manuel cohen

Show Navigation
  • Portfolio
  • Search (in english)
  • Reportages
  • Fine Art Prints
  • About
  • Contact
  • Instagram
  • Facebook
  • PicRights

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 206 images found }

Loading ()...

  • Rue Saint Nicolas in Sable-sur-Sarthe, Pays de la Loire, France, in 1937, photograph by Lambert. Picture by Manuel Cohen / Further clearances required
    LC_HISTORY_MC_0360.jpg
  • Rue Saint Nicolas in Sable-sur-Sarthe, Pays de la Loire, France, in 1937, photograph by Lambert. Picture by Manuel Cohen / Further clearances required
    LC_HISTORY_MC_0359.jpg
  • Rue Saint Nicolas in Sable-sur-Sarthe, Pays de la Loire, France, in 1937, photograph by Lambert. Picture by Manuel Cohen / Further clearances required
    LC_HISTORY_MC_0358.jpg
  • View from the front of the Art Deco Fauverie (the big cats building), built by Rene Berger from 1934 to 1937 in the Menagerie of Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, 5th arrondissement, France. Made of red brick, the building is decorated by low relief depicting wild animals. On a pedestal, in front of the building, the statue called Lion tuant une chevre, was created by Paul Jouve circa 1937. Founded in 1794 by Jacques Henri Bernardin de Saint-Pierre, the Menagerie of Jardin des Plantes became the largest exotic animal collection in Europe in the 19th century and is the second oldest public zoo in the world. Picture by Manuel Cohen
    LC_JDP_10_MC526.jpg
  • General view of the Art Deco Fauverie (the big cats building), built by Rene Berger from 1934 to 1937 in the Menagerie of Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, 5th arrondissement, France. Made of red brick, the building is decorated by low relief depicting wild animals. On a pedestal, in front of the building, the statue called Lion tuant une chevre, was created by Paul Jouve circa 1937. Founded in 1794 by Jacques Henri Bernardin de Saint-Pierre, the Menagerie of Jardin des Plantes became the largest exotic animal collection in Europe in the 19th century and is the second oldest public zoo in the world. Picture by Manuel Cohen
    LC_JDP_10_MC641.jpg
  • General view of the Art Deco Fauverie (the big cats building), built by Rene Berger from 1934 to 1937 in the Menagerie of Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, 5th arrondissement, France. Made of red brick, the building is decorated by low relief depicting wild animals. On a pedestal, in front of the building, the statue called Lion tuant une chevre, was created by Paul Jouve circa 1937. Founded in 1794 by Jacques Henri Bernardin de Saint-Pierre, the Menagerie of Jardin des Plantes became the largest exotic animal collection in Europe in the 19th century and is the second oldest public zoo in the world. Picture by Manuel Cohen
    LC_JDP_10_MC635.jpg
  • General view of the Art Deco Fauverie (the big cats building), built by Rene Berger from 1934 to 1937 in the Menagerie of Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, 5th arrondissement, France. Made of red brick, the building is decorated by low relief depicting wild animals. On a pedestal, in front of the building, the statue called Lion tuant une chevre, was created by Paul Jouve circa 1937. Founded in 1794 by Jacques Henri Bernardin de Saint-Pierre, the Menagerie of Jardin des Plantes became the largest exotic animal collection in Europe in the 19th century and is the second oldest public zoo in the world.
