manuel cohen

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  • Water garden and manor house, 16th century, at the Domaine de Villarceaux, Chaussy, France. The hedges in the water garden reflect Renaissance embroidery patterns. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC699.jpg
  • Water garden and manor house, 16th century, at the Domaine de Villarceaux, Chaussy, France. The hedges in the water garden reflect Renaissance embroidery patterns. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC701.jpg
  • Water garden and manor house, 16th century, at the Domaine de Villarceaux, Chaussy, France. The hedges in the water garden reflect Renaissance embroidery patterns. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC705.jpg
  • The fortified manor house, with turret and archway, 16th century, and its reflection in the water garden, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC715.jpg
  • The fortified manor house, with corner turrets, 16th century, and its reflection in the water garden, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC716.jpg
  • Painted wall panel, 17th century, with winged sphinxes and putti holding a battle scene, in the rotunda boudoir, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, in the manor house or lower chateau, 16th century, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC695.jpg
  • Painted wall panel, 17th century, with figures supporting a painting topped with horns of plenty, in the rotunda boudoir, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, in the manor house or lower chateau, 16th century, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC696.jpg
  • Painted trompe l'oeil ceiling with angel holding man in central medallion, 17th century, in the rotunda boudoir, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, in the manor house or lower chateau, 16th century, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC697.jpg
  • Painted wall panels, 17th century, in the rotunda boudoir, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, in the manor house or lower chateau, 16th century, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC698.jpg
  • Water garden and manor house, 16th century, at the Domaine de Villarceaux, Chaussy, France. The hedges in the water garden reflect Renaissance embroidery patterns. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC700.jpg
  • Water garden and fortified manor house, 16th century, with the Tour Saint Nicholas on the right, with its medieval terrace at the Domaine de Villarceaux, Chaussy, France. The hedges in the water garden reflect Renaissance embroidery patterns. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC703.jpg
  • The Bassin des huit jets in the 16th century water garden, with the Tour Saint Nicholas and its medieval terrace where medicinal plants are grown, at the Domaine de Villarceaux, Chaussy, France. One of the site's springs emerges within the tower, protecting the site from siege or poisoning. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC702.jpg
  • Detail of the Water Garden, 16th century, at the Domaine de Villarceaux, Chaussy, France, with hedges reflecting Renaissance embroidery patterns. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC704.jpg
  • Detail of painted ceiling imported from Italy, c. 1550, in the manor house or lower chateau, 16th century, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC686.jpg
  • Detail of painted ceiling imported from Italy, c. 1550, in the manor house or lower chateau, 16th century, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC687.jpg
  • Detail of woman's head on a decorative motif from a painted ceiling imported from Italy, c. 1550, in the manor house or lower chateau, 16th century, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC691.jpg
  • Detail of coat of arms from a painted ceiling imported from Italy, c. 1550, in the manor house or lower chateau, 16th century, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC690.jpg
  • Detail of painted wall panel, 17th century, with scene of couples walking in a garden and classical landscape, in the rotunda boudoir, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, in the manor house or lower chateau, 16th century, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC692.jpg
  • Detail of painted trompe l'oeil ceiling with angel holding man in central medallion, 17th century, in the rotunda boudoir, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, in the manor house or lower chateau, 16th century, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC694.jpg
  • Room with paintings and painted ceiling imported from Italy, c. 1550, in the manor house or lower chateau, 16th century, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC685.jpg
