manuel cohen

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  • TOLEDO, SPAIN - APRIL 11 : A low angle view of an aisle in the Synagogue of Santa Maria La Blanca, on April 11, 2006 in Toledo, Spain. The Synagogue of Santa Maria La Blanca, built in the Mujedar style, was founded in 1203. The interior is Mosque like, and the building was hardly changed when converted into a Catholic Church in the 15th century. The five aisles are divided by rows of horseshoe arches with elaborate plaster mouldings and carved capitals with vegetal decoration. Toledo, a former capital of Spain, and cultural centre where Jews, Muslims and Christians co-existed, (Photo by Manuel Cohen)
    DSPAIN06_10_017.JPG
  • Detail of headless statue near theatre, 1st century AD, Segobriga, Spain, pictured on April 13, 2006, in the afternoon. The theatre was decorated with ornate columns and statues whose ruins remain. Segobriga was founded by the Romans in the 1st century BC, after the Punic wars, and the town was developed during the reign of  Augustus. It became an important administrative centre whose local industry was mining 'specularis lapis', a crystallized sheet gypsum used for window glass. Picture by Manuel Cohen.
    LC_SPAIN_06_MC043.jpg
  • Detail of headless statue near theatre, 1st century AD, Segobriga, Spain, pictured on April 13, 2006, in the afternoon. The theatre was decorated with ornate columns and statues whose ruins remain. Segobriga was founded by the Romans in the 1st century BC, after the Punic wars, and the town was developed during the reign of  Augustus. It became an important administrative centre whose local industry was mining 'specularis lapis', a crystallized sheet gypsum used for window glass. Picture by Manuel Cohen.
    LC_SPAIN_06_MC042.jpg
  • Detail of sculpture with leaf decoration, near theatre, 1st century AD,  Segobriga, Spain, pictured on April 13, 2006, in the afternoon. The theatre was decorated with ornate columns and statues whose ruins remain. Segobriga was founded by the Romans in the 1st century BC, after the Punic wars, and the town was developed during the reign of  Augustus. It became an important administrative centre whose local industry was mining 'specularis lapis', a crystallized sheet gypsum used for window glass. Picture by Manuel Cohen.
    LC_SPAIN_06_MC041.jpg
  • Low angle view of Forum, 1st century AD, Segobriga, Spain, pictured on April 13, 2006, in the afternoon. The forum, or central public space of the town, accessed by a grand staircase, is still well paved and has an inscription to Spantamicus Proculus, who commissioned it. All around the square are ruined columns, the remains of the basilica and temple of the Imperial-cult. Segobriga was founded by the Romans in the 1st century BC, after the Punic wars, and the town was developed during the reign of  Augustus. It became an important administrative centre whose local industry was mining ëspecularis lapisí, a crystallized sheet gypsum used for window glass. Picture by Manuel Cohen.
    LC_SPAIN_06_MC037.jpg
  • General view of Amphitheatre, 1st century AD, Segobriga, Spain, pictured on April 13, 2006, in the evening. The elliptical 74 m. long amphitheatre, seating almost 6,000, is well preserved. Its arena is separated from the auditorium by a podium and behind the scenes are areas for the animals, rooms for gladiators, and prayer rooms, all linked by a corridor. The spectacles would have included gladiatorial battles and fights with animals. It was in use until the 3rd century and then used as an agricultural store until the 17th century when it was damaged by being quarried for the Ucles Monastery. Segobriga was founded by the Romans in the 1st century BC, after the Punic wars, and the town was developed during the reign of  Augustus. It became an important administrative centre whose local industry was mining 'specularis lapis', a crystallized sheet gypsum used for window glass. Picture by Manuel Cohen.
    LC_SPAIN_06_MC035.jpg
  • View from the side of Theatre, c. 40-60 AD, Segobriga, Spain, pictured on April 13, 2006, in the afternoon. Seating 2,000 people, the raked auditorium surrounds a semi-circular stage. The theatre was decorated with ornate columns and statues whose ruins remain. Segobriga was founded by the Romans in the 1st century BC, after the Punic wars, and the town was developed during the reign of  Augustus. It became an important administrative centre whose local industry was mining ëspecularis lapisí, a crystallized sheet gypsum used for window glass. Picture by Manuel Cohen.
