manuel cohen

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  • Salvador Allende, president of Chile 1970-73, bronze bust by Francesc Vila, inaugurated 2008 in the gardens of the Camp de Mart, Avenida de Cataluna, in Tarragona, Catalonia, Spain. Picture by Manuel Cohen
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  • Winged figure on candelabrum, Roman fresco fragment, detail, 41-54 AD, from a room west of the Forum in Empuries, in the Empuries Museum, or Museo de Arqueologia de Cataluna - Empuries (MAC), near Figueres, on the Costa Brava in Catalonia, Spain. The fresco depicts a male figure with a syrinx suspended above, and abstracted floral patterns in the borders. Empuries is an ancient settlement founded in 575 BC by Greek colonists from Phocaea. The town was settled by the Romans from 218 BC and abandoned in the Middle Ages. The site has been undergoing excavation since 1908. Picture by Manuel Cohen
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  • Roman wine amphorae, 1st century BC, stored in the archives of the Empuries Museum, or Museo de Arqueologia de Cataluna - Empuries (MAC), near Figueres, on the Costa Brava in Catalonia, Spain. Empuries is an ancient settlement founded in 575 BC by Greek colonists from Phocaea. The town was settled by the Romans from 218 BC and abandoned in the Middle Ages. The site has been undergoing excavation since 1908. Picture by Manuel Cohen
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  • Roman column fragments and wine amphorae, 1st century BC, stored in the archives of the Empuries Museum, or Museo de Arqueologia de Cataluna - Empuries (MAC), near Figueres, on the Costa Brava in Catalonia, Spain. Empuries is an ancient settlement founded in 575 BC by Greek colonists from Phocaea. The town was settled by the Romans from 218 BC and abandoned in the Middle Ages. The site has been undergoing excavation since 1908. Picture by Manuel Cohen
    LC21_SPAIN_MC_0286.jpg
  • Winged figure on candelabrum, Roman fresco fragment, 41-54 AD, from a room west of the Forum in Empuries, in the Empuries Museum, or Museo de Arqueologia de Cataluna - Empuries (MAC), near Figueres, on the Costa Brava in Catalonia, Spain. The fresco depicts a male figure with a syrinx suspended above, standing on a candelabrum which is on a boxed floral motif. The borders contain a mermaid, portrait and floral patterns. Empuries is an ancient settlement founded in 575 BC by Greek colonists from Phocaea. The town was settled by the Romans from 218 BC and abandoned in the Middle Ages. The site has been undergoing excavation since 1908. Picture by Manuel Cohen
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  • Tragic theatre mask, mosaic, 1st century BC, from the bedroom of house 1 in Empuries, in the Empuries Museum, or Museo de Arqueologia de Cataluna - Empuries (MAC), near Figueres, on the Costa Brava in Catalonia, Spain. Empuries is an ancient settlement founded in 575 BC by Greek colonists from Phocaea. The town was settled by the Romans from 218 BC and abandoned in the Middle Ages. The site has been undergoing excavation since 1908. Picture by Manuel Cohen
    LC21_SPAIN_MC_0289.jpg
  • Conservator in the archives of the Empuries Museum, or Museo de Arqueologia de Cataluna - Empuries (MAC), near Figueres, on the Costa Brava in Catalonia, Spain. Empuries is an ancient settlement founded in 575 BC by Greek colonists from Phocaea. The town was settled by the Romans from 218 BC and abandoned in the Middle Ages. The site has been undergoing excavation since 1908. Picture by Manuel Cohen
    LC21_SPAIN_MC_0285.jpg
  • Palau del Parlament de Catalunya, the assembly hall of the Catalan parliament, designed by Jorge Prospero de Verboom and built 1717-27 as the arsenal of the Ciutadella, on Placa de Joan Fiveller in the Parc de la Ciutadella, Barcelona, Catalonia, Spain. The building was used for parliament 1932-39 and then again after restoration from 1980 by the Generalitat de Catalunya. In the foreground is the white marble sculpture Desconsol, or Despaire, 1903, by Josep Llimona i Bruguera. Picture by Manuel Cohen
    LC20_SPAIN_MC_1041.jpg
  • Palau del Parlament de Catalunya, the assembly hall of the Catalan parliament, designed by Jorge Prospero de Verboom and built 1717-27 as the arsenal of the Ciutadella, on Placa de Joan Fiveller in the Parc de la Ciutadella, Barcelona, Catalonia, Spain. The building was used for parliament 1932-39 and then again after restoration from 1980 by the Generalitat de Catalunya. Picture by Manuel Cohen
    LC20_SPAIN_MC_1040.jpg
  • Olive trees on a windy day on the lower slopes of Mont Caro, in the Parc Naturel des Ports, Tortosa-Beseit, Tarragona, Catalonia, Spain. The Park was founded in 1995 and covers 60,000 hectares of varied landscape around the Els Ports massif south of the river Ebro. Picture by Manuel Cohen
    LC21_SPAIN_MC_1134.jpg
  • Black servant, detail of painted ceramic tiles, in the cloister of the Palau de Maricel, now the Maricel Museum, reopened in 2015, in Sitges, Catalonia, Spain. The complex was built 1910-18 by Miquel Utrillo for Charles Deering, converted from a hospital to a residence and gallery to house Deering's collection. Picture by Manuel Cohen
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  • Presentation of Jesus in the Temple, detail, carved polychrome gilded oak, by unknown Castilian artist, late 16th century, in the Palau de Maricel, now the Maricel Museum, inaugurated 1970 and reopened in 2015, in Sitges, Catalonia, Spain. The complex was built 1910-18 by Miquel Utrillo for Charles Deering, converted from a hospital to a residence and gallery to house Deering's collection. Picture by Manuel Cohen
