manuel cohen

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  • Mehdi Ben Cheikh, French-Tunisian gallery owner specialising in street art and contemporary art, on a rooftop in the 13th arrondissement of Paris, France. Behind is a mural by D*Face (Dean Stockton, b. 1978, English urban street artist), of a woman embracing a figure of death in uniform, created as part of the Boulevard Paris 13 project, by Galerie Itinerrance, founded and directed by Mehdi Ben Cheikh. Photographed on 29th May 2019 by Manuel Cohen
    29052019_MehdiBenCheikh_MC_05.jpg
  • Mehdi Ben Cheikh, French-Tunisian gallery owner specialising in street art and contemporary art, on a rooftop in the 13th arrondissement of Paris, France. Behind is a mural by D*Face (Dean Stockton, b. 1978, English urban street artist), of a woman embracing a figure of death in uniform, created as part of the Boulevard Paris 13 project, by Galerie Itinerrance, founded and directed by Mehdi Ben Cheikh. Photographed on 29th May 2019 by Manuel Cohen
    29052019_MehdiBenCheikh_MC_04.jpg
  • Mehdi Ben Cheikh, French-Tunisian gallery owner specialising in street art and contemporary art, on a rooftop in the 13th arrondissement of Paris, France. Behind is a mural by D*Face (Dean Stockton, b. 1978, English urban street artist), of a woman embracing a figure of death in uniform, created as part of the Boulevard Paris 13 project, by Galerie Itinerrance, founded and directed by Mehdi Ben Cheikh. On the right is a mural by Seth. Photographed on 29th May 2019 by Manuel Cohen
    29052019_MehdiBenCheikh_MC_03.jpg
  • Mehdi Ben Cheikh, French-Tunisian gallery owner specialising in street art and contemporary art, on a rooftop in the 13th arrondissement of Paris, France. Behind is a mural by D*Face (Dean Stockton, b. 1978, English urban street artist), of a woman embracing a figure of death in uniform, created as part of the Boulevard Paris 13 project, by Galerie Itinerrance, founded and directed by Mehdi Ben Cheikh. On the right is a mural by Seth. Photographed on 29th May 2019 by Manuel Cohen
    29052019_MehdiBenCheikh_MC_02.jpg
  • Mehdi Ben Cheikh, French-Tunisian gallery owner specialising in street art and contemporary art, on a rooftop in the 13th arrondissement of Paris, France. Behind is a mural by D*Face (Dean Stockton, b. 1978, English urban street artist), of a woman embracing a figure of death in uniform, created as part of the Boulevard Paris 13 project, by Galerie Itinerrance, founded and directed by Mehdi Ben Cheikh. On the right is a mural by Seth. Photographed on 29th May 2019 by Manuel Cohen
    29052019_MehdiBenCheikh_MC_01.jpg
  • Mehdi Ben Cheikh, French-Tunisian gallery owner specialising in street art and contemporary art, on a rooftop in the 13th arrondissement of Paris, France. Behind on the right is the mural Liberte Egalite Fraternite by Obey (Shepard Fairey, American artist), created as part of the Boulevard Paris 13 project, by Galerie Itinerrance, founded and directed by Mehdi Ben Cheikh. Photographed on 29th May 2019 by Manuel Cohen
    29052019_MehdiBenCheikh_MC_10.jpg
  • Mehdi Ben Cheikh, French-Tunisian gallery owner specialising in street art and contemporary art, on a rooftop in the 13th arrondissement of Paris, France. Behind is a mural by D*Face (Dean Stockton, b. 1978, English urban street artist), of a woman embracing a figure of death in uniform, created as part of the Boulevard Paris 13 project, by Galerie Itinerrance, founded and directed by Mehdi Ben Cheikh. Photographed on 29th May 2019 by Manuel Cohen
    29052019_MehdiBenCheikh_MC_09.jpg
  • Mehdi Ben Cheikh, French-Tunisian gallery owner specialising in street art and contemporary art, on a rooftop in the 13th arrondissement of Paris, France. Behind is a mural by D*Face (Dean Stockton, b. 1978, English urban street artist), of a woman embracing a figure of death in uniform, created as part of the Boulevard Paris 13 project, by Galerie Itinerrance, founded and directed by Mehdi Ben Cheikh. Photographed on 29th May 2019 by Manuel Cohen
    29052019_MehdiBenCheikh_MC_08.jpg
  • Mehdi Ben Cheikh, French-Tunisian gallery owner specialising in street art and contemporary art, on a rooftop in the 13th arrondissement of Paris, France. Behind is a mural by D*Face (Dean Stockton, b. 1978, English urban street artist), of a woman embracing a figure of death in uniform, created as part of the Boulevard Paris 13 project, by Galerie Itinerrance, founded and directed by Mehdi Ben Cheikh. Photographed on 29th May 2019 by Manuel Cohen
