manuel cohen

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  • Portrait of Simone Prouve, b. 1931, French weaver and abstract artist, in front of one of her panels, photographed 25th May 2017, in the Mercier & Associes Gallery in Paris, France. The gallery hosted an exhibition of her work from 11th May - 9th September 2017. Simone Prouve creates large panels of woven wire, often in stainless steel or fibreglass, completely fire retardant, to be used in architectural projects. Picture by Manuel Cohen
    250517_SimoneProuve_MC_009.jpg
  • Monumental marble tomb, 69 AD, with a long epigraph inscribed on the side, at the Porta Stabia or Stabian Gate, discovered 2017, in the Parco Archeologico di Pompei, or Archaeological Park of Pompeii, Campania, Italy. The tomb is that of a magistrate who is thought to have died during a fight at a gladiator contest. The detailed 4m long epigraph describes his life, achievements and death. The site was excavated as part of the Great Pompeii Project in the San Paolino area near Porta Stabia, one of the access points to the ancient city. A new phase of official excavations has been taking place here since 2017 in an attempt to stop looters from digging tunnels and removing artefacts for sale. Pompeii was a Roman city which was buried in ash after the eruption of Vesuvius in 79 AD. The site is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC18_ITALY_MC_123.jpg
  • Epigraph on the monumental marble tomb, 69 AD, at the Porta Stabia or Stabian Gate, discovered 2017, in the Parco Archeologico di Pompei, or Archaeological Park of Pompeii, Campania, Italy. The tomb is that of a magistrate who is thought to have died during a fight at a gladiator contest. The detailed 4m long epigraph describes his life, achievements and death. The site was excavated as part of the Great Pompeii Project in the San Paolino area near Porta Stabia, one of the access points to the ancient city. A new phase of official excavations has been taking place here since 2017 in an attempt to stop looters from digging tunnels and removing artefacts for sale. Pompeii was a Roman city which was buried in ash after the eruption of Vesuvius in 79 AD. The site is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC18_ITALY_MC_122.jpg
  • Epigraph on the monumental marble tomb, 69 AD, at the Porta Stabia or Stabian Gate, discovered 2017, in the Parco Archeologico di Pompei, or Archaeological Park of Pompeii, Campania, Italy. The tomb is that of a magistrate who is thought to have died during a fight at a gladiator contest. The detailed 4m long epigraph describes his life, achievements and death. The site was excavated as part of the Great Pompeii Project in the San Paolino area near Porta Stabia, one of the access points to the ancient city. A new phase of official excavations has been taking place here since 2017 in an attempt to stop looters from digging tunnels and removing artefacts for sale. Pompeii was a Roman city which was buried in ash after the eruption of Vesuvius in 79 AD. The site is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC18_ITALY_MC_121.jpg
  • Monumental marble tomb, 69 AD, with a long epigraph inscribed on the side, at the Porta Stabia or Stabian Gate, discovered 2017, in the Parco Archeologico di Pompei, or Archaeological Park of Pompeii, Campania, Italy. The tomb is that of a magistrate who is thought to have died during a fight at a gladiator contest. The detailed 4m long epigraph describes his life, achievements and death. The site was excavated as part of the Great Pompeii Project in the San Paolino area near Porta Stabia, one of the access points to the ancient city. A new phase of official excavations has been taking place here since 2017 in an attempt to stop looters from digging tunnels and removing artefacts for sale. Pompeii was a Roman city which was buried in ash after the eruption of Vesuvius in 79 AD. The site is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC18_ITALY_MC_120.jpg
  • Portrait of Simone Prouve, b. 1931, French weaver and abstract artist, in front of one of her panels, photographed 25th May 2017, in the Mercier & Associes Gallery in Paris, France. The gallery hosted an exhibition of her work from 11th May - 9th September 2017. Simone Prouve creates large panels of woven wire, often in stainless steel or fibreglass, completely fire retardant, to be used in architectural projects. Picture by Manuel Cohen
    250517_SimoneProuve_MC_001.jpg
