manuel cohen

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  • Plant in yellow pot against Majorelle blue wall, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC137.jpg
  • Pergola, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC139.jpg
  • Entrance courtyard of villa, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC143.jpg
  • Villa and cacti, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC144.jpg
  • Villa, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC134.jpg
  • Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC140.jpg
  • Cacti, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC142.jpg
  • Villa and cactus garden, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC145.jpg
  • Villa and cactus garden, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC146.jpg
  • Bamboo grove and path with bamboo railings, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC151.jpg
  • Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC149.jpg
  • Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC148.jpg
  • Memorial to Yves Saint Laurent, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. The French fashion designer Yves Saint Laurent part-owned the garden from 1980 until his death in 2008, when his ashes were scattered here. Picture by Manuel Cohen
    LCMOROCCO_12_MC138.jpg
  • Villa, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC135.jpg
  • Entrance courtyard of villa, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC136.jpg
  • Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC141.jpg
  • Bamboo grove and path with bamboo railings, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC150.jpg
  • Entrance courtyard of villa, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC147.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC096.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC007.jpg
  • Blue and gold mosaics by Isidore Odorico, 1893-1945, made using the arivoltatura or Facchina technique, in the staircase of the art deco Hotel d'Anjou, built in 1857 and designed by Alexandre Richard-Delalande, in Angers, Maine-et-Loire, France.  The building was remodelled in 1913 by Gustave Gasnier and then again in the 1920s by Roger Jusserand, who also built the Maison Bleue in Angers. Picture by Manuel Cohen
    LC21_FRANCE_MC_0567.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the Palazzo della Farnesina, a government building designed 1935 housing the Ministry of Foreign Affairs. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC120.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the Palazzo della Farnesina, a government building designed 1935 housing the Ministry of Foreign Affairs. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC116.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the Palazzo della Farnesina, a government building designed 1935 housing the Ministry of Foreign Affairs. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC115.jpg
  • Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC091.jpg
  • Statue by Salvatore Cartaino Scarpitta, 1887-1948, at the swimming stadium, at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC014.jpg
  • Buildings of the former Tempelhof International Airport, built 1920s and 1930s, at Eagle Square, Platz der Luftbrucke, Berlin, Germany. Tempelhof is now a public park. Picture by Manuel Cohen
    LC14_BERLIN_MC0562.jpg
  • Buildings of the former Tempelhof International Airport, built 1920s and 1930s, at Eagle Square, Platz der Luftbrucke, Berlin, Germany. Tempelhof is now a public park. Picture by Manuel Cohen
    LC14_BERLIN_MC0561.jpg
  • Buildings of the former Tempelhof International Airport, at Eagle Square, built 1920s and 1930s, Platz der Luftbrucke, Berlin, Germany. In the foreground is the Eagle Head sculpture, 1940, by Wilhelm Lemke, based on a design by Ernst Sagebiel, which originally stood on top of the Tempelhof building. Tempelhof is now a public park. Picture by Manuel Cohen
    LC14_BERLIN_MC0556.jpg
  • Haleurs, or Haulers, depicting people pulling boats on to the beach, painting, c. 1926, by Sebastienne Marre, daughter of the painter Henri Marreproche friend of d'Henri Martin, who painted in Collioure in the 1920s, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0928.jpg
  • Superior bedroom in the art deco Hotel d'Anjou, built in 1857 and designed by Alexandre Richard-Delalande, in Angers, Maine-et-Loire, France. The building was remodelled in 1913 by Gustave Gasnier and then again in the 1920s by Roger Jusserand, who also built the Maison Bleue in Angers. Picture by Manuel Cohen
    LC21_FRANCE_MC_0568.jpg
  • Blue and gold mosaics by Isidore Odorico, 1893-1945, made using the arivoltatura or Facchina technique, in the staircase of the art deco Hotel d'Anjou, built in 1857 and designed by Alexandre Richard-Delalande, in Angers, Maine-et-Loire, France. The building was remodelled in 1913 by Gustave Gasnier and then again in the 1920s by Roger Jusserand, who also built the Maison Bleue in Angers. Picture by Manuel Cohen
