manuel cohen

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  • Portrait of Jean Sylvain de Barbe de la Barthe, by Pierre Lacour, 1745-1814, from the collection of the Musee des Arts Decoratifs de Bordeaux, exhibited in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1329.jpg
  • Slaves in shackles, 1843, (left), and slaves driven to the coast bound together by their necks, 1843, (right), by Eugene Ferdinand Buttura, 1812-52, and Moynet, facsimile of an original in the Musee du Quai Branly, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1367.jpg
  • Portrait of Madame Barbe de la Barthe, by Pierre Lacour, 1745-1814, from the collection of the Musee des Arts Decoratifs de Bordeaux, exhibited in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1328.jpg
  • Punishment of slaves by whipping when staked out on the ground, by Eugene Ferdinand Buttura, 1812-52, and Moynet, facsimile of an original in the Musee du Quai Branly, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1340.jpg
  • Perspective view of the Grand Theatre de Bordeaux, designed by Victor Louis, 1731–1800, and inaugurated in 1780, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. The building is neoclassical in style, with a portico of 12 Corinthian columns and an entablature with 12 statues representing 9 muses and 3 goddesses (Juno, Venus and Minerva), carved by Pierre-Francois Berruer and his assistant Van den Drix. Picture by Manuel Cohen
    LC15_FRANCE_MC_1353.jpg
  • Slave trader selling slaves and their children, mid-19th century, by Eugene Ferdinand Buttura, 1812-52, and Moynet, facsimile of an original in the Musee du Quai Branly, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1368.jpg
  • Procession of slaves bound to each other by the neck, by Bazire, 1779, facsimile of an original in the Musee du Quai Branly, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1339.jpg
  • An English slave owner from Barbados selling his mistress, by Jean Michel Moreau the Younger, 1741-1814, facsimile of the original in the Musee du Quai Branly, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1384.jpg
  • Perspective view of the Grand Theatre de Bordeaux, designed by Victor Louis, 1731–1800, and inaugurated in 1780, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. The building is neoclassical in style, with a portico of 12 Corinthian columns and an entablature with 12 statues representing 9 muses and 3 goddesses (Juno, Venus and Minerva), carved by Pierre-Francois Berruer and his assistant Van den Drix. Picture by Manuel Cohen
    LC15_FRANCE_MC_1352.jpg
  • Le Cacaoyer, or cocoa beans, botanical illustraton, 1835, from the Flore d’Amerique, dedicated to the Linnaean Society of Bordeaux, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1381.jpg
  • Wealthy plantation owner inspecting sick slaves, 1822, coloured engraving, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1374.jpg
  • Map showing the routes of the slave trade through Europe in the 12th and 13th centuries, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1365.jpg
  • View of the town of Bordeaux near the Chateau Trompette, etching, 1755, by Nicolas Leroy de Baseront, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1351.jpg
  • Plan and cross-section of a slave ship from Liverpool, made for Clarkson, president of the Society for the Abolition of the Slave Trade, in London, 1789, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. This image shows the new positioning regulations for slaves after the British legislation of 1788 was passed. Picture by Manuel Cohen
    LC15_FRANCE_MC_1343.jpg
  • Boarding of slaves on a slave ship, facsimile of a 19th century engraving from the Archives Departementales de la Gironde, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. A slave is winched down to the slave deck, where others are bound in crouching positions. Picture by Manuel Cohen
    LC15_FRANCE_MC_1386.jpg
  • Portrait of the Planter, by Nicolas de Largilliere, 1656-1746, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. In Santo Domingo, many settlers were from Bordeaux and the Aquitaine region, and became wealthy plantation owners. Picture by Manuel Cohen
    LC15_FRANCE_MC_1388.jpg
  • Map of the Mexican Archipelago,  with Cuba, Santo Domingo and Jamaica, by P Coronelli and Tilemon 1688, in the Chatillon Collection, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1359.jpg
  • Map of the island of Martinique, watercolour engraving published c. 1762 in Nuremberg, with text explaining the island's history, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Martinique was occupied by the French in 1637, attacked by the Dutch in 1674 and the English in 1693 and taken by Amiral Rodney in 1762. On the left is the attack of the royal fort by the English fleet. Picture by Manuel Cohen
