manuel cohen

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Dyeing Workshop, Les Gobelins, Le Mobilier National, Paris, France

Fadeometer, 1953, used to test light fastness of dyes, in the Atelier de Teinture or Dyeing Workshops, at the Gobelins Manufactory, a historic tapestry workshop, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. In this machine, colours are exposed to ultraviolet radiation for 46 hours, accelerating their aging to determine their strength. The dyeing workshop was founded by Colbert in 1665, when a limited palette of natural dyes were used. In 1838 Eugene Chevreul created his chromatic circle, which is now digitised and used for mixing synthetic dyes. Picture by Manuel Cohen

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Filename
LC20_PARIS_MC_304.jpg
Copyright
© Manuel Cohen
Image Size
4693x7087 / 7.9MB
www.manuelcohen.com
13th arrondissement 1953 75013 Atelier de Teinture Atelier de Teinture et Nuancier capital city city collection color image colour chart colour image colour mixing conservation decorative arts dye dyeing dyeing workshop Europe European factory fadeometer fading fastness France French furniture collection Garde-Meuble de la Couronne Gobelins Manufactory government department heritage history Ile de France Ile-de-France indoors inside interior Le Mobilier National Les Gobelins machine machinery Manufacture des Gobelins Ministry of Culture Mobilier National national furniture collection Paris Parisian radiation state department state furniture strength tapestry technology testing textiles tincture vertical Western Europe Western European workshop
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Fadeometer, 1953, used to test light fastness of dyes, in the Atelier de Teinture or Dyeing Workshops, at the Gobelins Manufactory, a historic tapestry workshop, at Le Mobilier National, which commissions and conserves state furniture, in the 13th arrondissement of Paris, France. In this machine, colours are exposed to ultraviolet radiation for 46 hours, accelerating their aging to determine their strength. The dyeing workshop was founded by Colbert in 1665, when a limited palette of natural dyes were used. In 1838 Eugene Chevreul created his chromatic circle, which is now digitised and used for mixing synthetic dyes. Picture by Manuel Cohen