manuel cohen

Show Navigation
  • Portfolio
  • Search (in english)
  • Reportages
  • Fine Art Prints
  • About
  • Contact
  • Instagram
  • Facebook
  • PicRights

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 34698 images found }

Loading ()...

  • Spherical shaped Euro symbol with European stars. Picture by Manuel Cohen
    051914_EuroSymbol_MC001.jpg
  • Euro symbol with European stars. Picture by Manuel Cohen
    051914_EuroSymbol_MC002.jpg
  • Library with 8,000 books, at the Institut Universitaire Europeen Rachi, or Rachi European University Institute, opened 1989, specialising in Jewish and Hebrew studies, in Troyes, Aube, Grand Est, France. The institute offers seminars, symposia and conferences as well as higher education courses. Picture by Manuel Cohen
    LC21_FRANCE_MC_1748.jpg
  • 16th century Northern European style slate spires, The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Picture by Manuel Cohen
    LCSPAIN11_MC209.jpg
  • 16th century Northern European style slate spires, The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Picture by Manuel Cohen
    LCSPAIN11_MC204.jpg
  • 16th century Northern European style slate spires, The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Picture by Manuel Cohen
    LCSPAIN11_MC205.jpg
  • 16th century Northern European style slate spires, The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Picture by Manuel Cohen
    LCSPAIN11_MC202.jpg
  • 16th century Northern European style slate spires, The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Picture by Manuel Cohen
    LCSPAIN11_MC192.jpg
  • Desert landscape near El Campillo, with European fan palm (Chamaerops humilis), the only palm species native to continental Europe in the early morning mist, in the Cabo de Gata-Nijar Natural Park, Almeria, Andalusia, Southern Spain. The park includes the Sierra del Cabo de Gata mountain range, volcanic rock landscapes, islands, coastline and coral reefs and has the only warm desert climate in Europe. The park was listed as a UNESCO Biosphere Reserve in 1997 and a Specially Protected Area of Mediterranean Importance in 2001. Picture by Manuel Cohen
    LC14_ALMERIA_MC058.jpg
  • Desert landscape of the Cabo de Gata-Nijar Natural Park near El Campillo, Almeria, Andalusia, Southern Spain, including the European fan palm (Chamaerops humilis), the only palm species native to continental Europe and the Agave (Pita) Americana. There are over 1000 plant species in the park, some of which are endemic to this area. The park includes the Sierra del Cabo de Gata mountain range, volcanic rock landscapes, islands, coastline and coral reefs and has the only warm desert climate in Europe. The park was listed as a UNESCO Biosphere Reserve in 1997 and a Specially Protected Area of Mediterranean Importance in 2001. Picture by Manuel Cohen
    LC14_ALMERIA_MC008.jpg
  • European fan palm (Chamaerops humilis), the only palm species native to continental Europe, in the desert landscape of the Cabo de Gata-Nijar Natural Park near El Campillo, Almeria, Andalusia, Southern Spain. There are over 1000 plant species in the park, some of which are endemic to this area. The park includes the Sierra del Cabo de Gata mountain range, volcanic rock landscapes, islands, coastline and coral reefs and has the only warm desert climate in Europe. The park was listed as a UNESCO Biosphere Reserve in 1997 and a Specially Protected Area of Mediterranean Importance in 2001. Picture by Manuel Cohen
    LC14_ALMERIA_MC006.jpg
  • Part of the facade of the Conseil d'Etat or Council of State, supreme court for administrative justice, at the Palais Royal, Paris, France, with the French and European Union flags. The Conseil d'Etat, founded 1799 by Napoleon Bonaparte, moved to the Palais Royal in 1875 after renovation works and layout by Prosper Chabrol 1872-74. Picture by Manuel Cohen
    LC14_Paris_MC183.jpg
  • Detail from Episodi della vita di San Marco, or Scenes from the Life of St Mark, with men in the square wearing European and Mamluk costumes, 1525-26, Renaissance painting by Giovanni Mansueti, 1465-1527, in the Gallerie dell’Accademia, Venice, Italy. The scene is set in a square in Alexandria, with Venetian inspired architecture and crowds of European and Mamluk men. This was 1 of 3 paintings completed by Mansueti for the Scuola Grande di San Marco. Picture by Manuel Cohen
