manuel cohen

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  • Torchlit service at Camp Optimum, a residential camp for men only, run by catholic group the Emmanuel Community, taking place 31st March - 3rd April 2016, in Autrans, Auvergne-Rhone-Alpes, France. The camps were first conceived by John Eldredge in America and now take place in France, Belgium and Switzerland. Camp Optimum is run like a religious retreat where men study gender roles from the bible and examine the meaning and status of masculinity today. The men become members of the Optimum Brotherhood and discover a fraternity with fellow men. The aim of the Optimum Fraternity is to exchange, pray, support and serve together. Picture by Manuel Cohen
    April2016_Optimum_MC06.jpg
  • Torchlit service at Camp Optimum, a residential camp for men only, run by catholic group the Emmanuel Community, taking place 31st March - 3rd April 2016, in Autrans, Auvergne-Rhone-Alpes, France. The camps were first conceived by John Eldredge in America and now take place in France, Belgium and Switzerland. Camp Optimum is run like a religious retreat where men study gender roles from the bible and examine the meaning and status of masculinity today. The men become members of the Optimum Brotherhood and discover a fraternity with fellow men. The aim of the Optimum Fraternity is to exchange, pray, support and serve together. Picture by Manuel Cohen
    April2016_Optimum_MC05.jpg
  • Torchlit service at Camp Optimum, a residential camp for men only, run by catholic group the Emmanuel Community, taking place 31st March - 3rd April 2016, in Autrans, Auvergne-Rhone-Alpes, France. The camps were first conceived by John Eldredge in America and now take place in France, Belgium and Switzerland. Camp Optimum is run like a religious retreat where men study gender roles from the bible and examine the meaning and status of masculinity today. The men become members of the Optimum Brotherhood and discover a fraternity with fellow men. The aim of the Optimum Fraternity is to exchange, pray, support and serve together. Picture by Manuel Cohen
    April2016_Optimum_MC04.jpg
  • Men contemplating the landscape at Camp Optimum, a residential camp for men only, run by catholic group the Emmanuel Community, taking place 31st March - 3rd April 2016, in Autrans, Auvergne-Rhone-Alpes, France. The camps were first conceived by John Eldredge in America and now take place in France, Belgium and Switzerland. Camp Optimum is run like a religious retreat where men study gender roles from the bible and examine the meaning and status of masculinity today. The men become members of the Optimum Brotherhood and discover a fraternity with fellow men. The aim of the Optimum Fraternity is to exchange, pray, support and serve together. Picture by Manuel Cohen
    April2016_Optimum_MC01.jpg
  • Priest talking to a fraternity member at Camp Optimum, a residential camp for men only, run by catholic group the Emmanuel Community, taking place 31st March - 3rd April 2016, in Autrans, Auvergne-Rhone-Alpes, France. The camps were first conceived by John Eldredge in America and now take place in France, Belgium and Switzerland. Camp Optimum is run like a religious retreat where men study gender roles from the bible and examine the meaning and status of masculinity today. The men become members of the Optimum Brotherhood and discover a fraternity with fellow men. The aim of the Optimum Fraternity is to exchange, pray, support and serve together. Picture by Manuel Cohen
    April2016_Optimum_MC03.jpg
  • Priest approaching the altar at Camp Optimum, a residential camp for men only, run by catholic group the Emmanuel Community, taking place 31st March - 3rd April 2016, in Autrans, Auvergne-Rhone-Alpes, France. The camps were first conceived by John Eldredge in America and now take place in France, Belgium and Switzerland. Camp Optimum is run like a religious retreat where men study gender roles from the bible and examine the meaning and status of masculinity today. The men become members of the Optimum Brotherhood and discover a fraternity with fellow men. The aim of the Optimum Fraternity is to exchange, pray, support and serve together. Picture by Manuel Cohen
    April2016_Optimum_MC02.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_126.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_124.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_123.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_122.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_120.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, selecting a pastel for a picture of Thorgal, in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_121.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_119.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_118.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a painting from the Thorgal series in his outdoor studio area on a verandah in his garden at his home in Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_136.