manuel cohen

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  • Capileira, with Iglesia Parroquial de Nuestra Senora de la Cabeza (Santa Maria la Mayor church), 18th century, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC314.jpg
  • Ferreirola village with church tower, Taha Valley, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC316.jpg
  • Rooftop view, Pampaneira, in the gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC308.jpg
  • Capileira and surrounding mountains, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC302.jpg
  • Mudejar style Church of La Virgen del Rosari, 16th century, Bubion, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC292.jpg
  • Capileira, (left) and Bubion (right), gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain, with snow-capped mountains in the distance. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC295.jpg
  • Bubion, seen from the hillside, with mudejar style Church of La Virgen del Rosari, 16th century, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC288.jpg
  • Bubion, with mudejar style Church of La Virgen del Rosari, 16th century, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC291.jpg
  • General view of the mountains with the Mediterranean Sea in the distance, Alpujarra, Sierra Nevada, Andalucia, Southern Spain. Photograph by Manuel Cohen.
    LCSPAIN12_MC313.jpg
  • Rooftops with San Felipe and Santiago Church, 15th century, rebuilt 16th century, Busquistar, Taha Valley, Alpujarra, Andalucia, Southern Spain, against a mountainous background. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC317.jpg
  • Busquistar, Taha Valley, Alpujarra, Andalucia, Southern Spain, against a mountainous background. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC318.jpg
  • Mecina, Taha Valley, Alpujarra, Andalucia, Southern Spain, against a mountainous background. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC315.jpg
  • White houses with pots of geraniums, Mecinilla, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC307.jpg
  • Rooftops and Iglesia Parroquial de la Santa Cruz (Parish Church of the Holy Cross), 16th century, Pampaneira, in the gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC309.jpg
  • Pampaneira, in the steep gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC310.jpg
  • Juviles, with floodlit Church, 16th century, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC311.jpg
  • Juviles, with floodlit Church, 16th century, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC312.jpg
  • Pampaneira, in the steep gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC301.jpg
  • People sitting in the square, Capileira, in the gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC300.jpg
  • Landscape near Capileira, with snow-capped mountains in the background, Alpujarra, Sierra Nevada, Andalucia, Southern Spain. Photograph by Manuel Cohen.
    LCSPAIN12_MC304.jpg
  • Streets and houses, Capileira, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC303.jpg
  • Old farmer beside "acequias" (Moorish drainage channel), Bubion, Alpujarra, Andalucia, Southern Spain. Photograph by Manuel Cohen.
    LCSPAIN12_MC305.jpg
  • Landscape with trees, between Ferreirola and Busquistar, Alpujarra, Sierra Nevada, Andalucia, Southern Spain. Photograph by Manuel Cohen.
    LCSPAIN12_MC306.jpg
  • Capileira (above) and Bubion, with floodlit mudejar style Church of La Virgen del Rosari, 16th century (below), gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.)
    LCSPAIN12_MC294.jpg
  • Bubion, with floodlit mudejar style Church of La Virgen del Rosari, 16th century, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC293.jpg
  • Capileira, with mountainous background, Poqueira gorge, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC297.jpg
  • Capileira, (left) and Bubion (right), gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain, with snow-capped mountains in the distance. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC296.jpg
  • Streets and houses with mountainous background, Capileira, Poqueira gorge, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC298.JPG
  • Street scene with with mountainous background, Capileira, Poqueira gorge, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC299.jpg
  • Bubion, with mudejar style Church of La Virgen del Rosari, 16th century, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC290.jpg
  • Bubion, rooftop view with mudejar style Church of La Virgen del Rosari, 16th century, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC289.jpg
  • Bubion in its dramatic mountain setting, with mudejar style Church of La Virgen del Rosari, 16th century, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC282.jpg
  • Bubion, rooftop view with mudejar style Church of La Virgen del Rosari, 16th century, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC283.jpg
  • Bubion, rooftop view with mudejar style Church of La Virgen del Rosari, 16th century, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC284.jpg
  • Old farmer walking along the famous "acequias" (Moorish drainage channels), Bubion, Alpujarra, Andalucia, Southern Spain. Photograph by Manuel Cohen.
    LCSPAIN12_MC285.jpg
  • Bubion, rooftop view with mudejar style Church of La Virgen del Rosari, 16th century, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC287.jpg
  • Old farmer in Bubion, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Photograph by Manuel Cohen.
