manuel cohen

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  • Plant in yellow pot against Majorelle blue wall, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC137.jpg
  • Pergola, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC139.jpg
  • Entrance courtyard of villa, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC143.jpg
  • Villa and cacti, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC144.jpg
  • Villa, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC134.jpg
  • Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC140.jpg
  • Cacti, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC142.jpg
  • Villa and cactus garden, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC145.jpg
  • Villa and cactus garden, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC146.jpg
  • Bamboo grove and path with bamboo railings, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC151.jpg
  • Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC149.jpg
  • Memorial to Yves Saint Laurent, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. The French fashion designer Yves Saint Laurent part-owned the garden from 1980 until his death in 2008, when his ashes were scattered here. Picture by Manuel Cohen
    LCMOROCCO_12_MC138.jpg
  • Villa, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC135.jpg
  • Entrance courtyard of villa, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC136.jpg
  • Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC141.jpg
  • Bamboo grove and path with bamboo railings, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC150.jpg
  • Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC148.jpg
  • Entrance courtyard of villa, Majorelle Garden, Marrakech, Morocco. These botanical gardens were designed by French painter Jacques Majorelle, 1886-1962, in the 1920s and 1930s. He invented the shade of cobalt blue, known as Majorelle blue, which is used on the buildings and walls. Picture by Manuel Cohen
    LCMOROCCO_12_MC147.jpg
  • Blue and gold mosaics by Isidore Odorico, 1893-1945, made using the arivoltatura or Facchina technique, in the staircase of the art deco Hotel d'Anjou, built in 1857 and designed by Alexandre Richard-Delalande, in Angers, Maine-et-Loire, France.  The building was remodelled in 1913 by Gustave Gasnier and then again in the 1920s by Roger Jusserand, who also built the Maison Bleue in Angers. Picture by Manuel Cohen
    LC21_FRANCE_MC_0567.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the Palazzo della Farnesina, a government building designed 1935 housing the Ministry of Foreign Affairs. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC120.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the Palazzo della Farnesina, a government building designed 1935 housing the Ministry of Foreign Affairs. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC115.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC096.jpg
  • Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC091.jpg
  • Statue by Salvatore Cartaino Scarpitta, 1887-1948, at the swimming stadium, at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC014.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC007.jpg
  • Buildings of the former Tempelhof International Airport, built 1920s and 1930s, at Eagle Square, Platz der Luftbrucke, Berlin, Germany. Tempelhof is now a public park. Picture by Manuel Cohen
    LC14_BERLIN_MC0561.jpg
  • Buildings of the former Tempelhof International Airport, at Eagle Square, built 1920s and 1930s, Platz der Luftbrucke, Berlin, Germany. In the foreground is the Eagle Head sculpture, 1940, by Wilhelm Lemke, based on a design by Ernst Sagebiel, which originally stood on top of the Tempelhof building. Tempelhof is now a public park. Picture by Manuel Cohen
    LC14_BERLIN_MC0556.jpg
  • Superior bedroom in the art deco Hotel d'Anjou, built in 1857 and designed by Alexandre Richard-Delalande, in Angers, Maine-et-Loire, France. The building was remodelled in 1913 by Gustave Gasnier and then again in the 1920s by Roger Jusserand, who also built the Maison Bleue in Angers. Picture by Manuel Cohen
    LC21_FRANCE_MC_0568.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the Palazzo della Farnesina, a government building designed 1935 housing the Ministry of Foreign Affairs. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC116.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the Palazzo della Farnesina, a government building designed 1935 housing the Ministry of Foreign Affairs. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC113.jpg