    LC_SPAIN_06_MC032.jpg
  • High angle view of Theatre, c. 40-60 AD, Segobriga, Spain, pictured on April 13, 2006, lit by the sunset. Seating 2,000 people, the raked auditorium surrounds a semi-circular stage. The theatre was decorated with ornate columns and statues whose ruins remain. Segobriga was founded by the Romans in the 1st century BC, after the Punic wars, and the town was developed during the reign of  Augustus. It became an important administrative centre whose local industry was mining ëspecularis lapisí, a crystallized sheet gypsum used for window glass. Picture by Manuel Cohen.
    LC_SPAIN_06_MC044.jpg
  • High angle view of Theatre, c. 40-60 AD, Segobriga, Spain, pictured on April 13, 2006, in the afternoon showing the surrounding hills. Seating 2,000 people, the raked auditorium surrounds a semi-circular stage. The theatre was decorated with ornate columns and statues whose ruins remain. Segobriga was founded by the Romans in the 1st century BC, after the Punic wars, and the town was developed during the reign of  Augustus. It became an important administrative centre whose local industry was mining ëspecularis lapisí, a crystallized sheet gypsum used for window glass. Picture by Manuel Cohen.
    LC_SPAIN_06_MC039.jpg
  • High angle view of from the side of the Theatre, c. 40-60 AD, Segobriga, Spain, pictured on April 13, 2006, in the afternoon. Seating 2,000 people, the raked auditorium surrounds a semi-circular stage. The theatre was decorated with ornate columns and statues whose ruins remain. Segobriga was founded by the Romans in the 1st century BC, after the Punic wars, and the town was developed during the reign of  Augustus. It became an important administrative centre whose local industry was mining 'specularis lapis', a crystallized sheet gypsum used for window glass. Picture by Manuel Cohen.
    LC_SPAIN_06_MC038.jpg
  • Detail of wall niches, Amphitheatre, 1st century AD, Segobriga, Spain, pictured on April 13, 2006, in the evening. Segobriga was founded by the Romans in the 1st century BC, after the Punic wars, and the town was developed during the reign of  Augustus. It became an important administrative centre whose local industry was mining 'specularis lapis', a crystallized sheet gypsum used for window glass. Picture by Manuel Cohen.
    LC_SPAIN_06_MC036.jpg
  • High angle view across the Forum, 1st century AD, Segobriga, Spain, pictured on April 13, 2006, in the afternoon. The forum, or central public space of the town, accessed by a grand staircase, is still well paved and has an inscription to Spantamicus Proculus, who commissioned it. All around the square are ruined columns, the remains of the basilica and temple of the Imperial-cult. Segobriga was founded by the Romans in the 1st century BC, after the Punic wars, and the town was developed during the reign of  Augustus. It became an important administrative centre whose local industry was mining 'specularis lapis', a crystallized sheet gypsum used for window glass. Picture by Manuel Cohen.
    LC_SPAIN_06_MC034.jpg
  • Low angle view of Forum, 1st century AD, Segobriga, Spain, pictured on April 13, 2006, in the afternoon. The forum, or central public space of the town, accessed by a grand staircase, is still well paved and has an inscription to Spantamicus Proculus, who commissioned it. All around the square are ruined columns, the remains of the basilica and temple of the Imperial-cult. Segobriga was founded by the Romans in the 1st century BC, after the Punic wars, and the town was developed during the reign of  Augustus. It became an important administrative centre whose local industry was mining 'specularis lapis', a crystallized sheet gypsum used for window glass. Picture by Manuel Cohen.
    LC_SPAIN_06_MC033.jpg
  • Low angle view of Theatre, c. 40-60 AD, Segobriga, Spain, pictured on April 13, 2006, in the afternoon, with columns in the foreground. Seating 2,000 people, the raked auditorium surrounds a semi-circular stage. The theatre was decorated with ornate columns and statues whose ruins remain. Segobriga was founded by the Romans in the 1st century BC, after the Punic wars, and the town was developed during the reign of  Augustus. It became an important administrative centre whose local industry was mining 'specularis lapis', a crystallized sheet gypsum used for window glass. Picture by Manuel Cohen.