    LCSPAIN12_MC286.jpg
  • Man with plant, Bubion, Alpujarra, Andalucia, Southern Spain. Photograph by Manuel Cohen.
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  • Typical sign, Bubion, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Photograph by Manuel Cohen.
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  • Houses along a steep street with mountains in distance, Bubion, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC278.jpg
  • Houses with terraces, Bubion, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC279.jpg
  • Houses and belltower of mudejar style Church of La Virgen del Rosari, 16th century, Bubion, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Moorish influence is seen in the distinctive cubic architecture of the Sierra Nevada's Alpujarra region, reminiscent of Berber architecture in Morocco's Atlas Mountains. Photograph by Manuel Cohen.
    LCSPAIN12_MC281.jpg
  • Old farmer walking along a shady path, Bubion, gorge of the Poqueira river, Alpujarra, Andalucia, Southern Spain. Photograph by Manuel Cohen.
    LCSPAIN12_MC280.JPG
  • Low angle view of Giralda Minaret seen from the Patio de Banderas (Courtyard of the Flags), Seville Cathedral, Andalucia, Spain, pictured on December 26, 2006 in the winter morning light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. The Giralda is constructed of cut bricks, originally 82 metres high, now 103 metres high with the 16th century belfry added to the original tower. Picture by Manuel Cohen
    DSEVILLE070262.jpg
  • General view of the Puerta de San Cristobal and Moorish entrance court, Seville Cathedral, Andalucia, Spain, pictured on December 26, 2006 in the winter morning light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). Picture by Manuel Cohen
    DSEVILLE070219.jpg
  • Low angle view of Giralda Minaret, Seville Cathedral, Andalucia, Spain, pictured on December 26, 2006 in the winter morning light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Giralda is constructed of cut bricks, originally 82 metres high, now 103 metres high with the 16th century belfry added to the original tower. Picture by Manuel Cohen
    DSEVILLE070218.jpg
  • Low angle view of Giralda Minaret, Seville Cathedral, Andalucia, Spain, pictured on December 26, 2006 in the winter morning light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Giralda is constructed of cut bricks, originally 82 metres high, now 103 metres high with the 16th century belfry added to the original tower. Picture by Manuel Cohen
    DSEVILLE070215.jpg
  • An oblique low angle view of the Puerta de San Cristobal or del Principe, Seville Cathedral, Andalucia, Spain, pictured on January 3 2007, in the winter afternoon light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). Picture by Manuel Cohen
    DSEVILLE070229.jpg
  • An oblique low angle view of the Puerta de San Cristobal or del Principe, Seville Cathedral, Andalucia, Spain, pictured on January 3 2007, in the winter afternoon light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). Picture by Manuel Cohen
    DSEVILLE070228.jpg
  • Low angle view showing the Puerta de San Cristobal or del Principe and pinnacled walls, Seville Cathedral, Andalucia, Spain, pictured on December 27, 2006 in the midday winter light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). Picture by Manuel Cohen
    DSEVILLE070227.jpg
  • General view showing the Sacristia Mayor dome and the upper part of the Puerta de San Cristobal or del Principe, Seville Cathedral, Andalucia, Spain, pictured on December 27, 2006 in the wintry midday sun. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Sacristia Mayor dome was rebuilt after an earthequake in 1888. Picture by Manuel Cohen
    DSEVILLE070226.jpg
  • High angle view of buttresses, Seville Cathedral, Andalucia, Spain, pictured on December 27, 2006, in the winter morning light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). Picture by Manuel Cohen
    DSEVILLE070225.jpg
  • General view of Giralda Minaret and ornate pinnacle topped walls, Seville Cathedral, Andalucia, Spain, pictured on December 27, 2006 in the winter morning light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Giralda is constructed of cut bricks, originally 82 metres high, now 103 metres high with the 16th century belfry added to the original tower. Picture by Manuel Cohen
    DSEVILLE070224.jpg
  • Oblique low angle view of Giralda Minaret, Seville Cathedral, Andalucia, Spain, pictured on December  27, 2006 in the winter morning light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Giralda is constructed of cut bricks, originally 82 metres high, now 103 metres high with the 16th century belfry added to the original tower. Picture by Manuel Cohen
    DSEVILLE070223.jpg
  • Low angle view of Giralda Minaret, Seville Cathedral, Andalucia, Spain, pictured on December  27, 2006 in the winter morning light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Giralda is constructed of cut bricks, originally 82 metres high, now 103 metres high with the 16th century belfry added to the original tower. Picture by Manuel Cohen
