manuel cohen

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  • Painted medallion with allegorical scene of woman as Diana the huntress, in the pediment above an oak door in the Grand Salle a Manger or Large Dining Room, decorated in Renaissance style, in the Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0065.jpg
  • Diana sleeping with a stag, by Jules Dalou, central ceiling bas-relief in the Grande Salle a Manger or Large Dining Room, decorated in Renaissance style, in the Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0064.jpg
  • Ceiling bas-relief by Jules Dalou, detail, in the Grande Salle a Manger or Large Dining Room, decorated in Renaissance style, in the Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0063.jpg
  • Painted medallion with allegorical scene of woman fishing, in the pediment above an oak door in the Grand Salle a Manger or Large Dining Room, decorated in Renaissance style, in the Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0062.jpg
  • Sculpture of young girl with grapes and 2 panthers, and above, an eagle with a hare, by Jules Dalou, on the fireplace in the Grande Salle a Manger or Large Dining Room, decorated in Renaissance style, in the Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0060.jpg
  • Classical atlante statue with aulos, on the grand sculpted fireplace by Jules Dalou, in the Grande Salle a Manger or Large Dining Room, decorated in Renaissance style, in the Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0078.jpg
  • South East facade of the Francois I wing, built 16th century in Italian Renaissance style, with its monumental spiral staircase, seen from the courtyard of the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. On the right is the Louis XII wing, an early 16th century wing in Gothic style with Renaissance elements. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0913.jpg
  • Upper storey of the Renaissance courtyard with marble Corinthian colonnade at the Castillo de La Calahorra, or Calahorra Castle, built 1509-12 near the village of La Calahorra in the Sierra Nevada mountains, Andalusia, Southern Spain. Built on the site of a former Moorish fort, the castle was built in Italian Renaissance style, with 4 corner towers and a crenellated outer wall. It was awarded to Cardinal Mendoza by the Catholic monarchs. Picture by Manuel Cohen
    LC14_GRANADA_MC239.jpg
  • Upper storey of the Renaissance courtyard with marble Corinthian colonnade at the Castillo de La Calahorra, or Calahorra Castle, built 1509-12 near the village of La Calahorra in the Sierra Nevada mountains, Andalusia, Southern Spain. Built on the site of a former Moorish fort, the castle was built in Italian Renaissance style, with 4 corner towers and a crenellated outer wall. It was awarded to Cardinal Mendoza by the Catholic monarchs. Picture by Manuel Cohen
    LC14_GRANADA_MC237.jpg
  • Renaissance doorway with pediment with carved mythological scenes and statues in niches, at the Castillo de La Calahorra, or Calahorra Castle, built 1509-12 near the village of La Calahorra in the Sierra Nevada mountains, Andalusia, Southern Spain. Built on the site of a former Moorish fort, the castle was built in Italian Renaissance style, with 4 corner towers and a crenellated outer wall. It was awarded to Cardinal Mendoza by the Catholic monarchs. Picture by Manuel Cohen
    LC14_GRANADA_MC235.jpg
  • Renaissance courtyard with 2 storey marble Corinthian colonnade at the Castillo de La Calahorra, or Calahorra Castle, built 1509-12 near the village of La Calahorra in the Sierra Nevada mountains, Andalusia, Southern Spain. Built on the site of a former Moorish fort, the castle was built in Italian Renaissance style, with 4 corner towers and a crenellated outer wall. It was awarded to Cardinal Mendoza by the Catholic monarchs. Picture by Manuel Cohen
    LC14_GRANADA_MC234.jpg
  • Renaissance courtyard with 2 storey marble Corinthian colonnade at the Castillo de La Calahorra, or Calahorra Castle, built 1509-12 near the village of La Calahorra in the Sierra Nevada mountains, Andalusia, Southern Spain. Built on the site of a former Moorish fort, the castle was built in Italian Renaissance style, with 4 corner towers and a crenellated outer wall. It was awarded to Cardinal Mendoza by the Catholic monarchs. Picture by Manuel Cohen
    LC14_GRANADA_MC233.jpg
  • Grande Salle a Manger or Large Dining Room, decorated in Renaissance style, with sculpted fireplace with young girl with grapes by Jules Dalou, in the Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0066.jpg
  • Sculpture of young girl with grapes, by Jules Dalou, on the fireplace in the Grande Salle a Manger or Large Dining Room, decorated in Renaissance style, in the Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0061.jpg
  • Classical atlante statue with pan pipes, on the grand sculpted fireplace by Jules Dalou, in the Grande Salle a Manger or Large Dining Room, decorated in Renaissance style, in the Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0077.jpg
  • Grande Salle a Manger or Large Dining Room, decorated in Renaissance style, with relief ceiling and sculpted fireplace with young girl with grapes by Jules Dalou, in the Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0108.jpg
