manuel cohen

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  • Detail of the monumental stained glass window of the stages of the tree of life with landscape and birds, by Rigalt Granell & Cia, on all 4 floors of the private area at the rear of the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC407.jpg
  • Plaster ceiling with sculpted floral and foliage motifs and painted panels, in the corridor in the private area of the apartment in the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC406.jpg
  • Carved woodwork, stained and leaded glass with floral patterns, and tapestry panel, by Gaspar Homar, 1870-1953, around the fireplace in the public living room or guest room at the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC413.jpg
  • Public living room or guest room, with parquet floor, panelling and marquetry in wood, and stained and leaded glass and wall coverings with floral patterns, by Gaspar Homar, 1870-1953, at the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC404.jpg
  • Internal courtyard, with sgraffito wall decoration, a mural of a mulberry tree representing Francesca Morera (el arbol de la morera), and small green outbuilding, originally a laundry room, in the private area of the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC417.jpg
  • Public living room or guest room, with parquet floor, panelling, fireplace, marquetry and ceiling in wood, stained and leaded glass with floral patterns, and tapestry panels, by Gaspar Homar, 1870-1953, at the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC403.JPG
  • Public living room or guest room, with parquet floor, panelling, fireplace, marquetry and ceiling in wood, stained and leaded glass with floral patterns, and tapestry panels, by Gaspar Homar, 1870-1953, at the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC412.jpg
  • Monumental stained glass window of the stages of the tree of life with landscape and birds, by Rigalt Granell & Cia, on all 4 floors of the private area at the rear of the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC401.jpg
  • Carved wooden ceiling and stained and leaded glass with floral pattern, by Gaspar Homar, 1870-1953, around the fireplace in the public living room or guest room at the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC414.jpg
  • Internal courtyard, with sgraffito wall decoration, a mural of a mulberry tree representing Francesca Morera (el arbol de la morera), and small green outbuilding, originally a laundry room, in the private area of the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC400.jpg
  • Public living room or guest room, with parquet floor, panelling, fireplace, marquetry and ceiling in wood, stained and leaded glass with floral patterns, and tapestry panels, by Gaspar Homar, 1870-1953, at the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC402.jpg
  • Sgraffito ceiling, and high relief sculpture by Eusebi Arnau, 1864-1933, with a nursemaid feeding a child, from a representation of the popular song, The Nurse of the Child-King, at the entrance to the main apartment in the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. This sculptural work was commissioned by Albert Lleo i Morera, in memory of a dead child. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC410.jpg
  • Public living room or guest room, with parquet floor, panelling, fireplace, marquetry and ceiling in wood, stained and leaded glass with floral patterns, and tapestry panels, by Gaspar Homar, 1870-1953, at the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC415.jpg
  • Monumental stained glass window of the stages of the tree of life with landscape and birds, by Rigalt Granell & Cia, on all 4 floors of the private area at the rear of the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC411.jpg
  • High relief sculptures by Eusebi Arnau, 1864-1933, with hunters and hounds from a representation of the popular song, The Nurse of the Child-King, at the entrance to the main apartment in the Casa Lleo i Morera, originally built in 1864 as the Casa Rocamora by Joaquim Sitjas, and remodelled 1902-06 by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923. The project was commissioned by Francesca Morera and overseen after her death by her son Albert Lleo i Morera. This sculptural work was commissioned by Albert Lleo i Morera, in memory of a dead child. The architect employed many Modernist craftsmen on the project, with sculptures by Eusebi Arnau, furniture by Gaspar Homar, ceramics by Antoni Serra i Fiter and mosaics by Mario Maragliano and Lluis Bru. Picture by Manuel Cohen
