manuel cohen

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  • Balcony of the Splendid Hotel building, erected 1904 in Neo-Baroque style with art nouveau elements, on Dorotheenstrasse, Mitte, Berlin, Germany. The building is now a delicatessen and travel agent. Picture by Manuel Cohen
    LC14_BERLIN_MC0448.jpg
  • Low angle view of the ceiling of the neo-Baroque salon du Glacier, by Charles Garnier, 1861-1875,  in Palais Garnier, Opera de Paris, in Paris, France. The Clairin's paintings which adorns the rotunda depict dancing bacchantes and fauns. Completed after the opening of the building, this room has a very distinct 1900s flavour. Commissioned by Napoleon III as part of the Haussmann Parisian reconstruction project, the Palais Garnier is the 13th theatre to house the Paris Opera since its foundation, 1669, by Louis XIV. Picture by Manuel Cohen
    LC_Paris_MC002.jpg
  • Sculpted female caryatid figures flanking a window on the Splendid Hotel building, erected 1904 in Neo-Baroque style with art nouveau elements, on Dorotheenstrasse, Mitte, Berlin, Germany. The building is now a delicatessen and travel agent. Picture by Manuel Cohen
    LC14_BERLIN_MC0373.jpg
  • Facade of the Cour Napoleon at the Musee du Louvre, Paris, France, with the Hommes Illustres, a series of 86 statues of famous men placed above the colonnade of the courtyard 1853-57 under the architects Louis Visconti and Hector Lefuel. These wings were built during the Second Empire under Napoleon III in the 1850s in Neo-Baroque style, linking the original Louvre building with the Palais des Tuileries, which burnt down in 1871 and was razed in 1873. Picture by Manuel Cohen
    LC14_Paris_MC182.jpg
  • Detail of a sculpted female caryatid figure supporting a window ledge on the Splendid Hotel building, erected 1904 in Neo-Baroque style with art nouveau elements, on Dorotheenstrasse, Mitte, Berlin, Germany. The building is now a delicatessen and travel agent. Picture by Manuel Cohen
    LC14_BERLIN_MC0447.jpg
  • Caryatids of putti on the neo-Baroque facade of a building in the Old Town of Prague, Czech Republic. The historic centre of Prague was declared a UNESCO World Heritage Site in 1992. Picture by Manuel Cohen
    LC13_PRAGUE_MC122.jpg
  • Caryatids supporting a wrought iron balcony on the neo-Baroque facade of a building near the Jewish quarter, Prague, Czech Republic. The historic centre of Prague was declared a UNESCO World Heritage Site in 1992. Picture by Manuel Cohen
    LC13_PRAGUE_MC120.JPG
  • Neo-Baroque inlaid cabinet, mid 19th century, in the Study of the Empress, with Napoleonic era painted faux marble and blue panel walls, in the Sissi apartments, used by empress Elisabeth of Austria (Sissi) from 1856, in the Royal Palace of Venice, now the Correr Museum, on the Piazza San Marco in Venice, Veneto, Italy. The Napoleonic wing was built 1807-13 designed by Giovanni Antonio Antolini and Giuseppe Maria Soli and was used by Napoleon until 1814, the Emperor of Austria until 1866 and the king of Italy until 1919, and restored 2000-22. The historic centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0163.jpg
  • Palau Nacional, flagship of the 1929 Exhibition, by Enric Catala and Pedro Cendoya, Barcelona, Spain. The Palau Nacional hosts the Museu Nacional d'Art de Catalunya (MNAC) since 1934. The Palau Nacional was originally designed by the Modernist architect Josep Puig i Cadalfach but dictator Primo de Rivera took him off. Picture by Manuel Cohen
    LCSPAIN12_MC273.jpg
  • Pont Alexandre III, 1896-1900 for World Expo 1900 to commemorate the French-Russian Alliance of 1892, by the architects J. Cassine-Bernard and G. Cousin and engineers A. Alby and J. Resal, Petit Palais in the distance, inaugurated in 1902, built by Charles Girault and created for the  World Expo 1900, 8th arrondissement, Paris, France Picture by Manuel Cohen
    DPARIS070291.jpg
  • Pont Alexandre III, 1896-1900 for World Expo 1900 to commemorate the French-Russian Alliance of 1892, by the architects J. Cassine-Bernard and G. Cousin and engineers A. Alby and J. Resal, Grand Palais in the distance, 1897-1900 for World Expo 1900, by the architects Henri-Adolphe-Auguste Deglane, Louis-Albert Louvet, Albert-Félix-Théophile Thomas and Charles-Louis Girault, 8th arrondissement, Paris, France Picture by Manuel Cohen
