manuel cohen

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  • Capilla de San Francisco de Borja, a side chapel off the nave of the Metropolitan Cathedral–Basilica of the Assumption of Our Lady of Valencia, Valencia, Spain. In the chapel is a painting of San Francisco de Borja before the body of Empress Isabel, 1787, by Mariano Salvador Maella, 1739-1819. The cathedral is a Roman Catholic parish church consecrated in 1238 and reworked several times over the centuries. Picture by Manuel Cohen
    LC21_SPAIN_MC_0020.jpg
  • Capilla de San Francisco de Borja, in the Metropolitan Cathedral-Basilica of the Assumption of Our Lady of Valencia, Valencia, Spain. Above the altar is San Francisco de Borja<br />
before the corpse of Empress Elizabeth, painting, 1787, by Mariano Salvador Maella, 1739-1819. On the left is San Francisco de Borja, painting, 1788, by Francisco de Goya, 1746-1828, depicting the saint saying goodbye to his relatives in Gandia, and on the right, another painting of 1788 by Goya of the saint as a Jesuit priest helping an unrepentant dying man. The cathedral is a Roman Catholic parish church consecrated in 1238 and reworked several times over the centuries. Picture by Manuel Cohen
    LC21_SPAIN_MC_0017.jpg
  • San Francisco de Borja, 1510-72, accompanied by saints linked to his life, flanked by the Virgin and St Michael the archangel, painting, detail, from the ceiling of the Galeria Dorada or Golden Gallery, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The Golden Gallery was built in Valencia baroque style by the 10th duke of Gandia, Pascual Francis Borja Aragon y Centelles, to commemorate the canonisation of St Francis Borja. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0208.jpg
  • San Francisco de Borja, 1510-72, accompanied by saints linked to his life, flanked by the Virgin and St Michael the archangel, painting, detail, from the ceiling of the Galeria Dorada or Golden Gallery, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The Golden Gallery was built in Valencia baroque style by the 10th duke of Gandia, Pascual Francis Borja Aragon y Centelles, to commemorate the canonisation of St Francis Borja. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0207.jpg
  • Alfonso de Borja, later Pope Calixtus III, 1378-1458, painting, detail, from the ceiling of the Galeria Dorada or Golden Gallery, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The Golden Gallery was built in Valencia baroque style by the 10th duke of Gandia, Pascual Francis Borja Aragon y Centelles, to commemorate the canonisation of St Francis Borja. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0209.jpg
  • San Francisco de Borja, painting, detail, 1788, by Francisco de Goya, 1746-1828, depicting the saint saying goodbye to his relatives in his palace in Gandia to join Jesus, in the Capilla de San Francisco de Borja, in the Metropolitan Cathedral-Basilica of the Assumption of Our Lady of Valencia, Valencia, Spain. The cathedral is a Roman Catholic parish church consecrated in 1238 and reworked several times over the centuries. Picture by Manuel Cohen
    LC21_SPAIN_MC_0015.JPG
  • San Francisco de Borja, painting, 1788, by Francisco de Goya, 1746-1828, depicting the saint as a Jesuit priest helping an unrepentant dying man surrounded by demons ready to take his soul, in the Capilla de San Francisco de Borja, in the Metropolitan Cathedral-Basilica of the Assumption of Our Lady of Valencia, Valencia, Spain. The cathedral is a Roman Catholic parish church consecrated in 1238 and reworked several times over the centuries. Picture by Manuel Cohen
    LC21_SPAIN_MC_0941.jpg
  • San Francisco de Borja before the corpse of Empress Elizabeth, painting, 1787, by Mariano Salvador Maella, 1739-1819, in the Capilla de San Francisco de Borja, in the Metropolitan Cathedral-Basilica of the Assumption of Our Lady of Valencia, Valencia, Spain. The cathedral is a Roman Catholic parish church consecrated in 1238 and reworked several times over the centuries. Picture by Manuel Cohen
    LC21_SPAIN_MC_0940.jpg
  • San Francisco de Borja before the corpse of Empress Elizabeth, detail, painting, 1787, by Mariano Salvador Maella, 1739-1819, in the Capilla de San Francisco de Borja, in the Metropolitan Cathedral-Basilica of the Assumption of Our Lady of Valencia, Valencia, Spain. The cathedral is a Roman Catholic parish church consecrated in 1238 and reworked several times over the centuries. Picture by Manuel Cohen
    LC21_SPAIN_MC_0909.jpg
  • San Francisco de Borja, painting, detail, 1788, by Francisco de Goya, 1746-1828, depicting the saint as a Jesuit priest helping an unrepentant dying man, in the Capilla de San Francisco de Borja, in the Metropolitan Cathedral-Basilica of the Assumption of Our Lady of Valencia, Valencia, Spain. The cathedral is a Roman Catholic parish church consecrated in 1238 and reworked several times over the centuries. Picture by Manuel Cohen
    LC21_SPAIN_MC_0016.jpg
  • San Francisco de Borja, painting, 1788, by Francisco de Goya, 1746-1828, depicting the saint saying goodbye to his relatives in his palace in Gandia to join Jesus, in the Capilla de San Francisco de Borja, in the Metropolitan Cathedral-Basilica of the Assumption of Our Lady of Valencia, Valencia, Spain. The cathedral is a Roman Catholic parish church consecrated in 1238 and reworked several times over the centuries. Picture by Manuel Cohen