    LC21_FRANCE_MC_0566.jpg
  • Tennis courts and swimming pool building at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC114.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the Palazzo della Farnesina, a government building designed 1935 housing the Ministry of Foreign Affairs. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC113.jpg
  • Statues at the CONI (Comitato Olimpico Nazionale Italiano) swimming complex at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC112.jpg
  • Detail of a bronze statue of wrestlers at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC111.jpg
  • Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC109.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the Palazzo della Farnesina, a government building designed 1935 housing the Ministry of Foreign Affairs. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC107.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, and behind, the CONI (Comitato Olimpico Nazionale Italiano) swimming complex at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC108.jpg
  • Buildings at the Foro Italico or Foro Mussolini, Rome, Italy, a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC095.jpg
  • Buildings at the Foro Italico or Foro Mussolini, Rome, Italy, a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC094.jpg
  • CONI (Comitato Olimpico Nazionale Italiano) swimming complex at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC092.jpg
  • Statue at the Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC089.jpg
  • Statue at the Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC090.jpg
  • Obelisco Mussolini and Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC088.jpg
  • Obelisco Mussolini, Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC056.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC017.jpg
  • Statue by Salvatore Cartaino Scarpitta, 1887-1948, at the swimming stadium, at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC015.jpg
  • Statue by Salvatore Cartaino Scarpitta, 1887-1948, at the swimming stadium, at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC016.jpg
  • Tennis courts and swimming stadium behind, at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC013.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC012.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC011.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC010.jpg
  • Main area with mosaic floor between the Mussolini Obelisk and Olympic Stadium, Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC006.jpg
  • Buildings of the former Tempelhof International Airport, built 1920s and 1930s, at Eagle Square, Platz der Luftbrucke, Berlin, Germany. Tempelhof is now a public park. Picture by Manuel Cohen
    LC14_BERLIN_MC0560.jpg
  • Colonnade along the facade of the offices of the former Tempelhof International Airport, built 1920s and 1930s, at Eagle Square, Platz der Luftbrucke, Berlin, Germany. Tempelhof is now a public park. Picture by Manuel Cohen
    LC14_BERLIN_MC0559.jpg
  • Eagle Head sculpture, 1940, by Wilhelm Lemke, based on a design by Ernst Sagebiel, at Eagle Square, Platz der Luftbrucke, at the entrance to the former Tempelhof International Airport, built 1920s and 1930s, Berlin, Germany. The sculpture was part of a 4.5m bird which stood on top of the Tempelhof building but was removed after the war in 1962 to make room for a radar and was moved here in 1984. Picture by Manuel Cohen
    LC14_BERLIN_MC0557.jpg
  • Buildings of the former Tempelhof International Airport, built 1920s and 1930s, at Eagle Square, Platz der Luftbrucke, Berlin, Germany. Tempelhof is now a public park. Picture by Manuel Cohen
    LC14_BERLIN_MC0600.jpg
  • Buildings of the former Tempelhof International Airport, built 1920s and 1930s, at Eagle Square, Platz der Luftbrucke, Berlin, Germany. Tempelhof is now a public park. Picture by Manuel Cohen
    LC14_BERLIN_MC0599.jpg
  • Gorica Bridge over the Osum river, which connects 2 parts of Berat, originally built in wood in 1780 and rebuilt in stone in the 1920s, in Berat, South-Central Albania, capital of the District of Berat and the County of Berat. The 7-arch bridge is 129 m long and 5.3m wide. According to local legend, the original wooden bridge contained a dungeon in which a girl would be incarcerated and starved to appease the spirits responsible for the safety of the bridge. Picture by Manuel Cohen
    LC14_Albania_MC126.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the CONI building (Comitato Olimpico Nazionale Italiano). The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC121.jpg
  • Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC110.jpg
  • Obelisco Mussolini and buildings at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC093.jpg
  • Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC087.jpg
  • Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC086.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the Palazzo della Farnesina, a government building designed 1935 housing the Ministry of Foreign Affairs. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC055.jpg
  • Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC009.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC008.jpg
  • Detail of mosaic floor with men hailing their leader between the Mussolini Obelisk and Olympic Stadium, Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC005.jpg
  • Barcelona Pavilion, a Modernist building inaugurated 1929 and designed by Ludwig Mies van der Rohe, 1886-1969, and Lilly Reich, 1885-1947, as the German Pavilion for the 1929 International Exposition in Barcelona, Catalonia, Spain. Although destroyed in 1930 after the exhibition, the pavilion was rebuilt 1983-86. The sculpture is Alba or Dawn by Georg Kolbe, the walls are lined with red onyx and green travertine and the furniture, including the Barcelona chair, was designed for the building. Picture by Manuel Cohen
    LC21_SPAIN_MC_1127.jpg
  • Cadix, oil painting, 1924, by Jean Lurcat, 1892-1966, in the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen - Further clearances required for reproduction (artist's copyright)
    LC20_FRANCE_MC_1367.jpg
  • Original record player in the lounge area of the former Hotel Belvedere du Rayon Vert, built 1928-32 in art deco style by Leon Baille, beside the train tracks in Cerbere, Pyrenees-Orientales, Catalogne du Nord, France. This was the first building in the world to be constructed from reinforced concrete and its design was inspired by ocean liners. The hotel closed in 1983 and is now apartments, and is listed as a historic monument. Cerbere is situated close to the Spanish border and its international train station opened in 1876, leading to a rapid growth in population. Cerbere is located on the Cote Vermeille or Vermilion Coast. Picture by Manuel Cohen
    LC20_FRANCE_MC_0798.jpg
  • Former Hotel Belvedere du Rayon Vert, built 1928-32 in art deco style by Leon Baille, beside the train tracks in Cerbere, Pyrenees-Orientales, Catalogne du Nord, France. This was the first building in the world to be constructed from reinforced concrete and its design was inspired by ocean liners. The hotel closed in 1983 and is now apartments, and is listed as a historic monument. Cerbere is situated close to the Spanish border and its international train station opened in 1876, leading to a rapid growth in population. Cerbere is located on the Cote Vermeille or Vermilion Coast. Picture by Manuel Cohen
    LC20_FRANCE_MC_0791.jpg
  • Ile de France sans bras, 1925, bronze sculpture by Aristide Maillol, 1861-1944, beside the beach in Banyuls-sur-Mer, Pyrenees-Orientales, Catalogne du Nord, France. Banyuls-sur-Mer is a small seaside town first settled by the Greeks in 400 BC, on the Vermilion Coast near the Spanish border, where Maillol was born and lived. Picture by Manuel Cohen
    LC20_FRANCE_MC_0689.jpg
  • Piscine Molitor, a swimming pool and hotel complex originally built in 1929 by Lucien Pollet in Art Deco style, in Porte Molitor, in Auteuil, in the 16th arrondissement of Paris, France. The pool was listed as a historic monument and closed in 1989, and has been rebuilt in similar style, reopening in 2014, with an open-air and an indoor pool, 4-star hotel, health centre, medical centre, shops and restaurants. Picture by Manuel Cohen
    LC19_PARIS_MC_1321.jpg
  • Fondation Deutsch de la Meurthe, designed by Lucien Bechmann, 1880-1968, built 1923-35 and inaugurated in 1925, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. This was the first residence built at CIUP and was influenced by the style of English University colleges at Oxford and consists of 7 pavilions around a garden. The buildings are listed as a historic monument. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen
    LC19_PARIS_MC_1221.jpg
  • Mare de Deu de Montserrat Montferri, or Sanctuary of the Virgin of Montserrat, a sanctuary and hermitage built 1926-28 and again from 1987, at Montferri, Tarragona, Catalonia, Spain. The church was designed by Josep Maria Jujol in local sand and cement, but when funds ran out the project was finished in the early 1990s by Joan Bassegoda i Nonell and Josep Cendros, and finally inaugurated in 1999. The building has been called 'the other Sagrada Familia' because of its organic forms and parabolic arches. Picture by Manuel Cohen
    DRN_LC19_SPAIN_MC146.jpg
  • Indian woman, detail, stained glass window designed by Jean-Baptiste Lagace and made by Francois Chigot of Limoges, France, in the nave of the Basilique Notre-Dame de Montreal, built in 1823 in Gothic Revival style by James O'Donnell, in Montreal, Quebec, Canada. The windows were commissioned in 1929 by the priest Olivier Maurault to celebrate the centenary of the basilica. The depict the history of Montreal. The basilica is listed as a National Historic Site of Canada. Picture by Manuel Cohen
    LC18_QUEBEC_MC_268.jpg