    JDP_MCohen_MNHN_Choix02.jpg
  • Peasants cutting crops with scythes, stone bas relief by Gustave Violet, 1873-1952, on a monument to the builders of an irrigation canal, inaugurated 30th March 1937, at the Town Hall in the village of Ceret, Pyrenees-Orientales, France. Ceret is the capital of the historical Catalan comarca of Vallespir. Ceret developed under the Kingdom of Majorca, and was fortified with defensive town walls with 2 gates, the Porte de France and the Porte d'Espagne. In the early 20th century, several artists lived and worked here, including Chagall, Dali, Matisse and Picasso. Picture by Manuel Cohen
    LC20_FRANCE_MC_1552.jpg
  • Marble art deco staircase in the Palais Consulaire or Consular Palace, built 1937, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1308.jpg
  • Stream and fountain in the Parc Kellermann, a public park created in 1937, in the quartier de la Maison-Blanche, in the 13th arrondissement of Paris, France. The park is named after the French marshal Francois-Christophe Kellermann, 1735-1820. Picture by Manuel Cohen
    LC19_PARIS_MC_1444.jpg
  • Parc de la Butte-du-Chapeau-Rouge, designed in 1930s modernist style by Leon Azema and opened in 1939, in the Quartier Amerique of the 19th arrondissement of Paris, France. Seen here are the stepped fountains of the buffet d'eau at the entrance on Boulevard d'Algerie, with a statue of Eve, 1938, by Raymond Couvegne. This and other sculptures in the park were originally exhibited at the Exposition Internationale des Arts et Techniques dans la Vie Moderne of 1937, held at the Trocadero. In the distance is La Plaine Saint-Denis. Picture by Manuel Cohen
    LC19_PARIS_MC_1306.jpg
  • Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC060.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC052.jpg
  • Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC025.jpg
  • Portrait of admiral Matija Zmajevic, 1680-1735, painting, 1937, by Anastas Boracic, copy of an 18th century portrait, in the Museum Maritimum, or Maritime Museum of Montenegro, housed in a baroque palace built for the Grgurina family in the early 18th century, in Kotor, on the Bay of Kotor on the Adriatic coast of Montenegro. Peter Andreevich, an emissary of the Russian tsar, who supervised training of Russian boyars at Perast, sent Zmajevic as a skilled seaman to Carlsbad where the tsar was under medical treatment in 1712, to have his knowledge in naval science tested by the tsar himself. Picture by Manuel Cohen
    LC22_MONTENEGRO_MC_036.jpg
  • Poetic verse about artistic creation by Paul Valery, 1871-1945, French poet, on the facade of the Palais de Chaillot, designed by Louis-Hippolyte Boileau, Jacques Carlu and Leon Azema for the 1937 Exposition Internationale at Trocadero, 16th arrondissement, Paris, Ile-de-France, France. The typeface "Peignot" used for the writing of the verse by Paul Valery has been designed by Cassandre. Picture by Manuel Cohen - Further clearance required, please contact us
    LC22_FRANCE_MC_0127.jpg
  • Poetic verse about artistic creation by Paul Valery, 1871-1945, French poet, on the facade of the Palais de Chaillot, designed by Louis-Hippolyte Boileau, Jacques Carlu and Leon Azema for the 1937 Exposition Internationale at Trocadero, 16th arrondissement, Paris, Ile-de-France, France. The typeface "Peignot" used for the writing of the verse by Paul Valery has been designed by Cassandre. Picture by Manuel Cohen - Further clearance required, please contact us
    LC22_FRANCE_MC_0128.jpg
  • Grape harvest, stained glass window, by Paule and Max Ingrand, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1381.jpg
  • Harvesters, stained glass window, by Paule and Max Ingrand, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1380.jpg
  • Dock workers, stained glass window, by Paule and Max Ingrand, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1379.jpg
  • Grape harvest and garland with coat of arms, stained glass window, by Paule and Max Ingrand, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1378.jpg
  • Stained glass window, detail of the Castillet, a fortified building and city gate built 1368-1542 in Perpignan, by Paule and Max Ingrand, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1312.jpg
  • Benediction des animaux devant la porte de la cathedrale d'Elne, or Blessing of the animals in front of the door to Elne cathedral, detail, painting, 1936, by Marcel Delaris, 1911-95, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1311.jpg