  • Painted wall panel, 17th century, with winged sphinxes and putti holding a battle scene, in the rotunda boudoir, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, in the manor house or lower chateau, 16th century, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC693.jpg
  • Portrait of Madame Scarron, the future Madame de Maintenon, 1635-1719, by Louis de Mornay, Marquis de Villarceaux, 1619-91, in the dining room of the upper chateau, at the Domaine de Villarceaux, Chaussy, France. Madame de Scarron was the mistress of Louis de Mornay for 3 years before secretly marrying Louis XIV. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC706.jpg
  • Portrait of Madame Scarron, the future Madame de Maintenon, 1635-1719, by Louis de Mornay, Marquis de Villarceaux, 1619-91, in the dining room of the upper chateau, at the Domaine de Villarceaux, Chaussy, France. Madame de Scarron was the mistress of Louis de Mornay for 3 years before secretly marrying Louis XIV. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC711.jpg
  • The fortified manor house, with turret and archway, 16th century, seen down an avenue of trees, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC714.jpg
  • Detail of ram's heads from a painted ceiling imported from Italy, c. 1550, in the manor house or lower chateau, 16th century, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC688.jpg
  • Detail of woman's head on a decorative motif from a painted ceiling imported from Italy, c. 1550, in the manor house or lower chateau, 16th century, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC689.jpg
  • Painting of travelling entertainers being robbed by gypsies, 17th century, artist unknown, in the reception room of the upper chateau, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC707.jpg
  • Painting of Winter Landscape, with a man pushing a woman on a sleigh, by Francois Boucher, 1703-70, in the dining room of the upper chateau, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC708.jpg
  • Painting of a fish market, 17th century, artist unknown, in the reception room of the upper chateau, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC709.JPG
  • Dining room of the upper chateau, built 18th century for Jean-Charles Baptiste du Tillet, marquis of Bussiere, by the architect Jean-Baptiste Courtonne, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC710.jpg
  • Sculpture of Leda and the Swan, by Antoine Etex, 1808-88, showing Leda being seduced by Zeus in the form of a swan, from the upper chateau, 18th century, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC712.jpg
  • Detail of Leda from the sculpture of Leda and the Swan, by Antoine Etex, 1808-88, showing Leda being seduced by Zeus in the form of a swan, from the upper chateau, 18th century, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC713.jpg
  • Facade detail, Prefecture de Paris et d'Ile-de-France, joint administrative offices opened in 2011, on the edge of the Parc Andre-Citroen, a public park in the Javel quarter, in the 15th arrondissement of Paris, France. The park was created in 1986 on the site of a disused Citroen factory, opened in 1992, and has been recently renovated. Picture by Manuel Cohen
    LC19_PARIS_MC_1292.jpg
  • Esplanade and water fountains in the Parc Andre-Citroen, a public park in the Javel quarter, and behind, the Prefecture de Paris et d'Ile-de-France, joint administrative offices opened in 2011, in the 15th arrondissement of Paris, France. The park was created in 1986 on the site of a disused Citroen factory, opened in 1992, and has been recently renovated. It was designed by Alain Provost, Gilles Clement, Patrick Berger, Jean-Paul Viguier and Francois Jodry, and comprises a Jardin Blanc, Jardin Noir and open central park area. Picture by Manuel Cohen
    LC19_PARIS_MC_1296.jpg
  • Esplanade and canal in the Parc Andre-Citroen, a public park in the Javel quarter, and behind, the Prefecture de Paris et d'Ile-de-France, joint administrative offices opened in 2011, in the 15th arrondissement of Paris, France. The park was created in 1986 on the site of a disused Citroen factory, opened in 1992, and has been recently renovated. It was designed by Alain Provost, Gilles Clement, Patrick Berger, Jean-Paul Viguier and Francois Jodry, and comprises a Jardin Blanc, Jardin Noir and open central park area. Picture by Manuel Cohen
    LC19_PARIS_MC_1286.jpg
  • Facade of the Prefecture de Paris et d'Ile-de-France, joint administrative offices opened in 2011, with a reflection of the Generali tethered hot air balloon, on the edge of the Parc Andre-Citroen, a public park in the Javel quarter, in the 15th arrondissement of Paris, France. The hot air balloon rises in the air, offering tourists views over Paris. The park was created in 1986 on the site of a disused Citroen factory, opened in 1992, and has been recently renovated. Picture by Manuel Cohen