  • Construction of the central section of the Chateau Frontenac, photograph, 1921, from the Archives of the Chateau Frontenac, Quebec City, Quebec, Canada. The Chateau Frontenac opened in 1893 and was designed by Bruce Price as a chateau style hotel for the Canadian Pacific Railway company or CPR. It was extended in 1924 by William Sutherland Maxwell. The building is now a hotel, the Fairmont Le Chateau Frontenac, and is listed as a National Historic Site of Canada. The Historic District of Old Quebec is listed as a UNESCO World Heritage Site. Copyright Archives Chateau Frontenac / Manuel Cohen
    LC18_QUEBEC_MC_199.jpg
  • Construction of the side wing of the Chateau Frontenac, photograph, 1921, from the Archives of the Chateau Frontenac, Quebec City, Quebec, Canada. The Chateau Frontenac opened in 1893 and was designed by Bruce Price as a chateau style hotel for the Canadian Pacific Railway company or CPR. It was extended in 1924 by William Sutherland Maxwell. The building is now a hotel, the Fairmont Le Chateau Frontenac, and is listed as a National Historic Site of Canada. The Historic District of Old Quebec is listed as a UNESCO World Heritage Site. Copyright Archives Chateau Frontenac / Manuel Cohen
    LC18_QUEBEC_MC_198.jpg
  • Carved marble capitals of the double columns supporting the ceiling of the prayer hall, Grande Mosquee de Paris, designed by Robert Fournez, Maurice Mantout and Charles Heubes, built in Neo-Mudejar style 1922-26 and inaugurated in 1926, as a gesture of thanks to the muslim soldiers who fought in France's colonial troops during the First World War, in the 5th arrondissement of Paris, France. The mosque is built from reinforced concrete, with wooden carvings and mosaics brought from Morocco. The religious spaces include the grand patio, prayer room and minaret, there is an Islamic school and library, and a cafe and hammam or Turkish baths. The mosque was renovated in 1992. Picture by Manuel Cohen
    LC17_FRANCE_MC_1544.jpg
  • Square minaret with green and white tiles, 33m high, and patio garden with mosaic tiles seen from an arcade with stucco work surrounding the horseshoe arches, Grande Mosquee de Paris, designed by Robert Fournez, Maurice Mantout and Charles Heubes, built in Neo-Mudejar style 1922-26 and inaugurated in 1926, as a gesture of thanks to the muslim soldiers who fought in France's colonial troops during the First World War, in the 5th arrondissement of Paris, France. The mosque is built from reinforced concrete, with wooden carvings and mosaics brought from Morocco. The religious spaces include the grand patio, prayer room and minaret, there is an Islamic school and library, and a cafe and hammam or Turkish baths. The mosque was renovated in 1992. Picture by Manuel Cohen
    LC17_FRANCE_MC_1551.jpg
  • Prayer hall, with mihrab on the back wall and minbar or pulpit beside it, and arches with double columns supporting the ceiling, Grande Mosquee de Paris, designed by Robert Fournez, Maurice Mantout and Charles Heubes, built in Neo-Mudejar style 1922-26 and inaugurated in 1926, as a gesture of thanks to the muslim soldiers who fought in France's colonial troops during the First World War, in the 5th arrondissement of Paris, France. The mosque is built from reinforced concrete, with wooden carvings and mosaics brought from Morocco. The religious spaces include the grand patio, prayer room and minaret, there is an Islamic school and library, and a cafe and hammam or Turkish baths. The mosque was renovated in 1992. Picture by Manuel Cohen
    LC17_FRANCE_MC_1556.jpg
  • Fresco entitled La Periode Romane, 1 of a series of 4 paintings depicting the 4 ages of French art, showing the tapestry La Dame a la Licorne, with a boy entertaining the ladies of the court with songs and stories, painted in Art Deco style in 1929-30 by Robert La Montagne Saint-Hubert, 1887-1950, and 2 assistants, Ethel Wallace and James Newell, 1900-1985, 1 of 6 frescoes which were discovered during works in 1994 and restored in 2011, in the Grand Salon or Great Hall of the Fondation des Etats Unis or American Foundation, designed by Pierre Leprince-Ringuet, 1874-1954, and inaugurated in 1930, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. The Grand Salon is listed as a historic monument. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. Further clearances may be requested.
    LC17_FRANCE_MC_0550.jpg
  • Detail of Marie Antoinette from a fresco entitled La Periode Classique, 1 of a series of 4 paintings depicting the 4 ages of French art, showing the French royal court in the gardens of the Palais de Versailles, with Marie Antoinette and the Dauphin, Mabel Gage, Voltaire and Antoine Watteau painting his painting L’Indifferent of 1716, painted in Art Deco style in 1929-30 by Robert La Montagne Saint-Hubert, 1887-1950, and 2 assistants, Ethel Wallace and James Newell, 1900-1985, 1 of 6 frescoes which were discovered during works in 1994 and restored in 2011, in the Grand Salon or Great Hall of the Fondation des Etats Unis or American Foundation, designed by Pierre Leprince-Ringuet, 1874-1954, and inaugurated in 1930, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. The Grand Salon is listed as a historic monument. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. Further clearances may be requested.