  • Portrait of Simone Prouve, b. 1931, French weaver and abstract artist, photographed 25th May 2017, in the Mercier & Associes Gallery in Paris, France. The gallery hosted an exhibition of her work from 11th May - 9th September 2017. Simone Prouve creates large panels of woven wire, often in stainless steel or fibreglass, completely fire retardant, to be used in architectural projects. Picture by Manuel Cohen
    250517_SimoneProuve_MC_002.jpg
  • Portrait of Simone Prouve, b. 1931, French weaver and abstract artist, in front of one of her panels, photographed 25th May 2017, in the Mercier & Associes Gallery in Paris, France. The gallery hosted an exhibition of her work from 11th May - 9th September 2017. Simone Prouve creates large panels of woven wire, often in stainless steel or fibreglass, completely fire retardant, to be used in architectural projects. Picture by Manuel Cohen
    250517_SimoneProuve_MC_004.jpg
  • Portrait of Simone Prouve, b. 1931, French weaver and abstract artist, in front of one of her panels, photographed 25th May 2017, in the Mercier & Associes Gallery in Paris, France. The gallery hosted an exhibition of her work from 11th May - 9th September 2017. Simone Prouve creates large panels of woven wire, often in stainless steel or fibreglass, completely fire retardant, to be used in architectural projects. Picture by Manuel Cohen
    250517_SimoneProuve_MC_003.jpg
  • Portrait of Simone Prouve, b. 1931, French weaver and abstract artist, with some of her panels, photographed 25th May 2017, in the Mercier & Associes Gallery in Paris, France. The gallery hosted an exhibition of her work from 11th May - 9th September 2017. Simone Prouve creates large panels of woven wire, often in stainless steel or fibreglass, completely fire retardant, to be used in architectural projects. Picture by Manuel Cohen
    250517_SimoneProuve_MC_007.jpg
  • Portrait of Simone Prouve, b. 1931, French weaver and abstract artist, in front of one of her panels, photographed 25th May 2017, in the Mercier & Associes Gallery in Paris, France. The gallery hosted an exhibition of her work from 11th May - 9th September 2017. Simone Prouve creates large panels of woven wire, often in stainless steel or fibreglass, completely fire retardant, to be used in architectural projects. Picture by Manuel Cohen
    250517_SimoneProuve_MC_006.jpg
  • Portrait of Simone Prouve, b. 1931, French weaver and abstract artist, in front of one of her panels, photographed 25th May 2017, in the Mercier & Associes Gallery in Paris, France. The gallery hosted an exhibition of her work from 11th May - 9th September 2017. Simone Prouve creates large panels of woven wire, often in stainless steel or fibreglass, completely fire retardant, to be used in architectural projects. Picture by Manuel Cohen
    250517_SimoneProuve_MC_005.jpg
  • Portrait of Simone Prouve, b. 1931, French weaver and abstract artist, in front of one of her panels, photographed 25th May 2017, in the Mercier & Associes Gallery in Paris, France. The gallery hosted an exhibition of her work from 11th May - 9th September 2017. Simone Prouve creates large panels of woven wire, often in stainless steel or fibreglass, completely fire retardant, to be used in architectural projects. Picture by Manuel Cohen
    250517_SimoneProuve_MC_008.jpg
  • Portrait of Simone Prouve, b. 1931, French weaver and abstract artist, seen through one of her translucent panels, photographed 25th May 2017, in the Mercier & Associes Gallery in Paris, France. The gallery hosted an exhibition of her work from 11th May - 9th September 2017. Simone Prouve creates large panels of woven wire, often in stainless steel or fibreglass, completely fire retardant, to be used in architectural projects. Picture by Manuel Cohen
    250517_SimoneProuve_MC_010.jpg
  • Portrait of Simone Prouve, b. 1931, French weaver and abstract artist, in front of one of her panels, photographed 25th May 2017, in the Mercier & Associes Gallery in Paris, France. The gallery hosted an exhibition of her work from 11th May - 9th September 2017. Simone Prouve creates large panels of woven wire, often in stainless steel or fibreglass, completely fire retardant, to be used in architectural projects. Picture by Manuel Cohen
    250517_SimoneProuve_MC_011.jpg
  • The Black Horse, black marble sculpture, 2005, by Mark Wallinger, b. 1959, exhibited as part of Sculpture in the City 2017, an annual public art programme, July 2017, City of London, London, England. The horse sculpture was made by scanning a live racehorse. Picture by Manuel Cohen
    LC17_ENGLAND_MC_177.jpg