    LC16_ITALY_MC_0296.jpg
  • French, German and European flags on the grassed roof of the Fort de Douaumont, built 1885-1913, the largest of the 19 defensive forts around Verdun, Meuse, Lorraine, France. In 1916, during the Battle of Verdun in World War One, the German army occupied the fort, which was only recaptured after 9 months of intense fighting and the loss of tens of thousands of men, ending in the First Offensive Battle of Verdun on 24 October 1916. Picture by Manuel Cohen
    LC15_VERDUN_MC044.jpg
  • Statue of the Virgin, 1979, by Andre Messin Forfert, draped in a European flag as a symbol of peace and reconciliation, at the Chapelle Notre-Dame-de-l'Europe, or Chapel of Our Lady of Europe, a memorial chapel built 1934 by Louis-Alfred Berthemy, on the site of a church in the village of Fleury-devant-Douaumont, Verdun, Meuse, Lorraine, France, which was completely destroyed in the Battle of Verdun in World War One. Prior to the war the village had 400 inhabitants but found itself on the front line, was destroyed and never rebuilt. The chapel is a site of remembrance. Picture by Manuel Cohen
    LC15_VERDUN_MC072.jpg
  • The Centro Cultural de Belem or Cultural Centre of Belem, built 1989-92 to house the European Presidency and now used for conferences, exhibitions and concerts, Santa Maria de Belem, Lisbon, Portugal. Picture by Manuel Cohen
    LC15_LISBON_MC040.jpg
  • Karl Liebnecht portal in the Staatsratsgebaude or State Council Building, built 1962-64 by Roland Korn and Hans Erich Bogatzky on Schlossplatz, Spree Island, Mitte, in the former East Berlin in the time of the GDR, Germany. The Karl Liebnecht portal was originally part of the Berlin City Palace, with atlante figures supporting the balcony. The building now forms part of the European School of Management and Technology. Picture by Manuel Cohen
    LC14_BERLIN_MC0711.jpg
  • Staatsratsgebaude or State Council Building, built 1962-64 by Roland Korn and Hans Erich Bogatzky on Schlossplatz, Spree Island, Mitte, in the former East Berlin in the time of the GDR, Germany. In the facade is the Karl Liebnecht portal of the formal Berlin City Palace. The building now forms part of the European School of Management and Technology. Picture by Manuel Cohen
    LC14_BERLIN_MC0506.jpg
  • The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Segovia Cathedral, (Catedral de Segovia, Catedral de Santa Maria), 1525-77, by Juan Gil de Hontanon (1480-1526), and continued by his son Rodrigo Gil de Hontanon (1500-1577), visible in the distance. Picture by Manuel Cohen
    LCSPAIN11_MC212.jpg
  • Great Tower of John II, 15th century, Alcazar, 12-16th centuries,  Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Picture by Manuel Cohen
    LCSPAIN11_MC211.jpg
  • The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Picture by Manuel Cohen
    LCSPAIN11_MC208.jpg
  • Great Tower of John II, 15th century, Alcazar, 12-16th centuries,  Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Picture by Manuel Cohen
    LCSPAIN11_MC206.jpg
  • The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Segovia Cathedral, (Catedral de Segovia, Catedral de Santa Maria), 1525-77, by Juan Gil de Hontanon (1480-1526), and continued by his son Rodrigo Gil de Hontanon (1500-1577), visible in the distance. Picture by Manuel Cohen
    LCSPAIN11_MC201.jpg
  • The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Segovia Cathedral, (Catedral de Segovia, Catedral de Santa Maria), 1525-77, by Juan Gil de Hontanon (1480-1526), and continued by his son Rodrigo Gil de Hontanon (1500-1577), visible in the distance. Picture by Manuel Cohen
    LCSPAIN11_MC203.jpg
  • The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Segovia Cathedral, (Catedral de Segovia, Catedral de Santa Maria), 1525-77, by Juan Gil de Hontanon (1480-1526), and continued by his son Rodrigo Gil de Hontanon (1500-1577), visible in the distance. Picture by Manuel Cohen
    LCSPAIN11_MC199.jpg
  • The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Segovia Cathedral, (Catedral de Segovia, Catedral de Santa Maria), 1525-77, by Juan Gil de Hontanon (1480-1526), and continued by his son Rodrigo Gil de Hontanon (1500-1577), visible in the distance. Picture by Manuel Cohen
