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Seville, Spain

91 images Created 8 Nov 2008

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  • General view of Torre del Oro (Tower of Gold) and Guadalquivir River, Seville, Spain, pictured on December 25, 2006, at sunset. The tower, first half of the 13th, century, is dodecagonal in shape and divided into three levels. The circular top level was added in 1760. It served as an observation post at the entrance to the port on the Guadalquivir River during the conquest of Americas. Today it houses the city's Naval Museum. Picture by Manuel Cohen.
    DSEVILLE070261.jpg
  • Low angle view of Giralda Minaret seen from the Patio de Banderas (Courtyard of the Flags), Seville Cathedral, Andalucia, Spain, pictured on December 26, 2006 in the winter morning light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. The Giralda is constructed of cut bricks, originally 82 metres high, now 103 metres high with the 16th century belfry added to the original tower. Picture by Manuel Cohen
    DSEVILLE070262.jpg
  • General view of Andalusia's longest river the Guadalquivir and the Puente de la Barqueta (Barqueta Bridge), Seville, Spain, pictured on January 3, 2007, at sunset. The bridge, designed by Juan J. Arenas and Marcos J. Pantaleon, was built 1989-92 to provide access to Expo 92. It is a suspension bridge, supported by a single overhead beam and spans 168 metres. Today the bridge is the main entrance to the Isla Magica theme park and Seville Tecnopolis. In this peaceful evening scene boats float on the Guadalquivir below the bridge. Picture by Manuel Cohen.
    DSEVILLE070246.jpg
  • View from the front of the  Hospital de la Caridad (Charity Hospital), Seville, Spain, pictured on January 3, 2007, in the afternoon, reflecting in the pool of the Teatro de la Maestranza (left foreground) which was built in 1991 for the Seville Expo, 1992. Founded in 1674 by Miguel de Manara, the Hospital de la Caridad is a refuge for poor and elderly people. An outstanding example of Sevillian Baroque with whitewashed walls and terracotta stonework, it was designed by Pedro Sanchez Falconete. Picture by Manuel Cohen.
    DSEVILLE070244.jpg
  • Detail of reclining nude sculpture in the garden, Casa de Pilatos (Pilate's House), Seville, Spain, pictured on December 30, 2006, in the afternoon. Pilate's House, late 15th century, was built by the Enriquez and Ribera families. During the 16th century these families, who had a strong relationship with Italy,  introduced the Renaissance style to Seville. In the palace is the sculpture collection of the Duke of Alcala  who brought back many Classical pieces from Italy and adapted the palace and gardens to exhibiting them in Renaissance style. The buildings were further modified according to Romantic taste in the 19th century and now present a combination of Mudejar-Gothic, Renaissance and Romantic styles. Today the Casa de Pilatos belongs to the Fundacion Casa Ducal de Medicaneli and is the residence of the Dukes of Medicaneli. Picture by Manuel Cohen.
    DSEVILLE070292.jpg
  • Detail of Gardens, Real Alcazar, Seville, Spain, pictured on December 26, 2006, in the afternoon. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World Heritage site. The gardens are a mixture of French, Moorish and Renaissance style. Here a pavilion is reflected in a pool. Picture by Manuel Cohen.
    DSEVILLE070278.jpg
  • Detail of tiled niches, Plaza de Espana, Seville, Spain, pictured on January 4, 2007, in the morning. Built in the Maria Luisa Park for the  Ibero-American Exposition of 1929, this huge semi-circular building, designed by Anibal Gonzalez, is a good example of Sevillian Regionalism, a combination of  Neo-Mudejar and Art Deco styles. There is a tower at each end, and a fountain in the centre of the semi-circle. Picture by Manuel Cohen.
    DSEVILLE070250.jpg
  • Minaret of the old Almohad main mosque, 12th century; constructed of cut bricks, originally 82 metres high, actually 103 metres high. Transformed into a cathedral during the 16th century, Seville, Andalusia, Spain
    DSEVILLE070214.jpg
  • Low angle view of the Plaza de Toros de la Real Maestranza de Caballeria de Sevilla, Seville, Spain, pictured on December 30, 2006, in the afternoon. The Plaza de Toros de la Real Maestranza, 1762-1881, is the oldest bullring in Spain. Its Baroque facade, was built by several architects. A horse and carriage await tourists outside the 16th century iron gates of the Puerta del Principe, by Pedro Roldan, which were originally made for a convent. Picture by Manuel Cohen.