  • La Defense, 1879, sculpture by Auguste Rodin, 1840-1917, remade in bronze in 2017 by the Fonderie de Coubertin in Saint-Remy-les-Chevreuse, on the staircase of La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. The statue depicts a winged woman with arms raised and fists clenched, leaning on a dying warrior, representing courage and resilience. The complex includes La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0833.jpg
  • La Defense, 1879, sculpture by Auguste Rodin, 1840-1917, remade in bronze in 2017 by the Fonderie de Coubertin in Saint-Remy-les-Chevreuse, on the staircase of La Seine Musicale, a music and performing arts centre, opened April 2017, on the Ile Seguin in the river Seine, between Boulogne-Billancourt and Sevres, in the Western suburbs of Paris, France. The statue depicts a winged woman with arms raised and fists clenched, leaning on a dying warrior, representing courage and resilience. Jean Nouvel was the lead architect from 2009 and the main buildings were designed by Shigeru Ban and Jean de Gastines. The complex includes La Grande Seine, a large concert hall seating 6000 with a rotating solar panel fin, an auditorium for unamplified classical music, event or exhibition spaces and the Bellini Gardens. Picture by Manuel Cohen
    LC19_PARIS_MC_0832.jpg
  • Peas & Love urban farm on the roof of Hotel Yooma at Beaugrenelle in the 15th arrondissement of Paris, France. The rooftop garden was planted in spring 2017 and then extended in winter 2017-18, and now contains 250 cultivation plots. The planters use techniques inspired by permaculture with both horizontal and vertical beds, producing organic seasonal fruits and vegetables. Customers rent plots which are tended by community gardeners, and have access to the food grown throughout the year. Picture by Manuel Cohen
    LC19_PARIS_MC_0770.jpg
  • Peas & Love urban farm on the roof of Hotel Yooma at Beaugrenelle in the 15th arrondissement of Paris, France. The rooftop garden was planted in spring 2017 and then extended in winter 2017-18, and now contains 250 cultivation plots. The planters use techniques inspired by permaculture with both horizontal and vertical beds, producing organic seasonal fruits and vegetables. Customers rent plots which are tended by community gardeners, and have access to the food grown throughout the year. Picture by Manuel Cohen
    LC19_PARIS_MC_0769.jpg
  • Peas & Love urban farm on the roof of Hotel Yooma at Beaugrenelle in the 15th arrondissement of Paris, France. The rooftop garden was planted in spring 2017 and then extended in winter 2017-18, and now contains 250 cultivation plots. The planters use techniques inspired by permaculture with both horizontal and vertical beds, producing organic seasonal fruits and vegetables. Customers rent plots which are tended by community gardeners, and have access to the food grown throughout the year. Picture by Manuel Cohen
    LC19_PARIS_MC_0768.jpg
  • Peas & Love urban farm on the roof of Hotel Yooma at Beaugrenelle in the 15th arrondissement of Paris, France. The rooftop garden was planted in spring 2017 and then extended in winter 2017-18, and now contains 250 cultivation plots. The planters use techniques inspired by permaculture with both horizontal and vertical beds, producing organic seasonal fruits and vegetables. Customers rent plots which are tended by community gardeners, and have access to the food grown throughout the year. Picture by Manuel Cohen
    LC19_PARIS_MC_0767.jpg
  • Peas & Love urban farm on the roof of Hotel Yooma at Beaugrenelle in the 15th arrondissement of Paris, France. The rooftop garden was planted in spring 2017 and then extended in winter 2017-18, and now contains 250 cultivation plots. The planters use techniques inspired by permaculture with both horizontal and vertical beds, producing organic seasonal fruits and vegetables. Customers rent plots which are tended by community gardeners, and have access to the food grown throughout the year. Picture by Manuel Cohen
    LC19_PARIS_MC_0772.jpg
  • Peas & Love urban farm on the roof of Hotel Yooma at Beaugrenelle in the 15th arrondissement of Paris, France. The rooftop garden was planted in spring 2017 and then extended in winter 2017-18, and now contains 250 cultivation plots. The planters use techniques inspired by permaculture with both horizontal and vertical beds, producing organic seasonal fruits and vegetables. Customers rent plots which are tended by community gardeners, and have access to the food grown throughout the year. Picture by Manuel Cohen
    LC19_PARIS_MC_0773.jpg