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  • Presentation of Jesus in the Temple, carved polychrome gilded oak, by unknown Castilian artist, late 16th century, in the Palau de Maricel, now the Maricel Museum, inaugurated 1970 and reopened in 2015, in Sitges, Catalonia, Spain. The complex was built 1910-18 by Miquel Utrillo for Charles Deering, converted from a hospital to a residence and gallery to house Deering's collection. Picture by Manuel Cohen
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  • Monumental alabaster fireplace from the Palau de la Generalitat de Catalunya, from the collection of the Museum of Artistic Reproductions, in the Golden Hall, a banqueting hall inaugurated 1915, with Neo-Baroque decor by Joan Marsal and reproductions of furniture and sculptures, in the Palau de Maricel, now the Maricel Museum, reopened in 2015, in Sitges, Catalonia, Spain. The complex was built 1910-18 by Miquel Utrillo for Charles Deering, converted from a hospital to a residence and gallery to house Deering's collection. Picture by Manuel Cohen
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  • Font del Lleo, or Lion Fountain, with stone sculpture of the lion of St Mark, at the pergola in the Jardins Artigas, gardens built 1905-6 in Modernist style and designed by Antoni Gaudi, 1852-1926, in La Pobla de Lillet, Bergueda, Catalonia, Spain. The gardens are on a plot of land owned by Joan Artigas i Alart, who owned a nearby textile factory. There are many similarities to Parc Guell, and the site includes bridges, a watchtower, fountains, a waterfall and sculptures. The park was restored in 1992 and the sculptures were replaced with those by Ramon Millet i Domenech. Picture by Manuel Cohen
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  • Pont d'Arc Coix over the Llobregat river and stone sculpture of the Eagle of St John, in the Jardins Artigas, gardens built 1905-6 in Modernist style and designed by Antoni Gaudi, 1852-1926, in La Pobla de Lillet, Bergueda, Catalonia, Spain. The gardens are on a plot of land owned by Joan Artigas i Alart, who owned a nearby textile factory. There are many similarities to Parc Guell, and the site includes bridges, a watchtower, fountains, a waterfall and sculptures. The park was restored in 1992 and the sculptures were replaced with those by Ramon Millet i Domenech. Picture by Manuel Cohen
    LC21_SPAIN_MC_0779.jpg
  • La Nau Gaudi, or the Gaudi Warehouse of the Mataronense Workers' Cooperative, a bleaching warehouse for a yarn factory, designed in 1878 by Antoni Gaudi, 1852-1926, in Mataro, Catalonia, Spain. The building, built for the textile cooperative La Obrera Mataronense, uses wooden parabolic arches. Gaudi had originally planned homes, an assembly hall and a factory in an extended socialist project, although his plans were uncompleted. The building was restored in 2008. Picture by Manuel Cohen
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  • First floor of the 2 storey attic, which regulates extreme outdoor temperatures, with 8 pillars supporting lobed parabolic brick arches, at Torre Bellesguard, or Casa Figueres, designed in Modernist style by Antoni Gaudi, 1852-1926, and built 1900-09, in Barcelona, Catalonia, Spain. The building was built in Gaudi's neo-Gothic style on the ruins of an old castle. Picture by Manuel Cohen
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  • Wrought iron gate by Domingo Sugranes, detail, on the main entrance at the Torre Bellesguard, or Casa Figueres, designed in Modernist style by Antoni Gaudi, 1852-1926, and built 1900-09, in Barcelona, Catalonia, Spain. The building was built in Gaudi's neo-Gothic style on the ruins of an old castle. Picture by Manuel Cohen
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  • Original main entrance to the Jardins Artigas, gardens built 1905-6 in Modernist style and designed by Antoni Gaudi, 1852-1926, in La Pobla de Lillet, Bergueda, Catalonia, Spain. Behind is La Glorieta, a watchtower. The gardens are on a plot of land owned by Joan Artigas i Alart, who owned a nearby textile factory. There are many similarities to Parc Guell, and the site includes bridges, a watchtower, fountains, a waterfall and sculptures. The park was restored in 1992. Picture by Manuel Cohen
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  • Entrance hall, 10m high, with a false vault with lobed arches and a suspended polyhedral stained glass lamp, at Torre Bellesguard, or Casa Figueres, designed in Modernist style by Antoni Gaudi, 1852-1926, and built 1900-09, in Barcelona, Catalonia, Spain. The tiled wainscot is by Domingo Sugranes, with dragons and roosters representing the coat of arms of Margarita de Prades. The building was built in Gaudi's neo-Gothic style on the ruins of an old castle. Picture by Manuel Cohen
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  • Balcony with wrought iron balustrade on the front facade of Casa Calvet, a Modernist building designed by Antoni Gaudi, 1852-1926, built 1898-1900, commissioned by the widow of Pere Martir Calvet, on Carrer de Casp in Eixample, Barcelona, Catalonia, Spain. On the front facade are sculpted heads of martyrs and a pulley device for winching furniture. Picture by Manuel Cohen
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  • Martyrdom of St Lucy, detail of Lucy stabbed in the neck with a sword, c. 1300, painted panel by unknown artist, Gothic, tempera on wood, from church of Santa Llucia de Mur, Guardia de Noguera, Pallars Jussa, in the Museu Nacional d'Art de Catalunya, in the Palau Nacional on Montjuic Hill, Barcelona, Catalonia, Spain. Picture by Manuel Cohen