  • Benediction des animaux devant la porte de la cathedrale d'Elne, or Blessing of the animals in front of the door to Elne cathedral, painting, 1936, by Marcel Delaris, 1911-95, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1310.jpg
  • Marble art deco staircase in the Palais Consulaire or Consular Palace, built 1937, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The stained glass windows are by Paule and Max Ingrand. Picture by Manuel Cohen
    LC20_FRANCE_MC_1309.JPG
  • Stained glass window, detail of the names of the artists, Paule and Max Ingrand, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1307.jpg
  • Stained glass window, detail of women harvesting grapes, by Paule and Max Ingrand, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1306.jpg
  • Stained glass window, detail of the grape harvest, by Paule and Max Ingrand, in the Palais Consulaire or Consular Palace, built 1937 in art deco style, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1305.jpg
  • Philippe Latger, president and founder of the Association Perpignan Art Deco, standing beside the marble art deco staircase in the Palais Consulaire or Consular Palace, built 1937, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1304.jpg
  • Philippe Latger, president and founder of the Association Perpignan Art Deco, standing beside the marble art deco staircase in the Palais Consulaire or Consular Palace, built 1937, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. Picture by Manuel Cohen
    LC20_FRANCE_MC_1303.jpg
  • Philippe Latger, president and founder of the Association Perpignan Art Deco, standing beside the marble art deco staircase in the Palais Consulaire or Consular Palace, built 1937, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The stained glass windows are by Paule and Max Ingrand. Picture by Manuel Cohen
    LC20_FRANCE_MC_1302.jpg
  • Philippe Latger, president and founder of the Association Perpignan Art Deco, standing above the marble art deco staircase in the Palais Consulaire or Consular Palace, built 1937, which houses the Chamber of Commerce and Industry, on the Quai de Lattre de Tassigny in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The stained glass windows are by Paule and Max Ingrand. Picture by Manuel Cohen
    LC20_FRANCE_MC_1301.jpg
  • La Montagne, terracotta sculpture, 1937, by Aristide Maillol, 1861-1944, in the Musee Maillol de Banyuls-sur-Mer, in Banyuls-sur-Mer, Pyrenees-Orientales, Catalogne du Nord, France. The museum was founded in 1994 at La Metairie, the farm where Maillol lived at the end of his life. Banyuls-sur-Mer is a small seaside town first settled by the Greeks in 400 BC, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0825.jpg
  • Flower beds in the Parc Kellermann, a public park created in 1937, in the quartier de la Maison-Blanche, in the 13th arrondissement of Paris, France. The park is named after the French marshal Francois-Christophe Kellermann, 1735-1820. Picture by Manuel Cohen
    LC19_PARIS_MC_1443.jpg
  • Lily pond and fountain in the Parc Kellermann, a public park created in 1937, in the quartier de la Maison-Blanche, in the 13th arrondissement of Paris, France. The park is named after the French marshal Francois-Christophe Kellermann, 1735-1820. Picture by Manuel Cohen
    LC19_PARIS_MC_1446.jpg
  • Parc de la Butte-du-Chapeau-Rouge, designed in 1930s modernist style by Leon Azema and opened in 1939, in the Quartier Amerique of the 19th arrondissement of Paris, France. Seen here are the stepped fountains of the buffet d'eau at the entrance on Boulevard d'Algerie, with a statue of Eve, 1938, by Raymond Couvegne. This and other sculptures in the park were originally exhibited at the Exposition Internationale des Arts et Techniques dans la Vie Moderne of 1937, held at the Trocadero. In the distance is La Plaine Saint-Denis. Picture by Manuel Cohen
    LC19_PARIS_MC_1304.jpg
  • Parc de la Butte-du-Chapeau-Rouge, designed in 1930s modernist style by Leon Azema and opened in 1939, in the Quartier Amerique of the 19th arrondissement of Paris, France. Seen here are the stepped fountains of the buffet d'eau at the entrance on Boulevard d'Algerie, with a statue of Eve, 1938, by Raymond Couvegne. This and other sculptures in the park were originally exhibited at the Exposition Internationale des Arts et Techniques dans la Vie Moderne of 1937, held at the Trocadero. In the distance is La Plaine Saint-Denis. Picture by Manuel Cohen