  • Statues at the CONI (Comitato Olimpico Nazionale Italiano) swimming complex at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC112.jpg
  • Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC109.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the Palazzo della Farnesina, a government building designed 1935 housing the Ministry of Foreign Affairs. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC107.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, and behind, the CONI (Comitato Olimpico Nazionale Italiano) swimming complex at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC108.jpg
  • Buildings at the Foro Italico or Foro Mussolini, Rome, Italy, a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC094.jpg
  • CONI (Comitato Olimpico Nazionale Italiano) swimming complex at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC092.jpg
  • Obelisco Mussolini and Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC088.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC017.jpg
  • Statue by Salvatore Cartaino Scarpitta, 1887-1948, at the swimming stadium, at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC016.jpg
  • Tennis courts and swimming stadium behind, at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC013.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC011.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC010.jpg
  • Buildings of the former Tempelhof International Airport, built 1920s and 1930s, at Eagle Square, Platz der Luftbrucke, Berlin, Germany. Tempelhof is now a public park. Picture by Manuel Cohen
    LC14_BERLIN_MC0562.jpg
  • Eagle Head sculpture, 1940, by Wilhelm Lemke, based on a design by Ernst Sagebiel, at Eagle Square, Platz der Luftbrucke, at the entrance to the former Tempelhof International Airport, built 1920s and 1930s, Berlin, Germany. The sculpture was part of a 4.5m bird which stood on top of the Tempelhof building but was removed after the war in 1962 to make room for a radar and was moved here in 1984. Picture by Manuel Cohen
    LC14_BERLIN_MC0557.jpg
  • Buildings of the former Tempelhof International Airport, built 1920s and 1930s, at Eagle Square, Platz der Luftbrucke, Berlin, Germany. Tempelhof is now a public park. Picture by Manuel Cohen
    LC14_BERLIN_MC0600.jpg
  • Buildings of the former Tempelhof International Airport, built 1920s and 1930s, at Eagle Square, Platz der Luftbrucke, Berlin, Germany. Tempelhof is now a public park. Picture by Manuel Cohen
    LC14_BERLIN_MC0599.jpg
  • Gorica Bridge over the Osum river, which connects 2 parts of Berat, originally built in wood in 1780 and rebuilt in stone in the 1920s, in Berat, South-Central Albania, capital of the District of Berat and the County of Berat. The 7-arch bridge is 129 m long and 5.3m wide. According to local legend, the original wooden bridge contained a dungeon in which a girl would be incarcerated and starved to appease the spirits responsible for the safety of the bridge. Picture by Manuel Cohen
    LC14_Albania_MC126.jpg
  • Haleurs, or Haulers, depicting people pulling boats on to the beach, painting, c. 1926, by Sebastienne Marre, daughter of the painter Henri Marreproche friend of d'Henri Martin, who painted in Collioure in the 1920s, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0928.jpg
  • Blue and gold mosaics by Isidore Odorico, 1893-1945, made using the arivoltatura or Facchina technique, in the staircase of the art deco Hotel d'Anjou, built in 1857 and designed by Alexandre Richard-Delalande, in Angers, Maine-et-Loire, France. The building was remodelled in 1913 by Gustave Gasnier and then again in the 1920s by Roger Jusserand, who also built the Maison Bleue in Angers. Picture by Manuel Cohen
    LC21_FRANCE_MC_0566.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the CONI building (Comitato Olimpico Nazionale Italiano). The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC121.jpg
  • Tennis courts and swimming pool building at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC114.jpg
  • Detail of a bronze statue of wrestlers at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC111.jpg
  • Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC110.jpg
