manuel cohen

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  • Ciborium, 17th century, which belonged to Barthelemy Codaute, priest of Feuillade in Charente, who used this in clandestine masses after he was outlawed after refusing to take an oath to the Civil Constitution of the Clergy in 1790, in the Upper Chapel, themed as 'L'Engagement' or Commitment, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen
    LC17_FRANCE_MC_0395.jpg
  • Knights on horseback at the crusades, fresco, late 12th century, on the north wall of the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0705.jpg
  • Templar knights at the crusades, fresco, late 12th century, on the north wall of the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0729.jpg
  • Tents in the Saracen encampment, fresco, late 12th century, in the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0719.jpg
  • Saracen soldiers with rondaches or round shields, at the crusades, fresco, late 12th century, in the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0708.jpg
  • Crusaders and Saracens fighting in the crusades, with fleur de lys background, fresco, late 12th century, on the north wall of the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0718.jpg
  • Saracen soldiers with rondaches or round shields, at the crusades, fresco, late 12th century, in the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0707.jpg
  • Krak des Chevaliers, with inhabitants watching the knights leaving for the Battle of La Bocquee, 1163, fresco, late 12th century, on the north wall of the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0702.jpg
  • Krak des Chevaliers, with inhabitants watching the knights leaving for the Battle of La Bocquee, 1163, fresco, late 12th century, on the north wall of the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0701.jpg
  • Crusader knights, fresco, resembling those at the Templar Chapel at Cressac-Saint-Genis and possibly also 12th century, on pillars in the transept of the Eglise Saint-Barthelemy, or Eglise Saint-Arthemy de Blanzac, in Blanzac-Porcheresse, Charente, France. The church was built in the 12th and 13th centuries and is listed as historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0732.jpg
  • Knights leaving Krak des Chevaliers for the Battle of La Bocquee, 1163, fresco, late 12th century, on the north wall of the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0723.jpg
  • Knight on horseback at the crusades, wearing a helmet and holding a pointed shield, fresco, late 12th century, on the north wall of the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0722.jpg
  • Crusader charging the Saracens, fresco, late 12th century, on the north wall of the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0709.jpg
  • Battle of La Bocquee, 1163, at Krak des Chevaliers, fresco, late 12th century, on the north wall of the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0728.jpg
  • Knight on horseback at the crusades holding a lance, fresco, late 12th century, on the north wall of the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0721.jpg
  • Knight on horseback at the crusades holding a lance, fresco, late 12th century, on the north wall of the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0720.jpg
  • Knights on horseback at the crusades and a herald blowing a trumpet, fresco, late 12th century, on the north wall of the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0703.jpg
  • Saracen encampment and knights in battle, fresco, late 12th century, in the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0727.jpg
  • Knights on horseback at the crusades and a herald blowing a trumpet, fresco, late 12th century, on the north wall of the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0726.jpg
  • Saracen soldier with rondache or round shield, and fleur de lys background, fresco, late 12th century, on the north wall of the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0715.jpg
  • Knight at the crusades, fresco, late 12th century, in the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0710.jpg
  • Stained glass window in a tympanum, with interlaced knot design, by Paul Abadie, 19th century, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen
    LC17_FRANCE_MC_0375.jpg
  • Circular stained glass window in blue glass with design of circles, made by Ateliers Loire, Chartres, in the ceiling of the staircase in the Bell tower, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0370.jpg
  • Detail of the stained glass window, with blue glass and leadwork in circles and the interlacing patterns reminiscent of the Neo-Romanesque style of the 19th century, made by Ateliers Loire, Chartres, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0368.jpg
  • Statue of Christian saint with lion's head on a pedestal covered in candles with a base of blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The hand printed wallpaper using gold leaf by Atelier d’Offard and cement floor tiles made by MiraColour, use interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0363.jpg
  • Detail of the metalwork on top of the reliquary of Saint Pierre Aumaitre, by Cat-Berro, Orleans, with leadwork of a stained glass window behind, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0342.jpg
  • Cabinets of censers and of monstrances, with blue and gold glass beads made with Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The cement floor tiles made by MiraColour and the hand printed wallpaper by Atelier d’Offard, both use interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0318.jpg