    DSEVILLE070222.jpg
  • Oblique view of Seville Cathedral and a crenelated wall of the Real Alcazar on the right, Andalucia, Spain, pictured on December 26, 2006 in the winter afternoon light, showing the Sacristia Mayor dome, and Giralda Minaret. Seville Cathdral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Sacristia Mayor dome was rebuilt after an earthequake in 1888. Picture by Manuel Cohen
    DSEVILLE070221.jpg
  • Low angle view showing the Sacristia Mayor dome, Seville Cathedral, Andalucia, Spain, pictured on December 26, 2006 in the winter morning light. Seville Cathdral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Sacristia Mayor dome was rebuilt after an earthequake in 1888. Picture by Manuel Cohen
    DSEVILLE070220.jpg
  • General view of Giralda Minaret, Seville Cathedral, Andalucia, Spain, pictured on December 25, 2006 in the winter afternoon light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Giralda is constructed of cut bricks, originally 82 metres high, now 103 metres high with the 16th century belfry added to the original tower. Picture by Manuel Cohen
    DSEVILLE070217.jpg
  • Low angle view of Giralda Minaret, Seville Cathedral, Andalucia, Spain, pictured on December 24, 2006 reflected in a pond in the winter afternoon light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Giralda is constructed of cut bricks, originally 82 metres high, now 103 metres high with the 16th century belfry added to the original tower. Picture by Manuel Cohen
    DSEVILLE070216.jpg
  • Iglesia de San Pablo, or Church of St Paul, begun in Visigothic times and completed in the 18th century, on the Plaza Primero de Mayo, in Ubeda, Jaen, Andalusia, Spain. The church is listed as a historic monument and the Renaissance buildings of Ubeda and Baeza are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC20_SPAIN_MC_018.jpg
  • Choir of the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The choir was built 1730-36 by Jose Gallego and Oviedo del Portal, with walnut stalls, and is one of the largest in Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_020.jpg
  • Choir of the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The choir was built 1730-36 by Jose Gallego and Oviedo del Portal, with walnut stalls, and is one of the largest in Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_019.jpg
  • Cupola above the choir, with reliefs of angel musicians, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The choir was built 1730-36 by Jose Gallego and Oviedo del Portal, with walnut stalls, and is one of the largest in Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_021.jpg
  • Neoclassical altarpiece by Sebastian and Francisco Solis, in the Capilla del Rostro Santo, built by Juan de Aranda in the 17th century, the main chapel in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The relic of the Santo Rostro or Holy Face (La Veronica) is enclosed in a reliquary made by Jose Francisco de Valderrama in 1731. In front is the Altar mayor or main altar, made in 1657 by Pedro Portillo from red marble, with tabernacle by Juan Pedro Arnal with a jasper crystal cross framed in bronze and 6 white marble angels. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_022.jpg
  • Central cupola by Juan de Aranda Salazar, and lateral vaults, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. In the 4 corners of the cupola are reliefs of St Michael, St James, St Euphrasius and Santa Catalina, patron saint of Jaen. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_023.jpg
  • Statue of an angel on a cloud holding a silver lamp, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_024.jpg
  • Neoclassical altarpiece by Sebastian and Francisco Solis, in the Capilla del Rostro Santo, built by Juan de Aranda in the 17th century, the main chapel in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The relic of the Santo Rostro or Holy Face (La Veronica) is enclosed in a reliquary made by Jose Francisco de Valderrama in 1731. On the right is the Altar mayor or main altar, made in 1657 by Pedro Portillo from red marble, with tabernacle by Juan Pedro Arnal with a jasper crystal cross framed in bronze and 6 white marble angels. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_025.jpg
  • Statue of an angel on a cloud holding a silver lamp and behind, Neoclassical altarpiece by Sebastian and Francisco Solis, in the Capilla del Rostro Santo, built by Juan de Aranda in the 17th century, the main chapel in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_027.jpg
  • Circumcision of Christ, stone relief panel, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_028.jpg
  • Circumcision of Christ, stone relief panel, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_029.jpg
  • Passion scene, painting by Sebastian Martinez, in the Neoclassical altarpiece by Sebastian and Francisco Solis, in the Capilla del Rostro Santo, built by Juan de Aranda in the 17th century, the main chapel in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_034.JPG
