manuel cohen

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  • Blast furnace built 1834 by Jean-Baptiste Le Bachelle, at the Parc Metallurgique or Metallurgic Park, an interpretation centre for ancient and contemporary metallurgy, formerly the upper factory at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1856.jpg
  • Ore park, with displays of large forged pieces from the foundries of the Haute-Marne, at the Parc Metallurgique or Metallurgic Park, an interpretation centre for ancient and contemporary metallurgy, formerly the upper factory at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1858.jpg
  • Blast furnace built 1834 by Jean-Baptiste Le Bachelle, at the Parc Metallurgique or Metallurgic Park, an interpretation centre for ancient and contemporary metallurgy, formerly the upper factory at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1857.jpg
  • Exhibition of manufactured metalwork, at the Parc Metallurgique or Metallurgic Park, an interpretation centre for ancient and contemporary metallurgy, formerly the upper factory at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1859.jpg
  • Lithography stones of plans for metalwork, used for printing, exhibited at the Parc Metallurgique or Metallurgic Park, an interpretation centre for ancient and contemporary metallurgy, formerly the upper factory at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1860.jpg
  • Cast iron counter-model of the work of Charles Breton, 1878, made at the Val d'Osne art foundry c. 1920, exhibited at the Parc Metallurgique or Metallurgic Park, an interpretation centre for ancient and contemporary metallurgy, formerly the upper factory at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1861.jpg
  • St Joan of Arc, cast iron statue, late 19th century, by Felix Charpentier, 1858-1924, made at the Capitain-Geny art foundry at Bussy-Vecqueville, exhibited at the Parc Metallurgique or Metallurgic Park, an interpretation centre for ancient and contemporary metallurgy, formerly the upper factory at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1862.jpg
  • Almee, or Egyptian dancer, cast iron statue, late 19th century, unknown sculptor, made at the Capitain-Geny art foundry at Bussy-Vecqueville, exhibited at the Parc Metallurgique or Metallurgic Park, an interpretation centre for ancient and contemporary metallurgy, formerly the upper factory at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1864.jpg
  • St Joan of Arc, cast iron statue, late 19th century, by Felix Charpentier, 1858-1924, made at the Capitain-Geny art foundry at Bussy-Vecqueville, exhibited at the Parc Metallurgique or Metallurgic Park, an interpretation centre for ancient and contemporary metallurgy, formerly the upper factory at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1863.jpg
  • Emile's forge, donated by Maurice Bernard from Eurville, with hearths, bellows, tools, power hammers, anvils and stamping machines, at the Conservatoire des Arts de la Metallurgie, or Conservatory of the Arts of Metallurgy, formerly the lower factory of the foundry at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1865.JPG
  • Old blast furnaces, at the Conservatoire des Arts de la Metallurgie, or Conservatory of the Arts of Metallurgy, formerly the lower factory of the foundry at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1866.jpg
  • Stoves and ovens, stored at the Conservatoire des Arts de la Metallurgie, or Conservatory of the Arts of Metallurgy, formerly the lower factory of the foundry at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1867.jpg
  • Fireplace surrounds, stored at the Conservatoire des Arts de la Metallurgie, or Conservatory of the Arts of Metallurgy, formerly the lower factory of the foundry at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1868.jpg
  • Statues, stored at the Conservatoire des Arts de la Metallurgie, or Conservatory of the Arts of Metallurgy, formerly the lower factory of the foundry at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1869.jpg
  • Christ statues, stored at the Conservatoire des Arts de la Metallurgie, or Conservatory of the Arts of Metallurgy, formerly the lower factory of the foundry at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1870.jpg