  • Upper storey of the Renaissance courtyard with marble Corinthian colonnade at the Castillo de La Calahorra, or Calahorra Castle, built 1509-12 near the village of La Calahorra in the Sierra Nevada mountains, Andalusia, Southern Spain. Built on the site of a former Moorish fort, the castle was built in Italian Renaissance style, with 4 corner towers and a crenellated outer wall. It was awarded to Cardinal Mendoza by the Catholic monarchs. Picture by Manuel Cohen
    LC14_GRANADA_MC238.jpg
  • Renaissance courtyard with 2 storey marble Corinthian colonnade at the Castillo de La Calahorra, or Calahorra Castle, built 1509-12 near the village of La Calahorra in the Sierra Nevada mountains, Andalusia, Southern Spain. Built on the site of a former Moorish fort, the castle was built in Italian Renaissance style, with 4 corner towers and a crenellated outer wall. It was awarded to Cardinal Mendoza by the Catholic monarchs. Picture by Manuel Cohen
    LC14_GRANADA_MC236.jpg
  • Measles and isolation wards of the Contagious Disease Hospital, on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. The Contagious Disease Hospital comprised 17 sealable pavilions, designed James Knox Taylor in Italian Renaissance style and built 1911, including 8 measles wards, 3 isolation wards, an autopsy theatre, mortuary, laboratory, administration building, kitchen, and staff house. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_092.jpg
  • Measles and isolation wards of the Contagious Disease Hospital (left), and Ellis Island Immigrant Hospital, opened 1901 and closed in 1951 (right), on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. The Contagious Disease Hospital comprised 17 sealable pavilions, designed James Knox Taylor in Italian Renaissance style and built 1911, including 8 measles wards, 3 isolation wards, an autopsy theatre, mortuary, laboratory, administration building, kitchen, and staff house. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_082.jpg
  • Measles and isolation wards of the Contagious Disease Hospital, on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. The Contagious Disease Hospital comprised 17 sealable pavilions, designed James Knox Taylor in Italian Renaissance style and built 1911, including 8 measles wards, 3 isolation wards, an autopsy theatre, mortuary, laboratory, administration building, kitchen, and staff house. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_056.jpg
  • Measles and isolation wards of the Contagious Disease Hospital, on Ellis Island, the immigration processing centre for the United States from 1892 to 1954, at the mouth of the Hudson river in New York City, NY, USA. The Contagious Disease Hospital comprised 17 sealable pavilions, designed James Knox Taylor in Italian Renaissance style and built 1911, including 8 measles wards, 3 isolation wards, an autopsy theatre, mortuary, laboratory, administration building, kitchen, and staff house. Picture by Manuel Cohen
    LC20_ELLIS_ISLAND_MC_055.jpg
  • Two Dominican friars welcome Christ dressed as a pilgrim, Renaissance fresco by Fra Angelico, 1395-1455, in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting was restored in 1918 by Domenico Fiscali and in 2012 by Giacomo Dini at Dini Restauri. Picture by Manuel Cohen
    LC20_ITALY_MC_717.jpg
  • Crucifixion of the impenitent thief, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_715.jpg
  • Pope Benedict XI, 1240-1304, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_697.jpg
  • Saints (left-right) St Francis, St Benedict, Bernard of Clairvaux, St Romuald, John Gualbert, Peter Martyr, Thomas Aquinas, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_730.jpg
  • Saints (left-right) St Dominic, St Augustine, St Jerome, St Ambrose, St Francis, St Benedict, Bernard of Clairvaux, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_729.jpg
  • Crucifixion of Christ with inscription Jesus King of Jews in Hebrew, Greek and Latin, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_727.jpg
  • Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. Depicted beneath the crosses (left-right), St Lawrence, St Mark, St John the Baptist; Mary of Clopas, Virgin Mary, Mary Magdalene, St John; St Dominic, St Augustine, St Jerome, St Ambrose, St Francis, St Benedict. Picture by Manuel Cohen
    LC20_ITALY_MC_725.jpg
  • St Peter Martyr Enjoining Silence, depicting St Peter Martyr or St Peter of Verona holding a finger to his lips, Renaissance fresco by Fra Angelico, 1395-1455, in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting was restored in 1954 by Leonetto Tintori and in 2012 by Bartolomeo Ciccone. St Peter's martyrdom in 1252 is depicted by a knife in his back and a wound in his skull. He wears and blue and white robe and holds a book and a palm branch. Picture by Manuel Cohen
    LC20_ITALY_MC_720.jpg
  • Pope Innocent V, first Dominican pope, 1225-76, St Dominic, founder of the Dominican order, 1170-1221, Pope Benedict XI, 1240-1304, (left-right), detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Above is the skull of Adam beneath Jesus' cross. Picture by Manuel Cohen
    LC20_ITALY_MC_714.jpg
  • Job, old testament prophet, detail from the border with prophets and sibyls with phylacteries predicting the death and resurrection of the Christ, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_713.jpg
  • St Vincent Ferrer of Valencia, canonised in 1455, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_709.jpg