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a painting from the Thorgal series in his outdoor studio area on a verandah in his garden at his home in Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_133.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, in his new studio in Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_132.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_130.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, in his new studio in Mollens, Sierre, Switzerland, with paintings from the Thorgal series, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_131.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_129.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a pastel picture of Thorgal in his new studio, Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_128.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, in the garden of his house in Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. Here, he stands in front of a painting from the Thorgal series in his outdoor studio area on a verandah in his garden. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_139.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, in the garden of his house in Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. Here, he stands holding a paintbrush in front of a painting from the Thorgal series in his outdoor studio area on a verandah in his garden. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_138.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, at work on a painting from the Thorgal series in his outdoor studio area on a verandah in his garden at his home in Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_137.JPG
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, signing a picture next to a painting from the Thorgal series in his outdoor studio area on a verandah in his garden at his home in Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_150.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, in the living room of his house in Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. Here, he stands in front of 2 paintings from the Thorgal series. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_142.jpg
  • Portrait of Grzegorz Rosinski, Polish comic book artist, born 1941 in Stalowa Wola, Poland, in the living room of his house in Mollens, Sierre, Switzerland, 9th September 2016. Rosinski is the author and designer of many Polish comic book series, and created Thorgal with Belgian writer Jean Van Hamme in 1977. Here, he stands in front of a painting from the Thorgal series. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Picture by Manuel Cohen
    LC16_ROSINSKI_MC_143.jpg
  • Silent Music III, temporary sculpture of a seated person in musical staves and notes, 2016, by Jaume Plensa, in the foyer of the Palau de la Musica Catalana, built 1905-8 and designed by the Catalan Modernist architect Lluis Domenech i Montaner, 1850-1923, in Casc Antic, Barcelona, Catalonia, Spain. The hall was built for the Orfeo Catala choral society in Catalan Modernist style, with art nouveau inspired organic forms and much attention to decorative detail. The concert hall was listed in 1997 as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_SPAIN_MC367.jpg
  • Large stained glass window of the Treasury, with form of a cross in interlacing lead patterns, in blue glass, made by Ateliers Loire, Chartres, seen from the transept, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0410.jpg
  • Reliquary of Saint Pierre Aumaitre, with a fragment of his femur on a pink cushion, by Cat-Berro, Orleans, and a gilded glass ball, in the bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0409.jpg
  • Display of the Madonna's jewels and statue of Virgin and child with base of blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The cement floor tiles made by MiraColour and the hand printed wallpaper by Atelier d’Offard, both use interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0406.jpg
  • Display of the Madonna's jewels and statue of Virgin and child with base of blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The cement floor tiles made by MiraColour and the hand printed wallpaper by Atelier d’Offard, both use interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0405.jpg
  • Stained glass window with cross design and interlacing lead pattern, made by Ateliers Loire, Chartres, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The hand printed wallpaper by Atelier d’Offard, uses interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0404.jpg
  • Reliquaries, and huge aluminium valance made with Arsculpt and Technical Industrie, with glass beads gilded with gold leaf made with Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The cement floor tiles made by MiraColour and the hand printed wallpaper by Atelier d’Offard, both use interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0403.jpg
  • Statue of Virgin and child by Jean Degoulon, 1679, on a pedestal made from silver glass beads made by Murano glassmaker Salviati, and behind, velvet wall hangings with sequins made in 2014 by Atelier du Begonia d’Or, in St Thibaud's Chapel, themed as the Lapidary, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0402.jpg
