manuel cohen

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  • Painting of woman in her bath, 1834, from Chateau d'Azay-le-Rideau, 16th century Renaissance chateau, Loire Valley, Inde-et-Loire, France. This painting is a copy of the anonymous painting of Gabrielle d'Estrees in her bath, 1598-1599, at the Musee Conde in Chantilly, which in turn was inspired by Francois Clouet's Diane de Poitiers of 1571, at the National Gallery of Art in Washington. Picture by Manuel Cohen
    LC13_FRANCE_MC119.jpg
  • The Patio de los Naranjos or Court of the Oranges and its arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, with the 16th century cathedral nave behind, at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The courtyard was developed under Abd al-Rahman I in 784 and measures 50x30m. It is divided into 3 parts, each with a Renaissance fountain, and contains 98 orange trees planted in the 18th century. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC295.jpg
  • The Patio de los Naranjos or Court of the Oranges and its arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, with the 16th century cathedral nave (centre), at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The courtyard was developed under Abd al-Rahman I in 784 and measures 50x30m. It is divided into 3 parts, each with a Renaissance fountain, and contains 98 orange trees planted in the 18th century. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC275.jpg
  • The Patio de los Naranjos or Court of the Oranges and its arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, with the 16th century cathedral nave behind, at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The courtyard was developed under Abd al-Rahman I in 784 and measures 50x30m. It is divided into 3 parts, each with a Renaissance fountain, and contains 98 orange trees planted in the 18th century. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC274.jpg
  • The Patio de los Naranjos or Court of the Oranges and its arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, with the 16th century cathedral nave behind, at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The courtyard was developed under Abd al-Rahman I in 784 and measures 50x30m. It is divided into 3 parts, each with a Renaissance fountain, and contains 98 orange trees planted in the 18th century. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC273.jpg
  • The Patio de los Naranjos or Court of the Oranges and its arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, with the 16th century cathedral nave behind, at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The courtyard was developed under Abd al-Rahman I in 784 and measures 50x30m. It is divided into 3 parts, each with a Renaissance fountain, and contains 98 orange trees planted in the 18th century. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC272.jpg
  • Palace of Holyroodhouse, known as Holyrood Palace, on the Royal Mile in Edinburgh, Scotland. The palace has been the principal residence of the Kings and Queens of Scotland since the 16th century and remains a royal palace. The Northwest tower (left) is 16th century, built under James V, and the rest of the building dates 1671-78. The forecourt fountain (right) is a 19th century replica of the 16th century fountain at Linlithgow Palace. Picture by Manuel Cohen
    LC18_SCOTLAND_MC_065.jpg
  • Choir, with 18th century mahogany choir stalls by Duque Correjo and the elaborately carved ceiling of the nave behind, in the 16th century cathedral within the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC168.jpg
  • Choir, with 18th century mahogany choir stalls by Duque Correjo and behind, the Capilla Mayor or chancel, built 1523, with huge 18th century neoclassical altarpiece by Alonso Matias with 5 paintings by Antonio Palomino and sculptures by Pedro de Paz, in the 16th century cathedral within the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC165.jpg
  • Choir, with 18th century mahogany choir stalls by Duque Correjo and behind, the Capilla Mayor or chancel, built 1523, with huge 18th century neoclassical altarpiece by Alonso Matias with 5 paintings by Antonio Palomino and sculptures by Pedro de Paz, in the 16th century cathedral within the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC164.jpg
  • Marble font, 18th century, with 16th century Gothic frescoes behind, in the Baptismal Chapel or Chapelle des fonts baptismaux or Chapelle de Sainte Cecile, in the Cathedrale Saint-Pierre de Beauvais or Cathedral of St Peter of Beauvais, an incomplete Gothic Roman Catholic cathedral consecrated in 1272, Beauvais, Oise, Picardy, France. The cathedral consists only of a transept built in the 16th century and choir, with apse and 7 polygonal apsidal chapels from the 13th century. It was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC15_FRANCE_MC0627.jpg