    LC21_SPAIN_MC_0282.jpg
  • San Francisco de Borja before the corpse of Empress Elizabeth, painting, 1787, by Mariano Salvador Maella, 1739-1819, in the Capilla de San Francisco de Borja, in the Metropolitan Cathedral-Basilica of the Assumption of Our Lady of Valencia, Valencia, Spain. The cathedral is a Roman Catholic parish church consecrated in 1238 and reworked several times over the centuries. Picture by Manuel Cohen
    LC21_SPAIN_MC_0892.JPG
  • Galeria Dorada or Golden Gallery, built in Valencia baroque style by the 10th duke of Gandia, Pascual Francis Borja Aragon y Centelles, to commemorate the canonisation of St Francis Borja, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The gallery consists of 5 rooms with painted canvases on the ceilings, and divided by carved wooden porches with gold leaf. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0210.jpg
  • Galeria Dorada or Golden Gallery, built in Valencia baroque style by the 10th duke of Gandia, Pascual Francis Borja Aragon y Centelles, to commemorate the canonisation of S Francis Borja, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The gallery consists of 5 rooms with painted canvases on the ceilings, and divided by carved wooden porches with gold leaf. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0216.jpg
  • Galeria Dorada or Golden Gallery, built in Valencia baroque style by the 10th duke of Gandia, Pascual Francis Borja Aragon y Centelles, to commemorate the canonisation of St Francis Borja, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The gallery consists of 5 rooms with painted canvases on the ceilings, and divided by carved wooden porches with gold leaf. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0206.jpg
  • Galeria Dorada or Golden Gallery, built in Valencia baroque style by the 10th duke of Gandia, Pascual Francis Borja Aragon y Centelles, to commemorate the canonisation of S Francis Borja, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain.  The gallery consists of 5 rooms with painted canvases on the ceilings, and divided by carved wooden porches with gold leaf. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0211.jpg
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie), called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. River Seine and Pont de Bercy, 19th century in the foreground. Picture by Manuel Cohen
    LC12_Paris_MC059.jpg
  • Neo Gothic chapel dedicated to St Francis Borja, built by Brothers Martin Coronas and Orriols after the acquisition of the palace by the Society of Jesus in 1890, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. This room was formerly the office of the duke in the 16th century. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0277.jpg
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie), called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. Pont de Bercy, 19th century in the foreground. Picture by Manuel Cohen
    LC12_Paris_MC057.jpg
  • Portrait of Alfonso de Borja y Cavanilles, 1378-1458, later Pope Calixto III, 1586, oil painting on leather, by Juan de Juanes, c. 1507-79, in the Metropolitan Cathedral-Basilica of the Assumption of Our Lady of Valencia, Valencia, Spain. The cathedral is a Roman Catholic parish church consecrated in 1238 and reworked several times over the centuries. Picture by Manuel Cohen
    LC21_SPAIN_MC_0894.jpg
  • Impressive facade of the Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie) seen from left bank, called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC205.jpg
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie), called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. In the foreground the yellow barge "Petit Bain", a bar and restaurant together with a concert venue moored on the left bank, quai François Mauriac. Picture by Manuel Cohen
    LC13_Paris_MC201.jpg
  • Impressive facade of the Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie) seen from railway viaduct, called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC079.jpg
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie) at sunrise, called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. Pont de Bercy, 19th century in the foreground with railway viaduct, the only one of the Parisian system to be made of stone. Picture by Manuel Cohen
    LC13_Paris_MC088.jpg
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie) at sunrise, called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. Pont de Bercy, 19th century in the foreground with railway viaduct, the only one of the Parisian system to be made of stone. Picture by Manuel Cohen
    LC13_Paris_MC081.jpg
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie) at dusk, called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. Pont de Bercy, 19th century in the foreground with railway viaduct with a train passing the camera in a streak of light. Picture by Manuel Cohen
    LC12_Paris_MC139.jpg
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie) at dusk, called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. Pont de Bercy, 19th century in the foreground with railway viaduct, the only one of the Parisian system to be made of stone. Picture by Manuel Cohen