    LC19_PARIS_MC_1303.jpg
  • L'Enfance de Bacchus, detail, sculpture, 1938, by Pierre Traverse, in the Parc de la Butte-du-Chapeau-Rouge, designed in 1930s modernist style by Leon Azema and opened in 1939, in the Quartier Amerique of the 19th arrondissement of Paris, France. This and other sculptures in the park were originally exhibited at the Exposition Internationale des Arts et Techniques dans la Vie Moderne of 1937, held at the Trocadero. Picture by Manuel Cohen
    LC19_PARIS_MC_1302.jpg
  • Parc de la Butte-du-Chapeau-Rouge, designed in 1930s modernist style by Leon Azema and opened in 1939, in the Quartier Amerique of the 19th arrondissement of Paris, France. Seen here are the stepped fountains of the buffet d'eau at the entrance on Boulevard d'Algerie, with a statue of Eve, 1938, by Raymond Couvegne. This and other sculptures in the park were originally exhibited at the Exposition Internationale des Arts et Techniques dans la Vie Moderne of 1937, held at the Trocadero. In the distance is La Plaine Saint-Denis. Picture by Manuel Cohen
    LC19_PARIS_MC_1305.JPG
  • Deux Femmes et un Enfant, or Two Women and a Child, Art Deco sculpture, 1938, by Pierre Traverse, 1892-1979, in the Parc de la Butte-du-Chapeau-Rouge, designed in the 1930s in modernist style by Leon Azema and opened in 1939, in the Quartier Amerique of the 19th arrondissement of Paris, France. This and other sculptures in the park were originally exhibited at the Exposition Internationale des Arts et Techniques dans la Vie Moderne of 1937, held at the Trocadero. Picture by Manuel Cohen
    LC19_PARIS_MC_1307.jpg
  • College Franco Britannique, or Franco-Biritsh College, designed by Pierre Martin and Maurice Vieu and inaugurated 1937, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. The building was designed in the style of British University colleges and houses both British and French students as a symbol of the friendship between the 2 nations. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen
    LC17_FRANCE_MC_0456.jpg
  • College Franco Britannique, or Franco-British College, designed by Pierre Martin and Maurice Vieu and inaugurated 1937, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. The building was designed in the style of British University colleges and houses both British and French students as a symbol of the friendship between the 2 nations. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen
    LC17_FRANCE_MC_0430.jpg
  • College Franco Britannique, or Franco-Biritsh College, designed by Pierre Martin and Maurice Vieu and inaugurated 1937, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. The building was designed in the style of British University colleges and houses both British and French students as a symbol of the friendship between the 2 nations. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen
    LC17_FRANCE_MC_0461.jpg
  • College Franco Britannique, or Franco-Biritsh College, designed by Pierre Martin and Maurice Vieu and inaugurated 1937, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. The building was designed in the style of British University colleges and houses both British and French students as a symbol of the friendship between the 2 nations. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen
    LC17_FRANCE_MC_0460.jpg
  • College Franco Britannique, or Franco-Biritsh College, designed by Pierre Martin and Maurice Vieu and inaugurated 1937, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. The building was designed in the style of British University colleges and houses both British and French students as a symbol of the friendship between the 2 nations. The CIUP or Cite U was founded in 1925 after the First World War by by Andre Honnorat, 1868-1950, and Emile Deutsch de la Meurthe, 1847-1924, to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen
    LC16_FRANCE_MC_0718.jpg
  • Entrance to the College Franco Britannique, or Franco-British College, designed by Pierre Martin and Maurice Vieu and inaugurated 1937, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. The building was designed in the style of British University colleges and houses both British and French students as a symbol of the friendship between the 2 nations. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat, 1868-1950, and Emile Deutsch de la Meurthe, 1847-1924, to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen.
