manuel cohen

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  • Stained glass window of St James Matamoros, or St James the Moor-slayer, riding a white horse with his sword raised, c. 1525, by Mathieu Bleville, at the Church of Notre Dame en Vaux, Chalons-en-Champagne, Champagne-Ardenne, France. The window was restored in 1901. St James Matamoros is the name for the apostle St James the Elder who appeared in a miracle at the Battle of Clavijo to fight with the christians against the Moors. The church is listed as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1292.jpg
  • Monument aux Morts de 1914-18, bronze sculpture on a stone base representing a lieutenant and artillerymen from the trenches, by Gaston Broquet, in the Place Saint-Etienne, Chalons-en-Champagne, Champagne-Ardenne, France. The monument is dedicated to the inhabitants of Chalon-en-Champagne who died in the First World War, whose names are listed on a bronze plaque on its base. Picture by Manuel Cohen
    LC15_FRANCE_MC_1279.jpg
  • Detail of the Virgin, from a triptych of Adoration of the Magi, attributed to Pieter I Cock díAlost, 1502-50, oil painting on panel, from the Church of Saint-Loup, Chalons-en-Champagne, Champagne-Ardenne, France. The church is listed as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1276.jpg
  • Detail of the Christ child presented with a gift of coins, from a triptych of Adoration of the Magi, attributed to Pieter I Cock díAlost, 1502-50, oil painting on panel, from the Church of Saint-Loup, Chalons-en-Champagne, Champagne-Ardenne, France. The church is listed as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1277.jpg
  • Stained glass window of the Battle of Clavijo, when St James Matamoros, or St James the Moor-slayer, appeared to fight with the christians against the Moors, c. 1525, by Mathieu Bleville, at the Church of Notre Dame en Vaux, Chalons-en-Champagne, Champagne-Ardenne, France. The window was restored in 1901. St James Matamoros is the name for the apostle St James the Elder who appeared during the battle according to legend. The church is listed as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1259.jpg
  • Bronze statue of St Joan of Arc, 1892, by Henri Chapu, cast by Barbedienne, in the Place St-Etienne, Chalons-en-Champagne, Champagne-Ardenne, France. Joan of Arc visited the city in 1429. Picture by Manuel Cohen
    LC15_FRANCE_MC_1278.JPG
  • Stained glass window of the Battle of Clavijo, when St James Matamoros, or St James the Moor-slayer, appeared to fight with the christians against the Moors, c. 1525, by Mathieu Bleville, at the Church of Notre Dame en Vaux, Chalons-en-Champagne, Champagne-Ardenne, France. The window was restored in 1901. St James Matamoros is the name for the apostle St James the Elder who appeared during the battle according to legend. The church is listed as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1291.jpg
  • Collegiale Notre-Dame-en-Vaux de Chalons-en-Champagne, a Gothic church built 1157-1217 with work continuing to the 15th century, at Chalons-en-Champagne, Marne, Champagne-Ardenne, France. The collegiate church has 4 Romanesque towers although only 2 retain their spires. The church is listed as a historic monument and a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1083.jpg
  • Detail of a triptych of the Adoration of the Magi, with kings offering gifts to the Christ child, attributed to Pieter I Cock d'Alose, 1502-50, oil on wood, originally from the Church of Saint-Loup de Chalons-en-Champagne, now in the Collegiale Notre-Dame-en-Vaux de Chalons-en-Champagne, a Gothic church built 1157-1217 with work continuing to the 15th century, at Chalons-en-Champagne, Marne, Champagne-Ardenne, France. The church is listed as a historic monument and a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1082.jpg
  • Stained glass window of St Joan of Arc in Danremy hearing voices, in the St Joan of Arc Chapel, in the Basilique Notre-Dame de l'Epine, or Basilica of Our Lady of the Thorn, L'Epine, Marne, Champagne-Ardenne, France. The church was built 1405-1527 in Flamboyant Gothic style, is listed as a historic monument and as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1267.jpg
  • Entombment sculpture, with (left-right) Nicodemus, Virgin, St John, Mary Magdalene, Joseph of Arimathea, late 15th century, originally from the Cordeliers de Chalon Convent, transfered here during the French Revolution, in the Basilique Notre-Dame de l'Epine, or Basilica of Our Lady of the Thorn, L'Epine, Marne, Champagne-Ardenne, France. The church was built 1405-1527 in Flamboyant Gothic style, is listed as a historic monument and as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1271.jpg
  • Entombment sculpture, with (left-right) Nicodemus, Virgin, St John, Mary Magdalene, Joseph of Arimathea, late 15th century, originally from the Cordeliers de Chalon Convent, transfered here during the French Revolution, in the Basilique Notre-Dame de l'Epine, or Basilica of Our Lady of the Thorn, L'Epine, Marne, Champagne-Ardenne, France. The church was built 1405-1527 in Flamboyant Gothic style, is listed as a historic monument and as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1272.jpg
