manuel cohen

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  • PARIS, FRANCE - FEBRUARY 08 : A general view of Notre Dame de Paris from Quai de Montebello, on February 08, 2008 in Ile de la Cite, Paris, France. The cathedral was initiated by the bishop Maurice de Sully in 1163 and was completed in 1345. (Photo by Manuel Cohen)
    DPARIS080532.JPG
  • General view of Ile des lemuriens, (Lemur Island), surrounded by vegetation, Parc Zoologique de Paris, or Zoo de Vincennes, (Zoological Gardens of Paris, also known as Vincennes Zoo), 1934, by Charles Letrosne, 12th arrondissement, Paris, France, pictured on August 24, 2011 in the morning. In November 2008 the 15 hectare Zoo, part of the Museum National d'Histoire Naturelle (National Museum of Natural History) closed its doors to the public and renovation works will start in September 2011. The Zoo is scheduled to re-open in April 2014. Picture by Manuel Cohen.
    IMG_1186.jpg
  • Water garden and manor house, 16th century, at the Domaine de Villarceaux, Chaussy, France. The hedges in the water garden reflect Renaissance embroidery patterns. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC699.jpg
  • Water garden and fortified manor house, 16th century, with the Tour Saint Nicholas on the right, with its medieval terrace at the Domaine de Villarceaux, Chaussy, France. The hedges in the water garden reflect Renaissance embroidery patterns. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC703.jpg
  • The fortified manor house, with turret and archway, 16th century, seen down an avenue of trees, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC714.jpg
  • The fortified manor house, with corner turrets, 16th century, and its reflection in the water garden, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC716.jpg
  • Water garden and manor house, 16th century, at the Domaine de Villarceaux, Chaussy, France. The hedges in the water garden reflect Renaissance embroidery patterns. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC700.jpg
  • Water garden and manor house, 16th century, at the Domaine de Villarceaux, Chaussy, France. The hedges in the water garden reflect Renaissance embroidery patterns. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC701.jpg
  • Detail of the Water Garden, 16th century, at the Domaine de Villarceaux, Chaussy, France, with hedges reflecting Renaissance embroidery patterns. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC704.jpg
  • Water garden and manor house, 16th century, at the Domaine de Villarceaux, Chaussy, France. The hedges in the water garden reflect Renaissance embroidery patterns. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC705.jpg
  • The fortified manor house, with turret and archway, 16th century, and its reflection in the water garden, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC715.jpg
  • Painted wall panels, 17th century, in the rotunda boudoir, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, in the manor house or lower chateau, 16th century, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC698.jpg
  • The Bassin des huit jets in the 16th century water garden, with the Tour Saint Nicholas and its medieval terrace where medicinal plants are grown, at the Domaine de Villarceaux, Chaussy, France. One of the site's springs emerges within the tower, protecting the site from siege or poisoning. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC702.jpg
  • Detail of painted trompe l'oeil ceiling with angel holding man in central medallion, 17th century, in the rotunda boudoir, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, in the manor house or lower chateau, 16th century, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC694.jpg
  • Painted wall panel, 17th century, with winged sphinxes and putti holding a battle scene, in the rotunda boudoir, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, in the manor house or lower chateau, 16th century, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC695.jpg
  • Painted wall panel, 17th century, with figures supporting a painting topped with horns of plenty, in the rotunda boudoir, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, in the manor house or lower chateau, 16th century, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC696.jpg
  • Painted trompe l'oeil ceiling with angel holding man in central medallion, 17th century, in the rotunda boudoir, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, in the manor house or lower chateau, 16th century, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC697.jpg
  • Detail of painted ceiling imported from Italy, c. 1550, in the manor house or lower chateau, 16th century, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC686.jpg
  • Detail of painted ceiling imported from Italy, c. 1550, in the manor house or lower chateau, 16th century, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC687.jpg
  • Detail of ram's heads from a painted ceiling imported from Italy, c. 1550, in the manor house or lower chateau, 16th century, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC688.jpg
  • Detail of woman's head on a decorative motif from a painted ceiling imported from Italy, c. 1550, in the manor house or lower chateau, 16th century, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC691.jpg
  • Detail of woman's head on a decorative motif from a painted ceiling imported from Italy, c. 1550, in the manor house or lower chateau, 16th century, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC689.jpg