    LC16_SPAIN_MC405.jpg
  • Lluis Domenech i Montaner Museum, in the Pavilion Sant Salvador, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_0931.jpg
  • Angel with anchor, Allegory of Hope, plaster sculpture, 1909, model for sculpture on one of the pinnacles of the clock tower, by Eusebi Arnau, in the Lluis Domenech i Montaner Museum in the Pavilion Sant Salvador, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1130.jpg
  • Lluis Domenech i Montaner Museum, in the Pavilion Sant Salvador, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_0932.jpg
  • Columns covered with mosaic in floral designs, by Lluis Bru, on the balcony outside the Lluis Millet Room (a lounge area), on the first floor of the main facade of the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC385.jpg
  • Orfeo Catala, allegorical mosaic by Lluis Bru, top of the main facade, Palau de la Musica Catalana, 1908, Lluis Domenech i Montaner, Barcelona, Spain. Picture by Manuel Cohen
    LCSPAIN12_MC133.jpg
  • Second floor of the main entrance hall with marble work by Alfons Juyol and mosaics by Lluis Bru, in the Casa Navas, built 1902-7 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, on the Plaza del Mercadal or Market Square in Reus, Catalonia, Spain. The original skylight above was destroyed in 1938 during the Spanish Civil War, and was restored in 1990 by Maria Font Rubin, the Carandell But workshop and Carmen Fernandez. The house was built for Joaquim Navas Padro. The interiors were completed by Alfons Juyol i Bach (marble), Tomas Bergada (paintings), Gaspar Homar (furniture) and Hipolit Montseny (ceramics). The building is listed as a national monument. Picture by Manuel Cohen
    LC16_SPAIN_MC101.jpg
  • Ceiling mosaic in music room or salon principal, depicting a blindfolded woman (an allegory of madness), Pavilion des Distingues,  L'Institut Pere Mata, psychiatric hospital, 1901-1912, by LLuis Domenech i Montaner, Reus, Catalonia, Spain. Domenech i Montaner was a leading architect of the Catalan Modernist style, the local variation on Art Nouveau or Jugendstil. Photograph by Manuel Cohen.
    LCSPAIN11_MC365.jpg
  • Second floor of the main entrance hall with marble work by Alfons Juyol and mosaics by Lluis Bru, in the Casa Navas, built 1902-7 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, on the Plaza del Mercadal or Market Square in Reus, Catalonia, Spain. The original skylight above was destroyed in 1938 during the Spanish Civil War, and was restored in 1990 by Maria Font Rubin, the Carandell But workshop and Carmen Fernandez. The house was built for Joaquim Navas Padro. The interiors were completed by Alfons Juyol i Bach (marble), Tomas Bergada (paintings), Gaspar Homar (furniture) and Hipolit Montseny (ceramics). The building is listed as a national monument. Picture by Manuel Cohen
    LC16_SPAIN_MC102.jpg
  • Concert Hall, seating 2015 people and illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia, with Walcker pipe organ and stepped stage, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The huge arch in front of the stage is by Didac Masana and Pau Gargallo, with sculptures of a choir singing Les Flors de Maig, Anselm Clave, a tree, the ride of the Valkyries and Beethoven. Around the stage are figures of 18 muses sculpted by Eusebi Arnau with mosaic work by Lluis Bru. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC397.jpg
  • Detail of window, Casa Gasull, 1911, by LLuis Domenech i Montaner, Reus, Catalonia, Spain. Domenech i Montaner was a leading architect of the Catalan Modernist style, the local variation on Art Nouveau or Jugendstil. Photograph by Manuel Cohen.
    LCSPAIN11_MC354.jpg
  • First floor of the main entrance hall with marble work by Alfons Juyol and mosaic of a garden scene with fountain and blossom trees by Lluis Bru, in the Casa Navas, built 1902-7 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, on the Plaza del Mercadal or Market Square in Reus, Catalonia, Spain. The house was built for Joaquim Navas Padro. The interiors were completed by Alfons Juyol i Bach (marble), Tomas Bergada (paintings), Gaspar Homar (furniture) and Hipolit Montseny (ceramics). The building is listed as a national monument. Picture by Manuel Cohen
    LC16_SPAIN_MC112.jpg
  • Carved door, billiards room, Pavilion des distingues, L'Institut Pere Mata, psychiatric hospital, 1901-1912, by LLuis Domenech i Montaner, Reus, Catalonia, Spain. Domenech i Montaner was a leading architect of the Catalan Modernist style, the local variation on Art Nouveau or Jugendstil. Photograph by Manuel Cohen.