    LC19_PARIS_MC_1289.jpg
  • Esplanade and canal in the Parc Andre-Citroen, a public park in the Javel quarter, and behind, the Prefecture de Paris et d'Ile-de-France, joint administrative offices opened in 2011, in the 15th arrondissement of Paris, France. The park was created in 1986 on the site of a disused Citroen factory, opened in 1992, and has been recently renovated. It was designed by Alain Provost, Gilles Clement, Patrick Berger, Jean-Paul Viguier and Francois Jodry, and comprises a Jardin Blanc, Jardin Noir and open central park area. Picture by Manuel Cohen
    LC19_PARIS_MC_1297.jpg
  • Cafe in the Parc Andre-Citroen, a public park in the Javel quarter, and behind, the Prefecture de Paris et d'Ile-de-France, joint administrative offices opened in 2011, in the 15th arrondissement of Paris, France. The park was created in 1986 on the site of a disused Citroen factory, opened in 1992, and has been recently renovated. It was designed by Alain Provost, Gilles Clement, Patrick Berger, Jean-Paul Viguier and Francois Jodry, and comprises a Jardin Blanc, Jardin Noir and open central park area. Picture by Manuel Cohen
    LC19_PARIS_MC_1299.jpg
  • Facade detail with reflective metal and glass surfaces, Prefecture de Paris et d'Ile-de-France, joint administrative offices opened in 2011, on the edge of the Parc Andre-Citroen, a public park in the Javel quarter, in the 15th arrondissement of Paris, France. The park was created in 1986 on the site of a disused Citroen factory, opened in 1992, and has been recently renovated. Picture by Manuel Cohen
    LC19_PARIS_MC_1301.jpg
  • Pont de Bir-Hakeim, or Bridge of Bir-Hakeim, formerly the Pont de Passy, or Passy Bridge, built 1903-05, designed by Jean-Camille Formige, over the river Seine in Paris, Ile-de-France, France. The bridge connects the 15th and 16th arrondissements via the Ile aux Cygnes, and has 2 levels, a road and pedestrian level below and a metro rail level above. It was renamed in 1948 after the  Battle of Bir Hakeim in Libya in WWII. Picture by Manuel Cohen
    LC22_FRANCE_MC_0122.jpg
  • Les Nautes, or Sailors, sculpture, c. 1900, by Gustave Michel, 1851–1924, on the Pont de Bir-Hakeim, or Bridge of Bir-Hakeim, formerly the Pont de Passy, or Bridge of Passy, built 1903-05, designed by Jean-Camille Formige, over the river Seine in Paris, Ile-de-France, France. The bridge connects the 15th and 16th arrondissements via the Ile aux Cygnes, and has 2 levels, a road and pedestrian level below and a metro rail level above. It was renamed in 1948 after the Battle of Bir Hakeim in Libya in WWII. Picture by Manuel Cohen
    LC22_FRANCE_MC_0123.jpg
  • Poetic verse about artistic creation by Paul Valery, 1871-1945, French poet, on the facade of the Palais de Chaillot, designed by Louis-Hippolyte Boileau, Jacques Carlu and Leon Azema for the 1937 Exposition Internationale at Trocadero, 16th arrondissement, Paris, Ile-de-France, France. The typeface "Peignot" used for the writing of the verse by Paul Valery has been designed by Cassandre. Picture by Manuel Cohen - Further clearance required, please contact us
    LC22_FRANCE_MC_0127.jpg
  • Paul Landowski Monument, or Monument a la Gloire des Armees Francaises de 1914-1918, built 1936-56 and inaugurated 1956, by Louis Henri Bouchard, 1875-1960, Paul Landowski, 1875-1961 and Albert Drouet, 1880-1953, on the Place du Trocadero, beside the Passy cemetery in the 16th arrondissement of Paris, Ile-de-France, France. This is a monument to the glory of the French army during the First World War, and the sculptural group depicts an allegorical figure of France with soldiers and other participants in the war, positioned on a 216m long monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_0125.jpg
  • Poetic verse about artistic creation by Paul Valery, 1871-1945, French poet, on the facade of the Palais de Chaillot, designed by Louis-Hippolyte Boileau, Jacques Carlu and Leon Azema for the 1937 Exposition Internationale at Trocadero, 16th arrondissement, Paris, Ile-de-France, France. The typeface "Peignot" used for the writing of the verse by Paul Valery has been designed by Cassandre. Picture by Manuel Cohen - Further clearance required, please contact us
    LC22_FRANCE_MC_0128.jpg
  • Paul Landowski Monument, or Monument a la Gloire des Armees Francaises de 1914-1918, detail, built 1936-56 and inaugurated 1956, by Louis Henri Bouchard, 1875-1960, Paul Landowski, 1875-1961 and Albert Drouet, 1880-1953, on the Place du Trocadero, beside the Passy cemetery in the 16th arrondissement of Paris, Ile-de-France, France. This is a monument to the glory of the French army during the First World War, and the sculptural group depicts an allegorical figure of France with soldiers and other participants in the war, positioned on a 216m long monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_0126.jpg