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  • Virgin and child with angels, detail, 1375-85, central panel of an altarpiece, by Jaime Serra, Gothic, tempera and gilt on board, in the Museu Nacional d'Art de Catalunya, in the Palau Nacional on Montjuic Hill, Barcelona, Catalonia, Spain. Picture by Manuel Cohen
    LC21_SPAIN_MC_0511.jpg
  • Presa de Castillejos, or Conquest of Los Castillejos in the Hispano-Moroccan War, bronze relief on the plinth of the Monument to General Prim, detail, in the Parc de La Ciutadella, Barcelona, Catalonia, Spain. Joan Prim i Prats, 1814-70, was a Spanish soldier, politician and Prime Minister, and is depicted in a bronze equestrian statue on a plinth surrounded by reliefs of his military campaigns. The original sculpture was by Lluis Puiggener and was inaugurated in 1889, but it was destroyed to make ammunitions during the Spanish Civil War and remade by Frederic Mares after the war. Picture by Manuel Cohen
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  • Chimney stacks covered in a mosaic of coloured ceramic tiles, on the roof of the Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The chimney stacks are crooked to prevent backdraughts. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
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  • Grand central hall on the Noble Floor, with huge windows facing the Passeig de Gracia, with stained glass panels and organic carved oak frames, in the Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The windows all open using hidden counterweights. The walls and ceiling are all in organic wavy forms resembling the sea. A glass roof is glimpsed through an oculus. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
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  • Ceiling in relief resembling a giant plaster spiral, water vortex or galaxy, with central crystal chandelier, in the grand central hall on the Noble Floor of Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1241.jpg
  • Mosaic planters on the end wall of the internal terrace, at the Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_1233.jpg
  • Aerial view of Barcelona seen from the North, 1855, lithograph, by Alfred Guesdon, in the Museu Maritim de Barcelona, or Barcelona Maritime Museum, housed in the former medieval royal shipyards and arsenals at Drassanes, Barcelona, Catalonia, Spain. The museum houses exhibits on the maritime history of Catalonia, including many ships and boats built in the shipyards of Barcelona. Picture by Manuel Cohen
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  • Peace - Burial of Wilkie, engraving by John Cousen after a painting by JMW Turner, chalk print in black and white on paper, c. 1880, commemorating the burial at sea of Turner's friend, the Scottish painter David Wilkie, who died on a boat in Gibraltar in 1841, in the Museu Maritim de Barcelona, or Barcelona Maritime Museum, housed in the former medieval royal shipyards and arsenals at Drassanes, Barcelona, Catalonia, Spain. The museum houses exhibits on the maritime history of Catalonia, including many ships and boats built in the shipyards of Barcelona. Picture by Manuel Cohen
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  • Woman with red scarf, 1901-2, charcoal and wax crayon on paper, by Ramon Casas, 1866-1932, in Casa Rocamora, the Isabelline mansion of art collector Manuel Rocamora y Vidal, where he lived from 1935, on the Carrer de Ballester in El Putxet, Barcelona, Catalonia, Spain. The house is open to the public, managed by the Fundacion Rocamora, and houses the private collection of Manuel Rocamora y Vidal, 1892-1976, including Modernist art, figureheads and ceramics. Picture by Manuel Cohen
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  • Roof, covered in a mosaic of coloured ceramic tiles and designed to resemble a dragon's back, and tower topped with a bulbous 4 armed cross, at the Casa Batllo, originally built in 1877 by Emilio Sala Cortes and totally remodelled 1904-6 by Antoni Gaudi, 1852-1926, in catalan Modernisme and art nouveau style, for Josep Batllo y Casanovas, a textile industrialist, on the Passeig de Gracia in the Illa de la Discordia district of Barcelona, Catalonia, Spain. The building is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
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  • Town of Cadaques, on the Cap de Creus peninsula, Catalonia, Spain. In the centre of town is the Church of St Mary, or Esglesia de Santa Maria de Cadaques, built in the 17th century. Many famous artists spent time in Cadaques during the 20th century, including Dali and Picasso. Cap de Creus is a rocky peninsula near the French border in the northern Costa Brava, with headlands, cliffs and coves, protected as a natural park since 1998. Picture by Manuel Cohen
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  • Town of Cadaques, on the Cap de Creus peninsula, Catalonia, Spain. In the centre of town is the Church of St Mary, or Esglesia de Santa Maria de Cadaques, built in the 17th century. Many famous artists spent time in Cadaques during the 20th century, including Dali and Picasso. Cap de Creus is a rocky peninsula near the French border in the northern Costa Brava, with headlands, cliffs and coves, protected as a natural park since 1998. Picture by Manuel Cohen
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  • Nave, with the Retaule de Santa Maria, main altarpiece by Pau Costa and Joan Torras, in baroque style, built 1723-29 and gilded 1770-88, in the Church of St Mary, or Esglesia de Santa Maria de Cadaques, built in the 17th century, in Cadaques, on the Cap de Creus peninsula, Catalonia, Spain. The 23m high altarpiece is dedicated to the Virgin of Hope, and features scenes of the apocalypse, the life of the Virgin and saints. Picture by Manuel Cohen