  • Reliquaries seen through the large stained glass window of the Treasury, with form of a cross in interlacing lead patterns, in blue glass, made by Ateliers Loire, Chartres, seen from the transept, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0401.JPG
  • Hand printed wallpaper using gold leaf by Atelier d’Offard, using interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0400.jpg
  • Hand printed wallpaper using gold leaf by Atelier d’Offard, using interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0399.jpg
  • Statue of Christian saint with lion's head on a pedestal covered in candles with a base of blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Behind are reliquaries. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0398.jpg
  • Reflection in the glass of the cabinet of censers, and hand printed wallpaper using gold leaf by Atelier d’Offard, using interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0397.jpg
  • Statue reflected in the glass of the cabinet of censers with its gold and blue glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The hand printed wallpaper by Atelier d’Offard uses interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0396.jpg
  • Ciborium, 17th century, which belonged to Barthelemy Codaute, priest of Feuillade in Charente, who used this in clandestine masses after he was outlawed after refusing to take an oath to the Civil Constitution of the Clergy in 1790, in the Upper Chapel, themed as 'L'Engagement' or Commitment, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen
    LC17_FRANCE_MC_0395.jpg
  • Detail of the stained glass window, with blue glass and leadwork in circles and the interlacing patterns reminiscent of the Neo-Romanesque style of the 19th century, made by Ateliers Loire, Chartres, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0394.jpg
  • Reflections in the glass cabinet window, with monstrance, stained glass window, hand printed wallpaper and aluminium valance, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0393.jpg
  • Reflections in the glass cabinet window, with monstrances, stained glass window, hand printed wallpaper and aluminium valance, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0392.jpg
  • Reliquary of Saint Pierre Aumaitre, with a fragment of his femur on a pink cushion, by Cat-Berro, Orleans, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0391.jpg
  • Detail of candles in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0390.jpg
  • Monstrances with stained glass window behind, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0389.jpg
  • Detail of the stained glass window in blue glass with interlacing patterns in lead reminiscent of the Neo-Romanesque period of the 19th century, made by Ateliers Loire, Chartres, in the Upper Chapel, themed as 'L'Engagement' or Commitment, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0387.jpg
  • Detail of the stained glass window in blue glass with interlacing patterns in lead reminiscent of the Neo-Romanesque period of the 19th century, made by Ateliers Loire, Chartres, in the Upper Chapel, themed as 'L'Engagement' or Commitment, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0388.jpg
  • Detail of the stained glass window in blue glass with interlacing patterns in lead reminiscent of the Neo-Romanesque period of the 19th century, made by Ateliers Loire, Chartres, in the Upper Chapel, themed as 'L'Engagement' or Commitment, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0386.jpg
  • Circular stained glass window in blue glass with design of circles, made by Ateliers Loire, Chartres, in the ceiling of the staircase in the Bell tower, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0384.jpg
  • Cabinet of monstrances and reliquaries, and on the right, the huge aluminium valance made with Arsculpt and Technical Industrie, with glass beads gilded with gold leaf made with Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The cement floor tiles made by MiraColour and the hand printed wallpaper by Atelier d’Offard, both use interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0381.jpg
  • Staircase of the bell tower, with stained glass window made by Ateliers Loire, Chartres, and metal balustrade with gilded glass bead, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0383.jpg
  • Statue of Virgin and child by Jean Degoulon, 1679, on a pedestal made from silver glass beads made by Murano glassmaker Salviati, and behind, velvet wall hangings with sequins made in 2014 by Atelier du Begonia d’Or, seen through the circles of the aluminium doors, in St Thibaud's Chapel, themed as the Lapidary, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0379.jpg
  • The Upper Chapel, themed as 'L'Engagement' or Commitment, with treasures housed in cabinets with bases and legs made from black glass beads by Murano glassmaker Salviati, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0380.jpg
  • Velvet wall hangings with sequins made in 2014 by Atelier du Begonia d’Or, in St Thibaud's Chapel, themed as the Lapidary, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0377.jpg