  • Knight on horseback at the crusades holding a lance, fresco, late 12th century, on the north wall of the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0704.jpg
  • Crusader charging the Saracens, fresco, late 12th century, on the north wall of the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0724.jpg
  • Knights on horseback at the crusades holding shields, fresco, late 12th century, in the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0716.jpg
  • Saracen encampment and knights in battle, leaving their camp, fresco, late 12th century, in the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0711.jpg
  • Crowned knight with horse trampling a figure in front of a crowned woman, representing the victory of Christianity over Islam or paganism, with fleur de lys background, fresco, late 12th century, in the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0730.jpg
  • Knights at the crusades, fresco, late 12th century, in the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0717.jpg
  • Knights at the crusades, fresco, late 12th century, in the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0714.jpg
  • Base of the cabinet displaying the jewels of the Madonna, with blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0350.jpg
  • Crusader charging the Saracens, fresco, late 12th century, on the north wall of the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0706.jpg
  • Knights on horseback and on foot at the crusades, fresco, late 12th century, in the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0713.jpg
  • Saracen encampment, fresco, late 12th century, in the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0712.jpg
  • Reliquary of Saint Pierre Aumaitre, with a fragment of his femur on a pink cushion, by Cat-Berro, Orleans, and a gilded glass ball, in the bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0409.jpg
  • Display of the Madonna's jewels and statue of Virgin and child with base of blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The cement floor tiles made by MiraColour and the hand printed wallpaper by Atelier d’Offard, both use interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0405.jpg
  • Reliquaries seen through the large stained glass window of the Treasury, with form of a cross in interlacing lead patterns, in blue glass, made by Ateliers Loire, Chartres, seen from the transept, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0401.JPG
  • Reflections in the glass cabinet window, with monstrance, stained glass window, hand printed wallpaper and aluminium valance, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0393.jpg
  • Reflection of a stained glass window in a cabinet with legs of blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0352.jpg
  • Velvet wall hangings with sequins made in 2014 by Atelier du Begonia d’Or, in St Thibaud's Chapel, themed as the Lapidary, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0348.jpg
  • Reliquary of Saint Pierre Aumaitre, with a fragment of his femur on a pink cushion, by Cat-Berro, Orleans, and a gilded glass ball, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0343.jpg
  • Statue of Christian saint with lion's head on a pedestal covered in candles, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The hand printed wallpaper using gold leaf by Atelier d’Offard uses interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0339.jpg
  • Hand printed wallpaper using gold leaf by Atelier d’Offard, using interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0323.jpg
  • Statue of Virgin and child by Jean Degoulon, 1679, on a pedestal made from silver glass beads made by Murano glassmaker Salviati, and behind, velvet wall hangings with sequins made in 2014 by Atelier du Begonia d’Or, in St Thibaud's Chapel, themed as the Lapidary, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0314.jpg
  • Crusader knight with sword and shield, protecting a woman, possibly representing St George attacking the dragon, fresco, late 12th century, in the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0731.jpg
  • Detail of the stained glass window in blue glass with interlacing patterns in lead reminiscent of the Neo-Romanesque period of the 19th century, made by Ateliers Loire, Chartres, in the Upper Chapel, themed as 'L'Engagement' or Commitment, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0386.jpg
  • Black glass beads by Murano glassmaker Salviati on the base of the central cabinet in the Upper Chapel, themed as 'L'Engagement' or Commitment, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0385.jpg
  • Gilded glass ball reflecting a stained glass window in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0382.jpg
  • Section of a stained glass window with many circles in the leadwork, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0330.jpg
  • Detail of gilded glass ball and the aluminium valance made with Arsculpt and Technical Industrie, with part of a stained glass window behind, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0327.jpg
  • Krak des Chevaliers, with inhabitants watching the knights leaving for the Battle of La Bocquee, 1163, fresco, late 12th century, on the north wall of the Templar Chapel at the Commanderie de Cressac or Commanderie du Dognon, at Le Temple, in Cressac-Saint-Genis, Charente, France. The chapel was built 1150-60 by the Templars on the Santiago de Compostela pilgrimage route and was originally part of a commandery, providing funds to support the Knights Hospitallers in the crusades in the Holy Land. The chapel is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0725.jpg