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  • Dali's Cadillac, used as a hearse at Gala's funeral, stored on the ground floor of the Castle of Pubol, now the Gala Dali Castle House-Museum, in Pubol, Baix Emporda, Girona, Catalonia, Spain. Dali bought the castle in 1969 for his wife Gala, and restored and renovated it. Gala was buried in the crypt in 1982 and Dali lived and worked here 1982-84. The castle was originally built in the 11th century and the Church of Sant Pere de Pubol was built 1327-41 in Gothic style. The site opened as a museum in 1996, managed by the Gala-Salvador Dali Foundation. Picture by Manuel Cohen
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  • Myth of the sacrifice of Iphigenia in Aulis, floor mosaic, 1st century BC, from an unexcavated house in the Roman city, in the Empuries Museum, near Figueres, on the Costa Brava in Catalonia, Spain. Empuries is an ancient settlement founded in 575 BC by Greek colonists from Phocaea. The town was settled by the Romans from 218 BC and abandoned in the Middle Ages. The site has been undergoing excavation since 1908. Picture by Manuel Cohen
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  • Far de Cala Nans, lighthouse built 1864 by J M Faquinetto, at Cadaques, on the Cap de Creus peninsula, Catalonia, Spain. Cap de Creus is a rocky peninsula near the French border in the northern Costa Brava, with headlands, cliffs and coves, protected as a natural park since 1998. Picture by Manuel Cohen
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  • Meditation, or Girl, marble statue, 1925, by Josep Llimona, 1864-1934, on the Rahola family tomb in the Cadaques Cemetery in Portlligat, on the Cap de Creus peninsula, Catalonia, Spain. Cap de Creus is a rocky peninsula near the French border in the northern Costa Brava, with headlands, cliffs and coves, protected as a natural park since 1998. Picture by Manuel Cohen
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  • Painted sign with marmots by Eric Freixinos, Jaca des Petits Cortalets, near the Refuge des Cortalets, on the footpath ascending the Pic du Canigou, in low cloud cover, in Pyrenees-Orientales, France. The Canigou stands at 2784m and is the highest of the Eastern peaks of the Pyrenees. Picture by Manuel Cohen
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  • Rostrum rood screen or tribune, 12th century, Romanesque, carved in pink marble, in the Prieure de Serrabone, or Serrabone Priory, an 11th century Romanesque Augustinian monastery in Boule-d'Amont, Pyrenees-Orientales, France. The structure is rectangular and topped with a balustrade, supported by 3 arches with capitals carved with animals, plants, angels and evangelist symbols. The priory is listed as a historic monument. Picture by Manuel Cohen
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  • Rivesaltes Memorial Museum, at a military camp built 1938 in Rivesaltes, Pyrenees-Orientales, France. Also known as Camp Marechal Joffre, the camp was originally built as a military base, and became a camp for refugees after the Spanish Civil War, then an internment camp during the Second World War, and eventually a transit camp for Jews, 2000 of whom were transferred to Auschwitz. The Rivesaltes Memorial Museum, designed by Rudy Ricciotti, was inaugurated in 2015 to commemorate the victims of the camp. It is a half submerged monolithic concrete building containing exhibition halls, an auditorium, research centre and learning labs. Picture by Manuel Cohen
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  • Wine shop in the former crypt of the Chateau de Caladroy, Belesta, Pyrenees-Orientales, Catalogne du Nord, France. Originally an 11th century fortress protecting the border of the Kingdom of Majorca, today the estate is a casino, olive grove and vineyard, producing olive oils, Cotes du Roussillon Villages and Vin Doux Nature. Picture by Manuel Cohen
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  • Prieure de Serrabone, or Serrabone Priory, aerial view, an 11th century Romanesque Augustinian monastery in Boule-d'Amont, Pyrenees-Orientales, France. The church contains a 12th century Romanesque rostrum rood screen or tribune, carved in pink marble. The priory is listed as a historic monument. Picture by Manuel Cohen
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  • Prieure de Serrabone, or Serrabone Priory, aerial view, an 11th century Romanesque Augustinian monastery in Boule-d'Amont, Pyrenees-Orientales, France. The church contains a 12th century Romanesque rostrum rood screen or tribune, carved in pink marble. The priory is listed as a historic monument. Picture by Manuel Cohen
    DRN_LC20_FRANCE_MC_1737.jpg
  • Abandoned village of Perillos, aerial view, Opoul-Perillos, Pyrenees-Orientales, Catalogne du Nord, France. The medieval village grew with the adjacent Chateau d'Opoul-Perillos, also known as the Chateau d'Opoul or Chateau Salveterra, built by Jacques I of Aragon or Jaume I in 1246 on a rocky hill overlooking the plateau, to protect the border between France and the Kingdom of Aragon. It was besieged in 1598 by the French and taken by them in 1639, and in 1642 Richelieu ordered the castle to be abandoned and destroyed. Picture by Manuel Cohen
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  • Eglise de Saint-Vincent, built 1726-43, in the village of Eus, aerial view, Pyrenees-Orientales, France. The church occupies the highest point of the village, having been built on the site of the former castle. Eus is listed as one of the 'plus beaux villages de France'. In the distance is the Pic du Canigou. The Canigou stands at 2784m and is the highest of the Eastern peaks of the Pyrenees. Picture by Manuel Cohen