    LC_SPAIN_06_MC031.jpg
  • Detail of decorated column in the Theatre, c. 40-60 AD,  Segobriga, Spain, pictured on April 13, 2006, in the afternoon. The theatre was decorated with ornate columns and statues whose ruins remain. Segobriga was founded by the Romans in the 1st century BC, after the Punic wars, and the town was developed during the reign of  Augustus. It became an important administrative centre whose local industry was mining 'specularis lapis', a crystallized sheet gypsum used for window glass. Picture by Manuel Cohen.
    LC_SPAIN_06_MC040.jpg
  • La Granja escalators, 2000, built by José Antonio Martinez Lapeña (Tarragona, Spain, 1941) and Elías Torres Tur (Ibiza, Spain, 1944), Toledo, Castilla la Mancha, Spain. Mechanical stairs dug in a magnificent cliff of the city and leading to its historical centre. Picture by Manuel Cohen
    atoledo06517.jpg
  • La Granja escalators, 2000, built by José Antonio Martinez Lapeña (Tarragona, Spain, 1941) and Elías Torres Tur (Ibiza, Spain, 1944), Toledo, Castilla la Mancha, Spain. Mechanical stairs dug in a magnificent cliff of the city and leading to its historical centre. Picture by Manuel Cohen
    atoledo06515.jpg
  • La Granja escalators, 2000, built by José Antonio Martinez Lapeña (Tarragona, Spain, 1941) and Elías Torres Tur (Ibiza, Spain, 1944), Toledo, Castilla la Mancha, Spain. Picture by Manuel Cohen
    atoledo06520.jpg
  • La Granja escalators, 2000, built by José Antonio Martinez Lapeña (Tarragona, Spain, 1941) and Elías Torres Tur (Ibiza, Spain, 1944), Toledo, Castilla la Mancha, Spain. Picture by Manuel Cohen
    atoledo06519.jpg
  • La Granja escalators, 2000, built by José Antonio Martinez Lapeña (Tarragona, Spain, 1941) and Elías Torres Tur (Ibiza, Spain, 1944), Toledo, Castilla la Mancha, Spain. Mechanical stairs dug in a magnificent cliff of the city and leading to its historical centre. Picture by Manuel Cohen
    atoledo06518.jpg
  • La Granja escalators, 2000, built by José Antonio Martinez Lapeña (Tarragona, Spain, 1941) and Elías Torres Tur (Ibiza, Spain, 1944), Toledo, Castilla la Mancha, Spain. Mechanical stairs dug in a magnificent cliff of the city and leading to its historical centre. Picture by Manuel Cohen
    atoledo06516.jpg
  • La Granja escalators, 2000, built by José Antonio Martinez Lapeña (Tarragona, Spain, 1941) and Elías Torres Tur (Ibiza, Spain, 1944), Toledo, Castilla la Mancha, Spain. Mechanical stairs dug in a magnificent cliff of the city and leading to its historical centre. Picture by Manuel Cohen
    atoledo06514.jpg
  • The Osborne Bull, created in 1956 to advertise the Osborne alcohols by Manolo Prieto (Puerto de Santa Maria 1912 ? Madrid 1991); Nominated at the Historical Heritage of Andulacía in 1996; Logotype of the Exhibition ?100 years of Spanish Design? at the Reina Sofia Museum in Madrid in 2000, Castilla la Mancha, Spain. Picture by Manuel Cohen
    AEXTREM050661.jpg
  • The Osborne Bull, created in 1956 to advertise the Osborne alcohols by Manolo Prieto (Puerto de Santa Maria 1912 ? Madrid 1991); Nominated at the Historical Heritage of Andulacía in 1996; Logotype of the Exhibition ?100 years of Spanish Design? at the Reina Sofia Museum in Madrid in 2000, Castilla la Mancha, Spain. Picture by Manuel Cohen
    AEXTREM050663.jpg
  • The Osborne Bull, created in 1956 to advertise the Osborne alcohols by Manolo Prieto (Puerto de Santa Maria 1912 ? Madrid 1991); Nominated at the Historical Heritage of Andulacía in 1996; Logotype of the Exhibition ?100 years of Spanish Design? at the Reina Sofia Museum in Madrid in 2000, Castilla la Mancha, Spain. Picture by Manuel Cohen
    AEXTREM050662.jpg
  • Juan de Borgoña (circa 1470-1536) : Presentacion del Niño en el Templo (Presentation of Jesus at the Temple), oil on wood panel, circa 1535, Museo Diocesano of Cuenca, Cuenca, Castilla-La Mancha, Spain. The artwork was formerly belonging to a high altar of the Convento de Carboneras (Carboneras convent) of Guadazaon and has been restored when moved to the Museo Diocesano of Cuenca. Picture by Manuel Cohen
