manuel cohen

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  • Meditation, sculpture in white marble of a veiled woman leaning forward, holding a cross, deep in thought, 1864, by Louis-Joseph Daumas, 1801-87, in La Chapelle de la Trinite or the Chapel of the Trinity in the Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC753.jpg
  • Sculpted marble frieze with satyrs, initials and fruit garlands, 1834, by Jean-Baptiste Louis Plantar, 1790-1879, in the antechamber of the Chapelle de la Trinite or Chapel of the Trinity, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC530.jpg
  • Statue of Saint-Louis in the guise of Louis XIII, by Francesco Bordoni, 1580-1654, in La Chapelle de la Trinite or the Chapel of the Trinity in the Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC683.jpg
  • Statue of Charlemagne in the guise of Henri IV, by Francesco Bordoni, 1580-1654, in La Chapelle de la Trinite or the Chapel of the Trinity in the Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC684.jpg
  • Meditation, sculpture in white marble of a veiled woman leaning forward, holding a cross, deep in thought, 1864, by Louis-Joseph Daumas, 1801-87, in La Chapelle de la Trinite or the Chapel of the Trinity in the Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC677.jpg
  • Detail of the Trinity, showing the Deposition from the cross, painted 1642 by Jean Dubois le Vieux, 1604-76, on the high altar of La Chapelle de la Trinite or Chapel of the Trinity, 16th century, originally a monastery church belonging to the Mathurin monks under Saint Louis and re-annexed to the chateau under Francois I, Chateau de Fontainebleau, France. The proto-baroque decor is of the Second Ecole de Fontainebleau style. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC675.jpg
  • Main altar of La Chapelle de la Trinite or Chapel of the Trinity, 16th century, originally a monastery church belonging to the Mathurin monks under Saint Louis and re-annexed to the chateau under Francois I, Chateau de Fontainebleau, France. The proto-baroque decor is of the Second Ecole de Fontainebleau style. Louis XV was married in this chapel in the 18th century and Napoleon III was baptised here in the early 19th century. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC754.jpg
  • Vaulted ceiling painted by Martin Freminet, 1567-1619, begun 1606, with the theme of the Redemption of Man, in La Chapelle de la Trinite or Chapel of the Trinity, 16th century, originally a monastery church belonging to the Mathurin monks under Saint Louis and re-annexed to the chateau under Francois I, Chateau de Fontainebleau, France. The paintings depict the Appearance of God with Noah, the Annunciation, and Christ at the Last Judgement, surrounded by kings de Judah, the prophets and the virtues. The proto-baroque decor is of the Second Ecole de Fontainebleau style. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC673.jpg
  • Shield bearing the arms of Henri IV and Marie de Medici at the south end of the vaulted ceiling above the tribune, in La Chapelle de la Trinite or Chapel of the Trinity, 16th century, originally a monastery church belonging to the Mathurin monks under Saint Louis and re-annexed to the chateau under Francois I, Chateau de Fontainebleau, France. The proto-baroque decor is of the Second Ecole de Fontainebleau style. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC674.jpg
  • Painted decoration by Martin Freminet on the walls of La Chapelle de la Trinite or the Chapel of the Trinity in the Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC676.jpg
  • Ceiling of La Chapelle de la Trinite or Chapel of the Trinity, 16th century, originally a monastery church belonging to the Mathurin monks under Saint Louis and re-annexed to the chateau under Francois I, Chateau de Fontainebleau, France. The proto-baroque decor is of the Second Ecole de Fontainebleau style. Louis XV was married in this chapel in the 18th century and Napoleon III was baptised here in the early 19th century. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC550.jpg
  • Architectural detail with royal coats of arms from La Chapelle de la Trinite or Chapel of the Trinity, 16th century, originally a monastery church belonging to the Mathurin monks under Saint Louis and re-annexed to the chateau under Francois I, Chateau de Fontainebleau, France. The proto-baroque decor is of the Second Ecole de Fontainebleau style. Louis XV was married in this chapel in the 18th century and Napoleon III was baptised here in the early 19th century. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC528.jpg
  • La Chapelle de la Trinite or Chapel of the Trinity, 16th century, originally a monastery church belonging to the Mathurin monks under Saint Louis and re-annexed to the chateau under Francois I, Chateau de Fontainebleau, France. The proto-baroque decor is of the Second Ecole de Fontainebleau style. Louis XV was married in this chapel in the 18th century and Napoleon III was baptised here in the early 19th century. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC529.jpg