    LCSPAIN11_MC360.jpg
  • Sculptures of muses playing musical instruments (drum and Germanic lyre), by Eusebi Arnau, with mosaics by Lluis Bru, around the back wall of the stage in the Concert Hall, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC370.jpg
  • Sculpture of a muse playing a lute, by Eusebi Arnau, with mosaics by Lluis Bru, around the back wall of the stage in the Concert Hall, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC356.jpg
  • Concert Hall, seating 2015 people and illuminated entirely during the day by windows and the huge stained glass drip-shaped skylight by Rigalt Granell & Cia, with Walcker pipe organ and stepped stage, seen from the second floor balcony, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The huge arch in front of the stage was sculpted by Didac Masana and Pau Gargallo, and around the stage are figures of the muses sculpted by Eusebi Arnau with mosaic work by Lluis Bru. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC386.jpg
  • Second floor of the main entrance hall with marble work by Alfons Juyol and mosaics by Lluis Bru, in the Casa Navas, built 1902-7 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, on the Plaza del Mercadal or Market Square in Reus, Catalonia, Spain. The original skylight above was destroyed in 1938 during the Spanish Civil War, and was restored in 1990 by Maria Font Rubin, the Carandell But workshop and Carmen Fernandez. The house was built for Joaquim Navas Padro. The interiors were completed by Alfons Juyol i Bach (marble), Tomas Bergada (paintings), Gaspar Homar (furniture) and Hipolit Montseny (ceramics). The building is listed as a national monument. Picture by Manuel Cohen
    LC16_SPAIN_MC099.jpg
  • Second floor of the main entrance hall with marble work by Alfons Juyol and mosaics by Lluis Bru, in the Casa Navas, built 1902-7 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, on the Plaza del Mercadal or Market Square in Reus, Catalonia, Spain. The original skylight above was destroyed in 1938 during the Spanish Civil War, and was restored in 1990 by Maria Font Rubin, the Carandell But workshop and Carmen Fernandez. The house was built for Joaquim Navas Padro. The interiors were completed by Alfons Juyol i Bach (marble), Tomas Bergada (paintings), Gaspar Homar (furniture) and Hipolit Montseny (ceramics). The building is listed as a national monument. Picture by Manuel Cohen
    LC16_SPAIN_MC100.jpg
  • Casa Rull, 1900, by LLuis Domenech i Montaner, Reus, Catalonia, Spain. Domenech i Montaner was a leading architect of the Catalan Modernist style, the local variation on Art Nouveau or Jugendstil. Photograph by Manuel Cohen.
    LCSPAIN11_MC353.jpg
  • Casa Rull, 1900, (right) and Casa Gasull, 1911 (left), both by LLuis Domenech i Montaner, Reus, Catalonia, Spain. Domenech i Montaner was a leading architect of the Catalan Modernist style, the local variation on Art Nouveau or Jugendstil. Photograph by Manuel Cohen.
    LCSPAIN11_MC352.jpg
  • Mosaic in dining room, Pavilion des Distingues, L'Institut Pere Mata, psychiatric hospital, 1901-1912, by LLuis Domenech i Montaner, Reus, Catalonia, Spain. Domenech i Montaner was a leading architect of the Catalan Modernist style, the local variation on Art Nouveau or Jugendstil. Photograph by Manuel Cohen.
    LCSPAIN11_MC366.jpg
  • Sculptures of muses playing a lute and a flageolet and a drum, by Eusebi Arnau, with mosaics by Lluis Bru, around the back wall of the stage in the Concert Hall, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC357.jpg
  • Brick cupola and tiled decoration, side entrance to courtyard, L'Institut Pere Mata, psychiatric hospital, 1901-1912, by LLuis Domenech i Montaner, Reus, Catalonia, Spain. Domenech i Montaner was a leading architect of the Catalan Modernist style, the local variation on Art Nouveau or Jugendstil. Photograph by Manuel Cohen.