  • Statue of Virgin and child by Jean Degoulon, 1679, on a pedestal made from silver glass beads made by Murano glassmaker Salviati, and behind, velvet wall hangings with sequins made in 2014 by Atelier du Begonia d’Or, and the open aluminium door by Ste Baney, in St Thibaud's Chapel, themed as the Lapidary, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0376.jpg
  • Stained glass window in a tympanum, with interlaced knot design, by Paul Abadie, 19th century, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen
    LC17_FRANCE_MC_0375.jpg
  • Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, with the chevet and bell tower, and the Musee d'Angouleme on the right, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen
    LC17_FRANCE_MC_0373.jpg
  • Reflection of the stained glass window in blue glass with interlacing patterns in lead reminiscent of the Neo-Romanesque period of the 19th century, made by Ateliers Loire, Chartres, in the glass of the ciborium cabinet, in the Upper Chapel, themed as 'L'Engagement' or Commitment, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0372.jpg
  • Circular stained glass window in blue glass with design of circles, made by Ateliers Loire, Chartres, in the ceiling of the staircase in the Bell tower, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0370.jpg
  • Stained glass window in blue glass with interlacing patterns in lead reminiscent of the Neo-Romanesque period of the 19th century, made by Ateliers Loire, Chartres, in the Upper Chapel, themed as 'L'Engagement' or Commitment, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0369.jpg
  • Reflection of the stained glass window in blue glass with interlacing patterns in lead reminiscent of the Neo-Romanesque period of the 19th century, made by Ateliers Loire, Chartres, in the Upper Chapel, themed as 'L'Engagement' or Commitment, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0371.jpg
  • Detail of the stained glass window, with blue glass and leadwork in circles and the interlacing patterns reminiscent of the Neo-Romanesque style of the 19th century, made by Ateliers Loire, Chartres, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0368.jpg
  • Reliquary of Saint Pierre Aumaitre, with a fragment of his femur on a pink cushion, by Cat-Berro, Orleans, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0367.jpg
  • Gilded glass ball in front of the reliquary of Saint Pierre Aumaitre, with a fragment of his femur on a pink cushion, by Cat-Berro, Orleans, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0366.jpg
  • Reliquary of Saint Pierre Aumaitre, with a fragment of his femur on a pink cushion, by Cat-Berro, Orleans, surrounded by candles and gilded glass balls and set within an aluminium valance made with Arsculpt and Technical Industrie, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0365.jpg
  • Statue of Christian saint with lion's head on a pedestal covered in candles with a base of blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The hand printed wallpaper using gold leaf by Atelier d’Offard and cement floor tiles made by MiraColour, use interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0364.jpg
  • Statue of Christian saint with lion's head on a pedestal covered in candles with a base of blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The hand printed wallpaper using gold leaf by Atelier d’Offard and cement floor tiles made by MiraColour, use interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0363.jpg
  • Hand printed wallpaper using gold leaf by Atelier d’Offard, using interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0361.jpg
  • Cement floor tiles made by MiraColour using interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0362.jpg
  • Detail of candles in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0359.jpg
  • Detail of a statue of the Virgin and child, and behind, the stained glass window, with blue glass and leadwork in interlacing patterns reminiscent of the Neo-Romanesque style of the 19th century, made by Ateliers Loire, Chartres, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0358.jpg
  • Reliquaries, including (centre) that of Saint Pierre Aumaitre, with a fragment of his femur on a pink cushion, by Cat-Berro, Orleans, with gilded glass balls, surrounded by candles and set within an aluminium valance made with Arsculpt and Technical Industrie, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0357.jpg
  • Looking up at a statue and behind, the huge aluminium valance made with Arsculpt and Technical Industrie, with a capital of glass beads gilded with gold leaf made with Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0355.jpg
  • Legs of a cabinet with blue and gold glass beads by Murano glassmaker Salviati, and behind, hand printed wallpaper using gold leaf by Atelier d’Offard using interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0354.jpg
  • Base of the cabinet displaying the jewels of the Madonna, with blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0353.jpg