  • La Chapelle de la Trinite or Chapel of the Trinity, 16th century, originally a monastery church belonging to the Mathurin monks under Saint Louis and re-annexed to the chateau under Francois I, Chateau de Fontainebleau, France. The proto-baroque decor is of the Second Ecole de Fontainebleau style. Louis XV was married in this chapel in the 18th century and Napoleon III was baptised here in the early 19th century. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC404.jpg
  • La Chapelle de la Trinite or Chapel of the Trinity, 16th century, originally a monastery church belonging to the Mathurin monks under Saint Louis and re-annexed to the chateau under Francois I, Chateau de Fontainebleau, France. The proto-baroque decor is of the Second Ecole de Fontainebleau style. Louis XV was married in this chapel in the 18th century and Napoleon III was baptised here in the early 19th century. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC532.jpg
  • Detail of the Holy Trinity panel, with Christ on the cross supported by God the father, with the holy spirit above and a kneeling Canon Bernat Massadella, from the Retaule de la Trinitat (Retablo de la Trinidad), or Altarpiece of the Holy Trinity, 1506-07, by Antoni Marques, in the Trinitat Chapel in the Colegiata Basilica de Santa Maria, or Collegiate Basilica of Santa Maria, also known as La Seu, built in Gothic style by Berenguer de Montagut, from 1328 until 1486, around an existing 11th century Romanesque church, Manresa, Catalonia, Spain. The altarpiece is in late Gothic style, but with Renaissance style in certain landscape and figure elements. Picture by Manuel Cohen
    LC16_SPAIN_MC074.jpg
  • Holy Trinity panel, with Christ on the cross supported by God the father, with the holy spirit above and a kneeling Canon Bernat Massadella, from the Retaule de la Trinitat (Retablo de la Trinidad), or Altarpiece of the Holy Trinity, 1506-07, by Antoni Marques, in the Trinitat Chapel in the Colegiata Basilica de Santa Maria, or Collegiate Basilica of Santa Maria, also known as La Seu, built in Gothic style by Berenguer de Montagut, from 1328 until 1486, around an existing 11th century Romanesque church, Manresa, Catalonia, Spain. The altarpiece is in late Gothic style, but with Renaissance style in certain landscape and figure elements. Picture by Manuel Cohen
    LC16_SPAIN_MC072.jpg
  • The Retaule de la Trinitat (Retablo de la Trinidad), or Altarpiece of the Holy Trinity, 1506-07, by Antoni Marques, in the Trinitat Chapel in the Colegiata Basilica de Santa Maria, or Collegiate Basilica of Santa Maria, also known as La Seu, built in Gothic style by Berenguer de Montagut, from 1328 until 1486, around an existing 11th century Romanesque church, Manresa, Catalonia, Spain. The panels include the Holy Trinity (centre) with Canon Bernat Massadella, the Mare de Deu de l’Esperanca (Virgen de la Esperanza) or Hope Madonna with archangel Gabriel and St Agnes (top), Old Testament scenes (creation of Eve, Abraham with 3 angels, Moses and burning bush), Baptism of Jesus, and below,  saints Andrew, Fructus, Augustin and Maurice. The altarpiece is in late Gothic style, but with Renaissance style in certain landscape and figure elements. Picture by Manuel Cohen
    LC16_SPAIN_MC082.jpg
  • St Fructus (left) and St Augustin (right) with an Ecce Homo Christ in the centre, from the predella of the Retaule de la Trinitat (Retablo de la Trinidad), or Altarpiece of the Holy Trinity, 1506-07, by Antoni Marques, in the Trinitat Chapel in the Colegiata Basilica de Santa Maria, or Collegiate Basilica of Santa Maria, also known as La Seu, built in Gothic style by Berenguer de Montagut, from 1328 until 1486, around an existing 11th century Romanesque church, Manresa, Catalonia, Spain. The altarpiece is in late Gothic style, but with Renaissance style in certain landscape and figure elements. Picture by Manuel Cohen
    LC16_SPAIN_MC075.jpg
  • Abraham with the 3 angels, from the Retaule de la Trinitat (Retablo de la Trinidad), or Altarpiece of the Holy Trinity, 1506-07, by Antoni Marques, in the Trinitat Chapel in the Colegiata Basilica de Santa Maria, or Collegiate Basilica of Santa Maria, also known as La Seu, built in Gothic style by Berenguer de Montagut, from 1328 until 1486, around an existing 11th century Romanesque church, Manresa, Catalonia, Spain. The altarpiece is in late Gothic style, but with Renaissance style in certain landscape and figure elements. Picture by Manuel Cohen
    LC16_SPAIN_MC073.jpg
  • Church of the Holy Trinity, or Chiesa della Santissima Trinita di Delia, a Norman Byzantine church built in the 12th century, near Castelvetrano, Trapani, Sicily, Italy. This Arab-Norman building is the family chapel of the Caime Saporito family and was heightened for them and restored in 1880 by Giuseppe Patricolo, 1834-1905. The building has a Greek cross layout, with 3 apses, a central cupola and embedded arches. Picture by Manuel Cohen
    LC17_ITALY_MC087.jpg