    LCSPAIN11_MC357.jpg
  • Detail of stained glass window, First floor gallery giving access to the rooms, Pavilion des Distingues, L'Institut Pere Mata, psychiatric hospital, 1901-1912, by LLuis Domenech i Montaner, Reus, Catalonia, Spain. Domenech i Montaner was a leading architect of the Catalan Modernist style, the local variation on Art Nouveau or Jugendstil. Photograph by Manuel Cohen.
    LCSPAIN11_MC361.jpg
  • Sculptures of muses playing musical instruments (bagpipes and triangle), by Eusebi Arnau, with mosaics by Lluis Bru, around the back wall of the stage in the Concert Hall, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC350.jpg
  • Sculpture of a muse playing a lyre, by Eusebi Arnau, with mosaics by Lluis Bru, around the back wall of the stage in the Concert Hall, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC351.jpg
  • Facade of the Pavilion des Distingues, L'Institut Pere Mata, psychiatric hospital, 1901-1912, by LLuis Domenech i Montaner, Reus, Catalonia, Spain. Domenech i Montaner was a leading architect of the Catalan Modernist style, the local variation on Art Nouveau or Jugendstil. Photograph by Manuel Cohen.
    LCSPAIN11_MC358.jpg
  • First floor gallery giving access to the rooms, Pavilion des Distingues, L'Institut Pere Mata, psychiatric hospital, 1901-1912, by LLuis Domenech i Montaner, Reus, Catalonia, Spain. Domenech i Montaner was a leading architect of the Catalan Modernist style, the local variation on Art Nouveau or Jugendstil. Photograph by Manuel Cohen.
    LCSPAIN11_MC362.jpg
  • Ceiling mosaic and stained glass windows, in music room or salon principal, Pavilion des Distingues,  L'Institut Pere Mata, psychiatric hospital, 1901-1912, by LLuis Domenech i Montaner, Reus, Catalonia, Spain. Domenech i Montaner was a leading architect of the Catalan Modernist style, the local variation on Art Nouveau or Jugendstil. Photograph by Manuel Cohen.
    LCSPAIN11_MC364.jpg
  • Decorated wall and matching chair, first floor room, Pavilion des Distingues, L'Institut Pere Mata, psychiatric hospital, 1901-1912, by LLuis Domenech i Montaner, Reus, Catalonia, Spain. Domenech i Montaner was a leading architect of the Catalan Modernist style, the local variation on Art Nouveau or Jugendstil. Photograph by Manuel Cohen.
    LCSPAIN11_MC363.jpg
  • Sculpture of a muse playing the violin, by Eusebi Arnau, with mosaics by Lluis Bru, around the back wall of the stage in the Concert Hall, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC371.jpg
  • Staircases and view through to orchestra area in the Concert Hall, from the Lluis Millet Room, a lounge area on the first floor, in the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The large lamp posts are sculpted with floral and vegetal motifs. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC395.jpg
  • Concert Hall, seating 2015 people and illuminated entirely during the day by windows and the huge stained glass drip-shaped skylight by Rigalt Granell & Cia, with Walcker pipe organ and stepped stage, seen from the second floor balcony, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The huge arch in front of the stage was sculpted by Didac Masana and Pau Gargallo, and around the stage are figures of the muses sculpted by Eusebi Arnau with mosaic work by Lluis Bru. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC387.jpg
  • Seats on the first floor balcony in the Concert Hall, seating 2015 people and illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The huge arch in front of the stage was sculpted by Didac Masana and Pau Gargallo, and around the stage are figures of the muses sculpted by Eusebi Arnau with mosaic work by Lluis Bru. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC373.jpg
  • Sculpture of a muse playing a transverse flute, by Eusebi Arnau, with mosaics by Lluis Bru, around the back wall of the stage in the Concert Hall, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC353.jpg
  • Sculpture of a muse playing the bagpipes, by Eusebi Arnau, with mosaics by Lluis Bru, around the back wall of the stage in the Concert Hall, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC354.jpg
  • Sculpture of a muse playing the castanets, by Eusebi Arnau, with mosaics by Lluis Bru, around the back wall of the stage in the Concert Hall, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC355.jpg
