manuel cohen

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  • Obelisco Mussolini and Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC088.jpg
  • Obelisco Mussolini, Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC056.jpg
  • Obelisco Mussolini and buildings at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC093.jpg
  • Main area with mosaic floor between the Mussolini Obelisk and Olympic Stadium, Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC006.jpg
  • Detail of mosaic floor with men hailing their leader between the Mussolini Obelisk and Olympic Stadium, Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC005.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC008.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the CONI building (Comitato Olimpico Nazionale Italiano). The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC121.jpg
  • Statue by Salvatore Cartaino Scarpitta, 1887-1948, at the swimming stadium, at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC016.jpg
  • Statues at the CONI (Comitato Olimpico Nazionale Italiano) swimming complex at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC112.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the Palazzo della Farnesina, a government building designed 1935 housing the Ministry of Foreign Affairs. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC107.jpg
  • Buildings at the Foro Italico or Foro Mussolini, Rome, Italy, a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC095.jpg
  • Statue at the Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC089.jpg
  • Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC087.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the Palazzo della Farnesina, a government building designed 1935 housing the Ministry of Foreign Affairs. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC055.jpg
  • Statue by Salvatore Cartaino Scarpitta, 1887-1948, at the swimming stadium, at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC015.jpg
  • Statue by Salvatore Cartaino Scarpitta, 1887-1948, at the swimming stadium, at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC014.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC012.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC007.jpg
  • Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC109.jpg
  • Buildings at the Foro Italico or Foro Mussolini, Rome, Italy, a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC094.jpg
  • CONI (Comitato Olimpico Nazionale Italiano) swimming complex at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC092.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC017.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC010.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the Palazzo della Farnesina, a government building designed 1935 housing the Ministry of Foreign Affairs. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC120.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the Palazzo della Farnesina, a government building designed 1935 housing the Ministry of Foreign Affairs. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC116.jpg
  • Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC091.jpg
  • Statue at the Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC090.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the Palazzo della Farnesina, a government building designed 1935 housing the Ministry of Foreign Affairs. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC113.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC011.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, and behind, the CONI (Comitato Olimpico Nazionale Italiano) swimming complex at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC108.jpg
  • Tennis courts and swimming stadium behind, at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC013.jpg
  • Tennis courts and swimming pool building at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC114.jpg
  • Detail of a bronze statue of wrestlers at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC111.jpg
  • Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC086.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the Palazzo della Farnesina, a government building designed 1935 housing the Ministry of Foreign Affairs. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC115.jpg
  • Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC110.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC096.jpg
  • Relief of Benito Mussolini, 1939, by Publio Morbiducci, at the entrance of the Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC039.jpg
  • Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC009.jpg
  • Relief of Benito Mussolini, 1939, by Publio Morbiducci, at the entrance of the Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC042.jpg
  • Relief of Benito Mussolini, 1939, by Publio Morbiducci, at the entrance of the Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980,  and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC043.jpg
  • The Ponte Flaminio, built 1938-51, designed by Armando Brasini, 1879-1965, in Fascist style, with columns and monumental sculptures of eagles, Corso di Francia, Rome, Italy. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC021.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC024.jpg