  • The Capilla Mayor, or chancel, built 1523, with huge 18th century neoclassical altarpiece by Alonso Matias with 5 paintings by Antonio Palomino and sculptures by Pedro de Paz, in the in the 16th century cathedral within the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. Either side are 2 mahogany pulpits by Verdiquier with a bull, lion and eagle in marble. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC166.jpg
  • Low angle view of Ramos Door, New Cathedral, Salamanca, Spain, pictured on December 18, 2010 at midday. The 16th century Tympanum above the Palm Door is carved with a relief by Juan Rodriguez showing Jesus entering Jerusalem. Salamanca, Spain's most important University city,  has two adjoining Cathedrals, Old and New. The old Romanesque Cathedral was begun in the 12th century, and the new in the 16th century. Its style was designed to be Gothic rather than Renaissance in keeping with its older neighbour, but building continued over several centuries and a Baroque cupola was added in the 18th century. Restoration was necessary after the great Lisbon earthquake, 1755. Picture by Manuel Cohen
    LCSPAIN10_MC011.jpg
  • 16th century Northern European style slate spires, The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Picture by Manuel Cohen
    LCSPAIN11_MC205.jpg
  • 16th century Northern European style slate spires, The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Picture by Manuel Cohen
    LCSPAIN11_MC192.jpg
  • St Roch, 16th century polychrome stone statue, in the Basilique Saint-Urbain de Troyes, or Basilica of Saint Urban of Troyes, a 13th century Gothic church in Troyes, Aube, France. St Roch was a 14th century saint invoked for the protection of plague victims, a tradition which continued into the 16th century. He is depicted dressed as a pilgrim, with hat, staff and cloak, accompanied by angel and a dog bringing bread. He shows us a pestilent boil on his leg. The basilica was founded in 1262 under Pope Urban IV and consecrated in 1382, although the building was not completed until the 20th century. It is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1461.jpg
  • Portrait of Francois II, 1544-60, oil painting on canvas, 17th century, by French School, in the Galerie de la Reine or Queen's Gallery, decorated in 16th century Renaissance style and restored by Felix Duban in 1861-66, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The gallery overlooks the gardens and houses an important portrait collection. It was used for walking and entertaining, with music, theatre, games and dance playing an important role. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0760.jpg
  • 16th century Northern European style slate spires, The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Picture by Manuel Cohen
    LCSPAIN11_MC209.jpg
  • 16th century Northern European style slate spires, The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Picture by Manuel Cohen
    LCSPAIN11_MC204.jpg
  • 16th century Northern European style slate spires, The Alcazar, 12-16th centuries, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the Gothic style Great Tower. Philip II (1527-98) modified the roofs with slate spires in Northern European style. The Alcazar was subsequently a state prison until it became the Royal Artillery School, 1762. It was damaged by fire, 1862 and restored, 1882, becoming a Military College, 1896. Picture by Manuel Cohen
    LCSPAIN11_MC202.jpg
  • Portrait of Talleyrand and gilded bronze sculpture of a charioteer in a chariot, gift of Napoleon to Joaquim Murat, in the Salon Empire, a living room decorated in early 19th century Empire style, in the Chateau de Chalais, in Chalais, Charente, Nouvelle-Aquitaine, France. The castle was built, between the Aude and Viveronne rivers, in the 11th century, destroyed during the Hundred Years War in the 15th century, and rebuilt in the 16th century. It was the home of the Talleyrand-Perigord family, princes of Chalais from the 14th century to 1883. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_0270.jpg
  • Portrait of Charles IX, 1550-74, oil painting on canvas, 17th century, by French School, in the Galerie de la Reine or Queen's Gallery, decorated in 16th century Renaissance style and restored by Felix Duban in 1861-66, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The gallery overlooks the gardens and houses an important portrait collection. It was used for walking and entertaining, with music, theatre, games and dance playing an important role. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0761.jpg
  • Portrait of Henri II, 1519-59, oil painting on canvas, 17th century, by French School, in the Galerie de la Reine or Queen's Gallery, decorated in 16th century Renaissance style and restored by Felix Duban in 1861-66, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The gallery overlooks the gardens and houses an important portrait collection. It was used for walking and entertaining, with music, theatre, games and dance playing an important role. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0759.jpg