    29052019_MehdiBenCheikh_MC_07.jpg
  • Mehdi Ben Cheikh, French-Tunisian gallery owner specialising in street art and contemporary art, on a rooftop in the 13th arrondissement of Paris, France. Behind is a mural by D*Face (Dean Stockton, b. 1978, English urban street artist), of a woman embracing a figure of death in uniform, created as part of the Boulevard Paris 13 project, by Galerie Itinerrance, founded and directed by Mehdi Ben Cheikh. Photographed on 29th May 2019 by Manuel Cohen
    29052019_MehdiBenCheikh_MC_06.jpg
  • Facade covered of plants, Massena neighbourhood, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC120.jpg
  • Tour Voltaire, Paris Rive Gauche (siege de l'universite Paris Diderot, headquarters of University Paris Diderot), 5 rue Thomas Mann, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC072.jpg
  • Port de Tolbiac, new Cemex production factory according to environmental rules of protection, Banks of the river Seine around Bibliotheque Nationale de France, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC074.jpg
  • Martial, driver of a Line 13 RATP metro train, in the driver's cab of his train in a tunnel approaching a metro station and passing another train, Paris, France. Photographed 14th February 2019 by Manuel Cohen
    14022019_Ligne13_Metro_MC_01.jpg
  • Martial, driver of a Line 13 RATP metro train, in the driver's cab of his train approaching a metro station, Paris, France. Photographed 14th February 2019 by Manuel Cohen
    14022019_Ligne13_Metro_MC_02.jpg
  • Martial, driver of a Line 13 RATP metro train, in the driver's cab of his train at Malakoff Rue Etienne Dolet metro station, Paris, France. Photographed 14th February 2019 by Manuel Cohen
    14022019_Ligne13_Metro_MC_03.jpg
  • Nave and apse, Notre Dame de la Gare church, 1847 - 1859, Neo-Romanesque style by architect Claude Naissant, place Jeanne d'Arc, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC156.jpg
  • Massena neighbourhood, Bibliotheque Nationale de France in the distance, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC152.jpg
  • Notre Dame de la Gare church, 1847 - 1859, Neo-Romanesque style by architect Claude Naissant, place Jeanne d'Arc, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC155.jpg
  • Martial, driver of a Line 13 RATP metro train, in the driver's cab of his train at Carrefour Pleyel metro station, Paris, France. Photographed 14th February 2019 by Manuel Cohen
    14022019_Ligne13_Metro_MC_05.jpg
  • Storyboard page (no. 13) with Thorgal arriving at the gates of Bag Dadh, from a sketchbook featuring characters, costumes and storyboards for Le Feu Ecarlate or the Scarlet Fire, Series 35 of the Thorgal comic book series, to be published November 2016, by Grzegorz Rosinski, 1941-, Polish comic book artist. Rosinski was born in Stalowa Wola, Poland, and now lives in Switzerland, and is the author and designer of many Polish comic book series. He created Thorgal with Belgian writer Jean Van Hamme. The series was first published in Tintin in 1977 and has been published by Le Lombard since 1980. The stories cover Norse mythology, Atlantean fantasy, science fiction, horror and adventure genres. Le Feu Ecarlate takes place in Bag Dadh, a city under siege by the Magnus force, where Thorgal must find Aniel and save him from the Red Wizards who made him the reincarnation of their Grand Master Kahaniel. Picture by Manuel Cohen / Further clearances requested, please contact us and/or visit www.lelombard.com
    LC16_ROSINSKI_MC_059.jpg
  • Batofar and Bibliotheque Nationale de France, banks of the river Seine around Bibliotheque Nationale de France, Paris 13, France. Batofar was remodelled in 1999 as a theatre venue. It is one of the remaining light-vessel in France. Picture by Manuel CohenPicture by Manuel Cohen
    LC13_Paris_MC147.jpg
  • Advert of MK2 Bibliotheque on the esplanade of the MK2 Bibliotheque, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC145.jpg
  • Grands Moulins, Paris Rive Gauche (siege de l'universite Paris Diderot, headquarters of University Paris Diderot), renovated by Rudy Ricciotti, 5 rue Thomas Mann, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC151.jpg