    LC16_FRANCE_MC_0712.jpg
  • College Franco Britannique, or Franco-British College, designed by Pierre Martin and Maurice Vieu and inaugurated 1937, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. The building was designed in the style of British University colleges and houses both British and French students as a symbol of the friendship between the 2 nations. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat, 1868-1950, and Emile Deutsch de la Meurthe, 1847-1924, to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen.
    LC16_FRANCE_MC_0711.JPG
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC131.jpg
  • Statues in the arches of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC127.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC124.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC123.jpg
  • Palazzo della Civilita Italiana, 1938-43, designed 1937 by  Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC061.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC049.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC050.jpg
  • Statue at the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC048.jpg
  • Statue at the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC047.JPG
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC046.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC045.jpg
  • Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC037.jpg
  • Statues in the arches of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC023.jpg
  • Statue on the corner of the Palazzo della Civilita Italiana, 1938-43, designed 1937 by Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano, built as part of the EUR or Expositione Universale di Roma (Rome Universal Exhibition), planned by Marcello Piacentini, Rome, Italy. The exhibition was to take place in 1942 to celebrate the 20th anniversary of the fascist regime. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC024.jpg
  • General view of the statue called Lion tuant une chevre or Lion et mouflon (Lion killing a goat), created by Paul Jouve circa 1937 and located in front of the Art Deco Fauverie (the big cats building) built by Rene Berger, in the Menagerie of Jardin des Plantes, Paris, 5th arrondissement, France. The bronze statue of the Lion tuant une chevre was cast by the Fonderie Rudier, a foundry created in 1792 and also producing Auguste Rodin, Aristide Maillol and Antoine Bourdelle master pieces. Founded in 1794 by Jacques Henri Bernardin de Saint-Pierre, the Menagerie of Jardin des Plantes became the largest exotic animal collection in Europe in the 19th century and is the second oldest public zoo in the world. Picture by Manuel Cohen
    LC_JDP_10_MC032.jpg
  • General view of the statue called Lion tuant une chevre or Lion et mouflon (Lion killing a goat), created by Paul Jouve circa 1937 and located in front of the Art Deco Fauverie (the big cats building) built by Rene Berger, in the Menagerie of Jardin des Plantes, Paris, 5th arrondissement, France. The bronze statue of the Lion tuant une chevre was cast by the Fonderie Rudier, a foundry created in 1792 and also producing Auguste Rodin, Aristide Maillol and Antoine Bourdelle master pieces. Founded in 1794 by Jacques Henri Bernardin de Saint-Pierre, the Menagerie of Jardin des Plantes became the largest exotic animal collection in Europe in the 19th century and is the second oldest public zoo in the world. Picture by Manuel Cohen
    LC_JDP_10_MC033.jpg
  • Detail of relief depicting hunting scenes above the entrance of the Art Deco Fauverie (the big cats building), built by Rene Berger from 1934 to 1937 in the Menagerie of Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, 5th arrondissement, France. Founded in 1794 by Jacques Henri Bernardin de Saint-Pierre, the Menagerie of Jardin des Plantes became the largest exotic animal collection in Europe in the 19th century and is the second oldest public zoo in the world. Picture by Manuel Cohen
    LC_JDP_10_MC449.jpg
  • Detail of relief depicting hunting scenes above the entrance of the Art Deco Fauverie (the big cats building), built by Rene Berger from 1934 to 1937 in the Menagerie of Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, 5th arrondissement, France. Founded in 1794 by Jacques Henri Bernardin de Saint-Pierre, the Menagerie of Jardin des Plantes became the largest exotic animal collection in Europe in the 19th century and is the second oldest public zoo in the world. Picture by Manuel Cohen
    LC_JDP_10_MC448.jpg