    LC16_SPAIN_MC497.jpg
  • TOLEDO, SPAIN - APRIL 12 : A general view of the entrance to the El Greco Museum, on April 12, 2006 in Toledo, Spain. The museum, which opened in 1911, is in a 16th century house with a courtyard, and an early 20th century extension in the Jewish Quarter. It holds many works by El Greco, especially from his late period, plus other 17th century Spanish paintings, 17th century furniture and ceramics from Talavera de la Reina. Toledo is a former capital of Spain, and cultural centre where Jews, Muslims and Christians co-existed.(Photo by Manuel Cohen)
    DSPAIN06_10_016.jpg
  • Nymphaeum, a monument consecrated to the nymphs, 1st century AD, in the Roman settlement of Valeria, founded 93-82 BC, near the village of Valeria, in Cuenca, Castilla-La Mancha, Spain. The decorative fountains of the nymphaeum feed the forum, the tabernae (shops or workshops) and the main street. This is the largest nymphaeum in Roman Spain and is 105m long. Picture by Manuel Cohen
    LC20_SPAIN_MC_010.JPG
  • Agricultural land in the countryside around the village and Roman archaeological site of Valeria, in Cuenca, Castilla-La Mancha, Spain. The Roman settlement was founded 93-82 BC and excavations have revealed a nymphaeum, exedra, forum, aqueducts and private houses. Picture by Manuel Cohen
    LC20_SPAIN_MC_073.jpg
  • Column bases at the Roman settlement of Valeria, founded 93-82 BC, near the village of Valeria, in Cuenca, Castilla-La Mancha, Spain. Excavations at the site have revealed a nymphaeum, exedra, forum, aqueducts and private houses. Picture by Manuel Cohen
    LC20_SPAIN_MC_002.jpg
  • Fascinum, cult of the divine phallus, in the Roman settlement of Valeria, founded 93-82 BC, near the village of Valeria, in Cuenca, Castilla-La Mancha, Spain. The phallus represents the  creativity of fertility but also wards off evil, especially from children. Excavations at the site have also revealed a nymphaeum, exedra, forum, aqueducts and private houses. Picture by Manuel Cohen
    LC20_SPAIN_MC_006.JPG
  • Nymphaeum, a monument consecrated to the nymphs, 1st century AD, in the Roman settlement of Valeria, founded 93-82 BC, near the village of Valeria, in Cuenca, Castilla-La Mancha, Spain. The decorative fountains of the nymphaeum feed the forum, the tabernae (shops or workshops) and the main street. This is the largest nymphaeum in Roman Spain and is 105m long. Picture by Manuel Cohen
    LC20_SPAIN_MC_008.jpg
  • Roman settlement of Valeria, founded 93-82 BC, aerial view, near the village of Valeria, in Cuenca, Castilla-La Mancha, Spain. Excavations at the site have revealed a nymphaeum, exedra, forum, aqueducts and private houses. Picture by Manuel Cohen
    DRN_LC20_SPAIN_MC_013.JPG
  • Nymphaeum, a monument consecrated to the nymphs, 1st century AD, aerial view, in the Roman settlement of Valeria, founded 93-82 BC, near the village of Valeria, in Cuenca, Castilla-La Mancha, Spain. The decorative fountains of the nymphaeum feed the forum, the tabernae (shops or workshops) and the main street. This is the largest nymphaeum in Roman Spain and is 105m long. Picture by Manuel Cohen
    DRN_LC20_SPAIN_MC_016.jpg
  • Nymphaeum, a monument consecrated to the nymphs, 1st century AD, aerial view, in the Roman settlement of Valeria, founded 93-82 BC, near the village of Valeria, in Cuenca, Castilla-La Mancha, Spain. The decorative fountains of the nymphaeum feed the forum, the tabernae (shops or workshops) and the main street. This is the largest nymphaeum in Roman Spain and is 105m long. Picture by Manuel Cohen
    DRN_LC20_SPAIN_MC_017.jpg
  • Agricultural land in the countryside around the village and Roman archaeological site of Valeria, in Cuenca, Castilla-La Mancha, Spain. The Roman settlement was founded 93-82 BC and excavations have revealed a nymphaeum, exedra, forum, aqueducts and private houses. Picture by Manuel Cohen
    LC20_SPAIN_MC_001.jpg