  • Equestrian bronze statue of Marechal Foch, or Ferdinand Foch, 1851–1929, French general, Marshal of France and commander of the Allied Forces during WWI, 1951, by Robert Wlerick and Raymond Martin, on the Place du Trocadero in the 16th arrondissement of Paris, Ile-de-France, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_0124.jpg
  • Solitude, detail, bronze statue of a black slave woman who was freed in 1794 and beaten to death while pregnant in 1802 after Napoleon restored slavery in Guadeloupe, inaugurated 2022, by Didier Audrat, in the Jardin Solitude, Place du General Catroux, in the 17th arrondissement of Paris, Ile-de-France, France. This is the first statue of a real black woman in Paris, and she is depicted defiantly protesting against slavery. It was inaugurated on 10th May 2022, the National Day to Commemorate Memories of Slave Trade, Slavery and their Abolition. Picture by Manuel Cohen
    LC22_FRANCE_MC_0120.jpg
  • Solitude, bronze statue of a black slave woman who was freed in 1794 and beaten to death while pregnant in 1802 after Napoleon restored slavery in Guadeloupe, inaugurated 2022, by Didier Audrat, in the Jardin Solitude, Place du General Catroux, in the 17th arrondissement of Paris, Ile-de-France, France. This is the first statue of a real black woman in Paris, and she is depicted defiantly protesting against slavery. It was inaugurated on 10th May 2022, the National Day to Commemorate Memories of Slave Trade, Slavery and their Abolition. Picture by Manuel Cohen
    LC22_FRANCE_MC_0129.jpg
  • Solitude, bronze statue of a black slave woman who was freed in 1794 and beaten to death while pregnant in 1802 after Napoleon restored slavery in Guadeloupe, inaugurated 2022, by Didier Audrat, in the Jardin Solitude, Place du General Catroux, in the 17th arrondissement of Paris, Ile-de-France, France. This is the first statue of a real black woman in Paris, and she is depicted defiantly protesting against slavery. It was inaugurated on 10th May 2022, the National Day to Commemorate Memories of Slave Trade, Slavery and their Abolition. Picture by Manuel Cohen
    LC22_FRANCE_MC_0121.jpg
  • Christel Sadde, kinetic artist, adjusting a mobile in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_69.jpg
  • Christel Sadde, kinetic artist, adjusting a mobile in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_66.jpg
  • Mobile sculpture with geometric shapes on a wire frame, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_63.jpg
  • Mobile sculpture with hanging geometric shapes, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Below are Les Herbes Folles, a kinetic sculpture with gold plated steel wire, and a kinetic sculpture in metal wire and dried flowers. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_62.jpg
  • Mobile sculpture by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_58.jpg
  • Storage of metal wire in the studio of Christel Sadde, kinetic artist, on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_57.jpg
  • Christel Sadde, kinetic artist, threading metal weights with wire in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_42.jpg
  • Christel Sadde, kinetic artist, threading metal weights with wire in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_41.jpg
  • Christel Sadde, kinetic artist, assembling metal weights and threading them with wire in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_40.jpg
  • Christel Sadde, kinetic artist, assembling metal weights in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_38.jpg
  • Wire frame of a mobile sculpture, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_33.jpg
  • Mobile sculpture with metal geometric shapes (foreground), and behind, Les Herbes Folles, a kinetic sculpture with gold plated steel wire, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_31.jpg
  • Kinetic sculpture in metal wire and dried flowers, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_28.jpg
  • Mobile sculpture with metal geometric shapes (foreground), and behind, Les Herbes Folles, a kinetic sculpture with gold plated steel wire, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_24.jpg
  • Mobile sculpture with metal geometric shapes, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_23.jpg
  • Christel Sadde, kinetic artist, drawing plans and taking measurements next to a mobile sculpture in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_15.jpg
  • Model of a mobile sculpture by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_07.jpg
  • Christel Sadde, kinetic artist, surrounded by mobile sculptures in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_06.jpg
  • Christel Sadde, kinetic artist, surrounded by mobile sculptures in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_04.jpg