  • Virgin statues, stored at the Conservatoire des Arts de la Metallurgie, or Conservatory of the Arts of Metallurgy, formerly the lower factory of the foundry at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1871.jpg
  • Virgin statues, stored at the Conservatoire des Arts de la Metallurgie, or Conservatory of the Arts of Metallurgy, formerly the lower factory of the foundry at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1872.jpg
  • Ronot press, reconstructed, and statue of Allegory of Industry, at the Conservatoire des Arts de la Metallurgie, or Conservatory of the Arts of Metallurgy, formerly the lower factory of the foundry at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. The Ronot press is a huge 8m tall stamping press weighing 150 tons, used in the Bragarde Ronot company 1931-2014, built by Delattre and Frouard in Dammarie-les-Lys. Picture by Manuel Cohen
    LC21_FRANCE_MC_1875.jpg
  • Nymphs, lions and decorative sculpture from parks and gardens, stored at the Conservatoire des Arts de la Metallurgie, or Conservatory of the Arts of Metallurgy, formerly the lower factory of the foundry at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1874.jpg
  • Portrait busts, stored at the Conservatoire des Arts de la Metallurgie, or Conservatory of the Arts of Metallurgy, formerly the lower factory of the foundry at Dommartin-le-Franc, in the Blaise valley, Haute-Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1873.jpg
  • Lion of Belfort, bronze relief, by Auguste Bartholdi, 1834-1904, study for the 1880 sculpture dedicated to the defenders of the Siege of Belfort 1870-71 during the Franco-Prussian War, in the Musee d'Histoire or History Museum, at the Citadelle de Belfort, at Belfort, Bourgogne-Franche-Comte, France. The museum houses collections on archaeology, Bartholdi sculpture and military history. Picture by Manuel Cohen
    LC22_FRANCE_MC_0207.jpg
  • Citadelle de Belfort, with the 17th century castle and the Lion of Belfort sculpture, 1880, by Auguste Bartholdi, dedicated to the defenders of the siege of 1870-71, at Belfort, Bourgogne-Franche-Comte, France. A castle was built in the 17th century by the Comte de la Suze to protect the Trouee de Belfort or Belfort Gap, and Vauban and Haxo added to the fortifications. In the 19th century the citadel formed part of the Sere de Rivieres system of French border defences. The citadel is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC22_FRANCE_MC_0130.jpg
  • Citadelle de Belfort, with the 17th century castle and the Lion of Belfort sculpture, 1880, by Auguste Bartholdi, dedicated to the defenders of the siege of 1870-71, at Belfort, Bourgogne-Franche-Comte, France. A castle was built in the 17th century by the Comte de la Suze to protect the Trouee de Belfort or Belfort Gap, and Vauban  and Haxo added to the fortifications. In the 19th century the citadel formed part of the Sere de Rivieres system of French border defences. In the foreground is the Hotel de Prefecture du Territories de Belfort, built 1901-3. The citadel is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_0147.jpg
  • Citadelle de Belfort, with the 17th century castle and the Lion of Belfort sculpture, 1880, by Auguste Bartholdi, dedicated to the defenders of the siege of 1870-71, above the town of Belfort, Bourgogne-Franche-Comte, France. A castle was built in the 17th century by the Comte de la Suze to protect the Trouee de Belfort or Belfort Gap, and Vauban and Haxo added to the fortifications. In the 19th century the citadel formed part of the Sere de Rivieres system of French border defences. The citadel is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_0148.jpg
  • Citadelle de Belfort, with the 17th century castle and the Lion of Belfort sculpture, 1880, by Auguste Bartholdi, dedicated to the defenders of the siege of 1870-71, above the town of Belfort, Bourgogne-Franche-Comte, France. A castle was built in the 17th century by the Comte de la Suze to protect the Trouee de Belfort or Belfort Gap, and Vauban and Haxo added to the fortifications. In the 19th century the citadel formed part of the Sere de Rivieres system of French border defences. The citadel is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_0149.jpg