  • Sculptures of muses playing musical instruments (guembri, pan pipes, lute, flageolet and drum), by Eusebi Arnau, with mosaics by Lluis Bru, around the back wall of the stage in the Concert Hall, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC358.jpg
  • Sculptures of muses playing musical instruments (lyre, castanets, drum and Germanic lyre), by Eusebi Arnau, with mosaics by Lluis Bru, around the back wall of the stage in the Concert Hall, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC369.jpg
  • Sculpture of a muse playing a transverse flute, by Eusebi Arnau, with mosaics by Lluis Bru, around the back wall of the stage in the Concert Hall, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC352.jpg
  • Seats on the first floor balcony in the Concert Hall, seating 2015 people and illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The huge arch in front of the stage was sculpted by Didac Masana and Pau Gargallo, and around the stage are figures of the muses sculpted by Eusebi Arnau with mosaic work by Lluis Bru. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC375.jpg
  • Concert Hall, seating 2015 people and illuminated entirely during the day by windows and the huge stained glass drip-shaped skylight by Rigalt Granell & Cia, with Walcker pipe organ and stepped stage, seen from the second floor balcony, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The huge arch in front of the stage was sculpted by Didac Masana and Pau Gargallo, and around the stage are figures of the muses sculpted by Eusebi Arnau with mosaic work by Lluis Bru. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC379.jpg
  • First floor of the living room with decorative stained glass windows and marble work by Alfons Juyol, looking through to the hallway and its mosaics by Lluis Bru, in the Casa Navas, built 1902-7 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, on the Plaza del Mercadal or Market Square in Reus, Catalonia, Spain. The house was built for Joaquim Navas Padro. The interiors were completed by Alfons Juyol i Bach (marble), Tomas Bergada (paintings), Gaspar Homar (furniture) and Hipolit Montseny (ceramics). The building is listed as a national monument. Picture by Manuel Cohen
    LC16_SPAIN_MC104.jpg
  • Modernist ticket booth decorated with mosaics by Lluis Bru, Palau de la Musica Catalana, 1908, Lluis Domenech i Montaner, Barcelona, Spain. Picture by Manuel Cohen
    LCSPAIN12_MC077.jpg
  • Concert Hall, seating 2015 people and illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia, with Walcker pipe organ and stepped stage, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The huge arch in front of the stage is by Didac Masana and Pau Gargallo, with sculptures of a choir singing Les Flors de Maig, Anselm Clave, a tree, the ride of the Valkyries and Beethoven. Around the stage are figures of 18 muses sculpted by Eusebi Arnau with mosaic work by Lluis Bru. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC398.jpg
  • Concert Hall, seating 2015 people and illuminated entirely during the day by windows and the huge stained glass drip-shaped skylight by Rigalt Granell & Cia, with Walcker pipe organ and stepped stage, seen from the second floor balcony, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The huge arch in front of the stage was sculpted by Didac Masana and Pau Gargallo, and around the stage are figures of the muses sculpted by Eusebi Arnau with mosaic work by Lluis Bru. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC390.jpg
  • Detail of female figure, allegorical relief by Miquel Blay of the Catalan Song, Palau de la Musica Catalana, 1908, Lluis Domenech i Montaner, Barcelona, Spain. Picture by Manuel Cohen
    LCSPAIN12_MC132.jpg
  • Bust of Giovanni Pierluigi da Palestrina, topping the column of the main facade, Palau de la Musica Catalana, 1908, Lluis Domenech i Montaner, Barcelona, Spain. Picture by Manuel Cohen
    LCSPAIN12_MC131.jpg
  • Main entrance hall with staircase with marble work by Alfons Juyol and mosaics by Lluis Bru, in the Casa Navas, built 1902-7 in Modernist style by Lluis Domenech i Montaner, 1850-1923, Catalan Modernist architect, on the Plaza del Mercadal or Market Square in Reus, Catalonia, Spain. The house was built for Joaquim Navas Padro. The interiors were completed by Alfons Juyol i Bach (marble), Tomas Bergada (paintings), Gaspar Homar (furniture) and Hipolit Montseny (ceramics). The building is listed as a national monument. Picture by Manuel Cohen