    DSEVILLE070235.jpg
  • Low angle oblique view of the Central Patio with a Roman statue of Minerva in the distance, Casa de Pilatos (Pilate's House), Seville, Spain, pictured on December 30, 2006, in the afternoon. Pilate's House, late 15th century, was built by the Enriquez and Ribera families During the 16th century these families, who had a strong relationship with Italy,  introduced the Renaissance style to Seville. In the palace is the sculpture collection of the Duke of Alcala  who brought back many Classical pieces from Italy and adapted the palace and gardens to exhibiting them in Renaissance style. The buildings were further modified according to Romantic taste in the 19th century and now present a combination of Mudejar-Gothic, Renaissance and Romantic styles. Today the Casa de Pilatos belongs to the Fundacion Casa Ducal de Medicaneli and is the residence of the Dukes of Medicaneli. Picture by Manuel Cohen.
    DSEVILLE070294.jpg
  • Oblique low angle view of the Parish Church of Santa Cruz, Seville, Spain, pictured on December 30, 2006, in the afternoon. Located on Calle Mateos Gago this 17th century church replaces an earlier church on the Plaza de Santa Cruz which gave the area its name. Architectural details are picked out in gold against the white washed walls. Picture by Manuel Cohen.
    DSEVILLE070233.jpg
  • Low angle view of a Roman statue of Minerva in the Central Patio, Casa de Pilatos (Pilate's House), Seville, Spain, pictured on December 30, 2006, in the afternoon. Pilate's House, late 15th century, was built by the Enriquez and Ribera families During the 16th century these families, who had a strong relationship with Italy,  introduced the Renaissance style to Seville. In the palace is the sculpture collection of the Duke of Alcala  who brought back many Classical pieces from Italy and adapted the palace and gardens to exhibiting them in Renaissance style. The buildings were further modified according to Romantic taste in the 19th century and now present a combination of Mudejar-Gothic, Renaissance and Romantic styles. Today the Casa de Pilatos belongs to the Fundacion Casa Ducal de Medicaneli and is the residence of the Dukes of Medicaneli. Picture by Manuel Cohen.
    DSEVILLE070290.jpg
  • Low angle view of Giralda Minaret, Seville Cathedral, Andalucia, Spain, pictured on December 24, 2006 reflected in a pond in the winter afternoon light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Giralda is constructed of cut bricks, originally 82 metres high, now 103 metres high with the 16th century belfry added to the original tower. Picture by Manuel Cohen
    DSEVILLE070216.jpg
  • General view of Giralda Minaret, Seville Cathedral, Andalucia, Spain, pictured on December 25, 2006 in the winter afternoon light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Giralda is constructed of cut bricks, originally 82 metres high, now 103 metres high with the 16th century belfry added to the original tower. Picture by Manuel Cohen
    DSEVILLE070217.jpg
  • Low angle view of Giralda Minaret, Seville Cathedral, Andalucia, Spain, pictured on December 26, 2006 in the winter morning light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Giralda is constructed of cut bricks, originally 82 metres high, now 103 metres high with the 16th century belfry added to the original tower. Picture by Manuel Cohen
    DSEVILLE070218.jpg
  • Oblique view of Seville Cathedral and a crenelated wall of the Real Alcazar on the right, Andalucia, Spain, pictured on December 26, 2006 in the winter afternoon light, showing the Sacristia Mayor dome, and Giralda Minaret. Seville Cathdral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Sacristia Mayor dome was rebuilt after an earthequake in 1888. Picture by Manuel Cohen
    DSEVILLE070221.jpg
  • Low angle view of Giralda Minaret, Seville Cathedral, Andalucia, Spain, pictured on December  27, 2006 in the winter morning light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Giralda is constructed of cut bricks, originally 82 metres high, now 103 metres high with the 16th century belfry added to the original tower. Picture by Manuel Cohen
    DSEVILLE070222.jpg
  • Oblique low angle view of Giralda Minaret, Seville Cathedral, Andalucia, Spain, pictured on December  27, 2006 in the winter morning light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Giralda is constructed of cut bricks, originally 82 metres high, now 103 metres high with the 16th century belfry added to the original tower. Picture by Manuel Cohen
    DSEVILLE070223.jpg
  • Low angle view of the Plaza de Toros de la Real Maestranza de Caballeria de Sevilla, Seville, Spain, pictured on December 30, 2006, in the afternoon. The Plaza de Toros de la Real Maestranza, 1762-1881, is the oldest bullring in Spain. Its Baroque facade, was built by several architects. The 16th century iron gates of the Puerta del Principe, by Pedro Roldan, were originally made for a convent. Picture by Manuel Cohen.