  • Citadelle de Belfort, with the 17th century castle and the Lion of Belfort sculpture, 1880, by Auguste Bartholdi, dedicated to the defenders of the siege of 1870-71, above the town of Belfort, Bourgogne-Franche-Comte, France. A castle was built in the 17th century by the Comte de la Suze to protect the Trouee de Belfort or Belfort Gap, and Vauban and Haxo added to the fortifications. In the 19th century the citadel formed part of the Sere de Rivieres system of French border defences. The citadel is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_0151.jpg
  • Citadelle de Belfort, with the 17th century castle and the Lion of Belfort sculpture, 1880, by Auguste Bartholdi, dedicated to the defenders of the siege of 1870-71, above the town of Belfort, Bourgogne-Franche-Comte, France. A castle was built in the 17th century by the Comte de la Suze to protect the Trouee de Belfort or Belfort Gap, and Vauban and Haxo added to the fortifications. In the 19th century the citadel formed part of the Sere de Rivieres system of French border defences. The citadel is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_0162.jpg
  • Lion of Belfort sculpture, 1880, by Auguste Bartholdi, dedicated to the defenders of the siege of 1870-71, beneath the Citadelle de Belfort, at Belfort, Bourgogne-Franche-Comte, France. A castle was built in the 17th century by the Comte de la Suze to protect the Trouee de Belfort or Belfort Gap, and Vauban and Haxo added to the fortifications. In the 19th century the citadel formed part of the Sere de Rivieres system of French border defences. The citadel is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_0235.jpg
  • Citadelle de Belfort, with the 17th century castle and the Lion of Belfort sculpture, 1880, by Auguste Bartholdi, dedicated to the defenders of the siege of 1870-71, above the town of Belfort, Bourgogne-Franche-Comte, France. A castle was built in the 17th century by the Comte de la Suze to protect the Trouee de Belfort or Belfort Gap, and Vauban and Haxo added to the fortifications. In the 19th century the citadel formed part of the Sere de Rivieres system of French border defences. The citadel is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_0236.jpg
  • Citadelle de Belfort, with the 17th century castle and the Lion of Belfort sculpture, 1880, by Auguste Bartholdi, dedicated to the defenders of the siege of 1870-71, above the town of Belfort, Bourgogne-Franche-Comte, France. A castle was built in the 17th century by the Comte de la Suze to protect the Trouee de Belfort or Belfort Gap, and Vauban and Haxo added to the fortifications. In the 19th century the citadel formed part of the Sere de Rivieres system of French border defences. The citadel is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_0241.jpg
  • Citadelle de Belfort, with the 17th century castle and the Lion of Belfort sculpture, 1880, by Auguste Bartholdi, dedicated to the defenders of the siege of 1870-71, above the town of Belfort, Bourgogne-Franche-Comte, France. A castle was built in the 17th century by the Comte de la Suze to protect the Trouee de Belfort or Belfort Gap, and Vauban and Haxo added to the fortifications. In the 19th century the citadel formed part of the Sere de Rivieres system of French border defences. The citadel is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_0242.jpg
  • Citadelle de Belfort, with the 17th century castle and the Lion of Belfort sculpture, 1880, by Auguste Bartholdi, dedicated to the defenders of the siege of 1870-71, above the town of Belfort, Bourgogne-Franche-Comte, France. A castle was built in the 17th century by the Comte de la Suze to protect the Trouee de Belfort or Belfort Gap, and Vauban and Haxo added to the fortifications. In the 19th century the citadel formed part of the Sere de Rivieres system of French border defences. The citadel is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_0244.jpg
  • Citadelle de Belfort, with the 17th century castle and the Lion of Belfort sculpture, 1880, by Auguste Bartholdi, dedicated to the defenders of the siege of 1870-71, above the town of Belfort, Bourgogne-Franche-Comte, France. A castle was built in the 17th century by the Comte de la Suze to protect the Trouee de Belfort or Belfort Gap, and Vauban and Haxo added to the fortifications. In the 19th century the citadel formed part of the Sere de Rivieres system of French border defences. The citadel is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_0245.jpg