  • The Ponte Flaminio, built 1938-51, designed by Armando Brasini, 1879-1965, in Fascist style, with columns and monumental sculptures of eagles, Corso di Francia, Rome, Italy. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC098.jpg
  • Posta Italiana, post office building on Via Marmorata designed by Libera, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC078.JPG
  • Mosaic, 1941, by Enrico Prampolini, on the Museo Nationale delle Arti e Tradizioni Populare, designed by Castellazzi, Morresi and Vitellozzi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC057.jpg
  • The Ponte Flaminio, built 1938-51, designed by Armando Brasini, 1879-1965, in Fascist style, with columns and monumental sculptures of eagles, Corso di Francia, Rome, Italy. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC020.jpg
  • High relief in classical style in the Parco del Turismo, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC075.jpg
  • Apartment buildings on the Piazza Augusto Emperatore, Rome, Italy, built in Fascist style with antique inspiration. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC065.jpg
  • Detail of a relief of a soldier by Vico Consorti, 1902-79, on the Ponte Duca d'Aosta, built 1939-42 in Fascist style by Vincenzo Fasolo, a bridge linking Lungotevere Flaminio to Piazza Lauro De Bosis, near the Foro Italico, Rome, Italy. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC004.jpg
  • Palazzo Dei Congressi or Palace of Congress, 1938-54, designed by Libera, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC133.jpg
  • Palazzo Dei Congressi or Palace of Congress, 1938-54, designed by Libera, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC126.jpg
  • Statues in the arches of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC127.jpg
  • Museo Nationale delle Arti e Tradizioni Populare, designed by Castellazzi, Morresi and Vitellozzi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC125.jpg
  • Apartment buildings on the Piazza Augusto Emperatore, Rome, Italy, built in Fascist style with antique inspiration. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC119.jpg
  • Reliefs, inscription and mural on the apartment buildings on the Piazza Augusto Emperatore, Rome, Italy, built in Fascist style with antique inspiration. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC105.jpg
  • Relief of an angel on the apartment buildings on the Piazza Augusto Emperatore, Rome, Italy, built in Fascist style with antique inspiration. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC103.jpg
  • High relief in classical style in the Parco del Turismo, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC074.jpg
  • Entrance to the Palazzo Mostra delle Romanita, now the Museo della Civilita Romana or Museum of Roman Civilisation, designed 1939-41 by Pietro Ascheri, D Bernardini and Cesare Pascoletti, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC070.jpg
  • Obelisk, 1939-59, dedicated to Guglielmo Marconi, by Arturo Dazzi, on the Piazza Guglielmo Marconi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC068.jpg
  • Posta Italiana, post office building on Via Marmorata designed by Libera, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC066.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC052.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC046.jpg
  • Obelisk, 1939-59, dedicated to Guglielmo Marconi, by Arturo Dazzi, on the Piazza Guglielmo Marconi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC035.jpg
  • Obelisk, 1939-59, dedicated to Guglielmo Marconi, by Arturo Dazzi, on the Piazza Guglielmo Marconi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC032.jpg
  • Obelisk, 1939-59, dedicated to Guglielmo Marconi, by Arturo Dazzi, on the Piazza Guglielmo Marconi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC030.jpg
  • Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC028.jpg
  • Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC025.jpg
  • The Ponte Flaminio, built 1938-51, designed by Armando Brasini, 1879-1965, in Fascist style, with columns and monumental sculptures of eagles, Corso di Francia, Rome, Italy. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC022.jpg
  • Universita La Sapienza, or the Sapienza University of Rome, new campus building built 1935 by Marcello Piacentini, 1881-1960, in Fascist architectural style, and statue of Minerva by Arturo Martini, 1889-1947, Rome, Italy. La Sapienza is the largest university in Europe, and was founded in 1303. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC001.jpg
  • Universita La Sapienza, or the Sapienza University of Rome, new campus building built 1935 by Marcello Piacentini, 1881-1960, in Fascist architectural style, and statue of Minerva by Arturo Martini, 1889-1947, Rome, Italy. La Sapienza is the largest university in Europe, and was founded in 1303. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC003.jpg
  • Chiesa dei Santi Pietro e Paolo, or Church of St Peter and St Paul, built 1938-55, designed by Arnaldo Foschini, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC122.jpg