  • Buildings at the Foro Italico or Foro Mussolini, Rome, Italy, a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC095.jpg
  • Obelisco Mussolini and buildings at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC093.jpg
  • Statue at the Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC089.jpg
  • Statue at the Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC090.jpg
  • Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC087.jpg
  • Foro Italico University of Rome, created 1998 at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC086.jpg
  • Statues at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy, and behind, the Palazzo della Farnesina, a government building designed 1935 housing the Ministry of Foreign Affairs. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC055.jpg
  • Obelisco Mussolini, Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC056.jpg
  • Statue by Salvatore Cartaino Scarpitta, 1887-1948, at the swimming stadium, at the Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC015.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC012.jpg
  • Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC009.jpg
  • Statue at the Stadio dei Marmi or Stadium of the Marbles, a stadium designed c. 1928 by Enrico Del Debbio and inaugurated 1932, at the Foro Italico, Rome, Italy. The stadium has Carrara marble steps lined by 59 marble statues of athletes in classical style. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC008.jpg
  • Detail of mosaic floor with men hailing their leader between the Mussolini Obelisk and Olympic Stadium, Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC005.jpg
  • Main area with mosaic floor between the Mussolini Obelisk and Olympic Stadium, Foro Italico, Rome, Italy. The Foro Italico or Foro Mussolini is a sports complex built 1928-38 in Fascist style by Enrico Del Debbio and Luigi Moretti, inspired by Roman forums. Fascist architecture developed in the late 1920s and 1930s, as a modernist style in times of nationalism and totalitarianism under Benito Mussolini. It is characterised by large, square, symmetrical buildings with little or no decoration, often inspired by ancient Rome and designed to convey strength and power. Picture by Manuel Cohen
    LC15_ITALY_MC006.jpg
  • Buildings of the former Tempelhof International Airport, built 1920s and 1930s, at Eagle Square, Platz der Luftbrucke, Berlin, Germany. Tempelhof is now a public park. Picture by Manuel Cohen
    LC14_BERLIN_MC0560.jpg
  • Colonnade along the facade of the offices of the former Tempelhof International Airport, built 1920s and 1930s, at Eagle Square, Platz der Luftbrucke, Berlin, Germany. Tempelhof is now a public park. Picture by Manuel Cohen
    LC14_BERLIN_MC0559.jpg
  • La bouteille de vin orange, or Bottle of orange wine, cubist painting, 1922, by Charles-Edouard Jeanneret, or Le Corbusier, 1887-1965, in the Musee des Ursulines, an art and archaeology museum housed since 1968 in the former Ursulines convent, built 1675-80, in Macon, Saone-et-Loire, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_1614.jpg
  • Halles Centrales, known as the Boulingrin Halls, a covered market designed by Emile Maigrot and built by Eugene Freyssinet in 1927-29, in Reims, Marne, Grand Est, France. The building is made from concrete in parabolic arches, a change from the usual iron in market buildings. it closed in 1988 but was restored and reopened 2012. It is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_1553.jpg
  • Halles Centrales, known as the Boulingrin Halls, a covered market designed by Emile Maigrot and built by Eugene Freyssinet in 1927-29, in Reims, Marne, Grand Est, France. The building is made from concrete in parabolic arches, a change from the usual iron in market buildings. it closed in 1988 but was restored and reopened 2012. It is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_1538.jpg
  • Art Deco style apartment building with curved balconies, on the corner of Rue Thiers and Cours Jean-Baptiste Langlet, built 1924 for M Courbet in Reims, Marne, Grand Est, France. Picture by Manuel Cohen
    LC21_FRANCE_MC_1594.jpg
  • Transport, marble decoration by Marbreries Merbes-Sprimont after cartoons by Henri Sauvage, in the entrance hall of the Bibliotheque Carnegie de Reims, or Carnegie Library of Reims, a public library built on donations by Andrew Carnegie, designed by Max Sainsaulieu and built 1921-27 in Art Deco style, in Reims, Marne, Grand Est, France. The library is a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_1977.jpg