    LC15_FRANCE_MC_1361.jpg
  • Detail of the taking of Port-Mahon, Menorca, on 28th June 1756, marble relief on the pedestal of the equestrian statue of Louis X, 1764, by Claude Nicolas Francin, 1702-73, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Port-Mahon was taken from the English by the marshal of Richelieu seen to the right with his sergeant-major. Picture by Manuel Cohen
    LC15_FRANCE_MC_1333.jpg
  • Fruit seller from Bordeaux, by Jacques Grasset de Saint Sauveur, 1757-1810, from the 'Gens du Petit Peuple', late 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1295.jpg
  • View of the town of Fort Saint Pierre in Martinique, by Samuel Alken, 1756-1815, after Cooper Williams, 1796, engraving, in the Chatillon Collection, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1358.jpg
  • Slaves pounding couscous (actually manioc, called 'couche-couche' in Haiti), chromolithograph, c. 1840, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1377.jpg
  • Map and view of Cap Francais, founded 1670, capital of Santo Domingo in the West Indies until 1751, when Port au Prince became the capital, 1728, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1364.jpg
  • Rich family from Bordeaux with a black servant holding a child, painting, 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Bordeaux was an important slave trading city, many African slaves passed through Bordeaux and its white inhabitants also settled the West Indies as plantation owners. Picture by Manuel Cohen
    LC15_FRANCE_MC_1298.JPG
  • Portrait of Toussaint Louverture, 1743-1803, slave turned leader of the Haitian Revolution and anti-slavery campaigner, in military uniform, by Denis Alexandre Volozan, 1765-1820, c. 1800, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1385.jpg
  • Rich family from Bordeaux with a black servant, painting, 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Bordeaux was an important slave trading city, many African slaves passed through Bordeaux and its white inhabitants also settled the West Indies as plantation owners. Picture by Manuel Cohen
    LC15_FRANCE_MC_1387.jpg
  • Mission village at Saint Johns, Antigua, West Indies, drawing by L Stobwasser, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1373.jpg
  • Map of the Island of Santo Domingo in the West Indies, engraving with watercolour, published 1723, by Nicolas de Fer, 1646-1720, in the Chatillon collection, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1363.jpg
  • Second half of the town and port of Bordeaux, seen from Salinieres, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1355.jpg
  • 'Petit maitre que j’aime', or My Master whom I love, oil painting, 1840, by Julien Vallou de Villeneuve, 1795-1866, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Ths female slave is the mistress of the settler. In Santo Domingo in the West Indies, 40% of white settlers were from the Bordeaux region. Picture by Manuel Cohen
    LC15_FRANCE_MC_1348.jpg
  • The Marquis of Turgot, governor of Cayenne, French Guiana, from 1763, receiving gifts from the Indians, oil painting, 18th century, by unknown artist, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1344.jpg
  • Portrait of Princess Rakoczi, 1649-1722, and her black manservant, oil painting, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. The Princess is Charlotte Amelia, daughter of the Landgrave of Hesse-Rheinfels who married the Hungarian patriot Francis Rakoczi II, Prince of Transylvania. Bordeaux was an important slave trading city, many African slaves passed through Bordeaux and its white inhabitants also settled the West Indies as plantation owners. Picture by Manuel Cohen
    LC15_FRANCE_MC_1330.jpg
  • View to the North East of Fort Louis in Martinique in the Caribbean, 1796, by Williams Cooper, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France.  Martinique changed hands several times between the French and English during the colonial wars. Picture by Manuel Cohen
    LC15_FRANCE_MC_1370.jpg
  • Europeans landing in America, oil painting, early 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. This scene takes place in the Southern USA or the Antilles,<br />
with the captain holding a white flag and accepting a peace pipe from the Indian chief, while his men offer a barrel and tools. Picture by Manuel Cohen
    LC15_FRANCE_MC_1337.jpg
  • Portrait of the architect Victor Louis, 1731-1800, who built the Grand Theatre de Bordeaux 1773-80, by Pierre Lacour the Elder, 1745-1814, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1334.jpg