    DPARIS070288.jpg
  • Pont Alexandre III, 1896-1900 for World Expo 1900 to commemorate the French-Russian Alliance of 1892, by the architects J. Cassine-Bernard and G. Cousin and engineers A. Alby and J. Resal, Partial view from the southeast with the Grand Palais in the distance, 1897-1900 for World Expo 1900, by the architects Henri-Adolphe-Auguste Deglane, Louis-Albert Louvet, Albert-Félix-Théophile Thomas and Charles-Louis Girault, 8th arrondissement, Paris, France Picture by Manuel Cohen
    APARIS070026.jpg
  • Gilt-bronze statues of "Fames" supported on massives 17 meter socles, Pont Alexandre III, 1896-1900 for World Expo 1900 to commemorate the French-Russian Alliance of 1892, by the architects J. Cassine-Bernard and G. Cousin and engineers A. Alby and J. Resal, 8th arrondissement, Paris, France Picture by Manuel Cohen
    DPARIS070294.jpg
  • Pont Alexandre III, 1896-1900 for World Expo 1900 to commemorate the French-Russian Alliance of 1892, by the architects J. Cassine-Bernard and G. Cousin and engineers A. Alby and J. Resal, Grand Palais in the distance, 1897-1900 for World Expo 1900, by the architects Henri-Adolphe-Auguste Deglane, Louis-Albert Louvet, Albert-Félix-Théophile Thomas and Charles-Louis Girault, 8th arrondissement, Paris, France Picture by Manuel Cohen
    DPARIS070289.jpg
  • File of streetlights, Pont Alexandre III, 1896-1900 for World Expo 1900 to commemorate the French-Russian Alliance of 1892, by the architects J. Cassine-Bernard and G. Cousin and engineers A. Alby and J. Resal, Grand Palais in the distance, 1897-1900 for World Expo 1900, by the architects Henri-Adolphe-Auguste Deglane, Louis-Albert Louvet, Albert-Félix-Théophile Thomas and Charles-Louis Girault, 8th arrondissement, Paris, France Picture by Manuel Cohen
    DPARIS070292.jpg
  • Pont Alexandre III by night, 1896-1900 for World Expo 1900 to commemorate the French-Russian Alliance of 1892, by the architects J. Cassine-Bernard and G. Cousin and engineers A. Alby and J. Resal, Grand Palais in the distance, 1897-1900 for World Expo 1900, by the architects Henri-Adolphe-Auguste Deglane, Louis-Albert Louvet, Albert-Félix-Théophile Thomas and Charles-Louis Girault, 8th arrondissement, Paris, France Picture by Manuel Cohen
    DPARIS070287.jpg
  • Gilt-bronze statue of "Fame" supported on massives 17 meter socles, Pont Alexandre III, 1896-1900 for World Expo 1900 to commemorate the French-Russian Alliance of 1892, by the architects J. Cassine-Bernard and G. Cousin and engineers A. Alby and J. Resal, 8th arrondissement, Paris, France Picture by Manuel Cohen
    DPARIS070295.jpg
  • File of streetlights, Pont Alexandre III, 1896-1900 for World Expo 1900 to commemorate the French-Russian Alliance of 1892, by the architects J. Cassine-Bernard and G. Cousin and engineers A. Alby and J. Resal, Grand Palais in the distance, 1897-1900 for World Expo 1900, by the architects Henri-Adolphe-Auguste Deglane, Louis-Albert Louvet, Albert-Félix-Théophile Thomas and Charles-Louis Girault, 8th arrondissement, Paris, France Picture by Manuel Cohen
    DPARIS070293.jpg
  • Pont Alexandre III, 1896-1900 for World Expo 1900 to commemorate the French-Russian Alliance of 1892, by the architects J. Cassine-Bernard and G. Cousin and engineers A. Alby and J. Resal, Grand Palais in the distance, 1897-1900 for World Expo 1900, by the architects Henri-Adolphe-Auguste Deglane, Louis-Albert Louvet, Albert-Félix-Théophile Thomas and Charles-Louis Girault, 8th arrondissement, Paris, France Picture by Manuel Cohen
    DPARIS070290.jpg
  • Study of the Empress, with Napoleonic era painted faux marble and blue panel walls, and 19th century Murano glass chandelier, in the Sissi apartments, used by empress Elisabeth of Austria (Sissi) from 1856, in the Royal Palace of Venice, now the Correr Museum, on the Piazza San Marco in Venice, Veneto, Italy. On the right is a Neo Baroque inlaid cabinet made mid 19th century. The Napoleonic wing was built 1807-13 designed by Giovanni Antonio Antolini and Giuseppe Maria Soli and was used by Napoleon until 1814, the Emperor of Austria until 1866 and the king of Italy until 1919, and restored 2000-22. The historic centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0162.jpg