  • Grands Moulins, Paris Rive Gauche (siege de l'universite Paris Diderot, headquarters of University Paris Diderot), renovated by Rudy Ricciotti, 5 rue Thomas Mann, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC146.jpg
  • Tour Voltaire, Paris Rive Gauche (siege de l'universite Paris Diderot, headquarters of University Paris Diderot), 5 rue Thomas Mann, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC153.jpg
  • New buildings of L'ecole nationale superieure d'architecture Paris-Val de Seine, 3 quai Panhard et Levassor, Paris 13, France. The new building is a seven floors building rising near the old compressed air factory, the SUDAC. The whole complex was directed by architect Frederic Borel, Grand Prix National de l'Architecture in 2010. Picture by Manuel Cohen
    LC13_Paris_MC157.jpg
  • Tour Voltaire and Grands Moulins, Paris Rive Gauche (siege de l'universite Paris Diderot, headquarters of University Paris Diderot), renovated by Rudy Ricciotti, 5 rue Thomas Mann, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC154.jpg
  • Facade covered of plants, Massena neighbourhood, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC121.jpg
  • New buildings of L'ecole nationale superieure d'architecture Paris-Val de Seine, 3 quai Panhard et Levassor, Paris 13, France. The new building is a seven floors building rising near the old compressed air factory, the SUDAC. The whole complex was directed by architect Frederic Borel, Grand Prix National de l'Architecture in 2010. Picture by Manuel Cohen
    LC13_Paris_MC122.jpg
  • Massena neighbourhood, tower of the Frigos de Paris in the background and Bibliotheque Nationale de France in the distance, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC123.jpg
  • Jardins Grands Moulins Abbé Pierre looking to Massena neighbourhood, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC104.jpg
  • Jardins Grands Moulins Abbé Pierre looking to Massena neighbourhood, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC105.jpg
  • Footbridge of Jardins Grands Moulins Abbé Pierre looking to Massena neighbourhood, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC106.jpg
  • Massena neighbourhood, tower of the Frigos de Paris in the background and Bibliotheque Nationale de France in the distance, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC107.jpg
  • Massena neighbourhood, tower of the Frigos de Paris in the background and Bibliotheque Nationale de France in the distance, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC108.jpg
  • Main entrance with graffitted walls, 91 quai de la gare, Les Frigos de Paris, then 91 quai Panhard & Levassor (memorial to the closed car industry) and finally 19 rue des Frigos, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC110.jpg
  • Grands Moulins, Paris Rive Gauche (siege de l'universite Paris Diderot, headquarters of University Paris Diderot), renovated by Rudy Ricciotti, 5 rue Thomas Mann, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC111.jpg
  • Tour Voltaire, Paris Rive Gauche (siege de l'universite Paris Diderot, headquarters of University Paris Diderot), 5 rue Thomas Mann, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC112.jpg
  • Facade covered of plants, Massena neighbourhood, Paris 13, France. Chimney of of L'ecole nationale superieure d'architecture Paris-Val de Seine visible in the background. Picture by Manuel Cohen
    LC13_Paris_MC113.jpg
  • New buildings of L'ecole nationale superieure d'architecture Paris-Val de Seine, 3 quai Panhard et Levassor, Paris 13, France. The new building is a seven floors building rising near the old compressed air factory, the SUDAC. The whole complex was directed by architect Frederic Borel, Grand Prix National de l'Architecture in 2010. Picture by Manuel Cohen
    LC13_Paris_MC114.jpg
  • Seen from the distance, 91 quai de la gare, Les Frigos de Paris, then 91 quai Panhard & Levassor (memorial to the closed car industry) and finally 19 rue des Frigos, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC115.JPG
  • Seen from the distance, 91 quai de la gare, Les Frigos de Paris, then 91 quai Panhard & Levassor (memorial to the closed car industry) and finally 19 rue des Frigos, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC116.jpg
  • Seen from the distance, 91 quai de la gare, Les Frigos de Paris, then 91 quai Panhard & Levassor (memorial to the closed car industry) and finally 19 rue des Frigos, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC118.jpg