    DSEVILLE070234.jpg
  • Low angle view of the Plaza de Toros de la Real Maestranza de Caballeria de Sevilla, Seville, Spain, pictured on December 30, 2006, in the afternoon. The Plaza de Toros de la Real Maestranza, 1762-1881, is the oldest bullring in Spain. Its Baroque facade, was built by several architects. The 16th century iron gates of the Puerta del Principe, by Pedro Roldan, were originally made for a convent. Picture by Manuel Cohen.
    DSEVILLE070236.jpg
  • Panoramic view of the arena, Plaza de Toros de la Real Maestranza de Caballeria de Sevilla, Seville, Spain, pictured on January 2, 2007, in the afternoon. The Plaza de Toros de la Real Maestranza, 1762-1881, is the oldest bullring in Spain. Its Baroque facade, was built by several architects. The arena seats 14,000 and is known for its wonderful acoustics. It is the setting for Bizet's opera "Carmen". Picture by Manuel Cohen.
    DSEVILLE070238.jpg
  • General view of Puente del Alamillo (Alamillo Bridge), Seville, Spain, pictured on January 3, 2007, in the afternoon. Santiago Calatrava designed the bridge for the 1992 Expo. The Cantilever spar cable-stayed bridge across the Guadalquivir River connects the old quarter of Seville with La Cartuja Island. It spans 200 meters and the deck is supported by a single, cabled pylon at a 58 degree angle. Picture by Manuel Cohen.
    DSEVILLE070239.jpg
  • General view of Puente del Alamillo (Alamillo Bridge), Seville, Spain, pictured on January 3, 2007, in the afternoon. Santiago Calatrava designed the bridge for the 1992 Expo. The Cantilever spar cable-stayed bridge across the Guadalquivir River connects the old quarter of Seville with La Cartuja Island. It spans 200 meters and the deck is supported by a single, cabled pylon at a 58 degree angle. Picture by Manuel Cohen.
    DSEVILLE070240.jpg
  • General view of Puente del Alamillo (Alamillo Bridge), Seville, Spain, pictured on January 3, 2007, in the afternoon. Santiago Calatrava designed the bridge for the 1992 Expo. The Cantilever spar cable-stayed bridge across the Guadalquivir River connects the old quarter of Seville with La Cartuja Island. It spans 200 meters and the deck is supported by a single, cabled pylon at a 58 degree angle. Picture by Manuel Cohen.
    DSEVILLE070245.jpg
  • Low angle view of the Archivo General de Indias (General Archive of the Indies), Seville, Spain, pictured on January 3, 2007. The Archive containing historial documents relating to Spain's Imperial history is housed in the old Casa Lonja de Mercaderes or Merchants' Exchange, 1584-98, designed by Juan de Herrera. This fine example of Italianate Spanish Renaissance architecture and its contents became a UNESCO  World Heritage Site in 1987. Picture by Manuel Cohen.
    DSEVILLE070241.jpg
  • View from the front of the  Hospital de la Caridad (Charitiy Hospital), Seville, Spain, pictured on January 3, 2007, in the afternoon. Founded in 1674 by Miguel de Manara, the Hospital de la Caridad is a refuge for poor and elderly people. An outstanding example of Sevillian Baroque with whitewashed walls and terracotta stonework, it was designed by Pedro Sanchez Falconete. Picture by Manuel Cohen.
    DSEVILLE070242.jpg
  • Low angle view of the double patio, Hospital de la Caridad (Charity Hospital), Seville, Spain, pictured on January 3, 2007, in the afternoon. Founded in 1674 by Miguel de Manara, the Hospital de la Caridad is a refuge for poor and elderly people. An outstanding example of Sevillian Baroque with whitewashed walls and terracotta stonework, it was designed by Pedro Sanchez Falconete. The buildings stand around a double patio divided by arches. Picture by Manuel Cohen.
    DSEVILLE070243.jpg
  • Low angle view of Plaza de Espana, Seville, Spain, pictured on January 4, 2007, in the morning. Built in the Maria Luisa Park for the  Ibero-American Exposition of 1929, this huge semi-circular building, designed by Anibal Gonzalez, is a good example of Sevillian Regionalism, a combination of  Neo-Mudejar and Art Deco styles. There is a tower at each end, and a fountain in the centre of the semi-circle. Picture by Manuel Cohen.
    DSEVILLE070247.jpg
  • Low angle view of tower, Plaza de Espana, Seville, Spain, pictured on January 4, 2007, in the morning. Built in the Maria Luisa Park for the  Ibero-American Exposition of 1929, this huge semi-circular building, designed by Anibal Gonzalez, is a good example of Sevillian Regionalism, a combination of  Neo-Mudejar and Art Deco styles. There is a tower at each end, and a fountain in the centre of the semi-circle. Picture by Manuel Cohen.
