manuel cohen

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Bukhara

Low angle view through the arches of the Tok-i Tilpak Furushon Bazaar Bukhara, Uzbekistan, pictured on July 10, 2010 in the early morning. Tok-i Tilpak Furushon Bazaar, or the Capmaker's Bazaar is one of the remaining domed Bazaars originating in the 16th-17th century trading boom along the Silk Road. Here embroidered skullcaps were sold alongside books and manuscripts. The Bazaar is laid out in five spokes and contains the tomb of Holy Man Khoja Ahmed I Paran. Bukhara, a city on the Silk Route is about 2500 years old. Its long history is displayed both through the impressive monuments and the overall town planning and architecture. Picture by Manuel Cohen.

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Filename
LC_UZBEKISTAN_0710_MC284.jpg
Copyright
© Manuel Cohen
Image Size
5616x3744 / 3.2MB
www.manuelcohen.com
16th century 17th century arch arched architectural architecture Asia Asian Bazaar Bukhara cap Capmakers' Bazaar Central Asia Central Asian city color color image colour colour image commerce commercial day hat horizontal indoors inside interior Islam Islamic looking up low angle view man market morning Moslem Muslim people photograph photography shop shopping skullcap Taqi Telpak Furushon Bazaar Tok-i Tilpak Furushon Bazaar tourism tourist attraction trade trader trading travel Turkic Unesco World Heritage Site Uzbek Uzbekistan world heritage
Contained in galleries
Uzbekistan, Central Asia
Low angle view through the arches of the Tok-i Tilpak Furushon Bazaar Bukhara, Uzbekistan, pictured on July 10, 2010 in the early morning. Tok-i Tilpak Furushon Bazaar, or the Capmaker's Bazaar is one of the remaining domed Bazaars originating in the 16th-17th century trading boom along the Silk Road. Here embroidered skullcaps were sold alongside books and manuscripts. The Bazaar is laid out in five spokes and contains the tomb of Holy Man Khoja Ahmed I Paran. Bukhara, a city on the Silk Route is about 2500 years old. Its long history is displayed both through the impressive monuments and the overall town planning and architecture. Picture by Manuel Cohen.