    LCSPAIN11_MC196.jpg
  • Great Tower of John II, 15th century, Alcazar, 12-16th centuries,  Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Picture by Manuel Cohen
    LCSPAIN11_MC200.jpg
  • The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Segovia Cathedral, (Catedral de Segovia, Catedral de Santa Maria), 1525-77, by Juan Gil de Hontanon (1480-1526), and continued by his son Rodrigo Gil de Hontanon (1500-1577), visible in the distance. Picture by Manuel Cohen
    LCSPAIN11_MC198.jpg
  • The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Segovia Cathedral, (Catedral de Segovia, Catedral de Santa Maria), 1525-77, by Juan Gil de Hontanon (1480-1526), and continued by his son Rodrigo Gil de Hontanon (1500-1577), visible in the distance. Picture by Manuel Cohen
    LCSPAIN11_MC197.jpg
  • The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Picture by Manuel Cohen
    LCSPAIN11_MC194.jpg
  • The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Picture by Manuel Cohen
    LCSPAIN11_MC193.jpg
  • The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Segovia Cathedral, (Catedral de Segovia, Catedral de Santa Maria), 1525-77, by Juan Gil de Hontanon (1480-1526), and continued by his son Rodrigo Gil de Hontanon (1500-1577), visible in the distance. Picture by Manuel Cohen
    LCSPAIN11_MC195.jpg
  • Great Tower of John II, 15th century, Alcazar, 12-16th centuries,  Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Picture by Manuel Cohen
    LCSPAIN11_MC191.jpg
  • Scoop Arena and surrounding buildings, with in the distance, Shard London Bridge, also known as London Bridge Tower, 2012, Renzo Piano, Southbank, River Thames, London, UK. The 800 seater sunken open air arena, Scoop, hosts events in the summer. The 310m tall Shard is the tallest building in the European Union, incorporating offices, a hotel and residential apartments. Picture by Manuel Cohen
    LC_London_MC027.jpg
  • Shard London Bridge, also known as London Bridge Tower, 2012, Renzo Piano (right) and City Hall, Foster & Partners, 2002, Southbank, River Thames, London, UK. The 310m tall Shard is the tallest building in the European Union, incorporating offices, a hotel and residential apartments.  Nicknamed the London Egg, the 45m high City Hall is the headquarters of the Greater London Authority. Its glass and steel structure incorporates environmentally friendly features such as solar panels. Picture by Manuel Cohen
    LC_London_MC026.jpg
  • Map showing the routes of the slave trade through Europe in the 12th and 13th centuries, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Picture by Manuel Cohen
    LC15_FRANCE_MC_1365.jpg
  • Chambre de Prie, named for a female member of the Prie family who was accused of adultery by her husband and imprisoned here for 15 years in the 16th century, in the Chateau de Montpoupon, built from 1460 by Antoine de Prie on the ruins of earlier medieval fortresses, at Cere-la-Ronde, Indre-et-Loire, France. The room is furnished with a 16th century 4-poster bed with medallion portraits of Francois I and Claude de France, and an ebony table with ivory inlays, 17th century central European. The chateau is owned by the Motte Saint-Pierre family, houses the Musee du Veneur dedicated to hunting with hounds, and is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_1421.jpg
  • House built on the foundations of the original family farm of Arthur Rimbaud, French poet, 1854-91, at Roche, Chuffilly-Roche, Ardennes, Grand Est, France, bought for the Musee Rimbaud by Patti Smith. On the left is the Une Saison en Enfer memorial by Paul Boens. The upright stones represent Rimbaud's Celtic past, and his European and African paths. The house is on the Rimbaud Verlaine Trail. Picture by Manuel Cohen
    LC21_FRANCE_MC_1909.jpg
  • Mural, detail, by Ernest Pignon, 1988, on the wall of a block of flats on the Rue de l'As de Carreau in Belfort, Bourgogne-Franche-Comte, France. The mural depicts 46 important European cultural icons, including here (left-right) Hugo, Zweig, Dante, Sartre, Char, Stroheim, Rosa Luxembourg, Friedrich, Picasso, Rimbaud, Einstein, Mozart, Kollwitz, Brecht, Moliere, Schiller, Mann, de Stael, Rilke, Heine and Rolland. Picture by Manuel Cohen