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  • Fontaine du Baron, a public fountain commissioned in 1831 by Baron Hippolyte Despres, mayor of Perpignan 1818-27, on the Place Bardou-Job, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The fountain is composed of 3 siren statues, connected by the tips of their wings, on a white marble basin, supporting a larger basin. Picture by Manuel Cohen
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  • View over the rooftops of the Old Town, with the Basilique-Cathedrale de Saint-Jean-Baptiste de Perpignan, a 14th century Gothic cathedral, in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The cathedral is also known as Saint-Jean-le-Neuf, and incorporates an earlier Romanesque cathedral, Saint-Jean-le-Vieux. It is listed as a historic monument. Picture by Manuel Cohen
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  • Cloister, completed 1617, with paved courtyard and 2 storey brick arcades, at the Couvent des Minimes de Perpignan, founded in 1573 by Pierre de Valdes, in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The convent is listed as a historic monument. Picture by Manuel Cohen
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  • Marble art deco staircase in the Palais Consulaire or Consular Palace, built 1937, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
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  • Coat of arms of the Brotherhood of Weavers, detail from the Retable de Notre-Dame de l'Esperance, or Retable de la Confrerie des Tisserands, in the Chapelle des Tisserands, in the Eglise Saint-Jacques, a Gothic church built 1260-80 in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The church is on the pilgrimage route to Santiago de Compostela and is listed as a historic monument. Picture by Manuel Cohen
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  • Tools used for working garnet, bench block, hammers, pliers, anvil, awls, blowtorch and shears, early 20th century, private collection, in the exhibition Le Grenat Catalan, on the history of garnet in the region, at the Palais des Rois de Majorque, or Palace of the Kings of Majorca, built 1276-1309 by Ramon Pau, Pons Descoll and Bernat Quer, for King James II of Majorca, in Puig del Rey, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
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  • Seamstresses at work on sewing machines in the workshop at Les Toiles du Soleil, a shop selling traditional catalan artisanal woven cloth, on Place Gambetta, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The Sans et Garcerie factory in Saint-Laurent-de-Cerdans, founded in 1897, was bought by Francoise and Henri Quinta and they developed a range of traditional fabrics in bold catalan colours, and sell a range of canvas or fabric by the metre, upholstery fabric, household linen, coated fabrics and table linen. Picture by Manuel Cohen
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  • Pomona a la Tunique, bronze statue, 1921, by Aristide Maillol, 1861-1944, forged by Emile Godard, from the collection of the Musee Maillol in Paris, outside the entrance to the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen
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  • Painted electricity or water metre box, decorated by a local artist with a scene of Collioure with a barque catalane and basket of fish, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. Barques catalanes are traditional catalan lateen sailed fishing boats. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
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  • Lateen sailed boats gathering for the Trobades, an annual festival, this year held on 1st September 2020, on the beach at Anse de Paulilles or the Bay of Paulilles, in Catalogne du Nord, France. Both llaguts (small boats) and sardinals (large boats) sail from Barcares to Cadaques. The colourful traditional catalan boats or barques catalanes with triangular sails, have been used since Roman times for fishing sardine and anchovy. Paulilles is a protected area of the Mediterranean between Port-Vendres and Banyuls-sur-Mer in Pyrenees-Orientales, on the Cote Vermeille or Vermilion Coast. Picture by Manuel Cohen
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  • Forteresse de Salses or Salses Fortress, aerial view, a 15th century catalan fortress in Salses-le-Chateau, Pyrenees-Orientales, Catalogne du Nord, France. The fort was designed by Francisco Ramiro Lopez and built 1497-1502 under Ferdinand II of Aragon to protect the border between the Principality of Catalonia and France. The building is part-buried and has 7 levels with 10m thick walls, and is surrounded by a dry moat. The fort was taken by the French in 1642. It is listed as a national monument. Picture by Manuel Cohen
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  • Barrels known as demi-muids used for ageing the wine and large winemaking sheds, aerial view, at the Terres des Templiers vineyard near Banyuls-sur-Mer, Pyrenees-Orientales, Catalogne du Nord, France. The Terres des Templiers vineyards in Languedoc-Roussillon were first planted by the Phoenicians, then revived by the Knights Templar in the 14th century. They incorporate 750 small vignerons over 1150 hectares. Picture by Manuel Cohen
    DRN_LC20_FRANCE_MC_1020.jpg
  • Father and son picking and carrying grapes during the grape harvest in the vineyard of Monsieur Laurent Barreda, aerial view, in Banyuls-sur-Mer, Pyrenees-Orientales, Catalogne du Nord, France. The Terre des Templiers vineyard in Languedoc-Roussillon was first planted by the Phoenicians, then revived by the Knights Templar in the 14th century. Picture by Manuel Cohen