  • Portrait of Francois I, 1494-1547, oil painting on canvas, 17th century, by French School, in the Galerie de la Reine or Queen's Gallery, decorated in 16th century Renaissance style and restored by Felix Duban in 1861-66, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The gallery overlooks the gardens and houses an important portrait collection. It was used for walking and entertaining, with music, theatre, games and dance playing an important role. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0758.jpg
  • The 16th century cathedral and in the foreground, the Patio de los Naranjos or Court of the Oranges, with yellow arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC284.jpg
  • Elaborately carved ceiling above the Capilla Mayor, or chancel, built 1523, in front of the huge 18th century neoclassical altarpiece by Alonso Matias with 5 paintings by Antonio Palomino and sculptures by Pedro de Paz, in the in the 16th century cathedral within the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC169.jpg
  • Cour d'Honneur, or main courtyard, with (left) south east wing, early 16th century, with its round tower and (right) west wing culminating in the 13th century Square Tower or keep, at the Chateau de Maintenon, built 13th - 18th century, and from 1674, residence of Madame de Maintenon, 1635-1719, second wife of King Louis XIV, at Maintenon, Eure-et-Loir, France. The facades of the main courtyard were changed in the 19th century by the Duke Paul de Noailles and his architect Henri Parent. In the distance is the parterre, designed by Andre Le Notre, and the Aqueduc de Maintenon, an unfinished aqueduct built 1686-89 by Vauban, part of a project to supply water in the Canal de l'Eure or Canal de Louis XIV, across the Eure valley to the Chateau de Versailles. The castle is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0191.jpg
  • Tapestry of Artemis, made in the Felletin workshops, 17th century, in the Galerie, in the Chateau de Chalais, in Chalais, Charente, Nouvelle-Aquitaine, France. The castle was built, between the Aude and Viveronne rivers, in the 11th century, destroyed during the Hundred Years War in the 15th century, and rebuilt in the 16th century. It was the home of the Talleyrand-Perigord family, princes of Chalais from the 14th century to 1883. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_0259.jpg
  • Le Cabinet Peint, panelled room covered with 17th century Italian paintings of flowers, garlands, baskets and fruit, in the Chateau de Chalais, in Chalais, Charente, Nouvelle-Aquitaine, France. The castle was built, between the Aude and Viveronne rivers, in the 11th century, destroyed during the Hundred Years War in the 15th century, and rebuilt in the 16th century. It was the home of the Talleyrand-Perigord family, princes of Chalais from the 14th century to 1883. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_0262.jpg
  • King Louis XVI as a woman holding plants and flowers, detail from Le Cabinet Peint, a panelled room covered with 17th century Italian paintings, in the Chateau de Chalais, in Chalais, Charente, Nouvelle-Aquitaine, France. The castle was built, between the Aude and Viveronne rivers, in the 11th century, destroyed during the Hundred Years War in the 15th century, and rebuilt in the 16th century. It was the home of the Talleyrand-Perigord family, princes of Chalais from the 14th century to 1883. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_0264.jpg
  • Salon Empire, a living room decorated in early 19th century Empire style, with mahogany furniture and framed works of art, in the Chateau de Chalais, in Chalais, Charente, Nouvelle-Aquitaine, France. The castle was built, between the Aude and Viveronne rivers, in the 11th century, destroyed during the Hundred Years War in the 15th century, and rebuilt in the 16th century. It was the home of the Talleyrand-Perigord family, princes of Chalais from the 14th century to 1883. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_0265.jpg
  • Portrait of Talleyrand by Julien-Leopold Boilly, 1796–1874, after Jean-Baptiste Isabey, 1767–1855, in the Salon Empire, a living room decorated in early 19th century Empire style, in the Chateau de Chalais, in Chalais, Charente, Nouvelle-Aquitaine, France. The castle was built, between the Aude and Viveronne rivers, in the 11th century, destroyed during the Hundred Years War in the 15th century, and rebuilt in the 16th century. It was the home of the Talleyrand-Perigord family, princes of Chalais from the 14th century to 1883. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_0269.jpg
  • Chapel, 17th century, in the Chateau de Chalais, in Chalais, Charente, Nouvelle-Aquitaine, France. The castle was built, between the Aude and Viveronne rivers, in the 11th century, destroyed during the Hundred Years War in the 15th century, and rebuilt in the 16th century. It was the home of the Talleyrand-Perigord family, princes of Chalais from the 14th century to 1883. The chateau is listed as a historic monument. Picture by Manuel Cohen