    LC22_FRANCE_MC_0233.jpg
  • Mural, detail, by Ernest Pignon, 1988, on the wall of a block of flats on the Rue de l'As de Carreau in Belfort, Bourgogne-Franche-Comte, France. The mural depicts 46 important European cultural icons, including here (left-right) Berlioz, Wagner, Nietzsche, Durer, Nerval and Buchner. Picture by Manuel Cohen
    LC22_FRANCE_MC_0234.jpg
  • Stucco coat of arms of European aristocracy joined by marriage to the Borromeos, 1680, by Francesco Maino, at the Staircase of Honour, in the Palazzo Borromeo, built 1632-1948 by the Borromeo family, on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The palazzo, begun 1632, was designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. Picture by Manuel Cohen
    LC22_ITALY_MC_0030.jpg
  • Staircase of Honour, with stucco coats of arms of European aristocracy joined by marriage to the Borromeos, 1680, by Francesco Maino, in the Palazzo Borromeo, built 1632-1948 by the Borromeo family, on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The palazzo, begun 1632, was designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. Picture by Manuel Cohen
    LC22_ITALY_MC_0029.jpg
  • Staircase of Honour, with stucco coats of arms of European aristocracy joined by marriage to the Borromeos, 1680, by Francesco Maino, in the Palazzo Borromeo, built 1632-1948 by the Borromeo family, on Isola Bella, in the Isole Borromee or Borromean Islands, on Lake Maggiore, Piedmont, Italy. The palazzo, begun 1632, was designed by Angelo Crivelli, for Carlo III Borromeo and his wife Isabella D'Adda, then completed by Carlo Fontana for Giberto III Borromeo and Vitaliano VI Borromeo. Picture by Manuel Cohen
    LC22_ITALY_MC_0028.jpg
  • Iron dragon, detail from the monumental fireplace by Eusebi Arnau, in the dining room of Casa Amatller, a catalan Modernisme style building by Josep Puig i Cadafalch, built 1898-1900 as a home for chocolatier Antoni Amatller, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The fireplace represents the cocoa trade between South America and Europe, including a bow of a ship, an indigenous queen and a European queen. Picture by Manuel Cohen
    LC20_SPAIN_MC_1008.jpg
  • Carved stone capital featuring a choir, in the Dining Room of the Casa Amatller, a catalan Modernisme style building by Josep Puig i Cadafalch, built 1898-1900 as a home for chocolatier Antoni Amatller, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The dining room has a marble floor, carved medieval style furniture by the Salat brothers, a decorative beamed ceiling, and monumental fireplace by Eusebi Arnau, representing the cocoa trade between South America and Europe through the bow of a ship, an indigenous queen and a European queen. Picture by Manuel Cohen
    LC20_SPAIN_MC_1007.jpg
  • Carved stone capital featuring a lobster, in the Dining Room of the Casa Amatller, a catalan Modernisme style building by Josep Puig i Cadafalch, built 1898-1900 as a home for chocolatier Antoni Amatller, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The dining room has a marble floor, carved medieval style furniture by the Salat brothers, a decorative beamed ceiling, and monumental fireplace by Eusebi Arnau, representing the cocoa trade between South America and Europe through the bow of a ship, an indigenous queen and a European queen. Picture by Manuel Cohen
    LC20_SPAIN_MC_1004.jpg
  • Carved stone capital featuring a spider on a web, in the Dining Room of the Casa Amatller, a catalan Modernisme style building by Josep Puig i Cadafalch, built 1898-1900 as a home for chocolatier Antoni Amatller, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The dining room has a marble floor, carved medieval style furniture by the Salat brothers, a decorative beamed ceiling, and monumental fireplace by Eusebi Arnau, representing the cocoa trade between South America and Europe through the bow of a ship, an indigenous queen and a European queen. Picture by Manuel Cohen
    LC20_SPAIN_MC_1003.jpg