    DRN_LC20_FRANCE_MC_0987.jpg
  • Chapelle Saint-Vincent, built in 1701 to house the relics of St Vincent, who was martyred here in 303 AD, on a rocky outcrop which was once as island, in Collioure, aerial view, Pyrenees-Orientales, Catalogne du Nord, France. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    DRN_LC20_FRANCE_MC_1074.jpg
  • Chateau Royal and harbour, in the village of Collioure, aerial view, Pyrenees-Orientales, Catalogne du Nord, France. The castle building contains remnants of castles built by the Templars, the Kings of Majorca, the Habsburgs and the Bourbons, from 12th - 17th centuries. In the 20th century it became a prison and a detainment camp. It is now a tourist attraction and historic monument. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    DRN_LC20_FRANCE_MC_1040.jpg
  • La Grande Plage, detail of priest, baskets of fish and villagers chatting, watercolour painting on canvas, 1925-35, by Augustin Hanicotte, in an exhibition entitled L’eau à la Bouche, February - May 2020, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. This large canvas pictures all of daily life unfolding on the beach at Collioure, with fishermen, priests, groups of women, traditional barques catalanes, the Chateau Royal and Fort Saint-Elme. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0531.jpg
  • Head of a cow and acanthus leaves, Romanesque capital, 13th century, in the north gallery of the Cloitre d'Elne, built 12th - 14th centuries, at the Cathedrale Sainte-Eulalie-et-Sainte-Julie d'Elne, an 11th century catalan Romanesque cathedral in Elne, Pyrenees-Orientales, Catalogne du Nord, France. The cloister was originally the residence of the cathedral's canons, and features Romanesque and Gothic sculptures and capitals, depicting biblical figures, animals and plants. The cathedral and its cloister are listed as historic monuments. Picture by Manuel Cohen
    LC20_FRANCE_MC_0582.jpg
  • Knights before a king, possibly Herod, Romanesque capital, 13th century, in the north gallery of the Cloitre d'Elne, built 12th - 14th centuries, at the Cathedrale Sainte-Eulalie-et-Sainte-Julie d'Elne, an 11th century catalan Romanesque cathedral in Elne, Pyrenees-Orientales, Catalogne du Nord, France. A similar scene of chivalry and fealty is sculpted 3 times in the cloister. The cloister was originally the residence of the cathedral's canons, and features Romanesque and Gothic sculptures and capitals, depicting biblical figures, animals and plants. The cathedral and its cloister are listed as historic monuments. Picture by Manuel Cohen
    LC20_FRANCE_MC_0602.jpg
  • Elne les Remparts Sud, by Etienne Terrus, 1890, oil painting on canvas, from the Elne municipal collection, in the Musee Terrus Elne, opened 2014, in Elne, Pyrenees-Orientales, Catalogne du Nord, France. The Terrus Museum is dedicated to the life and works of Etienne Terrus, 1857-1922, a painter in oils and watercolour from Elne, and other Roussillonnais contemporaries. Terrus was a precursor to the Fauvist movement and painted landscapes en plein air in the Roussillon region. Picture by Manuel Cohen
    LC20_FRANCE_MC_0624.jpg
  • Romanesque capital in the cloister, 12th - 14th centuries, at the Cathedrale Sainte-Eulalie-et-Sainte-Julie d'Elne, an 11th century catalan Romanesque cathedral in Elne, Pyrenees-Orientales, Catalogne du Nord, France. The cloister was originally the residence of the cathedral's canons, and features Romanesque and Gothic sculptures and capitals, depicting biblical figures, animals and plants. The cathedral and its cloister are listed as historic monuments. Picture by Manuel Cohen
    LC20_FRANCE_MC_0638.jpg
  • Chateau Royal and the village of Collioure, Pyrenees-Orientales, Catalogne du Nord, France. The castle building contains remnants of castles built by the Templars, the Kings of Majorca, the Habsburgs and the Bourbons, from 12th - 17th centuries. In the 20th century it became a prison and a detainment camp. It is now a tourist attraction and historic monument. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0658.jpg
  • Sunrise at the Anse de Paulilles or Bay of Paulilles, part of the Site Classe de l'Anse de Paulilles, a protected natural and industrial heritage site, Pyrenees-Orientales, Catalogne du Nord, France. Paulilles is a protected area of the Mediterranean between Port-Vendres and Banyuls-sur-Mer, on the Vermilion Coast. Picture by Manuel Cohen
    LC20_FRANCE_MC_0670.jpg
  • Harmonie, bronze sculpture, 1943-44, forged by C Valsuani, by Aristide Maillol, 1861-1944, in the Musee Maillol de Banyuls-sur-Mer, in Banyuls-sur-Mer, Pyrenees-Orientales, Catalogne du Nord, France. The museum was founded in 1994 at La Metairie, the farm where Maillol lived at the end of his life. Banyuls-sur-Mer is a small seaside town first settled by the Greeks in 400 BC, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0677.jpg
  • Eglise Notre-Dame-des-Anges (right), or Church of Our Lady of the Angels, built in 1684, with an attached bell tower which was originally used as a lighthouse or beacon, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. The church is listed as a historic monument. Behind the church is the Chateau Royal, with remnants of castles built by the Templars, the Kings of Majorca, the Habsburgs and the Bourbons, from 12th - 17th centuries. In the 20th century it became a prison and a detainment camp. It is now a tourist attraction and historic monument. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0754.jpg