    LC20_FRANCE_MC_0315.jpg
  • Virgen del Pilar, in a baroque altarpiece, 18th century, in the Capilla del Pilar, the largest side chapel, dedicated to the Virgen del Pilar, in the Catedral del Salvador de Albarracin, 16th century, in the medieval town of Albarracin, Teruel, Aragon, Spain. The statue of the Virgin at the pillar is an earlier 17th century statue. She is flanked her her parents, St Joachim and St Anne. Albarracin was founded as a Moorish town in the 11th century and became an independent lordship until the 13th century. The town is listed as a national monument. Picture by Manuel Cohen
    LC19_SPAIN_MC198.jpg
  • Bronze bust of Francois I, 1756, by Louis-Claude Vasse, 1716-72, after an original 16th century bust in the Chateau de Fontainebleau, in the Salle des Valois, with collections belonging to the Valois, especially Francois I, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The sculpture was acquired in 1926 by the Musee des Beaux-Arts de la Ville de Blois. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0773.jpg
  • Portrait of Henri III, 1551-89, oil painting on canvas, 17th century, by French School, in the Galerie de la Reine or Queen's Gallery, decorated in 16th century Renaissance style and restored by Felix Duban in 1861-66, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The gallery overlooks the gardens and houses an important portrait collection. It was used for walking and entertaining, with music, theatre, games and dance playing an important role. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0762.jpg
  • The 16th century cathedral and in the foreground, the Patio de los Naranjos or Court of the Oranges, with yellow arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC288.jpg
  • The 16th century cathedral and in the foreground, the Patio de los Naranjos or Court of the Oranges, with yellow arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC287.jpg
  • Ceiling of Gothic choir, 15th century, with tracery and high columns, and High Altarpiece, 18th century, by Sabatini, with statue of the Virgen de la Paz, 12th century, in the centre, Segovia Cathedral, (Catedral de Segovia, Catedral de Santa Maria), 1525-77, by Juan Gil de Hontanon (1480-1526), and continued by his son Rodrigo Gil de Hontanon (1500-1577), Segovia, Castile and Leon, Spain. Last Gothic Cathedral in Spain, commissioned by Carlos V (1500-58), after an earlier cathedral was damaged in the Revolt of the Comuneros, 1520. Cathedral consecrated, 1768. Ground plan has three naves surrounded by chapels. The interior is lit by Flemish windows, 16th-17th century, and centres on Gothic choir (15th century). Picture by Manuel Cohen
    LCSPAIN11_MC234.jpg
  • Bronze bust of Francois I, 1756, by Louis-Claude Vasse, 1716-72, after an original 16th century bust in the Chateau de Fontainebleau, in the Salle des Valois, with collections belonging to the Valois, especially Francois I, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The sculpture was acquired in 1926 by the Musee des Beaux-Arts de la Ville de Blois. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0772.jpg
  • Bronze bust of Francois I, 1756, by Louis-Claude Vasse, 1716-72, after an original 16th century bust in the Chateau de Fontainebleau, in the Salle des Valois, with collections belonging to the Valois, especially Francois I, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The sculpture was acquired in 1926 by the Musee des Beaux-Arts de la Ville de Blois. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0756.jpg
  • Elaborately carved 16th and 17th century ceilings where the transept crosses before the Capilla Mayor, in the cathedral within the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC167.jpg
  • Ceiling of Gothic choir, 15th century, with tracery and high columns, and High Altarpiece, 18th century, by Sabatini, with statue of the Virgen de la Paz, 12th century, in the centre, Segovia Cathedral, (Catedral de Segovia, Catedral de Santa Maria), 1525-77, by Juan Gil de Hontanon (1480-1526), and continued by his son Rodrigo Gil de Hontanon (1500-1577), Segovia, Castile and Leon, Spain. Last Gothic Cathedral in Spain, commissioned by Carlos V (1500-58), after an earlier cathedral was damaged in the Revolt of the Comuneros, 1520. Cathedral consecrated, 1768. Ground plan has three naves surrounded by chapels. The interior is lit by Flemish windows, 16th-17th century, and centres on Gothic choir (15th century). Picture by Manuel Cohen
    LCSPAIN11_MC233.jpg
  • General view of the back of the church of San Giorgio in Braida, 11th-16th century, Verona, Italy, seen from the Ponte Pietra in the early morning. In the 11th century it was a Benedictine monastery but was totally redeveloped in the 16th century. The dome was designed by Michele Sanmicheli. The 12th century Bell Tower is the only remnant of the earlier church on the site. Picture by Manuel Cohen.