    LC17_FRANCE_MC_0545.jpg
  • Fresco entitled La Periode Classique, 1 of a series of 4 paintings depicting the 4 ages of French art, showing the French royal court in the gardens of the Palais de Versailles, with Marie Antoinette and the Dauphin, Mabel Gage, Voltaire and Antoine Watteau painting his painting L’Indifferent of 1716, painted in Art Deco style in 1929-30 by Robert La Montagne Saint-Hubert, 1887-1950, and 2 assistants, Ethel Wallace and James Newell, 1900-1985, 1 of 6 frescoes which were discovered during works in 1994 and restored in 2011, in the Grand Salon or Great Hall of the Fondation des Etats Unis or American Foundation, designed by Pierre Leprince-Ringuet, 1874-1954, and inaugurated in 1930, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. The Grand Salon is listed as a historic monument. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. Further clearances may be requested.
    LC17_FRANCE_MC_0537.JPG
  • Fresco entitled La Renaissance, 1 of a series of 4 paintings depicting the 4 ages of French art, showing Francis I and his court at the Chateau de Chambord, with Diane d’Anet (Diana the huntress statue), Joachim du Bellay and the Pleiade poets, painted in Art Deco style in 1929-30 by Robert La Montagne Saint-Hubert, 1887-1950, and 2 assistants, Ethel Wallace and James Newell, 1900-1985, 1 of 6 frescoes which were discovered during works in 1994 and restored in 2011, in the Grand Salon or Great Hall of the Fondation des Etats Unis or American Foundation, designed by Pierre Leprince-Ringuet, 1874-1954, and inaugurated in 1930, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. The Grand Salon is listed as a historic monument. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. Further clearances may be requested.
    LC17_FRANCE_MC_0536.jpg
  • Corner of the Maison Internationale or International House (left), designed by Lucien Bechmann, 1880-1968, and Jean-Frederic Larson, and opened in 1936, and the Maison d'Argentine or Argentina House (right), designed by Rene Betourne, L. Fagnez and Tito Saubidet, 1891–1955, and opened in 1928, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. Further clearances may be requested.
    LC17_FRANCE_MC_0514.jpg
  • On the War Trail, bronze sculpture, 1922, by Alexandre Phimister Proctor, 1860-1950, depicting a native American riding bareback and holding a spear, presented to the city of Denver by Stephan Knight, in Civic Center Park, Denver, Colorado, USA. This was one of two sculptures commissioned by the Civic Center. Picture by Manuel Cohen
    LC16_COLORADO_MC_173.jpg
  • To the Harvest, Marfa and Wanka, 1928, oil on canvas, by Kasimir Malevich, 1878-1935, from the collection of the Russian State Museum, St Petersburg, Russia. Malevich was a Russian painter who founded the Suprematist art movement and produced many geometric abstract works. Picture by Manuel Cohen
    LC_HISTORY_MC_0230.jpg
  • The French military cemetery in the evening at the Ossuaire de Douaumont or Douaumont Ossuary, inaugurated 7th August 1932 by French President Albert Lebrun, to house the remains of French and German soldiers who died at the Battle of Verdun in World War One, at Douaumont, Verdun, Meuse, Lorraine, France. The ossuary contains the remains of over 130,000 soldiers and the adjoining military cemetery holds 16,142 graves. This is the largest single French military cemetery of the First World War and was inaugurated in 1923 by Verdun veteran Andre Maginot. It has been listed as a national cemetery. Picture by Manuel Cohen
    LC15_FRANCE_MC_1257.JPG
  • The Ossuaire de Douaumont or Douaumont Ossuary, designed by Leon Azema, Max Edrei and Jacques Hardy, inaugurated 7th August 1932 by French President Albert Lebrun, to house the remains of French and German soldiers who died at the Battle of Verdun in World War One, at Douaumont, Verdun, Meuse, Lorraine, France. The ossuary contains the remains of over 130,000 soldiers and the adjoining military cemetery holds 16,142 graves. This is the largest single French military cemetery of the First World War and was inaugurated in 1923 by Verdun veteran Andre Maginot. It has been listed as a national cemetery. Picture by Manuel Cohen