    LC12_Paris_MC140.jpg
  • Portrait of Pope Alexander VI, born Rodrigo de Borja or Rodrigo Borgia, 1586, oil painting on leather, by Juan de Juanes, c. 1507-79, in the Metropolitan Cathedral-Basilica of the Assumption of Our Lady of Valencia, Valencia, Spain. The cathedral is a Roman Catholic parish church consecrated in 1238 and reworked several times over the centuries. Picture by Manuel Cohen
    LC21_SPAIN_MC_0893.JPG
  • Ministere de l'Economie et des Finances, or Ministry of the Economy and Finance, known as Bercy, designed by Paul Chemetov and Borja Huidobro, on the bank of the River Seine in the 12th arrondissement of Paris, France. On the right is the Pont de Bercy. Picture by Manuel Cohen
    LC19_PARIS_MC_1473.JPG
  • Ministere de l'Economie et des Finances, or Ministry of the Economy and Finance, known as Bercy, designed by Paul Chemetov and Borja Huidobro, on the bank of the River Seine in the 12th arrondissement of Paris, France. On the right is the metro track of line 6, which crosses the river on the Pont de Bercy. Picture by Manuel Cohen
    LC19_PARIS_MC_1474.JPG
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie) at dusk, called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. Pont de Bercy, 19th century in the foreground with railway viaduct with a train passing the camera in a streak of light. Picture by Manuel Cohen
    LC12_Paris_MC142.jpg
  • The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie), called the Minister of Finance for short or simply "Bercy", 1988, Paul Chemetov and Borja Huidobro, 139 rue de Bercy, 12th arrondissement, Paris, France. River Seine and Pont de Bercy, 19th century in the foreground. Picture by Manuel Cohen
    LC12_Paris_MC058.jpg
  • Statue of St Francis Borgia, 4th Duke of Gandia, 1510–72, holding a skull crowned with an emperor's diadem, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0928.jpg
  • Portrait of St Francis Borgia, 4th Duke of Gandia, 1510–72, painting, in the Salon de Coronas, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0945.jpg
  • St Francis Borgia, 4th Duke of Gandia, 1510–72, fresco, detail, from the ceiling of the Galeria Dorada, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0931.jpg
  • St Francis Borgia holding a crucifix, 4th Duke of Gandia, 1510–72, painting, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0930.jpg
  • Portrait of St Francis Borgia on horseback, 4th Duke of Gandia, 1510–72, painting, in the Salon de Coronas, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0929.jpg
  • St Francis Borgia, 4th Duke of Gandia, 1510–72, with the body of Isabella of Portugal in 1539, painting, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0944.jpg
  • St Francis Borgia in prayer, 4th Duke of Gandia, 1510–72, fresco, detail, from the ceiling of the Galeria Dorada, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0927.jpg
  • Camara de la Duquesa, or Duchess's Chamber,  with 15th century ceramic floor tiles, a fabric cushion with the Borgia coat of arms, and the chasuble of St Francis Borgia, said to have been born in this room, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0213.jpg
  • Patio de Armas, Gothic, the central courtyard at the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0203.jpg
  • Oratory, or private chapel of the dukes of Borgia, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The chapel has a polygonal ceiling and walls covered with Renaissance grisailles by Filippo de San Leocadio depicting the mysteries of the rosary, later retouched by Brother Coronas. The ceiling and floor marquetry were restored in the 19th century. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0204.jpg
  • Salon de las Aguilas or Eagles Hall, a baroque hall built by the Borgia family, with eagles in gold leaf around the frieze, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0205.jpg
  • Salon de las Aguilas or Eagles Hall, a baroque hall built by the Borgia family, with eagles in gold leaf around the frieze, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0212.jpg
  • Courtyard facade with painted decoration of bases of flowers and blue ceramic tiled roofs over the windows, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0214.jpg
  • Salon de Coronas, or Crown Hall, remodelled under St Francis Borgia in the 16th century, with 20th century serge cloth paintings by Brother Martin Coronas of the life of the saint, in the Palau Ducal in Gandia, on the Costa del Azahar, Valencia, Spain. The Ducal Palace of the Borgias of Gandia was originally built in the 14th and 15th centuries in Valencian Gothic style, and later added to in Renaissance, baroque and neo-Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0215.JPG
  • Martyrdom of St Peter of Verona in 1252, fresco, detail, from the ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0910.jpg
  • St Peter of Verona preaching and converting his listeners, fresco, detail, from the ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0911.jpg
  • St Peter of Verona as a child teaching the faith to his heretic uncle, fresco, detail, from the ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0916.jpg