  • Detail of relief depicting hunting scenes above the entrance of the Art Deco Fauverie (the big cats building), built by Rene Berger from 1934 to 1937 in the Menagerie of Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, 5th arrondissement, France. Founded in 1794 by Jacques Henri Bernardin de Saint-Pierre, the Menagerie of Jardin des Plantes became the largest exotic animal collection in Europe in the 19th century and is the second oldest public zoo in the world. Picture by Manuel Cohen
    LC_JDP_10_MC450.jpg
  • General view of the statue called Lion tuant une chevre or Lion et mouflon (Lion killing a goat), created by Paul Jouve circa 1937 and located in front of the Art Deco Fauverie (the big cats building) built by Rene Berger, in the Menagerie of Jardin des Plantes, Paris, 5th arrondissement, France. The bronze statue of the Lion tuant une chevre was cast by the Fonderie Rudier, a foundry created in 1792 and also producing Auguste Rodin, Aristide Maillol and Antoine Bourdelle master pieces. Founded in 1794 by Jacques Henri Bernardin de Saint-Pierre, the Menagerie of Jardin des Plantes became the largest exotic animal collection in Europe in the 19th century and is the second oldest public zoo in the world. Picture by Manuel Cohen
    LC_JDP_10_MC451.jpg
  • View from the side at sunrise of the Art Deco Fauverie (the big cats building), built by Rene Berger from 1934 to 1937 in the Menagerie of Jardin des Plantes, Museum National d'Histoire Naturelle, Paris, 5th arrondissement, France. Made of red brick, the building is decorated by low relief depicting wild animals. Founded in 1794 by Jacques Henri Bernardin de Saint-Pierre, the Menagerie of Jardin des Plantes became the largest exotic animal collection in Europe in the 19th century and is the second oldest public zoo in the world. Picture by Manuel Cohen
    LC_JDP_10_MC527.jpg
  • General view at sunrise of the statue called Lion tuant une chevre or Lion et mouflon (Lion killing a goat), created by Paul Jouve circa 1937 and located in front of the Art Deco Fauverie (the big cats building) built by Rene Berger, in the Menagerie of Jardin des Plantes, Paris, 5th arrondissement, France. The bronze statue of the Lion tuant une chevre was cast by the Fonderie Rudier, a foundry created in 1792 and also producing Auguste Rodin, Aristide Maillol and Antoine Bourdelle master pieces. Founded in 1794 by Jacques Henri Bernardin de Saint-Pierre, the Menagerie of Jardin des Plantes became the largest exotic animal collection in Europe in the 19th century and is the second oldest public zoo in the world. Picture by Manuel Cohen
    LC_JDP_10_MC492.jpg
  • Low angle view of the statue called Lion tuant une chevre or Lion et mouflon (Lion killing a goat), created by Paul Jouve circa 1937 and located in front of the Art Deco Fauverie (the big cats building) built by Rene Berger, in the Menagerie of Jardin des Plantes, Paris, 5th arrondissement, France. The bronze statue of the Lion tuant une chevre was cast by the Fonderie Rudier, a foundry created in 1792 and also producing Auguste Rodin, Aristide Maillol and Antoine Bourdelle master pieces. Founded in 1794 by Jacques Henri Bernardin de Saint-Pierre, the Menagerie of Jardin des Plantes became the largest exotic animal collection in Europe in the 19th century and is the second oldest public zoo in the world. Picture by Manuel Cohen
    LC_JDP_10_MC493.jpg
  • Low angle view of the statue called Lion tuant une chevre or Lion et mouflon (Lion killing a goat), created by Paul Jouve circa 1937 and located in front of the Art Deco Fauverie (the big cats building) built by Rene Berger, in the Menagerie of Jardin des Plantes, Paris, 5th arrondissement, France. The bronze statue of the Lion tuant une chevre was cast by the Fonderie Rudier, a foundry created in 1792 and also producing Auguste Rodin, Aristide Maillol and Antoine Bourdelle master pieces. Founded in 1794 by Jacques Henri Bernardin de Saint-Pierre, the Menagerie of Jardin des Plantes became the largest exotic animal collection in Europe in the 19th century and is the second oldest public zoo in the world. Picture by Manuel Cohen
    LC_JDP_10_MC494.jpg
  • View from below of the statue called Lion tuant une chevre or Lion et mouflon (Lion killing a goat), created by Paul Jouve circa 1937 and located in front of the Art Deco Fauverie (the big cats building) built by Rene Berger, in the Menagerie of Jardin des Plantes, Paris, 5th arrondissement, France. The bronze statue of the Lion tuant une chevre was cast by the Fonderie Rudier, a foundry created in 1792 and also producing Auguste Rodin, Aristide Maillol and Antoine Bourdelle master pieces. Founded in 1794 by Jacques Henri Bernardin de Saint-Pierre, the Menagerie of Jardin des Plantes became the largest exotic animal collection in Europe in the 19th century and is the second oldest public zoo in the world. Picture by Manuel Cohen