    LC_ITALY_11066.jpg
  • Casa de la Quimica (Chemistry house), 18th century, possibly by Sabatini, left, and Great Tower of John II, Alcazar, 12-16th centuries, right, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the great Tower. The House of Chemistry, formerly a College of Chemistry now houses the Military Archives. Picture by Manuel Cohen
    LCSPAIN11_MC210.jpg
  • Casa de la Quimica (Chemistry house), 18th century, possibly by Sabatini, left, and Great Tower of John II, Alcazar, 12-16th centuries, right, Segovia, Castile and Leon, Spain. The current Alcazar was begun by King Alfonso VIII (1155-1214) and his wife Eleanor of England (1162-1214), and rebuilt 1258. Juan (John) II (1405-54) added the great Tower. The House of Chemistry, formerly a College of Chemistry now houses the Military Archives. Picture by Manuel Cohen
    LCSPAIN11_MC207.jpg
  • Virgin of the Grapes, or Vierge aux Raisins, detail, early 16th century statue of the Virgin and child with a bird eating a bunch of grapes, by Troyes School, in the Basilique Saint-Urbain de Troyes, or Basilica of Saint Urban of Troyes, a 13th century Gothic church in Troyes, Aube, France. The Virgin is crowned and smiling, standing on a crescent moon, and the Christ child holds a vine, while a bird eats the grapes. Behind is the grisailles stained glass window, 13th century, in the Chapelle de la Vierge, or Chapel of the Virgin. The windows were restored in 1879. The basilica was founded in 1262 under Pope Urban IV and consecrated in 1382, although the building was not completed until the 20th century. It is listed as a national monument. Picture by Manuel Cohen
    LC17_FRANCE_MC_1454.jpg
  • Statue of the archangel Gabriel, 17th century, on the Roman bridge, built 1st century BC over the Guadalquivir river, and behind, the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC356.jpg
  • The Patio de los Naranjos or Court of the Oranges and its yellow arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, with the cathedral bell tower (built around the original minaret), at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The courtyard was developed under Abd al-Rahman I in 784 and measures 50x30m. It is divided into 3 parts, each with a Renaissance fountain, and contains 98 orange trees planted in the 18th century. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC278.jpg
  • Statue of the archangel Gabriel, 17th century, on the Roman bridge, built 1st century BC over the Guadalquivir river, and behind, the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC269.jpg
  • The Roman bridge, built 1st century BC over the Guadalquivir river, and the Torre de la Calahorra, a fortified city gate, built in the 12th century by the Almohads, in Cordoba, Andalusia, Southern Spain. In the distance is the Cathedral-Great Mosque of Cordoba. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC058.jpg
  • The Roman bridge, built 1st century BC over the Guadalquivir river, and the Torre de la Calahorra, a fortified city gate, built in the 12th century by the Almohads, in Cordoba, Andalusia, Southern Spain. In the distance is the Cathedral-Great Mosque of Cordoba. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC055.jpg
  • Rooftops of the medina or old town of Tetouan with the minarets of the 18th century Zaouiat Sidi ali Benraisoun or Octagonal Mosque on the left and the 19th century Jamaa el Kebir or Great Mosque on the right, on the slopes of Jbel Dersa in the Rif Mountains of Northern Morocco. Tetouan was of particular importance in the Islamic period from the 8th century, when it served as the main point of contact between Morocco and Andalusia. After the Reconquest, the town was rebuilt by Andalusian refugees who had been expelled by the Spanish. The medina of Tetouan dates to the 16th century and was declared a UNESCO World Heritage Site in 1997. Picture by Manuel Cohen
    LC13_Morocco_MC021.jpg
  • Cour d'Honneur, or main courtyard, with the south east wing, early 16th century, with its round tower, at the Chateau de Maintenon, built 13th - 18th century, and from 1674, residence of Madame de Maintenon, 1635-1719, second wife of King Louis XIV, at Maintenon, Eure-et-Loir, France. The facades of the main courtyard were changed in the 19th century by the Duke Paul de Noailles and his architect Henri Parent. On the left is the Square Tower, the original 13th century keep, in the west wing. The castle is listed as a historic monument. Picture by Manuel Cohen
    LC21_FRANCE_MC_0188.jpg
  • Carved wooden choir stalls, mid 16th century, Italian, in the Catedral del Salvador de Albarracin, 16th century, in the medieval town of Albarracin, Teruel, Aragon, Spain. Albarracin was founded as a Moorish town in the 11th century and became an independent lordship until the 13th century. The town is listed as a national monument. Picture by Manuel Cohen
    LC19_SPAIN_MC201.jpg
  • Ulldecona Castle, aerial view, at Ulldecona, Catalonia, Spain. The castle was built as an Andalusian fort under the Moors 8th - 11th centuries, then owned by the Montcada family of Tortosa, who in 1148 gave it to the Order of Knights of the Hospital of Saint John of Jerusalem, when it became a Christian castle. A 16th century church, a 12th century circular watch tower and a 13th century square keep remain, built on top of the original Arabic fort and earlier Iberian settlements. Picture by Manuel Cohen
    DRN_LC18_SPAIN_MC_028.JPG
  • Ulldecona Castle, aerial view, at Ulldecona, Catalonia, Spain. The castle was built as an Andalusian fort under the Moors 8th - 11th centuries, then owned by the Montcada family of Tortosa, who in 1148 gave it to the Order of Knights of the Hospital of Saint John of Jerusalem, when it became a Christian castle. A 16th century church, a 12th century circular watch tower and a 13th century square keep remain, built on top of the original Arabic fort and earlier Iberian settlements. Picture by Manuel Cohen
    DRN_LC18_SPAIN_MC_027.JPG