  • Apotheosis of St Euphrasius, with the saint surrounded by angels, by Juan Adan and Miguel Verdiguier, from the altarpiece in the transition from Baroque to Neoclassical style, 1790, by Gregorio Manuel Lopez, in the Chapel of St Euphrasius, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_035.jpg
  • Saint, beneath the central cupola by Juan de Aranda Salazar, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. In the 4 corners of the cupola are reliefs of St Michael, St James, St Euphrasius and Santa Catalina, patron saint of Jaen. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_037.jpg
  • St Benito, central polychrome relief, detail, in the 18th century altarpiece by Pedro Duque Cornejo, in the Capilla de San Benito, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. Bishop Benito Marin, 1750-69, is buried in this chapel. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_038.jpg
  • Central polychrome relief of St Benito with angels, in the 18th century altarpiece by Pedro Duque Cornejo, in the Capilla de San Benito, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. Bishop Benito Marin, 1750-69, is buried in this chapel. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_039.jpg
  • Birth of St Benito, oval medallion with polychrome relief, in the 18th century altarpiece by Pedro Duque Cornejo, in the Capilla de San Benito, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. Bishop Benito Marin, 1750-69, is buried in this chapel. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_040.jpg
  • Angel head and scroll, detail from the 18th century altarpiece by Pedro Duque Cornejo, in the Capilla de San Benito, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. Bishop Benito Marin, 1750-69, is buried in this chapel. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_041.jpg
  • Central section, with St Gertrude of Helfta and St Benito above, from the 18th century altarpiece by Pedro Duque Cornejo, in the Capilla de San Benito, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. Bishop Benito Marin, 1750-69, is buried in this chapel. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_043.jpg
  • Transfixion of the Virgin of Sorrows, detail, painting by Francisco Pancorbo, from the Baroque 18th century altarpiece in the Capilla de la Virgen de los Dolores y Santo Sepulcro, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The painting depicts Mary with Christ and the cross, with her chest pierced by a sword, surrounded by disciples and angels, with God and the Holy Spirit above. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_045.jpg
  • Santa Catalina, patron saint of Jaen, by Lucas Gonzalez, on the Puerta del Clero on the main facade of the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_047.jpg
  • St Michael beating the demon, stone relief by Julian Roldan, on the Puerta de los Fieles on the main facade of the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_048.jpg
  • San Fernando, or Ferdinand III of Castile, 1199-1252, dressed as a king with orb and sword, attributed to Juan de Valdes Leal, commissioned in 1671, in a Neoclassical altarpiece by D Manuel Lopez, in the Capilla de San Fernando in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The cathedral was consecrated in 1246 on the site of a mosque after the reconquering the city of Jaen by Ferdinand. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_051.jpg
  • Central cupola by Juan de Aranda Salazar, and lateral vaults, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. In the 4 corners of the cupola are reliefs of St Michael, St James, St Euphrasius and Santa Catalina, patron saint of Jaen. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_052.jpg
  • Cupola above the choir, with reliefs of angel musicians, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The choir was built 1730-36 by Jose Gallego and Oviedo del Portal, with walnut stalls, and is one of the largest in Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_054.jpg
  • Harrowing of Hell, Christ saving sinners from the Leviathan, carving in a walnut choir stall, 16th century, by Lopez de Velasco, Jeronimo Quijano and Gutierre Gierero, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The choir was built 1730-36 by Jose Gallego and Oviedo del Portal, with walnut stalls, and is one of the largest in Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_055.jpg
  • Crucifixion of St Peter, carving in a walnut choir stall, 16th century, by Lopez de Velasco, Jeronimo Quijano and Gutierre Gierero, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The choir was built 1730-36 by Jose Gallego and Oviedo del Portal, with walnut stalls, and is one of the largest in Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_056.jpg
  • Knight on horseback trampling soldiers in battle, carving in a walnut choir stall, 16th century, by Lopez de Velasco, Jeronimo Quijano and Gutierre Gierero, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The choir was built 1730-36 by Jose Gallego and Oviedo del Portal, with walnut stalls, and is one of the largest in Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_058.jpg