  • Gargoyle in the form of a monk reading from a book, on the facade of the Basilique Notre-Dame de l'Epine, or Basilica of Our Lady of the Thorn, L'Epine, Marne, Champagne-Ardenne, France. The church was built 1405-1527 in Flamboyant Gothic style, is listed as a historic monument and as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1263.jpg
  • Stained glass window of the Coronation of Charles VII in Reims in 1429, in the St Joan of Arc Chapel, in the Basilique Notre-Dame de l'Epine, or Basilica of Our Lady of the Thorn, L'Epine, Marne, Champagne-Ardenne, France. The church was built 1405-1527 in Flamboyant Gothic style, is listed as a historic monument and as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1268.jpg
  • Stained glass window of St Nicholas of Myra (Nikolaos of Myra), preventing an executioner from beheading 3 innocents, in the St Nicholas Chapel in the Basilique Notre-Dame de l'Epine, or Basilica of Our Lady of the Thorn, L'Epine, Marne, Champagne-Ardenne, France. The window was designed by H M & C Magne and completed by the Charles Lorin & Cie workshop, date unknown although possibly 1930s. The church was built 1405-1527 in Flamboyant Gothic style, is listed as a historic monument and as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1269.jpg
  • Fresco of the Virgin surrounding the reliquary tabernacle, 1549, in the Basilique Notre-Dame de l'Epine, or Basilica of Our Lady of the Thorn, L'Epine, Marne, Champagne-Ardenne, France. The church was built 1405-1527 in Flamboyant Gothic style, is listed as a historic monument and as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1273.jpg
  • Gargoyle in the form of a man and lion, on the facade of the Basilique Notre-Dame de l'Epine, or Basilica of Our Lady of the Thorn, L'Epine, Marne, Champagne-Ardenne, France. The church was built 1405-1527 in Flamboyant Gothic style, is listed as a historic monument and as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1262.jpg
  • Nave and choir of the Basilique Notre-Dame de l'Epine, or Basilica of Our Lady of the Thorn, L'Epine, Marne, Champagne-Ardenne, France. The church was built 1405-1527 in Flamboyant Gothic style, is listed as a historic monument and as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1293.jpg
  • Nave of the Basilique Notre-Dame de l'Epine, or Basilica of Our Lady of the Thorn, L'Epine, Marne, Champagne-Ardenne, France. The church was built 1405-1527 in Flamboyant Gothic style, is listed as a historic monument and as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1270.jpg
  • Statue of Christ on the cross on the Basilique Notre-Dame de l'Epine, or Basilica of Our Lady of the Thorn, L'Epine, Marne, Champagne-Ardenne, France. The church was built 1405-1527 in Flamboyant Gothic style, is listed as a historic monument and as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1275.jpg
  • Statue of Christ on the cross on the facade of the Basilique Notre-Dame de l'Epine, or Basilica of Our Lady of the Thorn, L'Epine, Marne, Champagne-Ardenne, France. The church was built 1405-1527 in Flamboyant Gothic style, is listed as a historic monument and as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1265.jpg
  • Gargoyle on the facade of the Basilique Notre-Dame de l'Epine, or Basilica of Our Lady of the Thorn, L'Epine, Marne, Champagne-Ardenne, France. The church was built 1405-1527 in Flamboyant Gothic style, is listed as a historic monument and as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1264.jpg
  • Gargoyle on the facade of the Basilique Notre-Dame de l'Epine, or Basilica of Our Lady of the Thorn, L'Epine, Marne, Champagne-Ardenne, France. The church was built 1405-1527 in Flamboyant Gothic style, is listed as a historic monument and as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1274.jpg
  • Gargoyle on the facade of the Basilique Notre-Dame de l'Epine, or Basilica of Our Lady of the Thorn, L'Epine, Marne, Champagne-Ardenne, France. The church was built 1405-1527 in Flamboyant Gothic style, is listed as a historic monument and as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1260.jpg
  • Gargoyle in the form of a man with open mouth holding a jug and bowl, on the facade of the Basilique Notre-Dame de l'Epine, or Basilica of Our Lady of the Thorn, L'Epine, Marne, Champagne-Ardenne, France. The church was built 1405-1527 in Flamboyant Gothic style, is listed as a historic monument and as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1261.jpg
  • Gargoyle in the form of a monk reading a book, on the facade of the Basilique Notre-Dame de l'Epine, or Basilica of Our Lady of the Thorn, L'Epine, Marne, Champagne-Ardenne, France. The church was built 1405-1527 in Flamboyant Gothic style, is listed as a historic monument and as a UNESCO World Heritage Site as part of the Santiago de Compostela pilgrimage site. Picture by Manuel Cohen
    LC15_FRANCE_MC_1266.jpg