  • Curia, the meeting place of the Ordo Decurionum, local council and legislative body, in the Roman settlement of Valeria, founded 93-82 BC, near the village of Valeria, in Cuenca, Castilla-La Mancha, Spain. The Decurions who met here controlled all the public services, taxes and maintenance in the city. Baby skeletons were found in the foundations of the building, as an offering. Excavations at the site have also revealed a nymphaeum, exedra, forum, aqueducts and private houses. Picture by Manuel Cohen
    LC20_SPAIN_MC_004.jpg
  • Cistern, reservoirs built underneath the main forum, to collect and store rainwater for the city, 1st century AD, in the Roman settlement of Valeria, founded 93-82 BC, near the village of Valeria, in Cuenca, Castilla-La Mancha, Spain. Picture by Manuel Cohen
    LC20_SPAIN_MC_005.jpg
  • Southern forum area, in the Roman settlement of Valeria, founded 93-82 BC, near the village of Valeria, in Cuenca, Castilla-La Mancha, Spain. This area consists of a large rectangular exedra and monumental staircase leading to the main forum square beside the decumanus. Picture by Manuel Cohen
    LC20_SPAIN_MC_007.jpg
  • Nymphaeum, a monument consecrated to the nymphs, 1st century AD, in the Roman settlement of Valeria, founded 93-82 BC, near the village of Valeria, in Cuenca, Castilla-La Mancha, Spain. The decorative fountains of the nymphaeum feed the forum, the tabernae (shops or workshops) and the main street. This is the largest nymphaeum in Roman Spain and is 105m long. Picture by Manuel Cohen
    LC20_SPAIN_MC_009.jpg
  • Nymphaeum, a monument consecrated to the nymphs, 1st century AD, in the Roman settlement of Valeria, founded 93-82 BC, near the village of Valeria, in Cuenca, Castilla-La Mancha, Spain. The decorative fountains of the nymphaeum feed the forum, the tabernae (shops or workshops) and the main street. This is the largest nymphaeum in Roman Spain and is 105m long. Picture by Manuel Cohen
    LC20_SPAIN_MC_011.jpg
  • Walled cemetery near the village and Roman archaeological site of Valeria, in Cuenca, Castilla-La Mancha, Spain. The Roman settlement was founded 93-82 BC and excavations have revealed a nymphaeum, exedra, forum, aqueducts and private houses. Picture by Manuel Cohen
    LC20_SPAIN_MC_012.JPG
  • Agricultural land in the countryside around the village and Roman archaeological site of Valeria, in Cuenca, Castilla-La Mancha, Spain. The Roman settlement was founded 93-82 BC and excavations have revealed a nymphaeum, exedra, forum, aqueducts and private houses. Picture by Manuel Cohen
    LC20_SPAIN_MC_066.jpg
  • Roman settlement of Valeria, founded 93-82 BC, aerial view, near the village of Valeria, in Cuenca, Castilla-La Mancha, Spain. Top right, basilica and curia, centre fascinum, top left South forum, far left central forum, centre cisterns (covered), bottom mynphaeum. Excavations at the site have revealed a nymphaeum, exedra, forum, aqueducts and private houses. Picture by Manuel Cohen
    DRN_LC20_SPAIN_MC_014.jpg
  • Village of Valeria, aerial view, in Cuenca, Castilla-La Mancha, Spain. Nearby are the ruins of the Roman settlement of Valeria, founded 93-82 BC, where excavations have revealed a nymphaeum, exedra, forum, aqueducts and private houses. Picture by Manuel Cohen
    DRN_LC20_SPAIN_MC_015.jpg
  • Basilica at the Roman settlement of Valeria, founded 93-82 BC, near the village of Valeria, in Cuenca, Castilla-La Mancha, Spain. The basilica has 3 layers - an older public building from the time of the founding of the city, then a basilica destroyed in the 1st century AD, then an Imperial basilica with existing column supports. The basilica was used for trade, justice and economic activities, as well as worship of the Emperor. Excavations at the site have also revealed a nymphaeum, exedra, forum, aqueducts and private houses. Picture by Manuel Cohen
    LC20_SPAIN_MC_003.jpg
  • El Rapto de Europa (Rape of Europe) by Fernando Botero (Colombia 1932), Bronze, 207 x 182 x 310cm, international airport of Barajas, 1992, Madrid, Spain. Picture by Manuel Cohen
    ABOTERO050607.jpg