  • Stained glass window with cross design and interlacing lead pattern, made by Ateliers Loire, Chartres, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The hand printed wallpaper by Atelier d’Offard, uses interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0404.jpg
  • Statue of Virgin and child by Jean Degoulon, 1679, on a pedestal made from silver glass beads made by Murano glassmaker Salviati, and behind, velvet wall hangings with sequins made in 2014 by Atelier du Begonia d’Or, seen through the circles of the aluminium doors, in St Thibaud's Chapel, themed as the Lapidary, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0379.jpg
  • Detail of a statue of the Virgin and child, and behind, the stained glass window, with blue glass and leadwork in interlacing patterns reminiscent of the Neo-Romanesque style of the 19th century, made by Ateliers Loire, Chartres, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0358.jpg
  • Statue of Christian saint with lion's head on a pedestal covered in candles with a base of blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The hand printed wallpaper using gold leaf by Atelier d’Offard uses interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0337.jpg
  • Detail of gilded glass balls and candles surrounding the reliquaries in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0328.jpg
  • Reliquaries, and huge aluminium valance made with Arsculpt and Technical Industrie, with glass beads gilded with gold leaf made with Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The cement floor tiles made by MiraColour and the hand printed wallpaper by Atelier d’Offard, both use interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0403.jpg
  • Staircase of the bell tower, with stained glass window made by Ateliers Loire, Chartres, and metal balustrade with gilded glass bead, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0383.jpg
  • Reflection of the stained glass window in blue glass with interlacing patterns in lead reminiscent of the Neo-Romanesque period of the 19th century, made by Ateliers Loire, Chartres, in the glass of the ciborium cabinet, in the Upper Chapel, themed as 'L'Engagement' or Commitment, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0372.jpg
  • Detail of candles in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0359.jpg
  • Legs of a cabinet with blue and gold glass beads by Murano glassmaker Salviati, and behind, hand printed wallpaper using gold leaf by Atelier d’Offard using interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0354.jpg
  • Cabinet of monstrances and reliquaries, and on the right, the huge aluminium valance made with Arsculpt and Technical Industrie, with glass beads gilded with gold leaf made with Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The cement floor tiles made by MiraColour and the hand printed wallpaper by Atelier d’Offard, both use interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0321.jpg
  • Cabinet of monstrances with blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The cement floor tiles made by MiraColour and the hand printed wallpaper by Atelier d’Offard, both use interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0315.jpg
  • South wing of the transept, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Seen here is the large stained glass window with form of a cross in interlacing lead patterns, in blue glass, made by Ateliers Loire, Chartres. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0407.jpg
  • Statue of Virgin and child by Jean Degoulon, 1679, on a pedestal made from silver glass beads made by Murano glassmaker Salviati, and behind, velvet wall hangings with sequins made in 2014 by Atelier du Begonia d’Or, in St Thibaud's Chapel, themed as the Lapidary, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0402.jpg
  • Statue of Christian saint with lion's head on a pedestal covered in candles with a base of blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Behind are reliquaries. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0398.jpg
  • Statue reflected in the glass of the cabinet of censers with its gold and blue glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The hand printed wallpaper by Atelier d’Offard uses interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0396.jpg
  • Cabinet of monstrances and reliquaries, and on the right, the huge aluminium valance made with Arsculpt and Technical Industrie, with glass beads gilded with gold leaf made with Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The cement floor tiles made by MiraColour and the hand printed wallpaper by Atelier d’Offard, both use interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0381.jpg
  • Stained glass window in blue glass with interlacing patterns in lead reminiscent of the Neo-Romanesque period of the 19th century, made by Ateliers Loire, Chartres, in the Upper Chapel, themed as 'L'Engagement' or Commitment, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0369.jpg
  • Statue of Christian saint with lion's head on a pedestal covered in candles with a base of blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The hand printed wallpaper using gold leaf by Atelier d’Offard and cement floor tiles made by MiraColour, use interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0364.jpg
  • Hand printed wallpaper using gold leaf by Atelier d’Offard, using interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0361.jpg