  • Church of the Holy Trinity, or Chiesa della Santissima Trinita di Delia, a Norman Byzantine church built in the 12th century, near Castelvetrano, Trapani, Sicily, Italy. This Arab-Norman building is the family chapel of the Caime Saporito family and was heightened for them and restored in 1880 by Giuseppe Patricolo, 1834-1905. The building has a Greek cross layout, with 3 apses, a central cupola and embedded arches. Picture by Manuel Cohen
    LC17_ITALY_MC089.jpg
  • Church of the Holy Trinity, or Chiesa della Santissima Trinita di Delia, a Norman Byzantine church built in the 12th century, near Castelvetrano, Trapani, Sicily, Italy. This Arab-Norman building is the family chapel of the Caime Saporito family and was heightened for them and restored in 1880 by Giuseppe Patricolo, 1834-1905. The building has a Greek cross layout, with 3 apses, a central cupola and embedded arches. Picture by Manuel Cohen
    LC17_ITALY_MC088.JPG
  • Church of the Holy Trinity, or Chiesa della Santissima Trinita di Delia, a Norman Byzantine church built in the 12th century, near Castelvetrano, Trapani, Sicily, Italy. This Arab-Norman building is the family chapel of the Caime Saporito family and was heightened for them and restored in 1880 by Giuseppe Patricolo, 1834-1905. The building has a Greek cross layout, with 3 apses, a central cupola and embedded arches. Picture by Manuel Cohen
    LC17_ITALY_MC086.jpg
  • Pieta, by Antoni Marques, 1506-7, tempera painting on wood, panel from altarpiece of the Trinity Chapel of the Church of Santa Maria in Manresa, Bages, in the Museu Episcopal de Vic, specialising in medieval liturgical catalan art, in Vic, Catalonia, Spain. Christ's stigmata are clearly visible, and the instruments of the Passion are displayed. Picture by Manuel Cohen
    LC20_SPAIN_MC_263.jpg
  • New Chapel, with Baroque ceiling frescoes by Pietro Dandini, 1646-1712, of saints and angels ascending to the Trinity, in the Villa La Petraia, a 14th century Villa Medicea at Castello, Florence, Tuscany, Italy. This room was originally Cosimo III de Medici's bedroom, study room and private chapel and was remodelled in 1774 by the Lorraines. The wall frescoes by Rinaldo Botti, Giuseppe Gricci and Giuseppe Del Moro, late 17th century, depict classical architraved loggia with columns and niches occupied by Virtues. The villa is now a museum and forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_165.jpg
  • New Chapel, with ceiling frescoes by Pier Dandini of saints and angels ascending to the Trinity, in the Villa La Petraia, a 14th century Villa Medicea at Castello, Florence, Tuscany, Italy. This room was originally Cosimo III de Medici's bedroom, study room and private chapel and was remodelled in 1774 by the Lorraines. The wall frescoes by Rinaldo Botti, Giuseppe Gricci and Giuseppe Del Moro, late 17th century, depict classical architraved loggia with columns and niches occupied by Virtues. The villa is now a museum and forms part of the Medici UNESCO World Heritage Site. Picture by Manuel Cohen
    LC21_ITALY_MC_027.jpg
  • Detail of a figure in heaven, possibly God in a representation of the trinity, near the apex of the Life of the Virgin and the Childhood of Christ grisaille stained glass window with silver and gold on white glass, 1545, by the School of Fontainebleau, in the South chapel choir of the Collegiate Church of Saint-Gervais-Saint-Protais, built 12th to 16th centuries in Gothic and Renaissance styles, in Gisors, Eure, Haute-Normandie, France. The church was consecrated in 1119 by Calixtus II but the nave was rebuilt from 1160 after a fire. The church was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC14_France_MC109.jpg
  • Chapelle Saint-Gabriel, built in the 11th century by Father Oliba and destroyed in an earthquake in 1428, at the Abbaye Saint Michel de Cuxa, a 9th century Benedictine abbey in Codalet, Pyrenees-Orientales, France. The chapel's plan is of 3 circles in a square, symbolising the Trinity, with a large apse and 6 small apses representing the magic number 7. The abbey complex consists of the Eglise Saint-Michel, Chapelle de la Trinite, crypt, cloister and an 11th century bell tower. The abbey is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_1435.jpg
  • Stained glass window, All Hallows by the Tower, London, UK, founded 675 AD, by The Saxon Abbey of Barking. This stained glass window by M C Farrer Bell, c. 1956, shows the coat of arms of King Edward IV, 1442-83, who established chapel here in middle of 15th century. His arms contain fleur de lys of France representing the Trinity. Picture by Manuel Cohen
    LC_London_MC036.jpg
  • Colored mosaic of the cupola in the nave of the Basilica Notre Dame de Fourviere Lyon, France. The cupola has a representation of a person of the Holy Trinity, God or the Father. The basilica was built between 1872 and 1876 in a neo-Byzantine style, over an ancient Roman forum and next to the Chapel of the Virgin. It was designed by the French architect Pierre Bossan. Picture by Manuel Cohen.
    LC16_FRANCE_MC_0557.jpg
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