  • Ulldecona Castle, aerial view, at Ulldecona, Catalonia, Spain. The castle was built as an Andalusian fort under the Moors 8th - 11th centuries, then owned by the Montcada family of Tortosa, who in 1148 gave it to the Order of Knights of the Hospital of Saint John of Jerusalem, when it became a Christian castle. A 16th century church, a 12th century circular watch tower and a 13th century square keep remain, built on top of the original Arabic fort and earlier Iberian settlements. Picture by Manuel Cohen
    DRN_LC18_SPAIN_MC_026.JPG
  • The Patio de los Naranjos or Court of the Oranges, with yellow arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The courtyard was developed under Abd al-Rahman I in 784 and measures 50x30m. It is divided into 3 parts, each with a Renaissance fountain, and contains 98 orange trees planted in the 18th century. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC293.jpg
  • The Patio de los Naranjos or Court of the Oranges, with yellow arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The courtyard was developed under Abd al-Rahman I in 784 and measures 50x30m. It is divided into 3 parts, each with a Renaissance fountain, and contains 98 orange trees planted in the 18th century. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC290.jpg
  • The Patio de los Naranjos or Court of the Oranges, with yellow arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The courtyard was developed under Abd al-Rahman I in 784 and measures 50x30m. It is divided into 3 parts, each with a Renaissance fountain, and contains 98 orange trees planted in the 18th century. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC291.jpg
  • The Patio de los Naranjos or Court of the Oranges, with yellow arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The courtyard was developed under Abd al-Rahman I in 784 and measures 50x30m. It is divided into 3 parts, each with a Renaissance fountain, and contains 98 orange trees planted in the 18th century. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC282.jpg
  • The Patio de los Naranjos or Court of the Oranges and its yellow arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, with the cathedral bell tower (built around the original minaret), at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The courtyard was developed under Abd al-Rahman I in 784 and measures 50x30m. It is divided into 3 parts, each with a Renaissance fountain, and contains 98 orange trees planted in the 18th century. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC279.jpg
  • The Patio de los Naranjos or Court of the Oranges, and the cathedral bell tower (built around the original minaret), seen through the arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The courtyard was developed under Abd al-Rahman I in 784 and measures 50x30m. It is divided into 3 parts, each with a Renaissance fountain, and contains 98 orange trees planted in the 18th century. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC277.jpg
  • The Patio de los Naranjos or Court of the Oranges, with its yellow arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, and the cathedral bell tower (built around the original minaret), at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The courtyard was developed under Abd al-Rahman I in 784 and measures 50x30m. It is divided into 3 parts, each with a Renaissance fountain, and contains 98 orange trees planted in the 18th century. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC276.jpg
  • The Patio de los Naranjos or Court of the Oranges and its arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, and the base of the cathedral bell tower (built around the original minaret), at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The courtyard was developed under Abd al-Rahman I in 784 and measures 50x30m. It is divided into 3 parts, each with a Renaissance fountain, and contains 98 orange trees planted in the 18th century. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC271.jpg
  • Elaborately carved ceiling above the Capilla Mayor, or chancel, built 1523, in front of the huge 18th century neoclassical altarpiece by Alonso Matias with 5 paintings by Antonio Palomino and sculptures by Pedro de Paz, in the in the 16th century cathedral within the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was begun in its place and developed over 200 years, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC170.jpg
  • The Patio de los Naranjos or Court of the Oranges, with its yellow arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, and the cathedral bell tower (built around the original minaret), at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The courtyard was developed under Abd al-Rahman I in 784 and measures 50x30m. It is divided into 3 parts, each with a Renaissance fountain, and contains 98 orange trees planted in the 18th century. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC131.jpg
  • Sculptural group of the Baptism of Clovis, on the Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0822.jpg
  • St Remi, from the sculptural group of the Baptism of Clovis, on the Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0833.jpg
  • 16th century portico by Domenico and Antonello Gagini with 18th century dome in the background, the Duomo (Cathedral) of Palermo, Sicily, Italy. 12th century cathedral encompassing a wide variety of architectural styles from Romanesque to Byzantine. Picture by Manuel Cohen
    LCITALY12_MC509.jpg
  • 16th century portico by Domenico and Antonello Gagini with 18th century dome in the background, the Duomo (Cathedral) of Palermo, Sicily, Italy. 12th century cathedral encompassing a wide variety of architectural styles from Romanesque to Byzantine. Picture by Manuel Cohen
    LCITALY12_MC507.jpg
  • Watchtower and walls, Chateau Royal, Collioure, France. Much of the castle was built in the 13th and 14th centuries by the Dukes of Roussillon and the Knights Templar. In the 16th century Collioure was under Spanish control and Philip II modernised and reinforced the castle. It was taken by the French in 1659 after which the bastions were built by Vauban (1633-1707). Picture by Manuel Cohen.