    LC_JDP_10_MC495.jpg
  • Detail of the statue called Lion tuant une chevre or Lion et mouflon (Lion killing a goat), created by Paul Jouve circa 1937 and located in front of the Art Deco Fauverie (the big cats building) built by Rene Berger, in the Menagerie of Jardin des Plantes, Paris, 5th arrondissement, France. The bronze statue of the Lion tuant une chevre was cast by the Fonderie Rudier, a foundry created in 1792 and also producing Auguste Rodin, Aristide Maillol and Antoine Bourdelle master pieces. Founded in 1794 by Jacques Henri Bernardin de Saint-Pierre, the Menagerie of Jardin des Plantes became the largest exotic animal collection in Europe in the 19th century and is the second oldest public zoo in the world.
    JDP_MCohen_MNHN+_Choix21.jpg
  • General view of the statue called Lion tuant une chevre or Lion et mouflon (Lion killing a goat), created by Paul Jouve circa 1937 and located in front of the Art Deco Fauverie (the big cats building) built by Rene Berger, in the Menagerie of Jardin des Plantes, Paris, 5th arrondissement, France. The bronze statue of the Lion tuant une chevre was cast by the Fonderie Rudier, a foundry created in 1792 and also producing Auguste Rodin, Aristide Maillol and Antoine Bourdelle master pieces. Founded in 1794 by Jacques Henri Bernardin de Saint-Pierre, the Menagerie of Jardin des Plantes became the largest exotic animal collection in Europe in the 19th century and is the second oldest public zoo in the world.
    JDP_MCohen_MNHN+_Choix17.jpg
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1246.jpg
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1248.jpg
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1249.jpg
  • Onion domes and dedication on the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1250.jpg
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1251.jpg
  • Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried here. An adjoining Orthodox Chapel was , designed by Albert Benois and built 1936-37 with funds from the Association du Souvenir du Corps Expeditionnaire Russe. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1252.JPG
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1253.jpg
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1254.jpg
  • Memorial plaque listing fallen officers' names in the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1234.jpg
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1233.jpg
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1235.jpg
  • Inlay scenes on the rood screen of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1237.jpg
  • Decorative ceiling with crosses and stylised angel design, in the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1236.jpg
  • Pennant of a Russian brigade on display in the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1238.jpg
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1239.jpg
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1241.jpg
  • Medals of Russian brigades on display in the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1240.JPG
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1243.jpg
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1242.jpg
  • Orthodox Chapel, designed by Albert Benois and built 1936-37, and Russian cemetery, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France. The site honours the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1244.jpg
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1226.jpg
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1227.jpg
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1228.jpg
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1229.jpg
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1230.jpg
  • Interior of the Orthodox Chapel, designed by Albert Benois and built 1936-37, Saint-Hilaire-le-Grand, Marne, Champagne-Ardenne, France, honouring the 6,100 Russian soldiers killed on French battlefields, in memory of the Franco-Russian military alliance celebrated at the visit of Czar Nicholas II to Champagne in 1896 and 1901. The chapel was built with funds from the Association du Souvenir du Corps Expeditionnaire Russe. 1,000 Russian soldiers from 2 brigades who fought on the French front in 1916-18 are buried in the adjoining cemetery. The site is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1231.jpg
Next
  • Facebook
  • Twitter
x