  • El Rapto de Europa (Rape of Europe) by Fernando Botero (Colombia 1932), Bronze, 207 x 182 x 310cm, international airport of Barajas, 1992, Madrid, Spain. Picture by Manuel Cohen
    ABOTERO050606.jpg
  • TOLEDO, SPAIN - APRIL 11 : A detail of the Puerta del Perdon portal of the Cathedral, on April 11, 2006 in Toledo, Spain. The Gothic portal was sculpted in 1418-50, and bears a tympanum relief by Juan Aleman showing the Virgin Mary handing a vestment to the patron Saint of Toledo, Ildefonso. The Cathedral was built between 1226 and 1493.  Toledo is a former capital of Spain, and cultural centre where Jews, Muslims and Christians co-existed.(Photo by Manuel Cohen)
    DSPAIN06_10_046.JPG
  • TOLEDO, SPAIN - APRIL 12 : A view from the side of the gallery above the cloisters of the Monastery of San Juan de los Reyes, on April 12, 2006 in Toledo, Spain. The Monastery, in the Gothic-Spanish-Flemish style with large latticework windows, was founded by King Ferdinand (1452-1516) and Queen Isabella (1451-1504)to commemorate their victory over the Portuguese at Toro in 1476. It was built between 1477 and 1504 by architect Juan Guas, and restored after being damaged in the Napoleonic wars and abandoned in 1835. Toledo is a former capital of Spain, and cultural centre where Jews, Muslims and Christians co-existed. (Photo by Manuel Cohen)
    DSPAIN06_10_026.JPG
  • TOLEDO, SPAIN - APRIL 12 : A general view of the cloister of the Monastery of San Juan de los Reyes, on April 12, 2006 in Toledo, Spain. The vaulted cloisters, designed by Enrique Egas, open on to a courtyard through latticework windows. The Monastery, in the Gothic-Spanish-Flemish style was founded by King Ferdinand (1452-1516) and Queen Isabella (1451-1504). It was built between 1477 and 1504 by architect Juan Guas, and restored after being damaged in the Napoleonic wars and abandoned in 1835. Toledo is a former capital of Spain, and cultural centre where Jews, Muslims and Christians co-existed. (Photo by Manuel Cohen)
    DSPAIN06_10_020.JPG
  • TOLEDO, SPAIN - APRIL 12 : A view from the front of the Puerta del Perdon of the Cathedral, on April 12, 2006 in Toledo, Spain. The Gothic portal was sculpted in 1418-50, and bears a tympanum relief by Juan Aleman showing the Virgin Mary handing a vestment to the patron Saint of Toledo, Ildefonso.  The portal is surrounded by sculptures of saints.The Cathedral was built between 1226 and 1493. Toledo is a former capital of Spain, and cultural centre where Jews, Muslims and Christians co-existed. (Photo by Manuel Cohen)
    DSPAIN06_10_010.JPG
  • New Terminal Building T4, Barajas Airport, 2006, built by Richard Rogers (Firenze, Italy, 1933 ; lives and works in London) & Antonio Lamela (Lamela Studio, Madrid), Madrid, Spain. Picture by Manuel Cohen
    abarajas06513.jpg
  • New Terminal Building T4, Barajas Airport, 2006, built by Richard Rogers (Firenze, Italy, 1933 ; lives and works in London) & Antonio Lamela (Lamela Studio, Madrid), Madrid, Spain. Picture by Manuel Cohen
    abarajas06512.jpg
  • New Terminal Building T4, Barajas Airport, 2006, built by Richard Rogers (Firenze, Italy, 1933 ; lives and works in London) & Antonio Lamela (Lamela Studio, Madrid), Madrid, Spain. Picture by Manuel Cohen
    abarajas06511.jpg
  • New Terminal Building T4, Barajas Airport, 2006, built by Richard Rogers (Firenze, Italy, 1933 ; lives and works in London) & Antonio Lamela (Lamela Studio, Madrid), Madrid, Spain. Picture by Manuel Cohen
    abarajas06510.jpg
  • New Terminal Building T4, Barajas Airport, 2006, built by Richard Rogers (Firenze, Italy, 1933 ; lives and works in London) & Antonio Lamela (Lamela Studio, Madrid), Madrid, Spain. Picture by Manuel Cohen
    abarajas06509.jpg
  • New Terminal Building T4, Barajas Airport, 2006, built by Richard Rogers (Firenze, Italy, 1933 ; lives and works in London) & Antonio Lamela (Lamela Studio, Madrid), Madrid, Spain. Picture by Manuel Cohen
    abarajas06508.jpg
  • El Rapto de Europa (Rape of Europe) by Fernando Botero (Colombia 1932), Bronze, 207 x 182 x 310cm, international airport of Barajas, 1992, Madrid, Spain. Picture by Manuel Cohen