    LC_Collioure_11_MC067.jpg
  • General view of Pahlavan Mahmud Mausoleum, 14th-16th century, Khiva, Uzbekistan, pictured at sunset on July 5, 2010. Visible are its blue tile-covered dome which commands Khiva's skyline and on the right the Islam Hodja minaret, 1910, and the Juma Mosque Minaret on the left. Commissioned by the reforming Grand Visier, Islam Khodja, the minaret is 44.8 metres high, tapering towards the top, its ochre brick alternating with bands of decorative blue and white tiles. It is the final architectural achievement of the Khanates. Khiva, ancient and remote, is the most intact Silk Road city. Ichan Kala, its old town, was the first site in Uzbekistan to become a World Heritage Site(1991). Picture by Manuel Cohen.
    LC_UZBEKISTAN_0710_MC245.jpg
  • Ulldecona Castle, aerial view, at Ulldecona, Catalonia, Spain. The castle was built as an Andalusian fort under the Moors 8th - 11th centuries, then owned by the Montcada family of Tortosa, who in 1148 gave it to the Knights Hospitaller, when it became a Christian castle. A 16th century church, a 12th century circular watchtower and a 13th century square keep remain, built on top of the original Arabic fort and earlier Iberian settlements. Picture by Manuel Cohen
    DRN_LC18_SPAIN_MC_024.JPG
  • Chambre de la Reine or Queen's Bedroom, decorated in 16th century Renaissance style and restored by Felix Duban in 1861-66, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. This is thought to be the room in which Catherine de Medici died in 1589, and the walls are decorated with her monogram, 2 Cs with an H for Henri II. It has a painted ceiling, tiled floor and 4-poster bed with a green canopy. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0890.jpg
  • Painted decorative cupola of the Oratory, the private chapel of Catherine de Medici, adjoining the Chambre de la Reine or Queen's Bedroom, decorated in 16th century Renaissance style and restored by Felix Duban, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0797.jpg
  • Chambre de la Reine or Queen's Bedroom, decorated in 16th century Renaissance style and restored by Felix Duban in 1861-66, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. This is thought to be the room in which Catherine de Medici died in 1589, and the walls are decorated with her monogram, 2 Cs with an H for Henri II. It has a painted ceiling, tiled floor and 4-poster bed with a green canopy. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0787.jpg
  • Painted statue of St Ursula, 17th century, in a niche with gilded columns and walls covered with 16th century Mudejar tiles, in the Old Cathedral of Coimbra, or Se Velha de Coimbra, a 12th century Romanesque Roman Catholic cathedral in Coimbra, Portugal. The cathedral was designed by Master Robert, a French architect, with the works overseen by Master Bernard and Master Soeiro. It was reworked in the 16th century, with the addition of tiled decoration, a portal and Renaissance chapel. The city of Coimbra dates back to Roman times and was the capital of Portugal from 1131 to 1255. Its historic buildings are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_PORTUGAL_MC_162.jpg
  • The Patio de los Naranjos or Court of the Oranges and its yellow arched colonnade built in the 16th century under Bishop Martin Fernandez de Angulo by architect Hernan Ruiz I, with the cathedral bell tower (built around the original minaret), at the Cathedral-Great Mosque of Cordoba, in Cordoba, Andalusia, Southern Spain. The courtyard was developed under Abd al-Rahman I in 784 and measures 50x30m. It is divided into 3 parts, each with a Renaissance fountain, and contains 98 orange trees planted in the 18th century. The first church built here by the Visigoths in the 7th century was split in half by the Moors, becoming half church, half mosque. In 784, the Great Mosque of Cordoba was built in its place, but in 1236 it was converted into a catholic church, with a Renaissance cathedral nave built in the 16th century. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC280.jpg
  • Sculptural group of the Baptism of Clovis, on the Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0823.jpg
  • The Baptism of Clovis and peers of France, on the Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0824.jpg
  • Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0828.jpg
  • Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0827.jpg
  • Sculptural group of the Baptism of Clovis, on the Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0826.jpg
  • St Remi, from the sculptural group of the Baptism of Clovis, on the Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0832.jpg
  • The Baptism of Clovis and peers of France, on the Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0846.jpg
  • Sculptural group of the Baptism of Clovis on the Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0850.jpg
  • Ambulatory and the Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0849.jpg