  • Peas & Love urban farm on the roof of Hotel Yooma at Beaugrenelle in the 15th arrondissement of Paris, France. The rooftop garden was planted in spring 2017 and then extended in winter 2017-18, and now contains 250 cultivation plots. The planters use techniques inspired by permaculture with both horizontal and vertical beds, producing organic seasonal fruits and vegetables. Customers rent plots which are tended by community gardeners, and have access to the food grown throughout the year. Picture by Manuel Cohen
    LC19_PARIS_MC_0774.jpg
  • Yu Chen, Professor at the Chinese Academy of Fine Arts in Hangzhou, Zhejiang, China, founded in 1928, and documentary film director, on December 12th, 2017, in Paris, France. Picture by Manuel Cohen
    121217_YuChen_MC_004.jpg
  • Olivier Taieb, film director, cinematographer and writer, in Paris, France, 2017. Picture by Manuel Cohen
    121217_OlivierTaieb_MC_004.jpg
  • Pierre Basse, artisan blacksmith, at work hammering iron on an anvil in his workshop in Vanves, Paris, France, in 2017. Pierre Basse was the ironmonger for Diego Giacometti, and makes objects and furniture from wrought iron. Picture by Manuel Cohen
    111217_PierreBasse_MC013.jpg
  • Pierre Basse, artisan blacksmith, and Celia Bertrand, b. 1976, ceramicist, who made a documentary film about Pierre Basse, in his workshop in Vanves, Paris, France, in 2017. Pierre Basse was the ironmonger for Diego Giacometti, and makes objects and furniture from wrought iron. Celia Bertrand creates utilitarian and design objects from porcelain, clay and stone. Picture by Manuel Cohen
    111217_PierreBasse_MC008.jpg
  • Pierre Basse, artisan blacksmith, and Celia Bertrand, b. 1976, ceramicist, who made a documentary film about Pierre Basse, in his workshop in Vanves, Paris, France, in 2017. Pierre Basse was the ironmonger for Diego Giacometti, and makes objects and furniture from wrought iron. Celia Bertrand creates utilitarian and design objects from porcelain, clay and stone. Picture by Manuel Cohen
    111217_PierreBasse_MC002.jpg
  • Spider, sculpture made from cigarette paper, detail from a sculptural series entitled 'Mere, Fille et leurs Aieules', or 'Mother, Daughter and their Grandmothers', by Maryline Pomian, b. 1956, in her studio in Paris, France, in 2017. The use of cigarette paper as a delicate, ephemeral and everyday material, inspires thoughts of the insignificance of man and the transience of life. Picture by Manuel Cohen
    121217_MarylinePomian_MC008.JPG
  • Maryline Pomian, b. 1956, sculptor who uses cigarette paper as her raw material, in her studio in Paris, France, in 2017. On the wall is the sculptural work 'Folles et Sirenes' or 'Madwomen and Mermaids'. The cigarette paper itself as a delicate, ephemeral and everyday material, inspires thoughts of the insignificance of man and the transience of life. Picture by Manuel Cohen
    121217_MarylinePomian_MC003.jpg
  • Mathilde Lingee, master glazier, setting glass in lead for a stained glass window by the artist Bernard Quesniaux, photographed 30th August 2017 at the Ateliers Duchemin, Paris, France. Since the 1850s, the Ateliers Duchemin have been making and restoring stained glass. Picture by Manuel Cohen
    300817_DucheminWorkshop_MC008.jpg
  • Mathilde Lingee, master glazier, setting glass in lead for a stained glass window by the artist Bernard Quesniaux, photographed 30th August 2017 at the Ateliers Duchemin, Paris, France. Since the 1850s, the Ateliers Duchemin have been making and restoring stained glass. Picture by Manuel Cohen
    300817_DucheminWorkshop_MC009.jpg
  • Mathilde Lingee, master glazier, setting glass in lead for a stained glass window by the artist Bernard Quesniaux, photographed 30th August 2017 at the Ateliers Duchemin, Paris, France. Since the 1850s, the Ateliers Duchemin have been making and restoring stained glass. Picture by Manuel Cohen
    300817_DucheminWorkshop_MC007.jpg
  • Mathilde Lingee, master glazier, setting glass in lead for a stained glass window by the artist Bernard Quesniaux, photographed 30th August 2017 at the Ateliers Duchemin, Paris, France. Since the 1850s, the Ateliers Duchemin have been making and restoring stained glass. Picture by Manuel Cohen
    300817_DucheminWorkshop_MC003.jpg
  • View of London seen from Waterloo Bridge, including left-right, the Oxo Tower, One Blackfriars (designed by Simpson Haugh and Partners, opened 2017), Southbank Tower (designed by Kohn Pedersen Fox, opened 2015) and The Shard (designed by Renzo Piano, opened 2013), London, England, UK. Picture by Manuel Cohen
    LC17_ENGLAND_MC_135.jpg
  • View of the London seen from Waterloo Bridge, including left-right, Blackfriars Bridge, the Oxo Tower, One Blackfriars (designed by Simpson Haugh and Partners, opened 2017), Southbank Tower (designed by Kohn Pedersen Fox, opened 2015) and The Shard (designed by Renzo Piano, opened 2013), London, England, UK. Picture by Manuel Cohen