  • The Ponte Flaminio, built 1938-51, designed by Armando Brasini, 1879-1965, in Fascist style, with columns and monumental sculptures of eagles, Corso di Francia, Rome, Italy. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC118.jpg
  • Palazzo della Farnesina, a government building designed 1935 in Fascist style, housing the Ministry of Foreign Affairs, and the bronze sculpture Sfera con Sfera, or Sphere within a Sphere, by Italian sculptor Arnaldo Pomodoro, born 1926, Rome, Italy. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC097.jpg
  • Post Office, designed 1933 in Fascist style by Mario Ridolfi, on the Piazza Bologna, Rome, Italy. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC085.jpg
  • Stele, 1940-42, by Ercole Drei, with a relief of agricultural workers, in the Parco del Turismo, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC077.jpg
  • Palazzo dell'INPS, 1940-54, designed by Giovanni Muzio, Mario Paniconi and Giulio Pediconi, on the Piazza delle Esedre, renamed Piazzale delle Nazioni Uniti, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC053.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC045.jpg
  • Palazzo Dei Congressi or Palace of Congress, 1938-54, designed by Libera, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC041.jpg
  • Genio Dello Sport, or the Genius of Sport, a bronze sculpture by Italo Griselli, 1880-1958, near the entrance of the Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC038.jpg
  • Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC029.jpg
  • Palazzo della Farnesina, a government building designed 1935 in Fascist style, housing the Ministry of Foreign Affairs, and the bronze sculpture Sfera con Sfera, or Sphere within a Sphere, by Italian sculptor Arnaldo Pomodoro, born 1926, Rome, Italy. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC019.jpg
  • Universita La Sapienza, or the Sapienza University of Rome, new campus building built 1935 by Marcello Piacentini, 1881-1960, in Fascist architectural style, Rome, Italy. La Sapienza is the largest university in Europe, and was founded in 1303. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC002.jpg
  • Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC132.jpg
  • Relief of soldiers fighting by Vico Consorti, 1902-79, on the Ponte Duca d'Aosta, built 1939-42 in Fascist style by Vincenzo Fasolo, a bridge linking Lungotevere Flaminio to Piazza Lauro De Bosis, near the Foro Italico, Rome, Italy. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC106.jpg
  • Palazzo degli Uffici, headquarters of EUR SpA, built 1937-39 in Fascist style, designed by Gaetano Minnucci, 1896-1980, and built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC073.jpg
  • Sculpture of the Capitoline Wolf, a she-wolf suckling Romulus and Remus, founders of Rome, on the Ponte Flaminio, built 1938-51, designed by Armando Brasini, 1879-1965, in Fascist style, with columns and monumental sculptures of eagles, Corso di Francia, Rome, Italy. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC059.jpg
  • Museo Nationale delle Arti e Tradizioni Populare, designed by Castellazzi, Morresi and Vitellozzi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC051.jpg
  • Statue at the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC047.JPG
  • Colonnade of the Palazzo delle Arte e Tradizioni Populare and behind, the obelisk, 1939-59, dedicated to Guglielmo Marconi, by Arturo Dazzi, on the Piazza Guglielmo Marconi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC034.jpg
  • Mosaic, 1941, by Enrico Prampolini, on the Museo Nationale delle Arti e Tradizioni Populare, designed by Castellazzi, Morresi and Vitellozzi, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC031.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC131.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC124.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC123.jpg
  • Reliefs of angels and inscriptions on the apartment buildings on the Piazza Augusto Emperatore, Rome, Italy, built in Fascist style with antique inspiration. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC104.jpg
  • Relief of an angel on the apartment buildings on the Piazza Augusto Emperatore, Rome, Italy, built in Fascist style with antique inspiration. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC102.jpg
  • The Ponte Flaminio, built 1938-51, designed by Armando Brasini, 1879-1965, in Fascist style, with columns and monumental sculptures of eagles, Corso di Francia, Rome, Italy. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC099.jpg
  • Posta Italiana, post office building on Via Marmorata designed by Libera, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition, planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC079.JPG
  • Stele, 1940-42, by Ercole Drei, with a relief of agricultural workers, in the Parco del Turismo, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC076.JPG
  • Colonnade of the Palazzo Mostra delle Romanita, now the Museo della Civilita Romana or Museum of Roman Civilisation, designed 1939-41 by Pietro Ascheri, D Bernardini and Cesare Pascoletti, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC071.jpg
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