  • Lion of Belfort, bronze relief, by Auguste Bartholdi, 1834-1904, study for the 1880 sculpture dedicated to the defenders of the Siege of Belfort 1870-71 during the Franco-Prussian War, in the Musee d'Histoire or History Museum, at the Citadelle de Belfort, at Belfort, Bourgogne-Franche-Comte, France. The museum houses collections on archaeology, Bartholdi sculpture and military history. Picture by Manuel Cohen
    LC22_FRANCE_MC_0208.jpg
  • Sarcophagus of Aregund, end of the 6th century, crypt, Abbey church of Saint Denis, Seine Saint Denis, France. Picture by Manuel Cohen
    DPARIS080131.jpg
  • Sarcophagus of Aregund, end of the 6th century, crypt, Abbey church of Saint Denis, Seine Saint Denis, France. Picture by Manuel Cohen
    DPARIS080130.jpg
  • Shop and tasting area in the Club Tresors de Champagne, created in 1971 as an association of 28 artisan champagne makers, in Reims, Marne, Grand Est, Franc. Picture by Manuel Cohen
    LC21_FRANCE_MC_1581.jpg
  • Shop of the Club Tresors de Champagne, created in 1971 as an association of 28 artisan champagne makers, in Reims, Marne, Grand Est, Franc. Picture by Manuel Cohen
    LC21_FRANCE_MC_1580.jpg
  • Tasting area in the shop of the Club Tresors de Champagne, created in 1971 as an association of 28 artisan champagne makers, in Reims, Marne, Grand Est, Franc. Picture by Manuel Cohen
    LC21_FRANCE_MC_1579.jpg
  • Tasting area in the shop of the Club Tresors de Champagne, created in 1971 as an association of 28 artisan champagne makers, in Reims, Marne, Grand Est, Franc. Picture by Manuel Cohen
    LC21_FRANCE_MC_1578.jpg
  • Tasting area in the shop of the Club Tresors de Champagne, created in 1971 as an association of 28 artisan champagne makers, in Reims, Marne, Grand Est, Franc. Picture by Manuel Cohen
    LC21_FRANCE_MC_1577.jpg
  • Shop of the Club Tresors de Champagne, created in 1971 as an association of 28 artisan champagne makers, in Reims, Marne, Grand Est, Franc. Picture by Manuel Cohen
    LC21_FRANCE_MC_1576.jpg
  • Lighting installation made from champagne bottles, in the shop of the Club Tresors de Champagne, created in 1971 as an association of 28 artisan champagne makers, in Reims, Marne, Grand Est, Franc. Picture by Manuel Cohen
    LC21_FRANCE_MC_1575.jpg
  • Logis Royal, built 14th and 16th century in Renaissance style, in the Chateau de Loches, built from 1013 by Foulques Nerra, count of Anjou, aerial view, at the Cite Royale de Loches, Indre-et-Loire, Centre, France. The chateau is a medieval castle in the Loire Valley consisting of the old collegiate Eglise Saint-Ours, the Logis Royal and the keep. It is listed as a historic monument. On the right is the Tour Saint-Antoine, a fortified Renaissance belfry built 1529-75. Picture by Manuel Cohen
    DRN_LC22_FRANCE_MC_1641.jpg
  • Chateau de Loches, aerial view, with left-right, Keep, built 1013 by Foulques Nerra, count of Anjou, Eglise Saint-Ours de Loches, a collegiate church founded 963-985 by Geoffroy Grisegonelle count of Anjou and rebuilt in 12th century in Romanesque style, and the Renaissance Logis Royal, built 14th and 16th century, at the Cite Royale de Loches, Indre-et-Loire, Centre, France. The chateau is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC22_FRANCE_MC_1644.jpg
  • Agnes Sorel Tower, a watchtower built 13th century under Charles VI, and the 14th century section of the Logis Royal, in the Chateau de Loches, built from 1013 by Foulques Nerra, count of Anjou, at the Cite Royale de Loches, Indre-et-Loire, Centre, France. The chateau is a medieval castle in the Loire Valley consisting of the old collegiate Eglise Saint-Ours, the Logis Royal and the keep. It is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1652.jpg
  • Statue of St Mary Magdalene, limestone and marble, 16th century, originally from the Eglise Saint-Germain de Limeray, in the Grande Salle or Great Hall, in the Chateau de Loches, in the Cite Royale de Loches, Indre-et-Loire, Centre, France. The chateau is a medieval castle in the Loire Valley consisting of the old collegiate Eglise Saint-Ours, the Renaissance Logis Royal built 14th and 16th century, and the keep, built 1013 by Foulques Nerra, count of Anjou. It is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1657.jpg