    LC15_VERDUN_MC004.jpg
  • The Ossuaire de Douaumont or Douaumont Ossuary, designed by Leon Azema, Max Edrei and Jacques Hardy, inaugurated 7th August 1932 by French President Albert Lebrun, to house the remains of French and German soldiers who died at the Battle of Verdun in World War One, at Douaumont, Verdun, Meuse, Lorraine, France. The ossuary contains the remains of over 130,000 soldiers and the adjoining military cemetery holds 16,142 graves. This is the largest single French military cemetery of the First World War and was inaugurated in 1923 by Verdun veteran Andre Maginot. It has been listed as a national cemetery. Picture by Manuel Cohen
    LC15_VERDUN_MC007.jpg
  • The Ossuaire de Douaumont or Douaumont Ossuary, designed by Leon Azema, Max Edrei and Jacques Hardy, inaugurated 7th August 1932 by French President Albert Lebrun, to house the remains of French and German soldiers who died at the Battle of Verdun in World War One, at Douaumont, Verdun, Meuse, Lorraine, France. The ossuary contains the remains of over 130,000 soldiers and the adjoining military cemetery holds 16,142 graves. This is the largest single French military cemetery of the First World War and was inaugurated in 1923 by Verdun veteran Andre Maginot. It has been listed as a national cemetery. Picture by Manuel Cohen
    LC15_VERDUN_MC009.jpg
  • Monument to the Victory at Verdun, sculpted by Jean Boucher, 1870-1939, designed by Leon Chesnay and inaugurated by French President Gaston Doumergue in 1929, Verdun, Meuse, Lorraine, France. The monument is built in a breach of the medieval walls, with a long staircase leading to a crypt and the tower topped by a statue of Charlemagne. The crypt houses books with the names of the French and American soldiers who fought in this region in World War One. Picture by Manuel Cohen
    LC15_VERDUN_MC050.jpg
  • Interior and cloister of the Ossuaire de Douaumont or Douaumont Ossuary, designed by Leon Azema, Max Edrei and Jacques Hardy, inaugurated 7th August 1932 by French President Albert Lebrun, to house the remains of French and German soldiers who died at the Battle of Verdun in World War One, at Douaumont, Verdun, Meuse, Lorraine, France. The ossuary contains the remains of over 130,000 soldiers, some of whom are named on the plaques covering the walls and ceiling.  The adjoining military cemetery holds 16,142 graves and is the largest single French military cemetery of the First World War, inaugurated in 1923 by Verdun veteran Andre Maginot. It has been listed as a national cemetery. Picture by Manuel Cohen
    LC15_FRANCE_MC_1092.jpg
  • The Ossuaire de Douaumont or Douaumont Ossuary, designed by Leon Azema, Max Edrei and Jacques Hardy, inaugurated 7th August 1932 by French President Albert Lebrun, to house the remains of French and German soldiers who died at the Battle of Verdun in World War One, at Douaumont, Verdun, Meuse, Lorraine, France. The ossuary contains the remains of over 130,000 soldiers and the adjoining military cemetery holds 16,142 graves. This is the largest single French military cemetery of the First World War and was inaugurated in 1923 by Verdun veteran Andre Maginot. It has been listed as a national cemetery. Picture by Manuel Cohen
    LC15_FRANCE_MC_1086.jpg
  • Portrait of Paul Claudel, 1868-1955, French poet, dramatist and diplomat, brother of Camille Claudel, c. 1920, photographer unknown. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0099.jpg
  • Portrait of dancers from the 'Revue Negre' at the Theatre des Champs-Elysees in Paris, 1927, photographer unknown, in front of the Bal Negre poster of 1927 designed by Paul Colin, 1892-1986. Copyright © Collection Particuliere Tropmi / Manuel Cohen
    LC_History_MC0139.jpg
  • Photograph of Jean Rene Lacoste, 1904-96, in the French Davis Cup Team of 1924, in the Lacoste Archives, in the Private Lacoste Museum, in Troyes, Aube, Grand Est, France. Lacoste is a ready-to-wear clothing and accessories company founded 1933 by tennis players Rene Lacoste and Andre Gillier, based in Troyes. Credit : Lacoste Museum, photo Manuel Cohen
    LC21_FRANCE_MC_1536.jpg
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