  • Painting of St Ignatius of Loyola, 1491-1556, founder of the Society of Jesus or Jesuit Order, on his deathbed with a priest administering Last Rites, by Jean Helart, 1618-85, French painter, in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The scene reflects the event as described in a letter from Jesuit Jean Polanco to his superior in Rome, P Ribadeneira. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0802.jpg
  • Painting of St Ignatius of Loyola, 1491-1556, founder of the Society of Jesus or Jesuit Order, on his deathbed with a priest administering Last Rites, by Jean Helart, 1618-85, French painter, in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The scene reflects the event as described in a letter from Jesuit Jean Polanco to his superior in Rome, P Ribadeneira. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0801.jpg
  • Painting of the Celestial Glory of St Ignatius of Loyola, 1491-1556, founder of the Society of Jesus or Jesuit Order, depicting his glorious ascent to Heaven after his death, by Jean Helart, 1618-85, French painter, in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0815.jpg
  • Painting of the Celestial Glory of St Ignatius of Loyola, 1491-1556, founder of the Society of Jesus or Jesuit Order, depicting his glorious ascent to Heaven after his death, by Jean Helart, 1618-85, French painter, in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0798.jpg
  • Painting of the Celestial Glory of St Ignatius of Loyola, 1491-1556, founder of the Society of Jesus or Jesuit Order, depicting his glorious ascent to Heaven after his death, by Jean Helart, 1618-85, French painter, in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0811.jpg
  • Refectory with wooden panelling and paintings by Jean Helart of the lives of Saints Ignatius of Loyola and Francis Xavier, founders of the Society of Jesus, the Jesuit Order, in the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The 2 saints were friends and colleagues, co-founders of the Jesuit Order and were both canonised on the same day in Rome in 1622. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0810.jpg
  • Painting of the death of a saint, possibly St Francis Xavier, 1506-52, founder of the Society of Jesus or Jesuit Order, by Jean Helart, 1618-85, French painter, in a carved wooden frame set in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0806.jpg
  • Painting of St Ignatius of Loyola, 1491-1556, founder of the Society of Jesus or Jesuit Order, on his deathbed with a priest administering Last Rites, by Jean Helart, 1618-85, French painter, in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The scene reflects the event as described in a letter from Jesuit Jean Polanco to his superior in Rome, P Ribadeneira. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0803.jpg
  • Painting of St Ignatius of Loyola, 1491-1556, founder of the Society of Jesus or Jesuit Order, praying to find grace in the Holy Trinity, as described in his Spiritual Exercises, by Jean Helart, 1618-85, French painter, in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0812.jpg
  • Painting by Jean Helart, 1618-85, French painter, in the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. Jean Helart painted a series of paintings of St Ignatius of Loyola and St Francis Xavier, 2 saints who were friends and colleagues, co-founders of the Jesuit Order and were both canonised on the same day in Rome in 1622. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0809.jpg
  • Painting of the death of a saint, possibly St Francis Xavier, 1506-52, founder of the Society of Jesus or Jesuit Order, by Jean Helart, 1618-85, French painter, in a carved wooden frame set in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0808.jpg
  • Painting of an unknown cardinal, by Jean Helart, 1618-85, French painter, in a carved wooden garland frame set in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0804.jpg
  • Painting of St Ignatius of Loyola, 1491-1556, founder of the Society of Jesus or Jesuit Order and its first Superior General, in prayer, by Jean Helart, 1618-85, French painter, in a carved wooden garland frame set in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0813.jpg
  • Painting of St Ignatius of Loyola, 1491-1556, founder of the Society of Jesus or Jesuit Order, praying to find grace in the Holy Trinity, as described in his Spiritual Exercises, by Jean Helart, 1618-85, French painter, in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0799.jpg
  • Painting of the death of a saint, possibly St Francis Xavier, 1506-52, founder of the Society of Jesus or Jesuit Order, by Jean Helart, 1618-85, French painter, in a carved wooden frame set in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0807.jpg
  • Painting of the Celestial Glory of St Ignatius of Loyola, 1491-1556, founder of the Society of Jesus or Jesuit Order, depicting his glorious ascent to Heaven after his death, by Jean Helart, 1618-85, French painter, in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0795.jpg