  • Statuette of St Agnes, Flemish, oak, 16th century, by unknown sculptor, in the Chateau de Loches, in the Cite Royale de Loches, Indre-et-Loire, Centre, France. The chateau is a medieval castle in the Loire Valley consisting of the old collegiate Eglise Saint-Ours, the Renaissance Logis Royal built 14th and 16th century, and the keep, built 1013 by Foulques Nerra, count of Anjou. It is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1660.jpg
  • Portrait of young woman with dog, presumed to be Agnes Sorel, 1422-50, mistress of Charles VII, painting on wood, early 16th century, by French School artist, in the Chateau de Loches, in the Cite Royale de Loches, Indre-et-Loire, Centre, France. The chateau is a medieval castle in the Loire Valley consisting of the old collegiate Eglise Saint-Ours, the Renaissance Logis Royal built 14th and 16th century, and the keep, built 1013 by Foulques Nerra, count of Anjou. It is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1668.jpg
  • Paintings by Ludovico Sforza duke of Milan, imprisoned  1504-8 in the Tour Martelet or Hammer Tower, in the Chateau de Loches, in the Cite Royale de Loches, Indre-et-Loire, Centre, France. The chateau is a medieval castle in the Loire Valley consisting of the old collegiate Eglise Saint-Ours, the Renaissance Logis Royal built 14th and 16th century, and the keep, built 1013 by Foulques Nerra, count of Anjou. It is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1674.jpg
  • Salle des Graffitis, with Calvary scene sculpted by prisoners incarcerated here when it was a prison 15th century - 1926, in the Tour Neuve or Tour Louis XI, built 15th century, in the Chateau de Loches, in the Cite Royale de Loches, Indre-et-Loire, Centre, France. The chateau is a medieval castle in the Loire Valley consisting of the old collegiate Eglise Saint-Ours, the Renaissance Logis Royal built 14th and 16th century, and the keep, built 1013 by Foulques Nerra, count of Anjou. It is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1672.jpg
  • Salle des Graffitis, with frieze carved by prisoners incarcerated here when it was a prison 15th century - 1926, in the Tour Neuve or Tour Louis XI, built 15th century, in the Chateau de Loches, in the Cite Royale de Loches, Indre-et-Loire, Centre, France. The chateau is a medieval castle in the Loire Valley consisting of the old collegiate Eglise Saint-Ours, the Renaissance Logis Royal built 14th and 16th century, and the keep, built 1013 by Foulques Nerra, count of Anjou. It is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1671.jpg
  • Fenetre ouverte sur Vernon, oil painting on canvas, 1911-12​, by Pierre Bonnard, 1867-1947, depicting the view from an open window overlooking the river Seine in Vernon, Normandy, in the Musee des Beaux Arts de Nice, Nice, Provence, France. The museum was founded in 1928 as the Palais des Arts Jules Cheret and is housed in a mansion built 1878 for Elizaveta Vasilievna Kochubey. Picture by Manuel Cohen
    LC22_FRANCE_MC_1636.jpg
  • L'Omnibus, oil painting on canvas, 1895, by Pierre Bonnard, 1867-1947, depicting a woman in front of a yellow omnibus wheel, in a private collection, in Paris, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_1634.jpg
  • Fenetre ouverte sur Vernon, detail, oil painting on canvas, 1911-12​, by Pierre Bonnard, 1867-1947, depicting the view from an open window overlooking the river Seine in Vernon, Normandy, in the Musee des Beaux Arts de Nice, Nice, Provence, France. The museum was founded in 1928 as the Palais des Arts Jules Cheret and is housed in a mansion built 1878 for Elizaveta Vasilievna Kochubey. Picture by Manuel Cohen
    LC22_FRANCE_MC_1639.jpg
  • Samite silk textile with birds standing in pairs with haloes, on a red ground, used as a wall hanging, made in Central Asia, 7th - 8th century AD, from the exhibition 'Sur la Route de la Soie: Etoffes, Luxe et Pouvoir', June-October 2022, about the manufacture and trade of silk along the Silk Road, at the Musee d'Art et d'Archeologie de Cluny, Abbaye de Cluny, Cluny, Saone-et-Loire, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_1631.jpg
  • Samite fragment, silk fabric with lion frieze motif, <br />