  • Art Deco staircase, in the Bibliotheque Carnegie de Reims, or Carnegie Library of Reims, a public library built on donations by Andrew Carnegie, designed by Max Sainsaulieu and built 1921-27 in Art Deco style, in Reims, Marne, Grand Est, France. The library is a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_1974.jpg
  • Catalogue room, in the Bibliotheque Carnegie de Reims, or Carnegie Library of Reims, a public library built on donations by Andrew Carnegie, designed by Max Sainsaulieu and built 1921-27 in Art Deco style, in Reims, Marne, Grand Est, France. The library is a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_1971.jpg
  • Monument au Poilu, a war memorial commemorating the dead of the First World War, depicting a soldier in uniform with his gun, 1927-28, by Leon Leyritz, 1888-1976, in the Square du Souvenir, in Belfort, Bourgogne-Franche-Comte, France. Picture by Manuel Cohen
    LC22_FRANCE_MC_0240.jpg
  • La Plage de Cabourg, or Beach at Cabourg, oil painting, c. 1920, by Rene-Xavier Prinet, 1861-1946, in the Musee des Beaux-Arts or Fine Art Museum, housed in Tower 41, Belfort, Bourgogne-Franche-Comte, France. Cabourg is a seaside town in Calvados, on the Normandy coast. Tower 41 was built 1687-98 by Vauban as part of the defences of the lower town, and has housed the museum since 2007. The museum was renovated and extended 2016-19 and now houses painting and sculpture from Gothic times to 20th century, including many artists from Belfort. Picture by Manuel Cohen
    LC22_FRANCE_MC_0188.jpg
  • Barcelona Pavilion, a Modernist building inaugurated 1929 and designed by Ludwig Mies van der Rohe, 1886-1969, and Lilly Reich, 1885-1947, as the German Pavilion for the 1929 International Exposition in Barcelona, Catalonia, Spain. Although destroyed in 1930 after the exhibition, the pavilion was rebuilt 1983-86. The sculpture is Alba or Dawn by Georg Kolbe, the walls are lined with red onyx and green travertine and the furniture, including the Barcelona chair, was designed for the building. Picture by Manuel Cohen
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  • Figura Femenina, or Marina, statue of a naked woman wrapped in a fishing net, in noucentisme style, 1929, by Eusebi Arnau, 1864-1933, in the Parc de Pedralbes at the Palau Reial de Pedralbes, in Les Corts, Barcelona, Catalonia, Spain. The palace was a royal residence from 1919-31 and now houses the Museu de la Ceramica. The large gardens were designed by Nicolau Maria Rubio i Tuduri and Antoni Gaudi and contain many sculptures, fountains, a pergola, benches and a pond. Picture by Manuel Cohen
    LC21_SPAIN_MC_1131.JPG
  • Descans, or Break, c. 1926, oil painting on canvas, c. 1926, by Lola Anglada, 1892-1984, from the collection of the Diputacio de Barcelona, in the Palau de Maricel, now the Maricel Museum, inaugurated 1970 and reopened in 2015, in Sitges, Catalonia, Spain. The complex was built 1910-18 by Miquel Utrillo for Charles Deering, converted from a hospital to a residence and gallery to house Deering's collection. Picture by Manuel Cohen
    LC21_SPAIN_MC_0960.jpg
  • Meditation, or Girl, marble statue, 1925, by Josep Llimona, 1864-1934, on the Rahola family tomb in the Cadaques Cemetery in Portlligat, on the Cap de Creus peninsula, Catalonia, Spain. Cap de Creus is a rocky peninsula near the French border in the northern Costa Brava, with headlands, cliffs and coves, protected as a natural park since 1998. Picture by Manuel Cohen
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  • Monument aux Morts, detail, with 3 catalan figures, a grape harvester with basket of fruit, shepherd wearing a baratina hat, and fisherman holding oar and net, 1924, by Gustave Violet, 1873-1952, in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The monument commemorates the citizens of Perpignan killed in the First World War, 1914-18. Picture by Manuel Cohen
    LC20_FRANCE_MC_1156.jpg
  • Art deco style building, 1925, by E Montes, at 7 Rue Pierre Ronsard, in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. With the demolition of its ramparts in the early 20th century, Perpignan grew and expanded, embracing the art deco style of the 1930s in its new housing estates. Picture by Manuel Cohen
    LC20_FRANCE_MC_1138.jpg