  • Refectory with wooden panelling and paintings by Jean Helart of the lives of Saints Ignatius of Loyola and Francis Xavier, founders of the Society of Jesus, the Jesuit Order, in the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The 2 saints were friends and colleagues, co-founders of the Jesuit Order and were both canonised on the same day in Rome in 1622. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0794.jpg
  • Painting of the death of a saint, possibly St Francis Xavier, 1506-52, founder of the Society of Jesus or Jesuit Order, by Jean Helart, 1618-85, French painter, in a carved wooden frame set in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0805.jpg
  • Painting of St Francis Xavier, 1506-52, founder of the Society of Jesus or Jesuit Order, preaching, by Jean Helart, 1618-85, French painter, in a carved wooden garland frame set in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0796.jpg
  • Painting of St Ignatius of Loyola, 1491-1556, founder of the Society of Jesus or Jesuit Order and its first Superior General, in prayer, by Jean Helart, 1618-85, French painter, in a carved wooden garland frame set in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0800.jpg
  • Painting of the Celestial Glory of St Ignatius of Loyola, 1491-1556, founder of the Society of Jesus or Jesuit Order, depicting his glorious ascent to Heaven after his death, by Jean Helart, 1618-85, French painter, in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0797.jpg
  • Painting of St Ignatius of Loyola, 1491-1556, founder of the Society of Jesus or Jesuit Order, on his deathbed with a priest administering Last Rites, by Jean Helart, 1618-85, French painter, in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The scene reflects the event as described in a letter from Jesuit Jean Polanco to his superior in Rome, P Ribadeneira. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0814.jpg
  • The grapes of the promised land, men carrying a harvest of grapes, lancet window from the South transept, by Jacques Simon, commissioned in 1954 by the Corporation des Vins de Champagne, the lobby of Champagne producers, after damage to the original windows in WWII, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0649.jpg
  • The mystic grape press, with angels screwing press to make wine, lancet window from the South transept, by Jacques Simon, commissioned in 1954 by the Corporation des Vins de Champagne, the lobby of Champagne producers, after damage to the original windows in WWII, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0535.jpg
  • The grapes of the promised land, men carrying a harvest of grapes with angels playing trumpets, lancet window from the South transept, by Jacques Simon, commissioned in 1954 by the Corporation des Vins de Champagne, the lobby of Champagne producers, after damage to the original windows in WWII, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0538.jpg
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1239.jpg
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1235.jpg
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1230.jpg
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1243.jpg
  • Russian Orthodox monument, built 1917 by soldiers of the Russian 2nd Special Regiment in memory of their fallen comrades, near the site of the Mourmelon military camp, beside the Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried here. An adjoining Orthodox Chapel was designed by Albert Benois and built 1936-37 with funds from the Association du Souvenir du Corps Expeditionnaire Russe. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1247.jpg
  • Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried here. An adjoining Orthodox Chapel was , designed by Albert Benois and built 1936-37 with funds from the Association du Souvenir du Corps Expeditionnaire Russe. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1252.JPG
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1233.jpg
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1244.jpg
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1226.jpg
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1228.jpg
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1246.jpg
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1251.jpg
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1253.jpg
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1241.jpg
  • Memorial plaque listing fallen officers' names in the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1234.jpg
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1227.jpg
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1232.jpg
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1249.jpg
  • Decorative ceiling with crosses and stylised angel design, in the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1236.jpg
  • Pennant of a Russian brigade on display in the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1238.jpg
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1242.jpg
  • Onion domes and dedication on the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1250.jpg