  • Detail of coat of arms from a painted ceiling imported from Italy, c. 1550, in the manor house or lower chateau, 16th century, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC690.jpg
  • Detail of painted wall panel, 17th century, with scene of couples walking in a garden and classical landscape, in the rotunda boudoir, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, in the manor house or lower chateau, 16th century, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC692.jpg
  • Room with paintings and painted ceiling imported from Italy, c. 1550, in the manor house or lower chateau, 16th century, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC685.jpg
  • Painted wall panel, 17th century, with winged sphinxes and putti holding a battle scene, in the rotunda boudoir, where lovers Louis de Mornay, marquis of Villarceaux, and Ninon de Lenclos would meet, in the manor house or lower chateau, 16th century, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC693.jpg
  • Portrait of Madame Scarron, the future Madame de Maintenon, 1635-1719, by Louis de Mornay, Marquis de Villarceaux, 1619-91, in the dining room of the upper chateau, at the Domaine de Villarceaux, Chaussy, France. Madame de Scarron was the mistress of Louis de Mornay for 3 years before secretly marrying Louis XIV. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC706.jpg
  • Portrait of Madame Scarron, the future Madame de Maintenon, 1635-1719, by Louis de Mornay, Marquis de Villarceaux, 1619-91, in the dining room of the upper chateau, at the Domaine de Villarceaux, Chaussy, France. Madame de Scarron was the mistress of Louis de Mornay for 3 years before secretly marrying Louis XIV. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC711.jpg
  • Ceiling fresco of an allegory of France surrounded by putti, by Ambroise Dubois, 1542-1615, in the Galerie des Assiettes or Plate Gallery, built c. 1840 under Louis-Philippe at the Chateau de Fontainebleau, France. The early 17th century frescoes were transported here from the Diana Gallery. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC524.jpg
  • Painting of travelling entertainers being robbed by gypsies, 17th century, artist unknown, in the reception room of the upper chateau, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC707.jpg
  • Detail of Leda from the sculpture of Leda and the Swan, by Antoine Etex, 1808-88, showing Leda being seduced by Zeus in the form of a swan, from the upper chateau, 18th century, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC713.jpg
  • Portrait of Joachim Murat, 1767-1815, Marshal of France and brother-in-law of Napoleon Bonaparte, painted by Francois Pascal Simon Gerard, 1770-1837, in the Imperial Portrait Gallery at the Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC509.jpg
  • Detail from the Royal Elephant fresco, showing  Jupiter in green and Mars in red, by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC577.jpg
  • The Education of Achilles, showing the centaur Chiron instructing Achilles in sword fighting, fresco by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC578.jpg
  • Detail from the Twins of Catania, fresco by Rosso Fiorentino, 1535-37, in a carved stucco frame with satyr heads, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC572.jpg
  • Carved oak door from the vestibule of the chapel leading to the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The gallery is lined with frescoes by Rosso Fiorentino, made 1522-40 and framed in carved stucco. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC570.jpg
  • Painting of Winter Landscape, with a man pushing a woman on a sleigh, by Francois Boucher, 1703-70, in the dining room of the upper chateau, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC708.jpg
  • Painting of a fish market, 17th century, artist unknown, in the reception room of the upper chateau, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC709.JPG
  • Dining room of the upper chateau, built 18th century for Jean-Charles Baptiste du Tillet, marquis of Bussiere, by the architect Jean-Baptiste Courtonne, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC710.jpg
  • Sculpture of Leda and the Swan, by Antoine Etex, 1808-88, showing Leda being seduced by Zeus in the form of a swan, from the upper chateau, 18th century, at the Domaine de Villarceaux, Chaussy, France. The domaine is on the site of an 11th century medieval castle and comprises a water garden, manor house and 18th century chateau. It is managed by the Regional Council of the Ile de France, with the owners, Fondation Leopold Mayer. The garden is listed as one of the Notable Gardens of France, and the domaine is a Monument Historique. Picture by Manuel Cohen
    LC14_France_MC712.jpg
  • Coffered ceiling of the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC651.jpg
  • Sacrifice of the ram in carved stucco from a frame of a fresco by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC640.jpg
  • Bust of King Francois I in marble, 1835, by Achille Joseph Etienne Valois, 1785-1862, with gilded frame in carved stucco surrounded by fruit garland, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC579.jpg
  • Sculpted wooden panel with gilded initial F for King Francois I, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC571.jpg