  • Miracle of the 3 daughters, with St Nicholas of Bari saving them from prostitution, fresco, detail, from the ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0917.jpg
  • St Nicholas arguing with Arius at the Council of Nicaea, fresco, detail, from the ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0919.jpg
  • Glory of St Peter of Verona and St Nicholas of Bari, fresco, detail, from the ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0920.jpg
  • St Peter on his tomb, fresco, detail, from the ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0922.jpg
  • Putto and acanthus leaves, sculptural detail, from the ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0924.jpg
  • Statues of St Nicholas of Bari and St Peter of Verona, in a niche flanked by Solomonic columns, detail from the main altar in the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, in Valencia, Spain. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0942.jpg
  • Ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0040.jpg
  • Ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0041.jpg
  • Saints, angels and putti, fresco, detail, from the ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0912.jpg
  • St Peter of Verona receiving his Dominican habit from St Dominic de Guzman in the Convent of St Nicolas in Bologna in 1221, fresco, detail, from the ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0914.jpg
  • St Peter of Verona blessing a mute child, fresco, detail, from the ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0913.jpg
  • Frescoes and sculptures of putti and acanthus leaves, detail, from the ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0915.jpg
  • St Nicholas performing a miracle by resurrecting a young child, fresco, detail, from the ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0918.jpg
  • Statues of St Nicholas of Bari and St Peter of Verona, in a niche, detail from the main altar in the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, in Valencia, Spain. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0921.jpg
  • Figure in a cloak and putto, fresco, detail, from the ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0923.jpg
  • Monastery of Santa Maria de Valldigna, aerial view, in Simat de la Valldigna, Valencia, Spain. The Cistercian monastery was founded in 1297 by James II of Aragon. Most of the building is in 14th century Valencian Gothic style but the church and chapel were remodelled in the 17th and 18th century Baroque period. Picture by Manuel Cohen
    DRN_LC21_SPAIN_MC_0950.jpg
  • Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style, in Valencia, Spain. The baroque interior was designed 1690-93, decorated by Juan Perez Castiel, and the frescoes are by Antonio Palomino and completed by Dionis Vidal. Picture by Manuel Cohen
    LC21_SPAIN_MC_0039.jpg
  • Ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0043.jpg
  • Ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0042.jpg
  • Ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0044.jpg
  • Ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0045.jpg
  • Ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0046.jpg
  • Ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0047.jpg
  • Ceiling of the nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The frescoes depict the lives of St Nicholas and St Peter of Verona, with virtues and allegories. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0048.jpg
  • Nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0049.jpg
  • Nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0050.jpg
  • Nave of the Iglesia de San Nicolas de Bari y San Pedro Martir, or Church of San Nicolas, with rib vaulted baroque interior designed 1690-93 and decorated by Juan Perez Castiel, and frescoes by Antonio Palomino and completed by Dionis Vidal, in Valencia, Spain. The church was originally built c. 1242 but remodelled 1419-55 by the Borgia family in Valencian Gothic style. Picture by Manuel Cohen
    LC21_SPAIN_MC_0051.jpg
  • Black car crossing the Pont d'Austerlitz with, in the background, voie Mazas emerging from the river bank next to headquarters of banking entities of Quai de la Rapee, The Minister of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie), in the distance, 12th arrondissement, Paris, France. Picture by Manuel Cohen
    LC12_Paris_MC066.jpg
  • Heliport on the roof of the Ministry of the Economy, Finances and Industry (Ministere de l'Economie, des Finances et de l'Industrie), called the "Bercy" for short, built 1988 by Paul Chemetov and Borja Huidobro, at 139 rue de Bercy in the 12th arrondissement of Paris, France. Picture by Manuel Cohen
    LC14_Paris_MC003.jpg
  • Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Aerial view of the Jardin des Plantes showing the Glasshouses in the afternoon light, left to right: Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro; Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury; New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury; Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, René Berger,  and alongside it the Desert and Arid Land Glasshouse, 1930s; in the background is the Paris skyline.