  • Medals of Russian brigades on display in the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1240.JPG
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1248.jpg
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1254.jpg
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1245.jpg
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1229.jpg
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1231.jpg
  • Inlay scenes on the rood screen of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1237.jpg
  • The baptism of Clovis, King of the Franks, by St Remy, stained glass window, 1974, by Marc Chagall, 1887-1985, with the studio of Jacques Simon, in the axial chapel of the apse of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0643.jpg
  • Jacob's dream, showing Jacob's Ladder, stained glass window, 1974, by Marc Chagall, 1887-1985, with the studio of Jacques Simon, in the axial chapel of the apse of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0638.jpg
  • Model of the facade of the Cathedrale Notre-Dame de Reims or Reims Cathedral, made c. 1960 by an unknown man, discovered in an attic and restored in 2012 by Georges Burigana, Reims, Champagne-Ardenne, France. The model is made of plastic and wood and is 2.35m high, 1.50m wide and 0.75m deep, weighs 80kg and would have taken 700 hours to make. The 13th century Gothic cathedral was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0555.jpg
  • Vaulted ceiling of the South side aisle of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0550.jpg
  • Christ's descent from the cross (left) and the crucifixion (right), stained glass window, 1974, by Marc Chagall, 1887-1985, with the studio of Jacques Simon, in the axial chapel of the apse of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0523.jpg
  • King Saul rejected as King, stained glass window, 1974, by Marc Chagall, 1887-1985, with the studio of Jacques Simon, in the axial chapel of the apse of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0648.jpg
  • Christ's crucifixion, stained glass window, 1974, by Marc Chagall, 1887-1985, with the studio of Jacques Simon, in the axial chapel of the apse of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0635.jpg
  • Clerestory of the nave with its stained glass windows, seen from a side aisle with vaulted ceiling supported by columns with Corinthian capitals, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0554.jpg
  • Detail of the nave, with columns topped by carved Corinthian capitals and the rib vaults of the ceiling, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0541.jpg
  • Sculpted figure in attitude of prayer on the South portal of the main West facade of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC_1281.jpg
  • Statue on an altar possibly representing Our Lady of Reims, the Virgin Mary holding Christ on the cross, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0551.jpg
  • Capitals with intricately carved foliage designs in the choir of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0545.jpg
  • Tombstone of Hugues Libergier, 1229-63, architect of the Church of Saint-Nicaise at Reims, now destroyed, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. His engraved effigy has him in 13th century costume with a model of the Saint-Nicaise church in his right hand, from where the tombstone was moved. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0539.jpg
  • Abraham and Melchisedec, stained glass window, 1974, by Marc Chagall, 1887-1985, with the studio of Jacques Simon, in the axial chapel of the apse of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0526.jpg
  • Christ's descent from the cross and the sacrifice of Isaac (left), and Abraham and Melchisedec (right), stained glass window, 1974, by Marc Chagall, 1887-1985, with the studio of Jacques Simon, in the axial chapel of the apse of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0524.jpg
  • Transept and South side aisle with vaulted ceiling, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0519.jpg
  • Smiling angel, late 13th - early 14th centuries, the Angel Gabriel from an Annunciation scene in the central portal on the main West facade of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC_1280.jpg
  • Sculptural detail with figures on horseback on the North portal, dedicated to Christ's Passion, of the main West facade of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC_1283.jpg
  • Descent from the cross, stained glass window, 1974, by Marc Chagall, 1887-1985, with the studio of Jacques Simon, left lancet window in the axial chapel of the apse of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0640.jpg
  • Christ's descent from the cross and resurrection (left), the crucifixion (right) and the Holy Spirit (above), stained glass window, 1974, by Marc Chagall, 1887-1985, with the studio of Jacques Simon, in the axial chapel of the apse of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0634.jpg
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