  • Main facade of Université Paris Diderot (University Paris Diderot), Massena neighbourhood, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC119.jpg
  • Modern architecture building with painted windows, Massena neighbourhood, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC071.jpg
  • Boulevard Vincent Auriol at dusk, Massena neighbourhood, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC073.jpg
  • Banks of the river Seine around L'ecole nationale superieure d'architecture Paris-Val de Seine on the right, Pont National on the left, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC075.jpg
  • Seen from the distance, 91 quai de la gare, Les Frigos de Paris, then 91 quai Panhard & Levassor (memorial to the closed car industry) and finally 19 rue des Frigos, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC083.jpg
  • Grands Moulins reflected in Gibert Joseph Store glass panels, Paris Rive Gauche (siege de l'universite Paris Diderot, headquarters of University Paris Diderot), 5 rue Thomas Mann, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC082.jpg
  • Modern architecture building with painted windows, Massena neighbourhood, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC096.jpg
  • Seen from the distance, graffitied wall of 91 quai de la gare, Les Frigos de Paris, then 91 quai Panhard & Levassor (memorial to the closed car industry) and finally 19 rue des Frigos, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC097.jpg
  • Graffitied facade of 91 quai de la gare, Les Frigos de Paris, then 91 quai Panhard & Levassor (memorial to the closed car industry) and finally 19 rue des Frigos, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC098.jpg
  • Massena neighbourhood, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC099.jpg
  • Seen from the distance, 91 quai de la gare, Les Frigos de Paris, then 91 quai Panhard & Levassor (memorial to the closed car industry) and finally 19 rue des Frigos, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC100.jpg
  • Jardins Grands Moulins Abbé Pierre, Grands Moulins, Paris Rive Gauche (siege de l'universite Paris Diderot, headquarters of University Paris Diderot), renovated by Rudy Ricciotti, 5 rue Thomas Mann, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC101.jpg
  • Jardins Grands Moulins Abbé Pierre, Grands Moulins, Paris Rive Gauche (siege de l'universite Paris Diderot, headquarters of University Paris Diderot), renovated by Rudy Ricciotti, 5 rue Thomas Mann, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC102.jpg
  • Jardins Grands Moulins Abbé Pierre looking to Massena neighbourhood, Paris 13, France. Picture by Manuel Cohen
    LC13_Paris_MC103.jpg
  • St Nicholas saving 3 boys from a salting tub, detail from Bay 13 of the stained glass window of the Life of St Nicholas, in the choir of the Cathedrale Saint-Pierre-et-Saint-Paul, or Troyes cathedral, begun 1208 in Gothic style and completed in the 17th century, in Troyes, Aube, Grand Est, France. The cathedral is listed as a historic monument. Picture by Manuel Cohen
    LC22_FRANCE_MC_0403.jpg
  • La Mort, or Death, card no. 13, sculpture in Il Giardino dei Tarocchi, a sculpture garden by Niki de Saint Phalle, 1930-2002, based on the esoteric tarot, at Pescia Fiorentina, Grosseto, Tuscany, Italy. A woman riding a horse is the Grim Reaper. Death represents renewal and the great mystery of life. Niki de Saint Phalle begun the project in 1979 and it opened in 1998, holding 22 monumental sculptures of the Greater Mysteries of the tarot. The sculptures are made from concrete and covered in ceramic and mirrored mosaic pieces. Picture by Manuel Cohen
    LC19_ITALY_MC_208.jpg
  • La Mort, or Death, detail, card no. 13, sculpture in Il Giardino dei Tarocchi, a sculpture garden by Niki de Saint Phalle, 1930-2002, based on the esoteric tarot, at Pescia Fiorentina, Grosseto, Tuscany, Italy. A woman riding a horse is the Grim Reaper. Death represents renewal and the great mystery of life. Niki de Saint Phalle begun the project in 1979 and it opened in 1998, holding 22 monumental sculptures of the Greater Mysteries of the tarot. The sculptures are made from concrete and covered in ceramic and mirrored mosaic pieces. Picture by Manuel Cohen
    LC19_ITALY_MC_209.jpg