  • Christel Sadde, kinetic artist, adjusting a mobile in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_68.jpg
  • Christel Sadde, kinetic artist, adjusting a mobile in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_67.jpg
  • Storage of metal wire and poles in the studio of Christel Sadde, kinetic artist, on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_65.jpg
  • Tools, scale rule and cutting board, in the studio of Christel Sadde, kinetic artist, on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_64.jpg
  • Les Herbes Folles, a kinetic sculpture with gold plated steel wire, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_61.jpg
  • Kinetic sculpture in metal wire and dried flowers, and behind, mobile sculpture with hanging geometric shapes, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_60.jpg
  • Les Herbes Folles, a kinetic sculpture with gold plated steel wire, detail, and above, mobile sculpture with metal geometric shapes, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_59.jpg
  • Christel Sadde, kinetic artist, at work in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_55.jpg
  • Christel Sadde, kinetic artist, with The Giant, a culbuto kinetic sculpture in brushed satin brass, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_54.jpg
  • Christel Sadde, kinetic artist, with The Giant, a culbuto kinetic sculpture in brushed satin brass, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_53.JPG
  • Christel Sadde, kinetic artist, with The Giant, a culbuto kinetic sculpture in brushed satin brass, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_52.jpg
  • Christel Sadde, kinetic artist, with The Giant, a culbuto kinetic sculpture in brushed satin brass, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_51.jpg
  • Christel Sadde, kinetic artist, with The Giant, a culbuto kinetic sculpture in brushed satin brass, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_50.jpg
  • Studio of Christel Sadde, kinetic artist, on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_49.jpg
  • Christel Sadde, kinetic artist, cutting wire on a sculpture in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_48.jpg
  • Christel Sadde, kinetic artist, adjusting a wire sculpture in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_47.jpg
  • Christel Sadde, kinetic artist, adjusting a mobile in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_46.jpg
  • Model of a mobile sculpture by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_44.jpg
  • Standing mobile, Tribute to Victor Vasarely, in palladium, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_43.jpg
  • Christel Sadde, kinetic artist, threading metal weights with wire in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_39.jpg
  • Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_37.jpg
  • Kinetic sculpture made from site and felt balls, detail, in the studio of Christel Sadde, kinetic artist, on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_36.jpg
  • Kinetic sculpture in metal wire and dried flowers on a wooden base, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_35.jpg
  • Kinetic sculpture in metal wire and dried flowers, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_34.jpg
  • Mobile sculpture with geometric shapes on a wire frame, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_32.jpg
  • Mobile sculpture with metal geometric shapes (foreground), and behind, Les Herbes Folles, a kinetic sculpture with gold plated steel wire, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_30.jpg
  • Kinetic sculpture in metal wire and dried flowers, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_27.jpg
  • Mobile sculpture with metal geometric shapes (foreground), and behind, Les Herbes Folles, a kinetic sculpture with gold plated steel wire, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_25.jpg
  • Kinetic sculpture Les Herbes Folles, in gold plated steel wire, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_26.jpg
  • Mobile sculpture with small interlinked metal discs, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_22.jpg
  • Christel Sadde, kinetic artist, drawing plans and taking measurements next to a mobile sculpture in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_21.jpg
  • Mobile sculpture with small interlinked metal discs, detail, by Christel Sadde, kinetic artist, in her studio on the Rue des Entrepots in Saint-Ouen, Ile-de-France, France. Christel Sadde makes kinetic art and mobile sculptures from metals and other materials, often using geometric forms. Her ethos is Balance - Geometry - Poetry - Movement. Photographed on 12th April 2019 by Manuel Cohen
    12042019_ChristelSadde_MC_20.jpg
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