  • St Vincent Ferrer of Valencia, canonised in 1455, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_708.jpg
  • St Raymond of Pennafort, patron saint of canonists, 1175-1275, canonised 1601, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_704.jpg
  • St Albert the Great, bishop of Ratisbon, 1200-80, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_703.jpg
  • St Albert the Great, bishop of Ratisbon, 1200-80, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_702.jpg
  • Peter Paludanus, 1275–1342, patriarch of Jerusalem, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_701.jpg
  • Giovanni Dominici of Florence, cardinal, 1355-1419, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_699.JPG
  • Pope Benedict XI, 1240-1304, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_696.jpg
  • Pope Innocent V, first Dominican pope, 1225-76, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_694.jpg
  • Hugh of Saint-Cher, 1200-63, first Dominican cardinal, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_691.jpg
  • Paul of Florence, patriarch of Grado, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_690.jpg
  • St Antoninus of Florence, 1389-1459, Archbishop of Florence, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_689.jpg
  • St Antoninus of Florence, 1389-1459, Archbishop of Florence, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_688.jpg
  • Jordan of Saxony, second master general of the order after St Dominic, 1190-1237, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_687.jpg
  • Jordan of Saxony, second master general of the order after St Dominic, 1190-1237, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_686.jpg
  • St Francis, founder of the Franciscan order, with stigmata, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_675.jpg
  • Galero or red hat with strings and tassels worn by catholic clergy, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_673.jpg
  • St Jerome kneeling in prayer, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_671.jpg
  • St Dominic, founder of the Dominican order, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_670.jpg
  • Hugh of Saint-Cher, 1200-63, first Dominican cardinal, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_669.JPG
  • Hands of St Cosmas (left) and St Lawrence (right), detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_664.jpg
  • Crucifixion of Christ and the penitent and impenitent thieves, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_662.jpg
  • Mary of Clopas and St John flanking the Virgin Mary, with Mary Magdalene supporting her seen from behind, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_661.jpg
  • Saints (left-right) St Dominic, St Augustine, St Jerome, St Ambrose, St Francis, St Benedict, Bernard of Clairvaux, St Romuald, John Gualbert, Peter Martyr, Thomas Aquinas, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy.  The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_660.jpg
  • St Damian, St Cosmas, St Lawrence, St Mark, St John the Baptist; Mary of Clopas, Virgin Mary, Mary Magdalene, St John (left-right), detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_659.jpg
  • Crucifixion of the impenitent thief, with St Augustine (left) and St Ambrose (right), detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_733.jpg
  • St Augustine, St Jerome (bottom) and St Ambrose, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_731.jpg
  • St Mark (left), patron saint of the convent, and St John the Baptist (right), patron saint of Florence, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_732.jpg
  • St Damian (left) and St Cosmas (centre), protectors of the Medici family and patrons of the convent, and St Lawrence (right), patron of Lorenzo de Medici, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_728.jpg
  • Crucifixion of Christ with inscription Jesus King of Jews in Hebrew, Greek and Latin, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_726.jpg
  • St Peter Martyr Enjoining Silence, depicting St Peter Martyr or St Peter of Verona holding a finger to his lips, Renaissance fresco by Fra Angelico, 1395-1455, in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting was restored in 1954 by Leonetto Tintori and in 2012 by Bartolomeo Ciccone. St Peter's martyrdom in 1252 is depicted by a knife in his back and a wound in his skull. He wears and blue and white robe and holds a book and a palm branch. Picture by Manuel Cohen
    LC20_ITALY_MC_719.jpg
  • Two Dominican friars welcome Christ dressed as a pilgrim, Renaissance fresco by Fra Angelico, 1395-1455, in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting was restored in 1918 by Domenico Fiscali and in 2012 by Giacomo Dini at Dini Restauri. Picture by Manuel Cohen
    LC20_ITALY_MC_718.jpg
  • Crucifixion of the penitent thief, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_716.jpg
  • Sybil Eritrea, classical prophetess, detail from the border with prophets and sibyls with phylacteries predicting the death and resurrection of the Christ, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_712.jpg
  • Bernardo Fiorentino, martyr, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_711.jpg
  • Bernardo Fiorentino, martyr, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_710.jpg