  • Fresco of a Fontainebleau nymph, 1860, by Jean Alaux, called Le Romain, 1786-1864, after an engraving by Rene Boyvin, 1525-80, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC573.jpg
  • Fresco of Danae with Jupiter represented by a golden shower (together they will have a son, Perseus), the only fresco in this gallery by Francesco Primaticcio, 1504-70, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC574.jpg
  • Putti from the frame of the fresco of a Fontainebleau nymph, 1860, by Jean Alaux, called Le Romain, 1786-1864, after an engraving by Rene Boyvin, 1525-80, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC575.jpg
  • Putti from the frame of the fresco of a Fontainebleau nymph, 1860, by Jean Alaux, called Le Romain, 1786-1864, after an engraving by Rene Boyvin, 1525-80, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC576.jpg
  • The Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The gallery is lined with frescoes by Rosso Fiorentino, made 1522-40 and framed in carved stucco. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC416.jpg
  • The Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The gallery is lined with frescoes by Rosso Fiorentino, made 1522-40 and framed in carved stucco. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC417.jpg
  • Portrait of Marie Louise of Austria, 1791-1847, second wife of Emperor Napoleon I, Empress of France 1810-14, by M G Benoist, 1768-1826, in the Imperial Portrait Gallery at the Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC502.jpg
  • Portrait of Marie Louise of Austria, 1791-1847, second wife of Emperor Napoleon I, Empress of France 1810-14, by M G Benoist, 1768-1826, in the Imperial Portrait Gallery at the Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC503.jpg
  • Figure in carved stucco, from the frame of the fresco of the Battle of the centaurs and the lapiths, by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC652.jpg
  • Sacrifice, fresco by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC414.jpg
  • The Taking of Troy, high relief stucco frame by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC415.jpg
  • Carved gilded wooden panel by Scibec de Capri, 1539, representing a golden salamander living in the flames and breathing wheat, symbol of King Francois I, his "nustrisco et extinguo", in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC418.jpg
  • Carved gilded wooden panel by Scibec de Capri, 1539, representing a golden salamander living in the flames and breathing wheat, symbol of King Francois I, his "nustrisco et extinguo", in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC419.jpg
  • Carved gilded wooden panel by Scibec de Capri, 1539, representing a golden salamander living in the flames and breathing wheat, symbol of King Francois I, his "nustrisco et extinguo", in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC420.jpg
  • Carved gilded wooden panel by Scibec de Capri, 1539, representing a golden salamander living in the flames and breathing wheat, symbol of King Francois I, his "nustrisco et extinguo", in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC421.jpg
  • Sculpted wooden Medusa head from the door between the horseshoe vestibule and the Galerie Francois I, Chateau de Fontainebleau, France. The Galerie Francois I was begun in 1528 and was the first great gallery in France and the origination of the Renaissance style in France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC423.jpg
  • Carved gilded wooden panel by Scibec de Capri, 1539, representing a golden salamander living in the flames and breathing wheat, symbol of King Francois I, his "nustrisco et extinguo", in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC422.jpg
  • Sculpted wooden Medusa head from the door between the horseshoe vestibule and the Galerie Francois I, Chateau de Fontainebleau, France. The Galerie Francois I was begun in 1528 and was the first great gallery in France and the origination of the Renaissance style in France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC424.jpg
  • Sculpted wooden Medusa head from the door between the horseshoe vestibule and the Galerie Francois I, Chateau de Fontainebleau, France. The Galerie Francois I was begun in 1528 and was the first great gallery in France and the origination of the Renaissance style in France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC425.jpg
  • Sculpted wooden head of man wearing lion's head helmet, possibly Heracles, from the door between the horseshoe vestibule and the Galerie Francois I, Chateau de Fontainebleau, France. The Galerie Francois I was begun in 1528 and was the first great gallery in France and the origination of the Renaissance style in France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC426.jpg
  • Ignorance Chased Away, showing King at the gate of the Temple of Jupiter with blindfolded ignorant men left behind, fresco by Rosso Fiorentino, 1535-37, in a carved stucco frame, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC427.jpg
  • The Royal Elephant decorated with fleur de lys, representing the King, fresco by Rosso Fiorentino, 1535-37, in a carved stucco frame, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC428.jpg
  • The Unity of the State, showing the King holding court, fresco by Rosso Fiorentino, 1535-37, in a carved stucco frame, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC429.jpg