  • Crucifixion, 16th century Gothic fresco in the Baptismal Chapel or Chapelle des fonts baptismaux or Chapelle de Sainte Cecile, in the Cathedrale Saint-Pierre de Beauvais or Cathedral of St Peter of Beauvais, an incomplete Gothic Roman Catholic cathedral consecrated in 1272, Beauvais, Oise, Picardy, France. The cathedral consists only of a transept built in the 16th century and choir, with apse and 7 polygonal apsidal chapels from the 13th century. It was listed as a historic monument in 1840. Picture by Manuel Cohen
    LC15_FRANCE_MC0563.jpg
  • General view of Giralda Minaret, Seville Cathedral, Andalucia, Spain, pictured on December 25, 2006 in the winter afternoon light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Giralda is constructed of cut bricks, originally 82 metres high, now 103 metres high with the 16th century belfry added to the original tower. Picture by Manuel Cohen
    DSEVILLE070217.jpg
  • Aerial view of the Cathedral Saint-Samson, begun in the 13th century on the site of an older church and completed in the 18th century, in Dol-de-Bretagne, Brittany, France. The cathedral is dedicated to one of the founding saints of Brittany and until 1801 was the seat of the archbishopric of Dol. The North tower was built in the 16th century and never completed, the South tower was built 13th - 17th centuries. Picture by Manuel Cohen
    DRN_LC18_FRANCE_MC_0108.jpg
  • Galerie de la Reine or Queen's Gallery, decorated in 16th century Renaissance style and restored by Felix Duban in 1861-66, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The gallery overlooks the gardens and houses an important portrait collection. It was used for walking and entertaining, with music, theatre, games and dance playing an important role. The gallery has a painted ceiling, tiled floor an hand-painted wallpaper. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0891.jpg
  • Galerie de la Reine or Queen's Gallery, decorated in 16th century Renaissance style and restored by Felix Duban in 1861-66, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The gallery overlooks the gardens and houses an important portrait collection. It was used for walking and entertaining, with music, theatre, games and dance playing an important role. The gallery has a painted ceiling, tiled floor an hand-painted wallpaper. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0802.jpg
  • Painted decorative doorway leading through the Oratory, a small private chapel, to the Chambre de la Reine or Queen's Bedroom, decorated in 16th century Renaissance style and restored by Felix Duban in 1861-66, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0801.jpg
  • Chambre de la Reine or Queen's Bedroom, decorated in 16th century Renaissance style and restored by Felix Duban in 1861-66, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. This is thought to be the room in which Catherine de Medici died in 1589, and the walls are decorated with her monogram, 2 Cs with an H for Henri II. It has a painted ceiling, tiled floor and 4-poster bed with a green canopy. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0800.jpg
  • Painted decorative doorway leading through the Oratory, a small private chapel, to the Chambre de la Reine or Queen's Bedroom, decorated in 16th century Renaissance style and restored by Felix Duban in 1861-66, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0799.jpg
  • Painted decorative doorway of the Oratory, a small private chapel, and behind, the Chambre de la Reine or Queen's Bedroom, decorated in 16th century Renaissance style and restored by Felix Duban in 1861-66, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. This is thought to be the room in which Catherine de Medici died in 1589, and the walls are decorated with her monogram, 2 Cs with an H for Henri II. It has a painted ceiling, tiled floor and 4-poster bed with a green canopy. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0796.jpg
  • Hand-painted wallpaper with the monogram of Catherine de Medici, 2 Cs with an H for Henri II, in the Chambre de la Reine or Queen's Bedroom, decorated in 16th century Renaissance style and restored by Felix Duban in 1861-66, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. This is thought to be the room in which Catherine de Medici died in 1589. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0792.jpg
  • Chimney breast covered with hand-painted wallpaper with the monogram of Catherine de Medici, 2 Cs with an H for Henri II, in the Chambre de la Reine or Queen's Bedroom, decorated in 16th century Renaissance style and restored by Felix Duban in 1861-66, on the first floor of the Francois I wing, built early 16th century in Italian Renaissance style, at the Chateau Royal de Blois, built 13th - 17th century in Blois in the Loire Valley, Loir-et-Cher, Centre, France. This is thought to be the room in which Catherine de Medici died in 1589. The chateau has 564 rooms and 75 staircases and is listed as a historic monument and UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0793.jpg
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