manuel cohen

Oratory ceiling, Hotel Lallemant, Bourges, France

Winged cherub unwinding a thread on a reel topped with a Greek cross, representing the work of spinners which signifies coagulation, from the coffered ceiling of the Oratory, carved in stone with 30 sections, each relating to a process in alchemy, in the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. The sculptural decoration on the building, made by both French and Italian sculptors, has been interpreted by Fulcanelli and others as having an alchemical symbolism. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen

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Filename: LC17_FRANCE_MC_0663.jpg
Image Size: 3876x4724 / 6.4MB; www.manuelcohen.com; 1495-1518 15th century 16th century alchemical alchemist alchemy alchimie architectural detail belief Berry Bourges carved ceiling Centre Val de Loire Centre-Val de Loire Cher cherub christian christianity coagulation coffered color colour cross detail Europe European faith France French Fulcanelli Greek cross heritage historic monument history Hotel Lallemant house image indoors inside interior interpretation l'hotel Lallemant Lallemand Lallemant Lallemant family Loire looking up manor house mansion monument historique Musee des Arts Decoratifs museum mystery oratory process reel relief religion religious Renaissance sacred sculptural detail section spinner spinning stone symbol symbolism thread vertical view from below Western Europe Western European wing
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Winged cherub unwinding a thread on a reel topped with a Greek cross, representing the work of spinners which signifies coagulation, from the coffered ceiling of the Oratory, carved in stone with 30 sections, each relating to a process in alchemy, in the Hotel Lallemant, a mansion built 1495-1518 in French Renaissance style by the Lallemant merchant family, in Bourges, Centre Val de Loire, France. The sculptural decoration on the building, made by both French and Italian sculptors, has been interpreted by Fulcanelli and others as having an alchemical symbolism. Since 1951 the building has housed the Musee des Arts Decoratifs and it was listed as a historic monument in 1840. Picture by Manuel Cohen