  • La Mort, or Death, card no. 13, sculpture in Il Giardino dei Tarocchi, a sculpture garden by Niki de Saint Phalle, 1930-2002, based on the esoteric tarot, at Pescia Fiorentina, Grosseto, Tuscany, Italy. A woman riding a horse is the Grim Reaper. Death represents renewal and the great mystery of life. Niki de Saint Phalle begun the project in 1979 and it opened in 1998, holding 22 monumental sculptures of the Greater Mysteries of the tarot. The sculptures are made from concrete and covered in ceramic and mirrored mosaic pieces. Picture by Manuel Cohen
    LC19_ITALY_MC_207.jpg
  • La Mort, or Death, detail, card no. 13, sculpture in Il Giardino dei Tarocchi, a sculpture garden by Niki de Saint Phalle, 1930-2002, based on the esoteric tarot, at Pescia Fiorentina, Grosseto, Tuscany, Italy. A woman riding a horse is the Grim Reaper. Death represents renewal and the great mystery of life. Niki de Saint Phalle begun the project in 1979 and it opened in 1998, holding 22 monumental sculptures of the Greater Mysteries of the tarot. The sculptures are made from concrete and covered in ceramic and mirrored mosaic pieces. Picture by Manuel Cohen
    LC19_ITALY_MC_201.jpg
  • Martial, driver of a Line 13 RATP metro train, in the driver's cab of his train at Carrefour Pleyel metro station, Paris, France. Photographed 14th February 2019 by Manuel Cohen
    14022019_Ligne13_Metro_MC_07.jpg
  • Martial, driver of a Line 13 RATP metro train, in the driver's cab of his train at Carrefour Pleyel metro station, Paris, France. Photographed 14th February 2019 by Manuel Cohen
    14022019_Ligne13_Metro_MC_06.jpg
  • Martial, driver of a Line 13 RATP metro train, in the driver's cab of his train at Carrefour Pleyel metro station, Paris, France. Photographed 14th February 2019 by Manuel Cohen
    14022019_Ligne13_Metro_MC_04.jpg
  • Handwritten notes for a speech against the Loi Falloux, pages 12 and 13, 1850, by Victor Hugo, 1802-85, French writer, housed in the Bibliotheque de l'Assemblee Nationale, 2nd arrondissement, Paris, France. In his speech, given to the Assembly on 15th January 1850, Hugo criticises the growing influence of the catholic clergy, which had been granted control of education under the Falloux Law. Hugo calls for a separation of church and state. The Bibliotheque de l'Assemblee Nationale, or Library of the National Assembly, was created in 1796 and is housed in the Assemblee Nationale at the Palais Bourbon. Picture by Manuel Cohen
    LC_HISTORY_MC_0434.jpg
  • Handwritten notes for a speech supporting a bill offering amnesty to the communards (participants in the Paris Commune), 1876, page 13, by Victor Hugo, 1802-85, French writer, housed in the Archives du Senat, in the Senate in the Palais du Luxembourg, 6th arrondissement, Paris, France. Hugo was a senator for Seine 1876-85, and gave this speech on 22nd May 1876. Although this bill was not passed, a general amnesty was granted in 1880. Picture by Manuel Cohen
    LC_HISTORY_MC_0409.jpg
  • The Jew is attacked by thieves, who hit him with sticks and stab him with a sword, from the stained glass window of the Parable of the Good Samaritan, 1215-25, in bay 13, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0054.jpg
  • The Jewish man leaving Jerusalem for Jericho, with 2 doors, the terrestrial Jerusalem red door is closed, whereas the two blue door panels of the heavenly Jesusalem are wide open to welcome the saved man, from the stained glass window of the Parable of the Good Samaritan, 1215-25, in bay 13, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0055.jpg
  • A priest and a levite see the injured Jew left half dead after being attacked by thieves and they do not stop, from the stained glass window of the Parable of the Good Samaritan, 1215-25, in bay 13, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0052.jpg
  • After being attacked by thieves, they strip him of his clothes and possessions and leave him half dead, from the stained glass window of the Parable of the Good Samaritan, 1215-25, in bay 13, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0053.jpg
  • The Israelites cast a golden calf and worship it as an idol (in a previous section they had melted down their jewels), from the stained glass window of the Parable of the Good Samaritan, 1215-25, in bay 13, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0017.jpg
