dunes of Saint Martin de Vareville, is where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
    LC19_FRANCE_MC_0049.jpg
  • Sign in the bunker used by the US Naval Operational Intelligence Centre after it was taken from the Germans on 6th June, from 8th June until 31st October 1944, at Utah Beach, Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. The 41 men working here led to the success of the landings of 836 000 men, 220 000 vehicles and 725 000 tons of equipment. Utah Beach in the Dunes of Saint Martin de Vareville, is where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
    LC19_FRANCE_MC_0047.jpg
  • Soldier sculpture from the Higgins Boat Monument, with a life-sized replica of a LCVP or Higgins boat made of steel and set in sand as if beached, and sculptures by Fred Hoppe of soldiers running (1 from each of the 3 wars in which Higgins Boats served, World War II, Korean, and Vietnam Wars), inaugurated 2015, at Utah Beach, Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. The monument also features a statue of Andrew Jackson Higgins, 1886-1952, who designed the boat, of which 1089 were used in D-Day. The monument is next to the Utah Beach Museum. Utah Beach in the Dunes of Saint Martin de Vareville, is where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
    LC19_FRANCE_MC_0046.jpg
  • Higgins Boat Monument, with a life-sized replica of a LCVP or Higgins boat made of steel and set in sand as if beached, and sculptures by Fred Hoppe of soldiers running (1 from each of the 3 wars in which Higgins Boats served, World War II, Korean, and Vietnam Wars), inaugurated 2015, at Utah Beach, Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. The monument also features a statue of Andrew Jackson Higgins, 1886-1952, who designed the boat, of which 1089 were used in D-Day. The monument is next to the Utah Beach Museum. Utah Beach in the Dunes of Saint Martin de Vareville, is where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
    LC19_FRANCE_MC_0045.jpg
  • Omaha Beach, aerial view, between Port-en-Bessin and the Vire river, Saint-Laurent-sur-Mer, Manche, Normandy, France. On the right is the Les Braves War Memorial, commemorating American soldiers killed on 6th June 1944, 2004, by Anilore Banon. The sculpture represents the Wings of Hope, Rise to Freedom, and Wings Of Fraternity. It was commissioned by the French government to commemorate the 60th anniversary of D-Day. Omaha Beach is where on June 6th 1944 the US Army 29th and 1st Infantry Divisions landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0082.JPG
  • Omaha Beach, aerial view, between Port-en-Bessin and the Vire river, Saint-Laurent-sur-Mer, Manche, Normandy, France. Omaha Beach is where on June 6th 1944 the US Army 29th and 1st Infantry Divisions landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0079.jpg
  • Omaha Beach, aerial view, between Port-en-Bessin and the Vire river, Saint-Laurent-sur-Mer, Manche, Normandy, France. In the centre is the Les Braves War Memorial, commemorating American soldiers killed on 6th June 1944, 2004, by Anilore Banon. The sculpture represents the Wings of Hope, Rise to Freedom, and Wings Of Fraternity. It was commissioned by the French government to commemorate the 60th anniversary of D-Day. Omaha Beach is where on June 6th 1944 the US Army 29th and 1st Infantry Divisions landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0078.jpg
  • Omaha Beach, aerial view, between Port-en-Bessin and the Vire river, Saint-Laurent-sur-Mer, Manche, Normandy, France. At the bottom is the Les Braves War Memorial, commemorating American soldiers killed on 6th June 1944, 2004, by Anilore Banon. The sculpture represents the Wings of Hope, Rise to Freedom, and Wings Of Fraternity. It was commissioned by the French government to commemorate the 60th anniversary of D-Day. Omaha Beach is where on June 6th 1944 the US Army 29th and 1st Infantry Divisions landed as part of the Allied Invasion, or D-Day landings, during the Second World War. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0077.jpg
  • Bunker at the North end of Utah Beach, aerial view, in the Dunes of Saint Martin de Vareville, where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War, at Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0075.jpg
  • Utah Beach Bunker at the North end of Utah Beach, aerial view, in the Dunes of Saint Martin de Vareville, where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War, at Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0074.jpg
  • Utah Beach Bunker at the North end of Utah Beach, aerial view, in the Dunes of Saint Martin de Vareville, where on June 6th 1944 the US Army 4th Infantry Division landed as part of the Allied Invasion, or D-Day landings, during the Second World War, at Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. Picture by Manuel Cohen
    DRN_LC19_FRANCE_MC_0071.jpg
  • Tank and monument at Koufra Beach, marking the starting point of the Way of the 2nd Armoured Division, inaugurated July 25th 2004 at the site of the landing of the Leclerc Division on French soil on August 1st, 1944, at Utah Beach, Saint-Martin-de-Varreville, Cotentin Peninsula, Manche, Normandy, France. This forms part of the Liberty Road, or Voie de la Liberte, linking Utah beach to Sainte-Mere l'Eglise and then to Bastogne in Belgium, celebrating the Liberation of France. Picture by Manuel Cohen
    LC19_FRANCE_MC_0067.jpg
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