  • Reflection of a stained glass window in a cabinet with legs of blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0352.jpg
  • Base of the cabinet displaying the jewels of the Madonna, with blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0351.jpg
  • Base of the cabinet displaying the jewels of the Madonna, with blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0350.jpg
  • Statue of Virgin and child by Jean Degoulon, 1679, on a pedestal made from silver glass beads made by Murano glassmaker Salviati, and behind, velvet wall hangings with sequins made in 2014 by Atelier du Begonia d’Or, and the open aluminium door by Ste Baney, in St Thibaud's Chapel, themed as the Lapidary, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0349.jpg
  • Velvet wall hangings with sequins made in 2014 by Atelier du Begonia d’Or, in St Thibaud's Chapel, themed as the Lapidary, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0348.jpg
  • Velvet wall hangings with sequins made in 2014 by Atelier du Begonia d’Or, in St Thibaud's Chapel, themed as the Lapidary, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0347.jpg
  • Cement floor tiles made by MiraColour using interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0345.jpg
  • Aluminium doors with design of circles by Ste Baney, leading from the chapel to the staircase of the bell tower, in St Thibaud's Chapel, themed as the Lapidary, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0346.jpg
  • Reliquary of Saint Pierre Aumaitre, with a fragment of his femur on a pink cushion, by Cat-Berro, Orleans, and a gilded glass ball, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0343.jpg
  • Detail of the stained glass window, with blue glass and leadwork in interlacing patterns reminiscent of the Neo-Romanesque style of the 19th century, made by Ateliers Loire, Chartres, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0344.jpg
  • Detail of the metalwork on top of the reliquary of Saint Pierre Aumaitre, by Cat-Berro, Orleans, with leadwork of a stained glass window behind, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0342.jpg
  • Detail of the metalwork in circles on the reliquary of Saint Pierre Aumaitre, with a fragment of his femur on a pink cushion, by Cat-Berro, Orleans, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0341.jpg
  • Looking through the reliquary of Saint Pierre Aumaitre, by Cat-Berro, Orleans, to the cabinet of monstrances in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0340.jpg
  • Statue of Christian saint with lion's head on a pedestal covered in candles, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The hand printed wallpaper using gold leaf by Atelier d’Offard uses interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0339.jpg
  • Reliquaries, including (centre) that of Saint Pierre Aumaitre, with a fragment of his femur on a pink cushion, by Cat-Berro, Orleans, with gilded glass balls, surrounded by candles and set within an aluminium valance made with Arsculpt and Technical Industrie, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0336.jpg
  • Statue of Christian saint with lion's head on a pedestal covered in candles with a base of blue and gold glass beads by Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. The hand printed wallpaper using gold leaf by Atelier d’Offard uses interlacing patterns reminiscent of the Neo-Romanesque period of the 19th century. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0337.jpg
  • Looking up at the huge aluminium valance made with Arsculpt and Technical Industrie, with a capital of glass beads gilded with gold leaf made with Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0335.jpg
  • Detail of a stained glass window with many circles in the leadwork, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0334.jpg
  • Detail of the huge aluminium valance made with Arsculpt and Technical Industrie, with a capital of glass beads gilded with gold leaf made with Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0333.jpg
  • Detail of circles on the huge aluminium valance made with Arsculpt and Technical Industrie, with a capital of glass beads gilded with gold leaf made with Murano glassmaker Salviati, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0332.jpg
  • Monstrances with stained glass window behind, in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0331.jpg
  • Detail of gilded glass balls, candles and the aluminium valance made with Arsculpt and Technical Industrie, surrounding the reliquaries in the Bell tower room themed 'Le Merveilleux' or The Supernatural, first floor, in Le Tresor de la Cathedral d'Angouleme, in Angouleme Cathedral, or the Cathedrale Saint-Pierre d'Angouleme, Angouleme, Charente, France. The 12th century Romanesque cathedral was largely reworked by Paul Abadie in 1852-75. In 2008, Jean-Michel Othoniel was commissioned by DRAC Aquitaine - Limousin - Poitou-Charentes to display the Treasure of the Cathedral in some of its rooms, which opened to the public on 30th September 2016. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0329.jpg
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