  • Chiarito da Sesto, first prior provincial of the Roman province, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_707.jpg
  • Chiarito da Sesto, first prior provincial of the Roman province, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_706.jpg
  • St Raymond of Pennafort, patron saint of canonists, 1175-1275, canonised 1601, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_705.jpg
  • Peter Paludanus, 1275–1342, patriarch of Jerusalem, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_700.jpg
  • Giovanni Dominici of Florence, cardinal, 1355-1419, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_698.jpg
  • St Dominic, founder of the Dominican order, 1170-1221, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_695.jpg
  • Pope Innocent V, first Dominican pope, 1225-76, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_693.jpg
  • Hugh of Saint-Cher, 1200-63, first Dominican cardinal, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_692.jpg
  • Nicholas of Paglia, 1197-1256, third prior provincial of the Roman Province, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_685.jpg
  • Nicholas of Paglia, 1197-1256, third prior provincial of the Roman Province, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_684.jpg
  • Remigio Girolami, 1235–1319, successor to Thomas Aquinas at the University of Paris and author of De Bono Communi and De Bono Pacis, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_683.jpg
  • Buoninsegna Cicciaporci, holding saw and palm leaf, detail from the bottom frieze of portrait medallions of Dominican genealogy, painted by Benozzo Gozzoli, 1421-97, Fra Angelico's assistant, from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning. Picture by Manuel Cohen
    LC20_ITALY_MC_682.jpg
  • Hands of St Jerome kneeling in prayer, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_681.jpg
  • St Francis, founder of the Franciscan order, with stigmata, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_680.jpg
  • Hands of St Bernard of Clairvaux, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_679.jpg
  • St John Gualbert, or Giovanni Gualberto, 985-1073, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_678.jpg
  • Bernard of Clairvaux, St John Gualbert, St Peter Martyr (left-right), detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_677.jpg
  • St John Gualbert, or Giovanni Gualberto, 985-1073, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_676.jpg
  • St Jerome kneeling in prayer, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_674.jpg
  • St Jerome kneeling in prayer, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_672.jpg
  • Skull of Adam beneath Jesus' cross, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_668.JPG
  • St Mark, patron saint of the convent, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_667.jpg
  • Mary of Clopas and St John flanking the Virgin Mary, with Mary Magdalene supporting her seen from behind, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_666.jpg
  • St John the Baptist, patron saint of Florence (left), and Mary of Clopas holding the arm of the Virgin (right), detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_665.jpg
  • Hands and book of St Mark, patron saint of the convent, detail from Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_663.jpg
  • Crucifixion with Saints, Renaissance fresco, 1441-42, by Fra Angelico, 1395-1455, from the North tympanum opposite the chapter house entrance in the Convento San Marco, now the Museo di San Marco, in Florence, Tuscany, Italy. The painting depicts the crucifixion of Jesus and the 2 thieves, with saints in mourning, and beneath, medallion portraits of Dominican saints, painted by Benozzo Gozzoli, Fra Angelico's assistant. Picture by Manuel Cohen
    LC20_ITALY_MC_658.JPG
  • Salon de musique or Music Room, with gilded seating alcove and leopard print sofa, in Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0013.jpg
  • Salon de musique or Music Room, with drapery and red armchair, in Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0027.jpg
  • Portrait of the Dowager Marquise de Croix, born Eugenie de Vasse, wife of Charles-Lidwine, marquis de Croix, by Claude Marie Dubufe, 1790-1864, in the Grand Salon, decorated by Paul Baudry and Eugene Delaplanche, in Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0019.jpg
  • Winter garden, with potted palms, relief medallions and large windows, in the Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0068.jpg
  • Pediment with sculptures and painted frieze, in the Grand Salon, decorated by Paul Baudry and Eugene Delaplanche, in Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0047.jpg
  • Allegorical relief medallion of Fortitude or Strength, on a door in the restaurant on the first floor of the Hotel de la Paiva, an Italian Renaissance style mansion built 1856-66 by architect Pierre Manguin, on the Champs-Elysees in the 8th arrondissement of Paris, France. The house was built for the courtesan Esther Bachmann, or La Paiva, and since 1904 has been used by the gentlemen's club, Travellers Club of Paris. The mansion was restored in 2010 by Etienne Poncelet and is listed as a historic monument. Picture by Manuel Cohen
    LC19_PARIS_MC_0095.jpg
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