  • Monumental fireplace by Eusebi Arnau, detail, in the dining room of Casa Amatller, a catalan Modernisme style building by Josep Puig i Cadafalch, built 1898-1900 as a home for chocolatier Antoni Amatller, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The fireplace represents the cocoa trade between South America and Europe, including a bow of a ship, an indigenous queen and a European queen. Picture by Manuel Cohen
    LC20_SPAIN_MC_1002.jpg
  • Dining Room, with marble floor, carved medieval style furniture by the Salat brothers, a decorative beamed ceiling, and monumental fireplace by Eusebi Arnau, representing the cocoa trade between South America and Europe through the bow of a ship, an indigenous queen and a European queen, in the dining room of the Casa Amatller, a catalan Modernisme style building by Josep Puig i Cadafalch, built 1898-1900 as a home for chocolatier Antoni Amatller, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. Picture by Manuel Cohen
    LC20_SPAIN_MC_1000.JPG
  • Fireplace, detail, in the dining room of Casa Amatller, a catalan Modernisme style building by Josep Puig i Cadafalch, built 1898-1900 as a home for chocolatier Antoni Amatller, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The fireplace represents the cocoa trade between America and Europe, including a bow of a ship, an indigenous queen and a European queen. Picture by Manuel Cohen
    LC20_SPAIN_MC_0965.jpg
  • Tally of French, English, Portuguese and Dutch at Xavier, Guinea, on the Voyage of the Chevalier des Marchais from Guinea, Africa, to Cayenne, French Guiana, 1725, 1726 and 1727, by Jean-Baptiste Labat, 1663-1738, 1730, from the Musee des Salorges fund, in the Musee d'histoire de Nantes, in the Chateau des ducs de Bretagne, in Nantes, Pays de la Loire, France. The illustration depicts the coexistence of many European nations at the trading post, with compounds for the French, Portuguese, English and Dutch. The director is carried by his servants in a litter The museum opened in 2007 and covers the history of Nantes, focusing on slavery, world wars, industrialisation and the chateau. Picture by Manuel Cohen
    LC21_FRANCE_MC_0018.jpg
  • Portrait of Louis Sforce, Duke of Milan, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0730.jpg
  • Portrait of Cesare Borgia, 1475-1507, Italian nobleman, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0729.jpg
  • Portrait of Cardinal Guillaume de Briconnet, 1445–1514, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0725.jpg
  • Portrait of Giovanni Pico della Mirandola, 1463-94, Italian Renaissance nobleman and philosopher and Count of Mirandole, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0726.jpg
  • Detail of Martirio di San Marco, or The Martyrdom of St Mark, with onlookers in European, Mamluk and Ottoman costume, Renaissance painting by Giovanni Bellini, 1430-1516, and Vittore Belliniano, 1456-1529, in the Gallerie dell'Accademia, Venice, Italy. The painting was commissioned in 1515 and finished by Belliniano in 1526, after the death of Bellini. St Mark was martyred in 68 AD in Alexandria, by being tied up and dragged through the streets (right). It was originally painted for the Sala dell’Albergo of the Scuola Grande di San Marco. Picture by Manuel Cohen
    LC16_ITALY_MC_0303.jpg
  • Detail from Episodi della vita di San Marco, or Scenes from the Life of St Mark, with Christ and an angel visiting St Mark in prison, 1525-26, Renaissance painting by Giovanni Mansueti, 1465-1527, in the Gallerie dell’Accademia, Venice, Italy. The scene is set in a square in Alexandria, with Venetian inspired architecture and crowds of European and Mamluk men. This was 1 of 3 paintings completed by Mansueti for the Scuola Grande di San Marco. Picture by Manuel Cohen
    LC16_ITALY_MC_0306.jpg
  • Detail of Martirio di San Marco, or The Martyrdom of St Mark, with onlookers in European, Mamluk and Ottoman costume, Renaissance painting by Giovanni Bellini, 1430-1516, and Vittore Belliniano, 1456-1529, in the Gallerie dell'Accademia, Venice, Italy. The painting was commissioned in 1515 and finished by Belliniano in 1526, after the death of Bellini. St Mark was martyred in 68 AD in Alexandria, by being tied up and dragged through the streets (right). It was originally painted for the Sala dell’Albergo of the Scuola Grande di San Marco. Picture by Manuel Cohen
    LC16_ITALY_MC_0307.jpg
