manuel cohen

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  • Alquezar, a village surrounding the castle and Collegiate Church of Santa Maria la Mayor, built as an Islamic fortress in the 9th century by Khalaf ibn Rasid and consecrated 1099, on a limestone outcrop, in the Sierra de Guara national park, Huesca, Aragon, Spain. Picture by Manuel Cohen
    LC15_SPAIN_MC092.JPG
  • Alquezar, a village surrounding the castle and Collegiate Church of Santa Maria la Mayor, built as an Islamic fortress in the 9th century by Khalaf ibn Rasid and consecrated 1099, on a limestone outcrop, in the Sierra de Guara national park, Huesca, Aragon, Spain. Picture by Manuel Cohen
    LC15_SPAIN_MC093.jpg
  • Alquezar, a village surrounding the castle and Collegiate Church of Santa Maria la Mayor, built as an Islamic fortress in the 9th century by Khalaf ibn Rasid and consecrated 1099, on a limestone outcrop, in the Sierra de Guara national park, Huesca, Aragon, Spain. Picture by Manuel Cohen
    LC15_SPAIN_MC094.jpg
  • Alquezar, a village surrounding the castle and Collegiate Church of Santa Maria la Mayor, built as an Islamic fortress in the 9th century by Khalaf ibn Rasid and consecrated 1099, on a limestone outcrop, in the Sierra de Guara national park, Huesca, Aragon, Spain. Picture by Manuel Cohen
    LC15_SPAIN_MC095.jpg
  • Altarpiece of St Sebastian, 1503, in Gothic Flemish style, with statuettes by Flemish master Gil de Brabante of Saint-Roch, Saint-Nicaise of Reims, St Sebastian, Saint-Blaise and St Peter of Verona, in the  Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. The altarpiece also has 7 painted panels by Pedro de Aponte and Pedro de Dezpiota. Picture by Manuel Cohen
    LC15_SPAIN_MC122.jpg
  • Central statue of the Virgin of the Assumption, standing on the moon surrounded by angels, from the altarpiece of the high altar, Renaissance, 1490-1503, in the  Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. The altarpiece consists of 20 painted panels and wooden polychrome statuettes. The design and ornamentation are by Flemish master Gil de Brabant, and the paintings by Master of Bolea, an unknown Spanish artist. Picture by Manuel Cohen
    LC15_SPAIN_MC120.jpg
  • Painting of Pope St Gregory, reigned 590-604 AD, by the Master of Bolea, from the altarpiece of the high altar, Renaissance, 1490-1503, in the  Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. The altarpiece consists of 20 painted panels and wooden polychrome statuettes. The design and ornamentation are by Flemish master Gil de Brabant, and the paintings by Master of Bolea, an unknown Spanish artist. Picture by Manuel Cohen
    LC15_SPAIN_MC117.jpg
  • Painting of Christ wearing the crown of thorns, from the altarpiece of St Sebastian, 1503, in Gothic Flemish style, with paintings by Pedro de Aponte and Pedro de Dezpiota and statuettes by Flemish master Gil de Brabante, in the Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. Picture by Manuel Cohen
    LC15_SPAIN_MC121.jpg
  • Painting of St Augustine of Hippo, by the Master of Bolea, from the altarpiece of the high altar, Renaissance, 1490-1503, in the  Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. The altarpiece consists of 20 painted panels and wooden polychrome statuettes. The design and ornamentation are by Flemish master Gil de Brabant, and the paintings by Master of Bolea, an unknown Spanish artist. Picture by Manuel Cohen
    LC15_SPAIN_MC118.jpg
  • Painting of St Augustine of Hippo, by the Master of Bolea, from the altarpiece of the high altar, Renaissance, 1490-1503, in the  Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. The altarpiece consists of 20 painted panels and wooden polychrome statuettes. The design and ornamentation are by Flemish master Gil de Brabant, and the paintings by Master of Bolea, an unknown Spanish artist. Picture by Manuel Cohen
    LC15_SPAIN_MC119.JPG
  • Central statue of the Virgin of the Assumption, standing on the moon surrounded by angels, from the altarpiece of the high altar, Renaissance, 1490-1503, in the  Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. The altarpiece consists of 20 painted panels and wooden polychrome statuettes. The design and ornamentation are by Flemish master Gil de Brabant, and the paintings by Master of Bolea, an unknown Spanish artist. Picture by Manuel Cohen
    LC15_SPAIN_MC125.jpg
  • Statuette of St Barbara with a tower and palm branch, from the St Barbara altarpiece, Baroque, 17th - 18th century, in the Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. Picture by Manuel Cohen
    LC15_SPAIN_MC124.jpg
  • Painting of St Teresa of Avila, 1515-82, by the Master of Bolea, an unknown Spanish artist, in the Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. Picture by Manuel Cohen
    LC15_SPAIN_MC123.jpg
  • Altarpiece of the high altar, Renaissance, 1490-1503, in the Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. The altarpiece consists of 20 painted panels and wooden polychrome statuettes. The design and ornamentation are by Flemish master Gil de Brabant, and the paintings by Master of Bolea, an unknown Spanish artist. Picture by Manuel Cohen
    LC15_SPAIN_MC115.jpg
  • Painting of St Martin of Tours, 4th century bishop, in the Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. Picture by Manuel Cohen
    LC15_SPAIN_MC116.JPG
  • Altarpiece of the high altar, Renaissance, 1490-1503, in the  Collegiate Church of Santa Maria la Mayor, originally a 10th century Islamic fortress, then a 12th century Romanesque church and Priory of the Royal Abbey of Montearagon, then collegiate church built 1541-59 by Pedro de Irazabal, at Bolea, Huesca, Aragon, Spain. The altarpiece consists of 20 painted panels and wooden polychrome statuettes. The design and ornamentation are by Flemish master Gil de Brabant, and the paintings by Master of Bolea, an unknown Spanish artist. Picture by Manuel Cohen
    LC15_SPAIN_MC091.jpg
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