    LC17_ENGLAND_MC_136.jpg
  • Process of soldering steel mosaic pieces together to form a figurative sculpture within a plaster mould, in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC072.jpg
  • Metalworking tools in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC068.JPG
  • Detail of a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC066.jpg
  • Working on a fluid steel shape for a sculpture in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. On the right is Lea in Blue, a mosaic sculpture in blue steel. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC065.jpg
  • Nicolas Desbons, metalworker and artist, wearing a protective visor, soldering together squares of steel inside a plaster mould, to make a figurative sculpture, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC057.jpg
  • Nicolas Desbons, metalworker and artist, wearing a protective visor, soldering together squares of steel inside a plaster mould, to make a figurative sculpture, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC054.jpg
  • Nicolas Desbons, metalworker and artist, selecting squares of steel for a figurative sculpture made by placing steel pieces inside a plaster mould and soldering them together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC051.jpg
  • Clay mould for a figurative sculpture and various raw materials and prototypes on a shelf in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC046.jpg
  • Nicolas Desbons, metalworker and artist, shaping a heated steel rod with a hammer on an anvil by the forge in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC040.jpg
  • Nicolas Desbons, metalworker and artist, by the forge in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC037.jpg
  • Nicolas Desbons, metalworker and artist, turning the handle on a machine in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC036.jpg
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC035.jpg
  • Nicolas Desbons, metalworker and artist, wearing a safety visor to protect his eyes from the soldering iron, soldering steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC031.jpg
  • Nicolas Desbons, metalworker and artist, soldering steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC029.jpg
  • Nicolas Desbons, metalworker and artist, and a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC005.jpg
  • Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal  and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbons_MC001.jpg
  • Ceramicist Valeria Polsinelli decorating a vase on a turntable with coloured glazes, photographed in 2017, in her studio in Montreuil, a suburb of Paris, France. Polsinelli creates everyday vessels, water jugs, jewellery and figurines and stoppers of female busts, with features and hairstyles from various world cultures. Picture by Manuel Cohen
    03022017_ValeriaPolsinelli_MC018.jpg
  • Ceramicist Valeria Polsinelli decorating a vase with coloured glazes on a turntable, photographed in 2017, in her studio in Montreuil, a suburb of Paris, France. Polsinelli creates everyday vessels, water jugs, jewellery and figurines and stoppers of female busts, with features and hairstyles from various world cultures. Picture by Manuel Cohen
    03022017_ValeriaPolsinelli_MC017.jpg
  • Ceramicist Valeria Polsinelli at work incising stripes into a clay pot, photographed in 2017, in her studio in Montreuil, a suburb of Paris, France. Polsinelli creates everyday vessels, water jugs, jewellery and figurines and stoppers of female busts, with features and hairstyles from various world cultures. Picture by Manuel Cohen
    03022017_ValeriaPolsinelli_MC012.jpg
  • Ceramicist Valeria Polsinelli, photographed in 2017, sitting in her studio in Montreuil, a suburb of Paris, France. Polsinelli creates everyday vessels, water jugs, jewellery and figurines and stoppers of female busts, with features and hairstyles from various world cultures. Picture by Manuel Cohen
    03022017_ValeriaPolsinelli_MC011.jpg
  • Ceramicist Valeria Polsinelli at work on a small clay female figurine, scoring the head with a blade in order to adhere the hair, photographed in 2017, in her studio in Montreuil, a suburb of Paris, France. Polsinelli creates everyday vessels, water jugs, jewellery and figurines and stoppers of female busts, with features and hairstyles from various world cultures. Picture by Manuel Cohen
    03022017_ValeriaPolsinelli_MC009.jpg