  • La Maison Rouge, Modernist art deco style house built 1925, by Raoul Castan, as a home and studio for painter Louis Bausil, at 41 rue Francois Rabelais, in Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The house is made from unadorned geometric blocks, and is now a restaurant. With the demolition of its ramparts in the early 20th century, Perpignan grew and expanded, embracing the art deco style of the 1930s in its new housing estates. Picture by Manuel Cohen
    LC20_FRANCE_MC_1137.jpg
  • Cadix, oil painting, 1924, by Jean Lurcat, 1892-1966, in the Musee d'Art Hyacinthe Rigaud, an art gallery housed in the Hotel de Lazerme, a private mansion built in the 18th century by the marquis Etienne de Blanes and bought in 1827 by Joseph de Lazerme, and the Hotel de Mailly, on the Rue de l'Age, Perpignan, Pyrenees-Orientales, Catalogne du Nord, France. The museum was renovated and reopened in 2017 and houses 3 exhibitions: Gothic Perpignan, Baroque Perpignan and Modern Perpignan, including works by local artists Hyacinthe Rigaud and Aristide Maillol. Picture by Manuel Cohen - Further clearances required for reproduction (artist's copyright)
    LC20_FRANCE_MC_1367.jpg
  • La Grande Plage, detail of baskets of fish and woman with crying children, watercolour painting on canvas, 1925-35, by Augustin Hanicotte, in an exhibition entitled L’eau à la Bouche, February - May 2020, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. This large canvas pictures all of daily life unfolding on the beach at Collioure, with fishermen, priests, groups of women, traditional barques catalanes, the Chateau Royal and Fort Saint-Elme. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0923.jpg
  • La Grande Plage, detail of women carrying baskets on their heads, watercolour painting on canvas, 1925-35, by Augustin Hanicotte, in an exhibition entitled L’eau à la Bouche, February - May 2020, in the Musee d'Art Moderne de Collioure, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. This large canvas pictures all of daily life unfolding on the beach at Collioure, with fishermen, priests, groups of women, traditional barques catalanes, the Chateau Royal and Fort Saint-Elme. The Collioure Museum was created by the painter Jean Peske in 1934 and has a collection of modern and contemporary art. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0922.jpg
  • Original record player in the lounge area of the former Hotel Belvedere du Rayon Vert, built 1928-32 in art deco style by Leon Baille, beside the train tracks in Cerbere, Pyrenees-Orientales, Catalogne du Nord, France. This was the first building in the world to be constructed from reinforced concrete and its design was inspired by ocean liners. The hotel closed in 1983 and is now apartments, and is listed as a historic monument. Cerbere is situated close to the Spanish border and its international train station opened in 1876, leading to a rapid growth in population. Cerbere is located on the Cote Vermeille or Vermilion Coast. Picture by Manuel Cohen
    LC20_FRANCE_MC_0798.jpg
  • Former Hotel Belvedere du Rayon Vert, built 1928-32 in art deco style by Leon Baille, beside the train tracks in Cerbere, Pyrenees-Orientales, Catalogne du Nord, France. This was the first building in the world to be constructed from reinforced concrete and its design was inspired by ocean liners. The hotel closed in 1983 and is now apartments, and is listed as a historic monument. Cerbere is situated close to the Spanish border and its international train station opened in 1876, leading to a rapid growth in population. Cerbere is located on the Cote Vermeille or Vermilion Coast. Picture by Manuel Cohen
    LC20_FRANCE_MC_0808.jpg
  • Former Hotel Belvedere du Rayon Vert, built 1928-32 in art deco style by Leon Baille, beside the train tracks in Cerbere, Pyrenees-Orientales, Catalogne du Nord, France. This was the first building in the world to be constructed from reinforced concrete and its design was inspired by ocean liners. The hotel closed in 1983 and is now apartments, and is listed as a historic monument. Cerbere is situated close to the Spanish border and its international train station opened in 1876, leading to a rapid growth in population. Cerbere is located on the Cote Vermeille or Vermilion Coast. Picture by Manuel Cohen
    LC20_FRANCE_MC_0805.jpg