  • God confounds Adam and Eve and turns them out of the Garden of Eden, from the stained glass window of the Parable of the Good Samaritan, 1215-25, in bay 13, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0016.jpg
  • Moses smashes the Tablets of the Law with the Ten Commandments, from the stained glass window of the Parable of the Good Samaritan, 1215-25, in bay 13, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0015.jpg
  • An angel with flaming sword closes the door of the Garden of Eden, which is red, however the wings of the angel and the door panel are green, the colour of hope, as God does not forsake man, from the stained glass window of the Parable of the Good Samaritan, 1215-25, in bay 13, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0014.jpg
  • Adam and Eve eating 3 of the forbidden fruit, and the serpent, from the stained glass window of the Parable of the Good Samaritan, 1215-25, in bay 13, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0013.JPG
  • The creation of Adam, from the stained glass window of the Parable of the Good Samaritan, 1215-25, in bay 13, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0012.jpg
  • God making Adam master over the animals,<br />
from the stained glass window of the Parable of the Good Samaritan, 1215-25, in bay 13, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0011.jpg
  • The creation of Eve, with God pulling her from the rib of Adam, from the stained glass window of the Parable of the Good Samaritan, 1215-25, in bay 13, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0010.jpg
  • God forbidding Adam and Eve to taste the tree of knowledge of good and evil (the forbidden fruit), from the stained glass window of the Parable of the Good Samaritan, 1215-25, in bay 13, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0009.jpg
  • Adam and Eve ashamed before God, from the stained glass window of the Parable of the Good Samaritan, 1215-25, in bay 13, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0008.JPG
  • The Samaritan pays for the care of the wounded Jew and takes him to an inn, from the stained glass window of the Parable of the Good Samaritan, 1215-25, in bay 13, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0007.jpg
  • Weavers at work, donor panel from the stained glass window of the Parable of the Good Samaritan, 1215-25, in bay 13, in the ambulatory of Bourges Cathedral or the Cathedrale Saint-Etienne de Bourges, built 1195-1230 in French Gothic style and consecrated in 1324, in Bourges, Centre-Val de Loire, France. 22 of the original 25 medieval stained glass windows of the ambulatory have survived. The cathedral is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_FRANCE_MC_0006.jpg
  • Front page of Le Canard Enchaine, issue number 2012, 40th year, published 13th May 1959, on the anniversary of the Algiers Putsch of 1958, with cartoons of crowds marching towards a trap door and the headline, 'General, nous voila! La grande parade du 13 mai'. Le Canard Enchaine is a satirical weekly newspaper, founded in 1915 during the First World War by Maurice Marechal, Jeanne Marechal and H P Gassier. It features investigative journalism, political cartoons, business and political leaks and bogus interviews. In 2015 the newspaper celebrated its 100th anniversary. Picture by Manuel Cohen
    LC_HISTORY_MC_0208.jpg
  • Jogger, on the left bank of the River Seine, The Passerelle Simone-de-Beauvoir (Bercy-Tolbiac) in the background, 2006, by Dietmar Feichtingher, 13th arrondissement, Paris, France. Footbridge across the Seine River, the lenticular truss bridge with penticular web links the esplanade of the Bibliotheque de France to the park of Bercy. Picture by Manuel Cohen
    LC13_Paris_MC126.jpg
  • Bust statue of Theodore Monod seen at sunrise, created by Nacera Kainou in 2001 and located at the bottom of the Labyrinth in the Jardin des Plantes, Paris, 5th arrondissement, France. Nacera Kainou is French contemporary sculptor and painter who was chosen by the Museum National d'Histoire Naturelle to create the statue as a memorial to Theodore Monod at his death in 2000. Founded in 1626 by Guy de La Brosse, Louis XIII's physician, the Jardin des Plantes, originally known as the Jardin du Roi, opened to the public in 1640. It became the Museum National d'Histoire Naturelle in 1793 during the French Revolution. Picture by Manuel Cohen
    LC_JDP_10_MC480.jpg