  • Tools, raw materials and prototypes inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC070.jpg
  • Detail of a steel hammer on a workbench inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC069.JPG
  • Detail of a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC066.jpg
  • Nicolas Desbons, metalworker and artist, cutting sections of steel rod for use on a figurative sculpture, on a machine in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC060.jpg
  • Nicolas Desbons, metalworker and artist, wearing a protective visor, soldering together squares of steel inside a plaster mould, to make a figurative sculpture, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC058.jpg
  • Nicolas Desbons, metalworker and artist, wearing a protective visor, soldering together squares of steel inside a plaster mould, to make a figurative sculpture, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC057.jpg
  • Nicolas Desbons, metalworker and artist, wearing a protective visor, soldering together squares of steel inside a plaster mould, to make a figurative sculpture, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC056.jpg
  • Nicolas Desbons, metalworker and artist, working on a figurative sculpture made by placing square of steel inside a plaster mould and soldering them together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. On the right is a sculpture of a female torso made from cross-sections of steel tubes manipulated into organic shapes and soldered together. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC049.jpg
  • Clay mould for a figurative sculpture and various raw materials and prototypes on a shelf in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC046.jpg
  • Man working on a steel sculpture with organic form in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC045.jpg
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC043.jpg
  • Nicolas Desbons, metalworker and artist, shaping a heated steel rod with a hammer on an anvil by the forge in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC040.jpg
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC035.jpg
  • Nicolas Desbons, metalworker and artist, turning the handle on a machine in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC036.jpg
  • Steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC034.jpg
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, and a sculpture in the foreground, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC033.jpg
  • Nicolas Desbons, metalworker and artist, wearing a safety visor to protect his eyes from the soldering iron, soldering steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC031.jpg
  • Nicolas Desbons, metalworker and artist, soldering steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC029.jpg
  • Nicolas Desbons, metalworker and artist, soldering steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC026.jpg
  • Inside the Soleil Rouge workshop of Nicolas Desbons, metalworker and artist, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC019.jpg
  • Nicolas Desbons, metalworker and artist, selecting steel pieces for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC015.jpg
  • Nicolas Desbons, metalworker and artist, cutting steel for a sculpture made from cross-sections of steel tubes manipulated into organic profiles and soldered together, in his Soleil Rouge workshop, photographed in 2017, in Montreuil, a suburb of Paris, France. Desbons works mainly in steel but often in conjunction with other materials such as fibreglass, glass and clay, using both cold metal and forge techniques. He produces both figurative and abstract sculptures as well as furniture and lighting. Picture by Manuel Cohen
    02022017_NicolasDesbon_MC007.jpg
  • Pierre Pean, born 1938 in Sable-sur-Sarthe, French investigative journalist and author, photographed in his office by Manuel Cohen in 2017. Pierre Pean's works on political controversies include L'Homme de l'ombre (1990), Une jeunesse francaise: Francois Mitterrand (1994), Manipulations Africaines (2001), La Face cachee du Monde (2003), Noires fureurs, blancs menteurs (2005) and The World According to K (2008).
    06012017_PierrePean_MC001.jpg
  • Pierre Pean, born 1938 in Sable-sur-Sarthe, French investigative journalist and author, photographed in his office by Manuel Cohen in 2017. Pierre Pean's works on political controversies include L'Homme de l'ombre (1990), Une jeunesse francaise: Francois Mitterrand (1994), Manipulations Africaines (2001), La Face cachee du Monde (2003), Noires fureurs, blancs menteurs (2005) and The World According to K (2008).