  • Laure d'Andoque, co-manager of Fontfroide Abbey or l'Abbaye Sainte-Marie de Fontfroide, in the abbey cloister, at Narbonne, Languedoc-Roussillon, Occitanie, France. Founded by the Viscount of Narbonne in 1093, Fontfroide linked to the Cistercian order in 1145. In 1908 the abbey was bought by Gustave Fayet, an art collector and wine grower, who renovated many of the rooms and commissioned artworks. Today the abbey estate produces AOC Corbieres wine. Picture by Manuel Cohen
    LC20_FRANCE_MC_0440.jpg
  • La Nuit, Symbolist fresco, 1910, by Odilon Redon, 1840-1916, in the library of Fontfroide Abbey or l'Abbaye Sainte-Marie de Fontfroide, at Narbonne, Languedoc-Roussillon, Occitanie, France. In 1908 the abbey was bought by Gustave Fayet, an art collector and wine grower, who renovated many of the rooms and commissioned artworks. Founded by the Viscount of Narbonne in 1093, Fontfroide linked to the Cistercian order in 1145. Today the abbey estate produces AOC Corbieres wine. Picture by Manuel Cohen
    LC20_FRANCE_MC_0364.jpg
  • Miraculous recovery of the body of St Michael rejected by the sea, detail, left hand upper pinnacle panel of the St Vincent altarpiece, by Pere Vall, 1405-11, Gothic tempera painting on wood, probably from the Church of Sant Vicenc de Cardona, Bages, in the Museu Episcopal de Vic, specialising in medieval liturgical catalan art, in Vic, Catalonia, Spain. Picture by Manuel Cohen
    LC20_SPAIN_MC_213.JPG
  • Pieta, from the predella of the altarpiece of the Church of Santa Maria de Rubio, Anoia, Gothic, by the Master of Rubio, late 14th century, tempera paint on wood, in the Museu Episcopal de Vic, specialising in medieval liturgical catalan art, in Vic, Catalonia, Spain. Picture by Manuel Cohen
    LC20_SPAIN_MC_189.jpg
  • Angel, side panel of the altarpiece of San Juan de Mataplana, from the chapel in the castle of Sant Joan de Mataplana, Gombren, Ripolles, made in Vic in the late 12th century - early 13th century, tempera paint on wood, in the Museu Episcopal de Vic, specialising in medieval liturgical catalan art, in Vic, Catalonia, Spain. Picture by Manuel Cohen
    LC20_SPAIN_MC_165.jpg
  • Restaurant Mirador Bahia amidst the mussel farms in the Bahia del Fangar, in the Ebro Delta, Tarragona, Catalonia, Spain. The protected bay is large and shallow, with fertile algae fields creating the perfect conditions for breeding shellfish. The Ebro Delta Natural Park is a protected area of wetland habitat with ecosystems including lagoons, sand dunes, salt marsh and rice fields, covering c. 15000 hectares. Picture by Manuel Cohen
    DRN_LC18_SPAIN_MC_011.JPG
  • Above, Christ in a mandorla blessing St Thomas a Beckett of Canterbury, 1117-70, Archbishop of Canterbury 1162-70, and below, his martyrdom, with the accusation, assassination and entombment. Christ enthroned and the martyrdom of St Thomas a Beckett, fresco, late 12th - early 13th centuries, from the apse of the Church of Santa Maria  or Church of St Mary, churches of Sant Pere, Terrassa, Catalonia, Spain. The Church of Santa Maria dates from the 6th century, with an 11th century nave and Romanesque frescoes. The Sant Pere complex consists of 2 churches (Sant Pere and Santa Maria) and a baptistery (Sant Miquel, following the Byzantine model. They were built close to the site of old Egara to be the seat of the Egara diocese, founded c. 450 AD. The buildings were completed in the 11th and 12th centuries in Romanesque style, on the site of pre-Romanesque buildings from the Visigothic period. Picture by Manuel Cohen
    LCSPAIN13_MC083.jpg
  • Parish church of San Miguel, a Romanesque church with square tower, in the village of Peramola, Alt Urgell, Catalonia, Spain. The church has a single nave with barrel vaulted ceiling and an apse with Lombard arches. It was restored in the 1990s. Picture by Manuel Cohen
    LC22_SPAIN_MC_0024.jpg
  • Grand Cloister, with 4 galleries with sculpted capitals, at the Catedral de Santa Maria d'Urgell, built 1116-83, mainly 1175-82 by Ramon Llambard, in Romanesque style, in La Seu d'Urgell, Catalonia, Spain. The building is unfinished and has been used as a fortress to withstand sieges. It is protected as a historic landmark. Picture by Manuel Cohen
    LC22_SPAIN_MC_0014.jpg
  • Grand Cloister, with 4 galleries with sculpted capitals, at the Catedral de Santa Maria d'Urgell, built 1116-83, mainly 1175-82 by Ramon Llambard, in Romanesque style, in La Seu d'Urgell, Catalonia, Spain. The building is unfinished and has been used as a fortress to withstand sieges. It is protected as a historic landmark. Picture by Manuel Cohen
    LC22_SPAIN_MC_0013.jpg
  • St Peter of Cabbella, fresco, 14th century, from Pallars Jussa, in the Museo Diocesano, in the Casa del Degnat beside the cathedral, in La Seu d'Urgell, Catalonia, Spain. The museum was opened in 1975 and houses collections 10th - 18th century from the bishopric of Urgell. Picture by Manuel Cohen
    LC22_SPAIN_MC_0023.jpg
  • Madonna and child, detail, painting, 15th century, by Aragonese School, in the Museo Diocesano, in the Casa del Degnat beside the cathedral, in La Seu d'Urgell, Catalonia, Spain. The museum was opened in 1975 and houses collections 10th - 18th century from the bishopric of Urgell. Picture by Manuel Cohen
    LC22_SPAIN_MC_0022.jpg
  • Madonna and child, painting, 15th century, by Aragonese School, in the Museo Diocesano, in the Casa del Degnat beside the cathedral, in La Seu d'Urgell, Catalonia, Spain. The museum was opened in 1975 and houses collections 10th - 18th century from the bishopric of Urgell. Picture by Manuel Cohen
    LC22_SPAIN_MC_0021.jpg
  • Renaissance fresco of architectural elements with mourners, funerary symbols and a sarcophagus, by Jeroni Xanxo, beside the tomb of bishop Joan Despes, d. 1530, in the transept of the Catedral de Santa Maria d'Urgell, built 1116-83, mainly 1175-82 by Ramon Llambard, in Romanesque style, in La Seu d'Urgell, Catalonia, Spain. The building is unfinished and has been used as a fortress to withstand sieges. It is protected as a historic landmark. Picture by Manuel Cohen