  • Map of Western Europe, showing the transportation of slaves from ports between 1500 and 1815, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Liverpool shipped by far the largest number of expeditions, with 4894. Picture by Manuel Cohen
    LC15_FRANCE_MC_1369.jpg
  • Fishmonger from Bordeaux arguing with an oyster seller, by Jacques Grasset de Saint Sauveur, 1757-1810, from the 'Gens du Petit Peuple', late 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1297.jpg
  • Wooden bas-relief and openwork sculpture of a procession of African slaves with Arab slave traders, by M Ulika Valentim, 1975, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. The slaves are bound by the neck and carry heavy loads, accompanied by their children and an armed guard. Picture by Manuel Cohen
    LC15_FRANCE_MC_1389.jpg
  • View of the port, town and fort of Cayenne, French Guiana, South America, late 18th century watercolour, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1371.jpg
  • View of the town of Bordeaux near the Chateau Trompette, etching, 1755, by Nicolas Leroy de Baseront, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1350.jpg
  • Portrait of Princess Rakoczi, 1649-1722, and her black manservant, oil painting, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. The Princess is Charlotte Amelia, daughter of the Landgrave of Hesse-Rheinfels who married the Hungarian patriot Francis Rakoczi II, Prince of Transylvania. Bordeaux was an important slave trading city, many African slaves passed through Bordeaux and its white inhabitants also settled the West Indies as plantation owners. Picture by Manuel Cohen
    LC15_FRANCE_MC_1331.jpg
  • Portrait of the judge and council of 1785-86 of the Stock Exchange, at a meeting in the Courtroom, painting, 1787, by Pierre Lacour, 1745-1814, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Depicted are the 5 magistrates of the Consular Jurisdiction of Bordeaux, all rich merchants, (left-right) 3rd Consul Hugues Vignes, 1st Consul Jacques Barthelemy Gramont Castera, Judge Jean Dutasta, 2nd Consul Guillaume Louvoye and 4th Consul Pierre Loriague. Picture by Manuel Cohen
    LC15_FRANCE_MC_1327.jpg
  • Woman from Agen in traditional dress, by Jacques Grasset de Saint Sauveur, 1757-1810, from the 'Gens du Petit Peuple', late 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1296.jpg
  • Man from the Landes Bordeaux region putting on his stilts, by Jacques Grasset de Saint Sauveur, 1757-1810, from the 'Gens du Petit Peuple', late 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. The Landes region was marshy and boggy, and peasants in the area often used stilts to walk from place to place. Picture by Manuel Cohen
    LC15_FRANCE_MC_1294.jpg
  • Plan and cross-section of a slave ship from Liverpool, made for Clarkson, president of the Society for the Abolition of the Slave Trade, in London, 1789, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. This image shows the new positioning regulations for slaves after the British legislation of 1788 was passed. Picture by Manuel Cohen
    LC15_FRANCE_MC_1417.jpg
  • Le Shega, a negro dance, with slaves dancing and behind, industrial buildings including a mill and factory, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1375.jpg
  • Model of a plantation in the West Indies, by Valerie Coriani, based on research by Jacques de Cauna and inspired by the Nolivos sugar cane plantation at Croix-des-Bouquets, Santo Domingo, with slaves' huts and behind, aqueduct, mill and sugar factory, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1382.jpg
  • Arrival of Europeans in Africa in search of slaves, engraving by Nicolas Colbert after Amedee Frerot, 1795, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1366.jpg
  • View of the port of Cayenne, French Guiana, South America, seen from the fort, late 18th century watercolour, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1372.jpg
  • Map of the French Antilles, based on documents of Mr Petit, Engineer to the King, and  observations of Guillaume De Pifle of the Academy of Sciences and First Geographer to the King, July 1717, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1360.jpg
  • Sharecropper and Shepherd from the Landes region on stilts, from the Bordeaux region, by Jacques Grasset de Saint Sauveur, 1757-1810, from the 'Gens du Petit Peuple', late 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. The Landes region was marshy and boggy, and peasants in the area often used stilts to walk from place to place. Picture by Manuel Cohen
    LC15_FRANCE_MC_1356.jpg
  • Craftswoman from Bordeaux, by Jacques Grasset de Saint Sauveur, 1757-1810, from the 'Gens du Petit Peuple', late 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1357.jpg
  • Second half of the town and port of Bordeaux, seen from Salinieres, engraving after a painting by J Vernet in the royal collection, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1354.jpg