  • Carved gilded wooden panel by Scibec de Capri, 1539, representing a golden salamander living in the flames and breathing wheat, symbol of King Francois I, his "nustrisco et extinguo", in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC431.jpg
  • The abduction of Philyra by Saturn as a white horse, fresco by Rosso Fiorentino, 1535-37, in a carved stucco frame, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC430.jpg
  • Carved gilded wooden panel by Scibec de Capri, 1539, representing a golden salamander living in the flames and breathing wheat, symbol of King Francois I, his "nustrisco et extinguo", in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC432.jpg
  • The Twins of Catania, with people fleeing a burning city, fresco by Rosso Fiorentino, 1535-37, in a carved stucco frame, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC433.jpg
  • The Twins of Catania, with people fleeing a burning city, fresco by Rosso Fiorentino, 1535-37, in a carved stucco frame, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC434.jpg
  • Cleobis and Biton, showing the brothers pulling Cydippe a chariot to the Temple of Hera, fresco by Rosso Fiorentino, 1535-37, in a carved stucco frame, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC435.jpg
  • The Education of Achilles, showing the centaur Chiron instructing Achilles in various skills, fresco by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC436.jpg
  • Battle scene with decorative shell border in carved stucco from the frame of the Disappointed Venus fresco by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC439.JPG
  • Disappointed Venus, fresco by Rosso Fiorentino, 1535-37, in a carved stucco frame, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC441.jpg
  • Lost Youth, showing a woman symbolising eternal youth on a donkey with a dragon, fresco by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC440.jpg
  • Caryatid in carved stucco, from the frame of the fresco of the Disappointed Venus, by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC442.jpg
  • Bust of King Francois I in marble, 1835, by Valois Achille Joseph Etienne, 1785-1862, with gilded frame in carved stucco surrounded by fruit garland, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC443.jpg
  • Bust of King Francois I in marble, 1835, by Valois Achille Joseph Etienne, 1785-1862, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC444.jpg
  • Detail of Disappointed Venus, fresco by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC445.jpg
  • Fresco of the Galerie Francois I and Porte Doree of the Chateau de Fontainebleau, 1540, by Rosso Fiorentino, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC446.jpg
  • Male caryatid in carved stucco, from the frame of the fresco of the Disappointed Venus, by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC447.jpg
  • Ephebe in carved stucco and painted laughing satyr head from the frame of the fresco the Disappointed Venus by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC448.jpg
  • Putti in carved stucco holding the initial F and a golden salamander in the flames, symbol of King Francois I, decoration by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC449.jpg
  • Putti in carved stucco holding the initial F and a golden salamander in the flames, symbol of King Francois I, decoration by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC450.jpg
  • Caryatid in carved stucco, from the frame of the fresco of the Disappointed Venus, by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC451.jpg
  • Detail of woman symbolising eternal youth on a donkey with a dragon, from Lost Youth, fresco by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC452.jpg
  • Putti playing in carved stucco from the frame of the fresco the Education of Achilles by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC454.jpg
  • Child's head in carved stucco from the frame of the fresco the Education of Achilles by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC456.jpg
  • Ephebe in carved stucco from the frame of the frescoes the Education of Achilles and Giant by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC455.jpg
  • Ephebe in carved stucco from the frame of a fresco by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC457.jpg
  • Ephebe in carved stucco from the frame of the fresco the Education of Achilles by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC458.jpg
  • Putto in carved stucco from the frame of the frescoes the Education of Achilles and Giant by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC459.jpg
  • The Shipwreck or the Revenge of Nauplius, fresco in a section of stucco frame by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC460.jpg
  • Detail of the Death of Adonis, showing Adonis and angels, fresco by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC461.jpg
  • Putto in carved stucco from the frame of the fresco the Death of Adonis by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC462.jpg
  • Head of a shouting satyr in carved stucco from the frame of the Danae fresco panels by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC463.jpg
  • Putti holding a medallion in carved stucco from the frame of the Diana fresco by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC464.jpg
  • Caryatids in carved stucco from the frame of the Anaux fresco by Rosso Fiorentino, 1535-37, on the North wall of the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC465.jpg
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