    LC22_SPAIN_MC_0016.jpg
  • Animal playing an aulos or double flute, fresco, 13th century, from Isavarre, Pallars Sobira, in the Museo Diocesano, in the Casa del Degnat beside the cathedral, in La Seu d'Urgell, Catalonia, Spain. The museum was opened in 1975 and houses collections 10th - 18th century from the bishopric of Urgell. Picture by Manuel Cohen
    LC22_SPAIN_MC_0019.jpg
  • Nave of the Catedral de Santa Maria d'Urgell, built 1116-83, mainly 1175-82 by Ramon Llambard, in Romanesque style, in La Seu d'Urgell, Catalonia, Spain. The central nave is barrel vaulted and there are 2 side naves. The building is unfinished and has been used as a fortress to withstand sieges. It is protected as a historic landmark. Picture by Manuel Cohen
    LC22_SPAIN_MC_0015.jpg
  • Barcelona Pavilion, a Modernist building inaugurated 1929 and designed by Ludwig Mies van der Rohe, 1886-1969, and Lilly Reich, 1885-1947, as the German Pavilion for the 1929 International Exposition in Barcelona, Catalonia, Spain. Although destroyed in 1930 after the exhibition, the pavilion was rebuilt 1983-86. The sculpture is Alba or Dawn by Georg Kolbe, the walls are lined with red onyx and green travertine and the furniture, including the Barcelona chair, was designed for the building. Picture by Manuel Cohen
    LC21_SPAIN_MC_1127.jpg
  • Gran Teatre del Liceu illuminated in the evening, an opera house on La Rambla in Barcelona, Catalonia, Spain. The original theatre was opened in 1837 but it moved here in 1847 in a former convent building, converted by Joaquim de Gispert d'Angli. The building was rebuilt in 1862 after it was damaged in a fire, although the facade was saved, and then again in 1994 after another fire, reopened 1999. Picture by Manuel Cohen
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  • Figura Femenina, or Marina, statue of a naked woman wrapped in a fishing net, in noucentisme style, 1929, by Eusebi Arnau, 1864-1933, in the Parc de Pedralbes at the Palau Reial de Pedralbes, in Les Corts, Barcelona, Catalonia, Spain. The palace was a royal residence from 1919-31 and now houses the Museu de la Ceramica. The large gardens were designed by Nicolau Maria Rubio i Tuduri and Antoni Gaudi and contain many sculptures, fountains, a pergola, benches and a pond. Picture by Manuel Cohen
    LC21_SPAIN_MC_1132.JPG
  • Olive trees on the lower slopes of Mont Caro, in the Parc Naturel des Ports, Tortosa-Beseit, Tarragona, Catalonia, Spain. The Park was founded in 1995 and covers 60,000 hectares of varied landscape around the Els Ports massif south of the river Ebro. Picture by Manuel Cohen
    LC21_SPAIN_MC_1137.jpg
  • Bahia del Fangar, in the Ebro Delta, Tarragona, Catalonia, Spain. The protected bay is large and shallow, with fertile algae fields creating the perfect conditions for breeding shellfish. The Ebro Delta Natural Park is a protected area of wetland habitat with ecosystems including lagoons, sand dunes, salt marsh and rice fields, covering c. 15000 hectares. Picture by Manuel Cohen
    LC21_SPAIN_MC_1138.jpg
  • Flocks of sea birds at the Bahia del Fangar, in the Ebro Delta, Tarragona, Catalonia, Spain. The protected bay is large and shallow, with fertile algae fields creating the perfect conditions for breeding shellfish. The Ebro Delta Natural Park is a protected area of wetland habitat with ecosystems including lagoons, sand dunes, salt marsh and rice fields, covering c. 15000 hectares. Picture by Manuel Cohen
    LC21_SPAIN_MC_1139.jpg
  • Olive trees on a windy day on the lower slopes of Mont Caro, in the Parc Naturel des Ports, Tortosa-Beseit, Tarragona, Catalonia, Spain. The Park was founded in 1995 and covers 60,000 hectares of varied landscape around the Els Ports massif south of the river Ebro. Picture by Manuel Cohen
    LC21_SPAIN_MC_1141.jpg
  • Olive trees on the lower slopes of Mont Caro, in the Parc Naturel des Ports, Tortosa-Beseit, Tarragona, Catalonia, Spain. The Park was founded in 1995 and covers 60,000 hectares of varied landscape around the Els Ports massif south of the river Ebro. Picture by Manuel Cohen
    LC21_SPAIN_MC_1144.jpg
  • Olive trees on the lower slopes of Mont Caro, in the Parc Naturel des Ports, Tortosa-Beseit, Tarragona, Catalonia, Spain. The Park was founded in 1995 and covers 60,000 hectares of varied landscape around the Els Ports massif south of the river Ebro. Picture by Manuel Cohen
    LC21_SPAIN_MC_1143.jpg
  • Miguel de Cervantes, 1547-1616, Spanish writer, statue, detail, in the Palau de Maricel, now the Maricel Museum, inaugurated 1970 and reopened in 2015, in Sitges, Catalonia, Spain. The complex was built 1910-18 by Miquel Utrillo for Charles Deering, converted from a hospital to a residence and gallery to house Deering's collection. Picture by Manuel Cohen
    LC21_SPAIN_MC_0975.jpg
  • Black servant, detail of painted ceramic tiles, in the cloister of the Palau de Maricel, now the Maricel Museum, reopened in 2015, in Sitges, Catalonia, Spain. The complex was built 1910-18 by Miquel Utrillo for Charles Deering, converted from a hospital to a residence and gallery to house Deering's collection. Picture by Manuel Cohen
    LC21_SPAIN_MC_1005.jpg
  • Painted ceramic tiles depicting an idealised view of El Escorial, in the Palau de Maricel, now the Maricel Museum, reopened in 2015, in Sitges, Catalonia, Spain. The complex was built 1910-18 by Miquel Utrillo for Charles Deering, converted from a hospital to a residence and gallery to house Deering's collection. Picture by Manuel Cohen
    LC21_SPAIN_MC_1011.jpg
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