  • Bust statue of Theodore Monod seen at sunrise, created by Nacera Kainou in 2001 and located at the bottom of the Labyrinth in the Jardin des Plantes, Paris, 5th arrondissement, France. Nacera Kainou is French contemporary sculptor and painter who was chosen by the Museum National d'Histoire Naturelle to create the statue as a memorial to Theodore Monod at his death in 2000. Founded in 1626 by Guy de La Brosse, Louis XIII's physician, the Jardin des Plantes, originally known as the Jardin du Roi, opened to the public in 1640. It became the Museum National d'Histoire Naturelle in 1793 during the French Revolution. Picture by Manuel Cohen
    LC_JDP_10_MC481.jpg
  • The Ilot Buffon-Poliveau, an area of buildings housing collections, laboratories and libraries, belonging to theMuseum National d'Histoire Naturelleand located in front of the Jardin des Plantes, Paris, 5th arrondissement, France. Picture by Manuel Cohen
    LC_JDP_10_MC542.jpg
  • Low angle view of the statue called Le Charmeur de serpent or Le Danseur Nubien (The snake charmer), created by Baron Charles-Arthur Bourgeois circa 1868 and located in the Menagerie of Jardin des Plantes, at the Reptile house (galerie des Reptiles) built by Jules Andr» from 1870 to 1874, Paris, 5th arrondissement, France. Founded in 1794 by Jacques Henri Bernardin de Saint-Pierre, the Menagerie of Jardin des Plantes became the largest exotic animal collection in Europe in the 19th century and is the second oldest public zoo in the world. Picture by Manuel Cohen
    LC_JDP_10_MC534.jpg
  • Joggers, Alley of Buffon, Jardin des Plantes, Paris, 5th arrondissement, France. Founded in 1626 by Guy de La Brosse, Louis XIII's physician, the Jardin des Plantes, originally known as the Jardin du Roi, opened to the public in 1640. It became the Museum National d'Histoire Naturelle in 1793 during the French Revolution. Picture by Manuel Cohen
    LC_JDP_10_MC178.jpg
  • Large street art mural, 22m high, by Jorge Rodriguez-Gerada, in charcoal, a portrait of his wife Ana, on the Rue National, in the quartier de la Gare, in the 13th arrondissement of Paris, France. The mural was created as part of the Musee a Ciel Ouvert, an open air street art exhibition in the 13th arrondissement, running since 2015. Picture by Manuel Cohen
    LC19_PARIS_MC_1423.jpg
  • The Ilot Buffon-Poliveau, an area of buildings housing collections, laboratories and libraries, belonging to theMuseum National d'Histoire Naturelleand located in front of the Jardin des Plantes, Paris, 5th arrondissement, France. Picture by Manuel Cohen
    LC_JDP_10_MC541.jpg
  • Street art mural of a girl wearing a helmet with magical creatures, 2016, by Herakut (Jasmin Siddiqui, or Hera, and Falk Lehmann, or Akut), on the wall of the Ecole Publique Primo Levi, at the junction of the Rue Rene Goscinny and Rue Olivier Messiaen, next to the Jardins Grands Moulins Abbe Pierre, in the Paris Rive Gauche district of the 13th arrondissement of Paris, France. The 13th arrondissement hosts the Musee a Ciel Ouvert, an open air street art exhibition, running since 2015. Picture by Manuel Cohen
    LC19_PARIS_MC_1467.jpg
  • Apartment blocks around the Square Samuel Beckett, with gardens created by Jacques Coulon, in the Chinese quarter in the quartier de la Gare, in the 13th arrondissement of Paris, France. The square was named after the Irish writer of Samuel Beckett, 1906-89. Picture by Manuel Cohen
    LC19_PARIS_MC_1434.jpg
  • Residential buildings of the 13th arrondissement of Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC167.jpg
  • Bibliotheque Nationale de France (National Library of France), 1989-96, Dominique Perrault reflected in Cafe Bibliotheque, MK2 Bibliotheque, 13th arrondissement, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC137.jpg
  • Bibliotheque Nationale de France (National Library of France) seen at twilight, 1989-96, Dominique Perrault, 13th arrondissement, Paris, France. Picture by Manuel Cohen
    LC13_Paris_MC063.jpg
  • Graffitied entrance with mail boxes of the Frigos de Paris, Paris 13th arrondissement, France. Picture by Manuel Cohen
    LC13_Paris_MC135.jpg
  • Rik de Hop la Houppe, 2006, by Martial Raysse (1936, Golfe-Juan), aluminium bronze statue, lobby of the MK2 Bibliotheque cinema, Paris 13th arrondissement, France. Picture by Manuel Cohen
    LC13_Paris_MC136.jpg
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