  • Cement floor tiles made by MiraColour using interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0362.jpg
  • Aluminium doors with design of circles by Ste Baney, leading from the chapel to the staircase of the bell tower, in St Thibaud's Chapel, themed as the Lapidary, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0346.jpg
  • Detail of the huge aluminium valance made with Arsculpt and Technical Industrie, with a capital of glass beads gilded with gold leaf made with Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0333.jpg
  • Detail of gilded glass ball and the aluminium valance made with Arsculpt and Technical Industrie, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0326.jpg
  • Cabinets of censers and of monstrances, with blue and gold glass beads made with Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The cement floor tiles made by MiraColour and the hand printed wallpaper by Atelier d’Offard, both use interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0320.jpg
  • Reliquaries, including (centre) that of Saint Pierre Aumaitre, with a fragment of his femur on a pink cushion, by Cat-Berro, Orleans, surrounded by candles and set within an aluminium valance made with Arsculpt and Technical Industrie, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0316.jpg
  • Statue of Virgin and child by Jean Degoulon, 1679, on a pedestal made from silver glass beads made by Murano glassmaker Salviati, and behind, velvet wall hangings with sequins made in 2014 by Atelier du Begonia d’Or, in St Thibaud's Chapel, themed as the Lapidary, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0313.jpg
  • Large stained glass window of the Treasury, with form of a cross in interlacing lead patterns, in blue glass, made by Ateliers Loire, Chartres, seen from the transept, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0410.jpg
  • Display of the Madonna's jewels and statue of Virgin and child with base of blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The cement floor tiles made by MiraColour and the hand printed wallpaper by Atelier d’Offard, both use interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0406.jpg
  • Hand printed wallpaper using gold leaf by Atelier d’Offard, using interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0400.jpg
  • Detail of the stained glass window, with blue glass and leadwork in circles and the interlacing patterns reminiscent of the Neo-Romanesque style of the 19th century, made by Ateliers Loire, Chartres, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0394.jpg
  • Reflections in the glass cabinet window, with monstrances, stained glass window, hand printed wallpaper and aluminium valance, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0392.jpg
  • Detail of candles in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0390.jpg
  • Monstrances with stained glass window behind, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0389.jpg
  • Circular stained glass window in blue glass with design of circles, made by Ateliers Loire, Chartres, in the ceiling of the staircase in the Bell tower, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0384.jpg
  • The Upper Chapel, themed as 'L'Engagement' or Commitment, with treasures housed in cabinets with bases and legs made from black glass beads by Murano glassmaker Salviati, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0380.jpg
  • Velvet wall hangings with sequins made in 2014 by Atelier du Begonia d’Or, in St Thibaud's Chapel, themed as the Lapidary, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0377.jpg
  • Reflection of the stained glass window in blue glass with interlacing patterns in lead reminiscent of the Neo-Romanesque period of the 19th century, made by Ateliers Loire, Chartres, in the Upper Chapel, themed as 'L'Engagement' or Commitment, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0371.jpg
  • Reliquary of Saint Pierre Aumaitre, with a fragment of his femur on a pink cushion, by Cat-Berro, Orleans, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0367.jpg
  • Reliquary of Saint Pierre Aumaitre, with a fragment of his femur on a pink cushion, by Cat-Berro, Orleans, surrounded by candles and gilded glass balls and set within an aluminium valance made with Arsculpt and Technical Industrie, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0365.jpg
  • Reliquaries, including (centre) that of Saint Pierre Aumaitre, with a fragment of his femur on a pink cushion, by Cat-Berro, Orleans, with gilded glass balls, surrounded by candles and set within an aluminium valance made with Arsculpt and Technical Industrie, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0357.jpg
  • Base of the cabinet displaying the jewels of the Madonna, with blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0353.jpg
  • Velvet wall hangings with sequins made in 2014 by Atelier du Begonia d’Or, in St Thibaud's Chapel, themed as the Lapidary, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0347.jpg
  • Detail of the stained glass window, with blue glass and leadwork in interlacing patterns reminiscent of the Neo-Romanesque style of the 19th century, made by Ateliers Loire, Chartres, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0344.jpg
  • Detail of the metalwork in circles on the reliquary of Saint Pierre Aumaitre, with a fragment of his femur on a pink cushion, by Cat-Berro, Orleans, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0341.jpg
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