  • Empress' bedroom, used by empress Elisabeth of Austria (Sissi) from 1856, decorated in Neoclassical style in 1810s, in the Sissi apartments, in the Royal Palace of Venice, now the Correr Museum, on the Piazza San Marco in Venice, Veneto, Italy. The Neo Baroque upholstery on the walls was added in 1854 and the ceiling was painted by Giuseppe Borsato and Giovanni Bevilacqua. The Napoleonic wing was built 1807-13 designed by Giovanni Antonio Antolini and Giuseppe Maria Soli and was used by Napoleon until 1814, the Emperor of Austria until 1866 and the king of Italy until 1919, and restored 2000-22. The historic centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0218.jpg
  • Empress' bedroom, used by empress Elisabeth of Austria (Sissi) from 1856, decorated in Neoclassical style in 1810s, in the Sissi apartments, in the Royal Palace of Venice, now the Correr Museum, on the Piazza San Marco in Venice, Veneto, Italy. The new baroque upholstery on the walls was added in 1854 and the ceiling was painted by Giuseppe Borsato and Giovanni Bevilacqua. The Napoleonic wing was built 1807-13 designed by Giovanni Antonio Antolini and Giuseppe Maria Soli and was used by Napoleon until 1814, the Emperor of Austria until 1866 and the king of Italy until 1919, and restored 2000-22. The historic centre of Venice is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_ITALY_MC_0155.jpg
  • German Cathedral or Neue Kirche or Deutsche Dom at night, originally built 1701-1708 by Giovanni Simonetti but largely replaced in 1881 by Hermann von der Hude and Julius Hennicke with a Neobaroque design on a pentagonal plan, on Gendarmenmarkt, Mitte, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0509.jpg
  • German Cathedral or Neue Kirche or Deutsche Dom, originally built 1701-1708 by Giovanni Simonetti but largely replaced in 1881 by Hermann von der Hude and Julius Hennicke with a Neobaroque design on a pentagonal plan, on Gendarmenmarkt, Mitte, Berlin, Germany. Picture by Manuel Cohen
    LC14_BERLIN_MC0429.jpg
  • Golden Hall, a banqueting hall inaugurated 1915, with Neo-Baroque decor by Joan Marsal and reproductions of furniture and sculptures, in the Palau de Maricel, now the Maricel Museum, reopened in 2015, in Sitges, Catalonia, Spain. The monumental alabaster fireplace is from the Palau de la Generalitat de Catalunya, from the collection of the Museum of Artistic Reproductions. The complex was built 1910-18 by Miquel Utrillo for Charles Deering, converted from a hospital to a residence and gallery to house Deering's collection. Picture by Manuel Cohen
    LC21_SPAIN_MC_1000.jpg
  • Monumental alabaster fireplace from the Palau de la Generalitat de Catalunya, from the collection of the Museum of Artistic Reproductions, in the Golden Hall, a banqueting hall inaugurated 1915, with Neo-Baroque decor by Joan Marsal and reproductions of furniture and sculptures, in the Palau de Maricel, now the Maricel Museum, reopened in 2015, in Sitges, Catalonia, Spain. The complex was built 1910-18 by Miquel Utrillo for Charles Deering, converted from a hospital to a residence and gallery to house Deering's collection. Picture by Manuel Cohen
    LC21_SPAIN_MC_0999.jpg
  • Monumental alabaster fireplace from the Palau de la Generalitat de Catalunya, from the collection of the Museum of Artistic Reproductions, in the Golden Hall, a banqueting hall inaugurated 1915, with Neo-Baroque decor by Joan Marsal and reproductions of furniture and sculptures, in the Palau de Maricel, now the Maricel Museum, reopened in 2015, in Sitges, Catalonia, Spain. The complex was built 1910-18 by Miquel Utrillo for Charles Deering, converted from a hospital to a residence and gallery to house Deering's collection. Picture by Manuel Cohen
    LC21_SPAIN_MC_1001.jpg
  • Golden Hall, a banqueting hall inaugurated 1915, with Neo-Baroque decor by Joan Marsal and reproductions of furniture and sculptures, in the Palau de Maricel, now the Maricel Museum, reopened in 2015, in Sitges, Catalonia, Spain. The complex was built 1910-18 by Miquel Utrillo for Charles Deering, converted from a hospital to a residence and gallery to house Deering's collection. Picture by Manuel Cohen
    LC21_SPAIN_MC_1002.jpg
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