    06012017_PierrePean_MC002.jpg
  • Pomona a la Tunique, bronze statue, 1921, by Aristide Maillol, 1861-1944, forged by Emile Godard, from the collection of the Musee Maillol in Paris, outside the entrance to the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen
    LC20_FRANCE_MC_1090.jpg
  • Stained glass window, painted leaded glass, 1536, by Tyle Jependantz de Zytt, Lucerne, depicting a workshop minting coins with a hammer (above), and a portrait of the commissioner below, in the Musee du 11 Conti or Monnaie de Paris, reopened in 2017 after refurbishment, housed in the Hotel de la Monnaie, on Quai de Conti, in the 6th arrondissement of Paris, France. In the mint, gold coins, medals and official decorations are cast and visitors can watch this process taking place. The Paris Mint was founded in 864 AD and has been in the current building since 1775. Picture by Manuel Cohen
    LC19_PARIS_MC_1033.jpg
  • Google space in Station F, the world's largest startup business centre, housed in the Halle Freyssinet, a former rail freight depot, in the 13th arrondissement of Paris, France. The space houses 3000 desk spaces for 1000 start up companies and corporate partners, along with an auditorium, games areas, lounges, cafes and restaurants. The building was originally built by Eugene Freyssinet and opened in 1929, but was remodelled by Wilmotte and Associates and reopened in 2017. Picture by Manuel Cohen
    LC19_PARIS_MC_0870.jpg
  • Yu Chen, Professor at the Chinese Academy of Fine Arts in Hangzhou, Zhejiang, China, founded in 1928, and documentary film director, on December 12th, 2017, in Paris, France. Picture by Manuel Cohen
    121217_YuChen_MC_002.jpg
  • Yu Chen, Professor at the Chinese Academy of Fine Arts in Hangzhou, Zhejiang, China, founded in 1928, and documentary film director, on December 12th, 2017, in Paris, France. Picture by Manuel Cohen
    121217_YuChen_MC_003.jpg
  • Yu Chen, Professor at the Chinese Academy of Fine Arts in Hangzhou, Zhejiang, China, founded in 1928, and documentary film director, on December 12th, 2017, in Paris, France. Picture by Manuel Cohen
    121217_YuChen_MC_001.jpg
  • Olivier Taieb, film director, cinematographer and writer, in Paris, France, 2017. Picture by Manuel Cohen
    121217_OlivierTaieb_MC_001.jpg
  • Olivier Taieb, film director, cinematographer and writer, in Paris, France, 2017. Picture by Manuel Cohen
    121217_OlivierTaieb_MC_002.jpg
  • Olivier Taieb, film director, cinematographer and writer, in Paris, France, 2017. Picture by Manuel Cohen
    121217_OlivierTaieb_MC_003.jpg
  • Pierre Basse, artisan blacksmith, at work hammering iron on an anvil in his workshop in Vanves, Paris, France, in 2017. Pierre Basse was the ironmonger for Diego Giacometti, and makes objects and furniture from wrought iron. Picture by Manuel Cohen
    111217_PierreBasse_MC014.jpg
  • Pierre Basse, artisan blacksmith, at work hammering iron on an anvil in his workshop in Vanves, Paris, France, in 2017. Pierre Basse was the ironmonger for Diego Giacometti, and makes objects and furniture from wrought iron. Picture by Manuel Cohen
    111217_PierreBasse_MC012.jpg
  • Pierre Basse, artisan blacksmith, at work hammering iron on an anvil in his workshop in Vanves, Paris, France, in 2017. Pierre Basse was the ironmonger for Diego Giacometti, and makes objects and furniture from wrought iron. Picture by Manuel Cohen
    111217_PierreBasse_MC011.jpg
  • Pierre Basse, artisan blacksmith, at work at the forge in his workshop in Vanves, Paris, France, in 2017. Pierre Basse was the ironmonger for Diego Giacometti, and makes objects and furniture from wrought iron. Picture by Manuel Cohen
    111217_PierreBasse_MC010.JPG
  • Pierre Basse, artisan blacksmith, at work at the forge in his workshop in Vanves, Paris, France, in 2017. Pierre Basse was the ironmonger for Diego Giacometti, and makes objects and furniture from wrought iron. Picture by Manuel Cohen
    111217_PierreBasse_MC009.jpg
  • Pierre Basse, artisan blacksmith, and Celia Bertrand, b. 1976, ceramicist, who made a documentary film about Pierre Basse, in his workshop in Vanves, Paris, France, in 2017. Pierre Basse was the ironmonger for Diego Giacometti, and makes objects and furniture from wrought iron. Celia Bertrand creates utilitarian and design objects from porcelain, clay and stone. Picture by Manuel Cohen
    111217_PierreBasse_MC007.jpg
  • Pierre Basse, artisan blacksmith, and Celia Bertrand, b. 1976, ceramicist, who made a documentary film about Pierre Basse, in his workshop in Vanves, Paris, France, in 2017. Pierre Basse was the ironmonger for Diego Giacometti, and makes objects and furniture from wrought iron. Celia Bertrand creates utilitarian and design objects from porcelain, clay and stone. Picture by Manuel Cohen
    111217_PierreBasse_MC006.jpg
  • Pierre Basse, artisan blacksmith, at work hammering iron on an anvil in his workshop in Vanves, Paris, France, in 2017. Pierre Basse was the ironmonger for Diego Giacometti, and makes objects and furniture from wrought iron. Picture by Manuel Cohen
    111217_PierreBasse_MC005.jpg
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