  • Detail from Episodi della vita di San Marco, or Scenes from the Life of St Mark, 1525-26, Renaissance painting by Giovanni Mansueti, 1465-1527, in the Gallerie dell’Accademia, Venice, Italy. The scene is set in a square in Alexandria, with Venetian inspired architecture and crowds of European and Mamluk men. On the right, the sultan commands the arrest of St Mark, he is arrested in a church in the rear centre, and on the left, St Mark is visited in prison by Christ and an angel. This was 1 of 3 paintings completed by Mansueti for the Scuola Grande di San Marco. Picture by Manuel Cohen
    LC16_ITALY_MC_0294.jpg
  • Detail from Episodi della vita di San Marco, or Scenes from the Life of St Mark, with the Sultan ordering his arrest, 1525-26, Renaissance painting by Giovanni Mansueti, 1465-1527, in the Gallerie dell’Accademia, Venice, Italy. The scene is set in a square in Alexandria, with Venetian inspired architecture and crowds of European and Mamluk men. This was 1 of 3 paintings completed by Mansueti for the Scuola Grande di San Marco. Picture by Manuel Cohen
    LC16_ITALY_MC_0295.jpg
  • Detail from Episodi della vita di San Marco, or Scenes from the Life of St Mark, with crowds on balconies watching the scene below, 1525-26, Renaissance painting by Giovanni Mansueti, 1465-1527, in the Gallerie dell’Accademia, Venice, Italy. The scene is set in a square in Alexandria, with Venetian inspired architecture and crowds of European and Mamluk men. This was 1 of 3 paintings completed by Mansueti for the Scuola Grande di San Marco. Picture by Manuel Cohen
    LC16_ITALY_MC_0297.jpg
  • Episodi della vita di San Marco, or Scenes from the Life of St Mark, 1525-26, Renaissance painting by Giovanni Mansueti, 1465-1527, in the Gallerie dell’Accademia, Venice, Italy. The scene is set in a square in Alexandria, with Venetian inspired architecture and crowds of European and Mamluk men. On the right, the sultan commands the arrest of St Mark, he is arrested in a church in the rear centre, and on the left, St Mark is visited in prison by Christ and an angel. This was 1 of 3 paintings completed by Mansueti for the Scuola Grande di San Marco. Picture by Manuel Cohen
    LC16_ITALY_MC_0290.jpg
  • Europeans landing in America, oil painting, early 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. This scene takes place in the Southern USA or the Antilles,<br />
with the captain holding a white flag and accepting a peace pipe from the Indian chief, while his men offer a barrel and tools. Picture by Manuel Cohen
    LC15_FRANCE_MC_1337.jpg
  • Europeans landing in America, oil painting, early 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. This scene takes place in the Southern USA or the Antilles, <br />
with the captain holding a white flag and accepting a peace pipe from the Indian chief, while his men offer a barrel and tools. Picture by Manuel Cohen
    LC15_FRANCE_MC_1338.jpg
  • Europeans landing in America, oil painting, early 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. This scene takes place in the Southern USA or the Antilles,<br />
with the captain holding a white flag and accepting a peace pipe from the Indian chief, while his men offer a barrel and tools. Picture by Manuel Cohen
    LC15_FRANCE_MC_1336.jpg
  • Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The chateau houses the Galerie des Illustres or Gallery of Portraits, early 17th century, a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0946.JPG
  • Portrait of Thomas Wolsey, Cardinal of York, 1473-1530, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0951.jpg
  • Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0947.jpg
  • Portrait of Francois Rabelais, 1494-1553, French Renaissance writer, physician, humanist and monk, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0948.jpg
  • Portrait of Henry VIII, King of England, 1491-1547, Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0952.jpg
  • Portrait of Sigismund I, King of Poland, 1467-1548, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0950.jpg
  • Portrait of Henry, Prince of Wales, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0960.jpg
  • Portrait of Suleiman I, 1494-1566, known as Suleiman the Magnificent (the mention "II" could be a mistake by the painter or by the restorer) Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0961.jpg