    LC16_SPAIN_MC113.jpg
  • Concert Hall, seating 2015 people and illuminated entirely during the day by windows and the huge stained glass drip-shaped skylight by Rigalt Granell & Cia, with Walcker pipe organ and stepped stage, seen from the second floor balcony, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The huge arch in front of the stage was sculpted by Didac Masana and Pau Gargallo, and around the stage are figures of the muses sculpted by Eusebi Arnau with mosaic work by Lluis Bru. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC388.jpg
  • Modernist pinnacles, Palau de la Musica Catalana, 1908, Lluis Domenech i Montaner, Barcelona, Spain. Picture by Manuel Cohen
    LCSPAIN12_MC136.jpg
  • Multicolored glazed tile pieces of the colonnade on the second-level balcony, Palau de la Musica Catalana, 1908, Lluis Domenech i Montaner, Barcelona, Spain. Picture by Manuel Cohen
    LCSPAIN12_MC130.jpg
  • Detail of  figures, allegorical relief by Miquel Blay of the Catalan Song, Palau de la Musica Catalana, 1908, Lluis Domenech i Montaner, Barcelona, Spain. Picture by Manuel Cohen
    LCSPAIN12_MC134.jpg
  • Church, built 1923-30, by Pere Domenech i Roura, son of the architect, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC276.jpg
  • Lamp by Pere Domenech i Roura, 1930s, and the decorative ceiling and cupola above the main staircase, with decorated ribs and bosses, stained glass by Rigalt, Granell & Cia and mosaics by Mario Maragliano, in the Administration Pavilion, built 1905-10, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC251.jpg
  • Modernist pinnacles, Palau de la Musica Catalana, 1908, Lluis Domenech i Montaner, Barcelona, Spain. Picture by Manuel Cohen
    LCSPAIN12_MC135.jpg
  • Seats on the first floor balcony in the Concert Hall, seating 2015 people and illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC372.jpg
  • First floor balcony of the Concert Hall, with stained glass windows with garland design by Rigalt Granell & Cia and mosaic columns, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC394.jpg
  • Church, built 1923-30, by Pere Domenech i Roura, son of the architect, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC278.jpg
  • Lamp by Pere Domenech i Roura, 1930s, and the decorative ceiling and cupola above the main staircase, with decorated ribs and bosses, stained glass by Rigalt, Granell & Cia and mosaics by Mario Maragliano, in the Administration Pavilion, built 1905-10, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC249.jpg
  • Lamp by Pere Domenech i Roura, 1930s, and the decorative ceiling and cupola above the main staircase, with decorated ribs and bosses, stained glass by Rigalt, Granell & Cia and mosaics by Mario Maragliano, in the Administration Pavilion, built 1905-10, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC250.jpg
  • Bust of Anselm Clave below a sculpture of a tree entitled Les Flors de Maig or the Flowers of May, representing Catalan folk music, by Pau Gargallo, and behind, mosaic of the musician Palestrina, around the stage in the Concert Hall, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC360.jpg
  • Buttress sculpture of an angel praying topped by a canopy, by Pau Gargallo, 1881-1934, in the Administration Pavilion, built 1905-10, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC217.jpg
  • Sculpted gargoyles, one of a monster, symbol of illness and death, and one of a frog with its baby, symbol of life in the face of illness and death, on the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC318.jpg
  • Pavilion of Nostra Senyora del Carme, built 1902-12, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_0933.jpg
  • Walcker pipe organ of 1908 and huge stained glass drip-shaped skylight by Rigalt Granell & Cia in the Concert Hall, seating 2015 people and illuminated entirely during the day by stained glass, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC383.jpg
  • The Pau Gil Room, the old hospital archives, with decorative ceiling with ribs, bosses and tilework, and the coat of arms of St Paul in the centre, in the Administration Pavilion, built 1905-10, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC282.jpg
  • Decorative light, and names of musicians in mosaic, in the Concert Hall, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC345.jpg