from Sogdia in Central Asia, 7th - 8th century AD, from the exhibition 'Sur la Route de la Soie: Etoffes, Luxe et Pouvoir', June-October 2022, about the manufacture and trade of silk along the Silk Road, at the Musee d'Art et d'Archeologie de Cluny, Abbaye de Cluny, Cluny, Saone-et-Loire, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_1632.jpg
  • Wine merchant sign, 13th century stone carving featuring a wine barrel in trilobe arch, found in a former tavern on the Place aux Herbes in Macon, in the Musee des Ursulines, an art and archaeology museum housed since 1968 in the former Ursulines convent, built 1675-80, in Macon, Saone-et-Loire, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_1596.jpg
  • Quirinal Palace in Rome, official residence of the president of Italy, oil painting, in the Musee des Ursulines, an art and archaeology museum housed since 1968 in the former Ursulines convent, built 1675-80, in Macon, Saone-et-Loire, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_1578.jpg
  • Savages of the Pacific Sea, block-printed panoramic wallpaper, 1804, made by Joseph Dufour, 1754-1827, after drawings by Jean-Gabriel Chariot, 1750-1829, in the Musee des Ursulines, an art and archaeology museum housed since 1968 in the former Ursulines convent, built 1675-80, in Macon, Saone-et-Loire, France. The scenes depict the voyages of Captain Cook and other explorers, and were restored in 2009 by Berangere Chaix. Picture by Manuel Cohen
    LC22_FRANCE_MC_1626.jpg
  • Jesus giving the keys of heaven to St Peter, detail, painted stained glass window, 1858-78, by master glassmaker Jean-Baptiste Barrelon, to the right of the nave, in the Eglise cathedrale Saint-Vincent, built early 19th century in Neoclassical style, in Macon, Saone-et-Loire, France. The church is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1624.jpg
  • Baigneuse, or Bather, Pointillist oil painting on canvas, by Hippolyte Petitjean, 1854-1929, who was born in Macon, in the Musee des Ursulines, an art and archaeology museum housed since 1968 in the former Ursulines convent, built 1675-80, in Macon, Saone-et-Loire, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_1622.jpg
  • To arms! We are betrayed!, from Annals of the French Revolution of 1848, lithograph, 1848, by Jules Arnout, 1814-68, in the Musee des Ursulines, an art and archaeology museum housed since 1968 in the former Ursulines convent, built 1675-80, in Macon, Saone-et-Loire, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_1620.jpg
  • Fighting on the Place du Palais Royal, from Annals of the French Revolution of 1848, lithograph, 1848, by Jules Arnout, 1814-68, in the Musee des Ursulines, an art and archaeology museum housed since 1968 in the former Ursulines convent, built 1675-80, in Macon, Saone-et-Loire, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_1619.jpg
  • Lamartine Harangue le Peuple, lithograph, 1848, by Victor Adam, 1801-66, in the Musee des Ursulines, an art and archaeology museum housed since 1968 in the former Ursulines convent, built 1675-80, in Macon, Saone-et-Loire, France. The print depicts Alphonse de Lamartine giving a speech to citizens of Paris during the Revolution of 1848. Picture by Manuel Cohen
    LC22_FRANCE_MC_1618.jpg
  • Passerelle a Zaandam, or Footbridge at Zaandam, Impressionist oil painting on canvas, 1871, by Claude Monet, 1840-1926, in the Musee des Ursulines, an art and archaeology museum housed since 1968 in the former Ursulines convent, built 1675-80, in Macon, Saone-et-Loire, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_1610.jpg
  • Vespers in the Sistine Chapel, oil painting on canvas, by Louis-Emile Adam, 1839-1937, in the Musee des Ursulines, an art and archaeology museum housed since 1968 in the former Ursulines convent, built 1675-80, in Macon, Saone-et-Loire, France. This painting was inspired by Ceremony in the Sistine Chapel, 1810, by Jean-Dominique Ingres. Picture by Manuel Cohen
    LC22_FRANCE_MC_1607.jpg
  • Bust of Claude-Louis Mathieu, 1783-1875, Macon-born astronomer, white marble sculpture by Albert-Ernest Carrier-Belleuse, 1824-87, in the Musee des Ursulines, an art and archaeology museum housed since 1968 in the former Ursulines convent, built 1675-80, in Macon, Saone-et-Loire, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_1605.jpg