    _MG_7523.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of Sobralia macrantha (orchid) flower in the afternoon light.
    _MG_7990.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of cereus peruvianus monstruosus (Peruvian Apple Cactus) in the afternoon light.
    Mnhn_GSBK_MCohen_666.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of cereus peruvianus monstruosus (Peruvian Apple Cactus) in the afternoon light.
    _MG_7911.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of plants growing  in pots against a wall.
    Mnhn_GSBK_MCohen_645.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. General view of Epiphytes seedlings in pots against a wall and in a hanging metal rack.
    _MG_5275.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Oblique view from the side of seedlings in pots against a wall.
    _MG_5272.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. General view of the curving glass structure surrounded by the tarpaulins and rubble of the Glasshouse renovation work.
    _MG_2328.jpg
  • Glasshouses, 19th and 20th centuries, Museum National d'Histoire Naturelle, Jardin des Plantes, Paris, France. Low angle view showing, left to right, incubators, restored 1995-97, by Paul Chemetov and Borja Huidobro, Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, New Caledonia Glasshouse (formerly The Mexican Hothouse), 1830s, Charles Rohault de Fleury, Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, René Berger. A workman is restoring a door in the passageway between the incubator and the Plant History Glasshouse.
    _MG_2083.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France.  Atmospheric low angle view  of hanging plants and porthole window, showing the protective sun awnings beneath the glass roofs.
    _MG_1726.jpg
  • Incubators, restored 1995-97, by Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view from the Incubators showing the Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury, through the glass and metal roof.
    _MG_1716.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Low angle view of the leaves of a Yucca plant against the awnings which protect the plants from the sun.
    _MG_1648.jpg
  • Incubator, restored 1995-97  by Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France, next to the Plant History Glasshouse (formerly the Australian Glasshouse), 1830s, Charles Rohault de Fleury. View from the side showing the curved glass and metal structure.
    _MG_8992.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. View from above of a cactus in the afternoon light.
    Mnhn_GSBK_MCohen_667.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of Epidendrum imatophyllum (orchid) flower in the afternoon light.
    _MG_7978.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of laelia pumila (Brazilian Orchid) flower in the afternoon light.
    _MG_7966.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of laelia pumila (Brazilian Orchid) flower in the afternoon light.
    _MG_7962.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of a Setcreasea purpurea.
    _MG_7942.jpg
  • Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro, Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Detail of cereus peruvianus monstruosus (Peruvian Apple Cactus) in the afternoon light.
    _MG_7912.jpg
  • Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Aerial view of the Jardin des Plantes showing the Glasshouses in the afternoon light, left to right: Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro; Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury; New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury; Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, René Berger,  and alongside it the Desert and Arid Land Glasshouse, 1930s.
    Panorama sans titre121_04.jpg
  • Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Aerial view of the Jardin des Plantes showing the Glasshouses in the afternoon light, left to right: Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro; Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury; New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury; Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, René Berger,  and alongside it the Desert and Arid Land Glasshouse, 1930s; in the background is the Paris skyline.
    Panorama Galerie Evolution.jpg
  • Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, France. Aerial view of the Jardin des Plantes showing the Glasshouses in the afternoon light, left to right: Incubators, restored 1995-97, Paul Chemetov and Borja Huidobro; Plant History Glasshouse (formerly Australian Glasshouse), 1830s, Rohault de Fleury; New Caledonia Glasshouse (formerly Mexican Hothouse), 1834, Charles Rohault de Fleury; Tropical Rainforest Glasshouse (formerly Le Jardin d'Hiver or Winter Gardens), 1936, René Berger,  and alongside it the Desert and Arid Land Glasshouse, 1930s. The main Avenue of the garden stretches out into the distance, with the Paris skyline in the background.
    Panofinal.jpg
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