  • Former Hotel Belvedere du Rayon Vert, built 1928-32 in art deco style by Leon Baille, beside the train tracks in Cerbere, Pyrenees-Orientales, Catalogne du Nord, France. This was the first building in the world to be constructed from reinforced concrete and its design was inspired by ocean liners. The hotel closed in 1983 and is now apartments, and is listed as a historic monument. Cerbere is situated close to the Spanish border and its international train station opened in 1876, leading to a rapid growth in population. Cerbere is located on the Cote Vermeille or Vermilion Coast. Picture by Manuel Cohen
    LC20_FRANCE_MC_0791.jpg
  • Fire hydrant fountain, 1921, in Collioure, Pyrenees-Orientales, Catalogne du Nord, France. Collioure is a small town depicted by many artists in the 20th century, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0783.jpg
  • Ile de France sans bras, 1925, bronze sculpture by Aristide Maillol, 1861-1944, beside the beach in Banyuls-sur-Mer, Pyrenees-Orientales, Catalogne du Nord, France. Banyuls-sur-Mer is a small seaside town first settled by the Greeks in 400 BC, on the Vermilion Coast near the Spanish border, where Maillol was born and lived. Picture by Manuel Cohen
    LC20_FRANCE_MC_0689.jpg
  • Baigneuse nue, or Nude bather, bronze sculpture, 1921, forged by E Godard, by Aristide Maillol, 1861-1944, in the Musee Maillol de Banyuls-sur-Mer, in Banyuls-sur-Mer, Pyrenees-Orientales, Catalogne du Nord, France. The museum was founded in 1994 at La Metairie, the farm where Maillol lived at the end of his life. Banyuls-sur-Mer is a small seaside town first settled by the Greeks in 400 BC, on the Vermilion Coast near the Spanish border. Picture by Manuel Cohen
    LC20_FRANCE_MC_0681.jpg
  • Les Cases Barates del Bon Pastor, or Cheap Houses of the Good Shepherd, now known as MUHBA Bon Pastor, were built before the International Exhibition of Barcelona in 1929 after the introduction of the Cheap Housing Act, to remove huts from Montjuic hill and give shelter to its inhabitants, Barcelona, Catalonia, Spain. 784 small houses were cheaply built and rented to poor families or migrant workers, with no community facilities, although the area is now regenerating. 16 of the houses are now managed by MUHBA (Museu d'Historia de Barcelona), and will be preserved, and exhibition spaces and community facilities created. Picture by Manuel Cohen
    LC20_SPAIN_MC_300.jpg
  • Piscine Molitor, a swimming pool and hotel complex originally built in 1929 by Lucien Pollet in Art Deco style, in Porte Molitor, in Auteuil, in the 16th arrondissement of Paris, France. The pool was listed as a historic monument and closed in 1989, and has been rebuilt in similar style, reopening in 2014, with an open-air and an indoor pool, 4-star hotel, health centre, medical centre, shops and restaurants. Picture by Manuel Cohen
    LC19_PARIS_MC_1321.jpg
  • Fondation Deutsch de la Meurthe, designed by Lucien Bechmann, 1880-1968, built 1923-35 and inaugurated in 1925, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. This was the first residence built at CIUP and was influenced by the style of English University colleges at Oxford and consists of 7 pavilions around a garden. The buildings are listed as a historic monument. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen
    LC19_PARIS_MC_1221.jpg
  • Mare de Deu de Montserrat Montferri, or Sanctuary of the Virgin of Montserrat, a sanctuary and hermitage built 1926-28 and again from 1987, at Montferri, Tarragona, Catalonia, Spain. The church was designed by Josep Maria Jujol in local sand and cement, but when funds ran out the project was finished in the early 1990s by Joan Bassegoda i Nonell and Josep Cendros, and finally inaugurated in 1999. The building has been called 'the other Sagrada Familia' because of its organic forms and parabolic arches. Picture by Manuel Cohen
    DRN_LC19_SPAIN_MC146.jpg
  • Indian woman, detail, stained glass window designed by Jean-Baptiste Lagace and made by Francois Chigot of Limoges, France, in the nave of the Basilique Notre-Dame de Montreal, built in 1823 in Gothic Revival style by James O'Donnell, in Montreal, Quebec, Canada. The windows were commissioned in 1929 by the priest Olivier Maurault to celebrate the centenary of the basilica. The depict the history of Montreal. The basilica is listed as a National Historic Site of Canada. Picture by Manuel Cohen
    LC18_QUEBEC_MC_268.jpg
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