  • Self portrait in the studio, oil painting on canvas, 1630, by Joost Cornelisz Droochsloot, 1586-1666, in the Musee des Ursulines, an art and archaeology museum housed since 1968 in the former Ursulines convent, built 1675-80, in Macon, Saone-et-Loire, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_1600.jpg
  • Holy Family, oil painting on wood panel, c. 1604, by unknown artist, copy of an original by Michaelangelo Merisi da Caravaggio, 1571-1610, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1513.jpg
  • Loire landscape, oil painting on canvas, before 1926, by Maurice Le Liepvre, 1848-97, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1555.jpg
  • Rocks at Etretat, Impressionist oil painting on canvas, c. 1888, by Claude Emile Schuffenecker, 1851-1934, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1552.jpg
  • Bridge in autumn, oil painting on canvas, c. 1910-20, by Henri Martin, 1860-1943, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1550.jpg
  • Branch of the Seine at Vetheuil, Impressionist oil painting on canvas, 1878, by Claude Monet, 1840-1926, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1548.jpg
  • View of the Forum in the morning, oil painting on canvas, 1860, by Louise-Josephine Sarazin de Belmont, 1790-1870, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1544.jpg
  • San Marco Basin in Venice, oil painting on canvas, by Felix Ziem, 1821-1911, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1543.jpg
  • View of Tours downstream from the bridges, seen from the slopes of Saint-Cyr, oil painting on canvas, by Charles-Antoine Rougeot, 1740-97, 1 of a series of 6 views of Tours in the museum, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The artist was head of the Musee de Tours until his death in 1797. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1538.jpg
  • Concert champetre, rococo oil painting by Jean-Baptiste Pater, 1695-1736, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1521.jpg
  • Bust of Demosthenes, 384-322 BC, Athenian orator, with Roman head 1st - 2nd century AD, and later bust from 17th century, in marble and onyx, from the Chateau de Richelieu, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1517.jpg
  • Crucifixion, c. 1330-40, by the Master of the Cross of the Piani d'Invrea, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1573.jpg
  • Annunciation, tempera painting on poplar wood, detail, by Giovanni di Tano Fei, c. 1385-1420, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1571.jpg
  • Portrait of the artist in studio clothes, oil painting on canvas, by the studio of Nicolas de Largillierre, 1656-1746, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1566.jpg
  • The Good Shepherd, oil painting on canvas, c. 1650-60, by Philippe de Champaigne, 1602-74, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1563.jpg
  • Portrait de Jean-Baptiste Rose Moussard, silk manufacturer in Tours and adviser to the king, oil painting on canvas in oval frame, by Nicolas de Largillierre, 1656-1746, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1565.jpg
  • St Mary Magdalene holding a skull, oil painting on canvas, by Donato Creti, 1671-1749, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1559.jpg
  • Portrait of Antoine Marie du Cluzel, 1737-1833, lieutenant general of the king's armies, oil painting on canvas in oval frame, 1786, by Henri Pierre Danloux, 1753-1809, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1542.jpg
  • Portrait of Honore de Balzac, 1799-1850, French author and playwright, oil painting on canvas, by Louis Candide Boulanger, 1806-67, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1540.jpg
  • Portrait thought to be the actor Francois-Rene Mole, 1734-1802, oil on canvas, c. 1760-70, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1536.jpg
  • Joseph of Arimathea, tempera painting on wood, by Niccolo di Tommaso, active 1339-76, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1532.jpg
  • Portrait of Antoine Duplaa at the age of 9, member of Bearnaise nobility, oil painting on canvas, by Marianne Loire, c. 1715-69, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1528.jpg