  • The Marquis of Turgot, governor of Cayenne, French Guiana, from 1763, receiving gifts from the Indians, oil painting, 18th century, by unknown artist, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1345.jpg
  • Portrait of the Planter, by Nicolas de Largilliere, 1656-1746, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. In Santo Domingo, many settlers were from Bordeaux and the Aquitaine region, and became wealthy plantation owners. Picture by Manuel Cohen
    LC15_FRANCE_MC_1346.jpg
  • Europeans landing in America, oil painting, early 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. This scene takes place in the Southern USA or the Antilles, <br />
with the captain holding a white flag and accepting a peace pipe from the Indian chief, while his men offer a barrel and tools. Picture by Manuel Cohen
    LC15_FRANCE_MC_1338.jpg
  • Slave hut, illustration, 1780, from La France Pittoresque, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1376.jpg
  • Europeans landing in America, oil painting, early 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. This scene takes place in the Southern USA or the Antilles,<br />
with the captain holding a white flag and accepting a peace pipe from the Indian chief, while his men offer a barrel and tools. Picture by Manuel Cohen
    LC15_FRANCE_MC_1336.jpg
  • Slaves working at the sugar cane harvest, Chinese ink wash, c. 1800, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1379.jpg
  • View of the Porte de Bourgogne or Porte de Salinieres and Place Bourgogne and the river Garonne, Bordeaux, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1349.jpg
  • Slave working at the sugar cane harvest, with master looking on, sepia wash, c. 1800, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1380.jpg
  • Model of a plantation in the West Indies, by Valerie Coriani, based on research by Jacques de Cauna and inspired by the Nolivos sugar cane plantation at Croix-des-Bouquets, Santo Domingo, with plantation, slaves' huts and to the left, aqueduct, mill and sugar factory, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1383.jpg
  • Map of the island of Martinique, German copy of the map by Guillaume Delisle, 1675-1726, by Matthieu Seutter, 1678-1757, after 1732, coloured engraving, from the Chatillon collection, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1362.jpg
  • 'Petit maitre que j’aime', or My Master whom I love, oil painting, 1840, by Julien Vallou de Villeneuve, 1795-1866, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Ths female slave is the mistress of the settler. In Santo Domingo in the West Indies, 40% of white settlers were from the Bordeaux region. Picture by Manuel Cohen
    LC15_FRANCE_MC_1347.jpg
  • Portrait of the shipowner Jean Louis I de Baour, known as Alexis, 1750-1830, pastel drawing, 1764, by unknown artist, in the Duret collection in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Jean Louis I de Baour was heir to an armaments trading company in Bordeaux founded in 1715, which developed important trade links with Santo Domingo in the West Indies. Picture by Manuel Cohen
    LC15_FRANCE_MC_1332.jpg
  • Marble bust of Montesquieu, 1689-1755, lawyer and philosopher of the Age of Enlightenment, by Edmond Prevot, after J B Lemoyne, 1878, marbre, from the collection of the Town Hall of Bordeaux, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. The Baron de Montesquieu became a counselor of the Bordeaux Parliament in 1714 and became a president a mortier. Picture by Manuel Cohen
    LC15_FRANCE_MC_1335.jpg
  • Rich family from Bordeaux with a black servant, painting, 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Bordeaux was an important slave trading city, many African slaves passed through Bordeaux and its white inhabitants also settled the West Indies as plantation owners. Picture by Manuel Cohen
    LC15_FRANCE_MC_1418.jpg
  • Slaves working in the fields near Havana, Cuba, early 19th century, by Ambroise Louis Garneray, 1783-1857, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1378.jpg
  • The Negros' Dance, watercolour engraving, c. 1830-40, with a small group of slaves made to dance on the deck of the ship whilst whipped, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1342.jpg
  • Procession of female slaves, sketch by Alfonse Levy, 1843-1918, 19th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1341.jpg
  • Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, with the chevet and bell tower, and the Musee d'Angouleme on the right, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen
    LC17_FRANCE_MC_0373.jpg
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