  • Portrait of Manuel I the Great, King of Portugal, 1469-1521, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0957.jpg
  • Portrait of Christopher Columbus, 1451-1506, Italian explorer, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0956.jpg
  • Portrait of Robert Cecil, 1st Earl of Salisbury, great treasurer, 1563-1612, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0958.jpg
  • Portrait of Hayreddin Barbarossa, 1478-1546, vice-king of Algiers, Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0962.jpg
  • Portrait of Queen Elizabeth I of England, 1533-1603, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0959.jpg
  • Portrait of Gaspard III de Coligny, 1584-1646, Protestant general and Marechal de Chatillon, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0963.jpg
  • Portrait of Henry, Duke of Rohan, 1579-1638, Prince of Leon, French soldier, writer and leader of the Huguenots, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0964.jpg
  • Portrait of Francois, dauphin of France, 1518-36, son of Francois I, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0969.jpg
  • Portrait of Anne of Brittany, 1477-1514, Queen of France as wife of King Charles VIII, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0965.jpg
  • Portrait of Charles III, Duke of Bourbon, Constable of France, 1490-1527, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0970.jpg
  • Portrait of Louis of Luxembourg, Count of Ligny, 1418-75, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0967.jpg
  • Portrait of Charles Emmanuel of Savoy, Duke of Nemours, 1567-95, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0971.jpg
  • Portrait of John de Montfort, Duke of Brittany, 1339-99, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0975.jpg
  • Portrait of Castruccio Castracani, 1281-1328, Italian condottiero and Duke of Lucca, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0978.jpg
  • Portrait of Piero de Medici, 1472-1503, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0973.jpg
  • Portrait of Gautier de Brienne, Duke of Athens and Constable of France, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0977.jpg
  • Portrait of Yves d'Allegre, 1450-1512, French captain during the Italian Wars, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0972.jpg
  • Portrait of Edward, Prince of Wales, known as the Black Prince, 1330-76, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0980.jpg
  • Portrait of Humbert II, Dauphin of the Viennois, 1312-55, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0979.jpg
  • Portrait of Elizabeth of Ravieres, Queen of France, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0983.jpg
  • Portrait of Valentina of Milan or Valentina Visconti, Duchess of Orleans, 1371-1408, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0984.jpg
  • Portrait of Louis, Duke of Orleans, 1372-1407, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0985.jpg
  • Portrait of Cardinal Egidio Albornoz, 1310-67, Spanish ecclesiastical leader, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0989.jpg
  • Portrait of Joanna I Queen of Naples, 1328-82, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0986.jpg
  • Portrait of Gaston, Duke of Orleans, 1608-60, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0991.jpg
  • Portrait of Murad I, Emperor of the Turks or Sultan of the Ottoman Empire, 1326-89, in the Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0987.jpg
  • Portrait of Bertrand du Guesclin, Constable of France, 1320-80, Galerie des Illustres or Gallery of Portraits, early 17th century, in the Chateau de Beauregard, a Renaissance chateau in the Loire Valley, built c. 1545 under Jean du Thiers and further developed after 1617 by Paul Ardier, Comptroller of Wars and Treasurer, in Cellettes, Loir-et-Cher, Centre, France. The Gallery of Portraits is a 26m long room with lapis lazuli ceiling, Delftware tiled floor and decorated with 327 portraits of important European figures living 1328-1643, in the times of Henri III, Henri IV and Louis XIII. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_0988.jpg
Next
  • Facebook
  • Twitter
x