  • Fathers of the Church in conversation, painting from the 16th century altarpiece by Pedro Machuca, in the Sala Capitular or Chapter Room, also known as the Capilla de San Pedro de Osma, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_060.jpg
  • Virgin of Piety or Virgin of the Mantle with Child, with below, Bishop Pedro Cardenal Pacheco Ladron de Guevara and other members of the council, and evangelists John and Luke, from the 16th century altarpiece by Pedro Machuca, in the Sala Capitular or Chapter Room, also known as the Capilla de San Pedro de Osma, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_062.JPG
  • Central cupola by Juan de Aranda Salazar, and lateral vaults, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. In the 4 corners of the cupola are reliefs of St Michael, St James, St Euphrasius and Santa Catalina, patron saint of Jaen. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_064.jpg
  • Annunciation, attributed to Juan Ramirez, 16th century, Spanish Flemish style, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_063.jpg
  • Transfixion of the Virgin of Sorrows, painting by Francisco Pancorbo, from the Baroque 18th century altarpiece in the Capilla de la Virgen de los Dolores y Santo Sepulcro, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The painting depicts Mary with Christ and the cross, with her chest pierced by a sword, surrounded by disciples and angels, with God and the Holy Spirit above. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_065.jpg
  • Neoclassical altarpiece by Sebastian and Francisco Solis, in the Capilla del Rostro Santo, built by Juan de Aranda in the 17th century, the main chapel in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The relic of the Santo Rostro or Holy Face (La Veronica) is enclosed in a reliquary made by Jose Francisco de Valderrama in 1731. In front is the Altar mayor or main altar, made in 1657 by Pedro Portillo from red marble, with tabernacle by Juan Pedro Arnal with a jasper crystal cross framed in bronze and 6 white marble angels. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_068.jpg
  • Cherubs holding the Rostro Santo, or La Veronica veil, painting by Sebastian Martinez, in the Neoclassical altarpiece by Sebastian and Francisco Solis, in the Capilla del Rostro Santo, built by Juan de Aranda in the 17th century, the main chapel in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_069.jpg
  • Scourging at the pillar, painting by Sebastian Martinez, in the Neoclassical altarpiece by Sebastian and Francisco Solis, in the Capilla del Rostro Santo, built by Juan de Aranda in the 17th century, the main chapel in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_070.jpg
  • Statue from the Capilla de la Virgen de los Dolores y Santo Sepulcro, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_071.jpg
  • San Pedro de Osma, from the 16th century altarpiece by Pedro Machuca, in the Sala Capitular or Chapter Room, also known as the Capilla de San Pedro de Osma, in the Catedral de la Asuncion de Jaen, or Santa Iglesia Catedral de la Asuncion de la Virgen, in Jaen, Andalusia, Spain. The current cathedral was built in the 16th century on the site of an older building, and is known for its Renaissance chapter house and sacristy by Andres de Vandelvira and its Baroque facade by Eufrasio Lopez de Rojas. Picture by Manuel Cohen
    LC20_SPAIN_MC_072.jpg
  • Catedral de Santa Cruz de Cadiz (Cadiz Cathedral), designed by Vicente Acero in Baroque and Neoclassical style and built 1722-1838, on the Campo del Sur, Cadiz, Andalusia, Southern Spain. Cadiz is one of the oldest cities in Europe, founded by the Phoenicians in 1100 BC, and later became a Carthaginian then a Roman city, and Spain's constitution was signed here in 1812. It is situated on a peninsula on the Costa de la Luz. Picture by Manuel Cohen
    LC17_SPAIN_MC351.jpg
  • Chapel of Our Lady of El Carmen, with painted ceiling, altarpiece dedicated to the Virgin and sculptures of angels on the columns, 18th century, Hospital de Mujeres (Women hospital), a hospital for destitute women and now the seat of the Bishopric of Cadiz, in Cadiz, Andalusia, Southern Spain. Cadiz is one of the oldest cities in Europe, founded by the Phoenicians in 1100 BC, and later became a Carthaginian then a Roman city, and Spain's constitution was signed here in 1812. It is situated on a peninsula on the Costa de la Luz. Picture by Manuel Cohen
    LC17_SPAIN_MC352.jpg
  • View of the coastal buildings of Cadiz on the Campo del Sur, with the Catedral de Santa Cruz de Cadiz (Cadiz Cathedral), designed by Vicente Acero in Baroque and Neoclassical style and built 1722-1838, Andalusia, Southern Spain. On the right is the Iglesia de Santa Cruz de Cadiz (Old Cathedral of Cadiz), originally built 1262-63 and rebuilt in the 18th century. Cadiz is one of the oldest cities in Europe, founded by the Phoenicians in 1100 BC, and later became a Carthaginian then a Roman city, and Spain's constitution was signed here in 1812. It is situated on a peninsula on the Costa de la Luz. Picture by Manuel Cohen
    LC17_SPAIN_MC350.jpg
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