  • Frieze on the facade of the Operations Pavilion, built 1902-12, with names of the doctors of the original Santa Creu hospital, behind a Gothic style cross on a twisted column, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC264.jpg
  • Pavilion of Nostra Senyora del Carme, built 1902-12, and behind, the Pavilion of Nostra Senyora de la Merce, built 1902-11, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC293.jpg
  • Staircase with fountain and sculptural group of the Allegory of Charity, 1916, by Eusebi Arnau, 1863-1933, at the entrance to the Administration Pavilion, built 1905-10, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC288.jpg
  • Angel sculpture by Eusebi Arnau, 1864-1933, with lions holding the coat of arms of the Holy Cross and St Paul, atop the facade of the Operations Pavilion, built 1902-12, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC322.jpg
  • Hypostyle Hall in the Administration Pavilion, built 1905-10, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_0928.jpg
  • Pegasus sculpture by Eusebi Arnau, and behind, skylight by Rigalt Granell & Cia, and sculpture of Les Flors de Maig (The Flowers of May) and bust of Anselm Clave, representing Catalan folk music, by Pau Gargallo, in the Concert Hall of the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC384.jpg
  • Facade of the Operations Pavilion, built 1902-12, topped with an angel sculpture by Eusebi Arnau, 1864-1933, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC239.jpg
  • Sculptural detail of the face of a cherub, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC277.jpg
  • Decorative tiled ceiling of the internal galleries linking parts of the Administration Pavilion, built 1905-10, with the symbol of Catalonia, with floral and botanical motifs, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC225.jpg
  • Sculpture of a nurse nun by Pau Gargallo, 1881-1934, above a door in the entrance to the Administration Pavilion, built 1905-10, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC226.jpg
  • Decorative ceiling above the main staircase, with decorated ribs and bosses and mosaics by Mario Maragliano reflecting the shapes of the windows, in the Administration Pavilion, built 1905-10, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC341.jpg
  • Sculptural detail of cherubs flanking a window, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC315.jpg
  • Pavilion of Sant Rafael, built 1914-18, and on the right, the glass room of the Operations Pavilion, built 1902-12, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC268.jpg
  • Mosaic by Mario Maragliano after designs by Francesc Labarta, of the history of the Hospital de Sant Pau, on the facade of the Administration Pavilion, built 1905-10, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC312.jpg
  • Bust of Joaquim de Carcer i d'Amat, Marquis of Castellbell, 1900, by Miquel Blay, in the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_0930.jpg
  • Women's pavilions, and centre, the Operations Pavilion, built 1902-12, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_0941.jpg
  • Floral capital and mosaic and ceiling with mosaics in floral designs, in the Concert Hall, at the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall seats 2015 people, has a Walcker pipe organ and stepped stage and is illuminated entirely during the day by windows and a huge stained glass drip-shaped skylight by Rigalt Granell & Cia. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC374.jpg
  • Interior of the Pavilion of Sant Rafael, built 1914-18, with initial R on the tiled wall, in memory of the family of Rafael Ravell who donated money for this building, at the Hospital de Sant Pau, or Hospital de la Santa Creu i Sant Pau, built 1902-30, designed by Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in El Guinardo, Barcelona, Catalonia, Spain. The original medieval hospital of 1401 was replaced with this complex in the 20th century thanks to capital provided in the will of Pau Gil. The hospital consists of 27 pavilions surrounded by gardens and linked by tunnels, using the Modernist Art Nouveau style with great attention to detail. On the death of the architect, his son Pere Domenech i Roura took over the project. The complex was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC253.jpg
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