  • Portrait of Claude Houbronne d'Auvringhen, 1682-1767, wearing the Order of Saint-Michel, oil painting on canvas, by Jean Baptiste Perronneau, 1716-83, in the Musee des Beaux Arts de Tours, a fine arts museum founded 1801, and housed since 1910 in the archbishop's palace on the Place Francois Sicard in Tours, Indre-et-Loire, France. The museum houses paintings from 14th - 21st centuries, sculpture, prints, ceramics and furniture, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1525.jpg
  • Audience of his excellency the count of Castellane at the home of sultan Mahmud I of the Ottoman empire, oil painting on canvas, 1742, by the studio of Jean-Baptiste van Mour, French School, in the collection of the Chateau de Villandry, on the river Loire near Tours in Indre-et-Loire, France. Much of the current building was built under Jean Breton who bought the existing medieval castle in 1532 and built the Renaissance palace. The scene takes place in an audience chamber with ushers welcoming the retinue, dressed in fur-lined coats. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1509.jpg
  • Mudejar ceiling, detail, 15th century, recovered during the demolition in 1905 of the Palace of the Dukes of Maqueda in Toledo, in the Salon Oriental or Eastern Lounge, at the Chateau de Villandry, on the river Loire near Tours in Indre-et-Loire, France. Much of the current building was built under Jean Breton who bought the existing medieval castle in 1532 and built the Renaissance palace. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1505.jpg
  • Staircase and first floor corridor leading to the bedroom of prince Jerome, at the Chateau de Villandry, on the river Loire near Tours in Indre-et-Loire, France. Much of the current building was built under Jean Breton who bought the existing medieval castle in 1532 and built the Renaissance palace. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1504.jpg
  • Library, housing the collections of Joachim Carvallo and his wife Ann Coleman, owners of Villandry from 1906, at the Chateau de Villandry, on the river Loire near Tours in Indre-et-Loire, France. Much of the current building was built under Jean Breton who bought the existing medieval castle in 1532 and built the Renaissance palace. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1501.jpg
  • Painting gallery, displaying the collection of Spanish 17th century art of Joachim Carvallo and his wife Ann Coleman, owners of Villandry from 1906, at the Chateau de Villandry, on the river Loire near Tours in Indre-et-Loire, France. Much of the current building was built under Jean Breton who bought the existing medieval castle in 1532 and built the Renaissance palace. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1492.jpg
  • Salle a manger or dining room, 18th century, with pink wood panelling, fountain and marble floor, at the Chateau de Villandry, on the river Loire near Tours in Indre-et-Loire, France. Much of the current building was built under Jean Breton who bought the existing medieval castle in 1532 and built the Renaissance palace. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1490.jpg
  • Chateau de Villandry and Renaissance gardens, restored 1908-18 by Joachim Carvallo, on the river Loire near Tours in Indre-et-Loire, France. Much of the current building was built under Jean Breton who bought the existing medieval castle in 1532 and built the Renaissance palace. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    LC22_FRANCE_MC_1488.jpg
  • Orangerie, built 18th century, Chateau de Villandry and Renaissance gardens, restored 1908-18 by Joachim Carvallo, aerial view, on the river Loire near Tours in Indre-et-Loire, France. Much of the current building was built under Jean Breton who bought the existing medieval castle in 1532 and built the Renaissance palace. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    DRN_LC22_FRANCE_MC_1481.jpg
  • Chateau de Villandry and Renaissance gardens, restored 1908-18 by Joachim Carvallo, aerial view, on the river Loire near Tours in Indre-et-Loire, France. Much of the current building was built under Jean Breton who bought the existing medieval castle in 1532 and built the Renaissance palace. The chateau is listed as a historic monument and forms part of the Loire Valley UNESCO World Heritage Site. Picture by Manuel Cohen
    DRN_LC22_FRANCE_MC_1478.jpg
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