manuel cohen

Bust of Pan-Giano, Garden of Bomarzo, Bomarzo, Lazio, Italy

Bust of Pan-Giano, Greek god of the wild and nature, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen

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Filename: LC16_ITALY_MC_0309.jpg
Image Size: 7087x4724 / 9.9MB; www.manuelcohen.com; 1550 16th century Bomarzo Bosco dei Mostri bust Castle of Orsini classical color colour day Duke of Orsini Europe European exterior garden Garden of Bomarzo Giulia Farnese god Greek head heritage history horizontal image Italian Italy Lazio Mannerism Mannerist Monsters' Grove morning mythological mythology Orsini family outdoors outside Pan Pan-Giano Parco dei Mostri park Park of the Monsters Pier Francesco Orsini Pirro Ligorio Sacred Grove Sacro Bosco sculpture Simone Moschino Southern Europe Southern European stone surreal Vicino Orsini Villa of Wonders Viterbo woods
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Bust of Pan-Giano, Greek god of the wild and nature, in the Garden of Bomarzo, also known as the Sacro Bosco or Sacred Grove, or the Parco dei Mostri or Park of the Monsters, a monumental Mannerist park complex, c. 1550, made by Pier Francesco Orsini, or Vicino, 1523–1585, Duke of Orsini, designed by Pirro Ligorio, 1512-83, with sculptures by Simone Moschino, 1533-1610, in Bomarzo, Viterbo, Lazio, Italy. The gardens are in a wood at the bottom of a valley beneath the Castle of Orsini, with many large sculptures, small buildings and inscribed poems. The layout of the garden is chaotic, in contrast with formal Renaissance gardens, and it has a surrealistic air. The garden was restored in the 1970s and is now a major tourist attraction. Picture by Manuel Cohen