    ABOTERO050609.jpg
  • El Rapto de Europa (Rape of Europe) by Fernando Botero (Colombia 1932), Bronze, 207 x 182 x 310cm, international airport of Barajas, 1992, Madrid, Spain. Picture by Manuel Cohen
    ABOTERO050608.jpg
  • El Rapto de Europa (Rape of Europe) by Fernando Botero (Colombia 1932), Bronze, 207 x 182 x 310cm, international airport of Barajas, 1992, Madrid, Spain. Picture by Manuel Cohen
    ABOTERO050605.jpg
  • Windmill, Cerro de la Paz, Campo de Criptana, North East of Ciudad Real, Castilla la Mancha, Spain; One of the three windmill declared as Cultural Heritage for their antiquity and immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06246.jpg
  • Windmill, Cerro de la Paz, Campo de Criptana, North East of Ciudad Real, Castilla la Mancha, Spain; One of the three windmill declared as Cultural Heritage for their antiquity and immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06247.jpg
  • Windmill, Cerro de la Paz, Campo de Criptana, North East of Ciudad Real, Castilla la Mancha, Spain; One of the three windmill declared as Cultural Heritage for their antiquity and immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06245.jpg
  • Windmill, Cerro de la Paz, Campo de Criptana, North East of Ciudad Real, Castilla la Mancha, Spain; One of the three windmill declared as Cultural Heritage for their antiquity and immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06244.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06295.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06272.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06287.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06285.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06281.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06275.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06301.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06300.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06299.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06298.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06297.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06296.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06294.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06293.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06292.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06291.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06290.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06288.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06286.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06284.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06283.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06282.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06280.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06279.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06278.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06274.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06273.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06271.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06270.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06262.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06234.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06302.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06276.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06268.jpg
  • Windmill, Mota del Cuervo, South East of Cuenca, Castilla la Mancha, Spain;  immortalised in Miguel Cervantes? Don Quixote; Their building is attributed to the Knights of Malta in the XVI Century when Spain was suffering a terrible drought; the windmill was used in Jerusalem and they proposed it as an alternative energy to the waterwheel to save the population from famine and recover the necessary resources to feed their own soldiers. Picture by Manuel Cohen
    acastilla06267.jpg
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