    DSEVILLE070248.jpg
  • General view of Plaza de Espana, Seville, Spain, pictured on December 25, 2006, in the late afternoon. Built in the Maria Luisa Park for the  Ibero-American Exposition of 1929, this huge semi-circular building, designed by Anibal Gonzalez, is a good example of Sevillian Regionalism, a combination of  Neo-Mudejar and Art Deco styles. There is a tower at each end, and a fountain in the centre of the semi-circle. Picture by Manuel Cohen.
    DSEVILLE070259.jpg
  • Low angle view of Plaza de Espana, Seville, Spain, pictured on December 25, 2006, in the late afternoon. Built in the Maria Luisa Park for the  Ibero-American Exposition of 1929, this huge semi-circular building, designed by Anibal Gonzalez, is a good example of Sevillian Regionalism, a combination of  Neo-Mudejar and Art Deco styles. There is a tower at each end, and a fountain in the centre of the semi-circle. Picture by Manuel Cohen.
    DSEVILLE070260.jpg
  • Detail of tiled niches, Plaza de Espana, Seville, Spain, pictured on January 4, 2007, in the morning. Built in the Maria Luisa Park for the  Ibero-American Exposition of 1929, this huge semi-circular building, designed by Anibal Gonzalez, is a good example of Sevillian Regionalism, a combination of  Neo-Mudejar and Art Deco styles. There is a tower at each end, and a fountain in the centre of the semi-circle. Picture by Manuel Cohen.
    DSEVILLE070251.jpg
  • Low angle view of details of arches at Patio de las Doncellas (Courtyard of the Maidens), Real Alcazar, Seville, Spain, pictured on January 4, 2007, in the afternoon. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World Heritage site Picture by Manuel Cohen.
    DSEVILLE070252.jpg
  • Low angle view of Fountain, Plaza de Espana, Seville, Spain, pictured on January 4, 2007, in the morning. Built in the Maria Luisa Park for the  Ibero-American Exposition of 1929, this huge semi-circular building, designed by Anibal Gonzalez, is a good example of Sevillian Regionalism, a combination of  Neo-Mudejar and Art Deco styles. There is a tower at each end, and a fountain in the centre of the semi-circle. Picture by Manuel Cohen.
    DSEVILLE070249.jpg
  • General view of Torre del Oro (Tower of Gold) and River Guadalquivir, Seville, Spain, pictured on December 30, 2006, in the afternoon. The tower, first half of the 13th, century, is dodecagonal in shape and divided into three levels. The circular top level was added in 1760. It served as an observation post at the entrance to the port on the Guadalquivir River during the conquest of Americas. Today it houses the city's Naval Museum. The modern, round building to the left of the Torre del Oro is the 1800 seat Teatro Maestranza, built for the 1992 Expo. Home to the Royal Seville Symphony Orchestra, this hosts internationally-renowned performances of opera, ballet and music. Pleasure boats are moored on the river next to the Tower. Picture by Manuel Cohen.
    DSEVILLE070255.jpg
  • General view of Torre del Oro (Tower of Gold) and River Guadalquivir, Seville, Spain, pictured on December 30, 2006, in the afternoon. The tower, first half of the 13th, century, is dodecagonal in shape and divided into three levels. The circular top level was added in 1760. It served as an observation post at the entrance to the port on the Guadalquivir River during the conquest of Americas. Today it houses the city's Naval Museum. A pleasure boat is moored on the river next to the Tower. Picture by Manuel Cohen.
    DSEVILLE070257.jpg
  • General view of Torre del Oro (Tower of Gold), Seville, Spain, pictured on December 30, 2006, in the afternoon. The tower, first half of the 13th century, is dodecagonal in shape and divided into three levels. The circular top level was added in 1760. It served as an observation post at the entrance to the port on the Guadalquivir River during the conquest of Americas. Today it houses the city's Naval Museum. Picture by Manuel Cohen.
    DSEVILLE070253.jpg
  • General view of Torre del Oro (Tower of Gold), Seville, Spain, pictured on December 30, 2006, in the afternoon. The tower, first half of the 13th, century, is dodecagonal in shape and divided into three levels. The circular top level was added in 1760. It served as an observation post at the entrance to the port on the Guadalquivir River during the conquest of Americas. Today it houses the city's Naval Museum. Picture by Manuel Cohen.
    DSEVILLE070256.jpg
  • General view of the Puerta del Leon (Lion Gate), Real Alcazar, Seville, Spain, pictured on December 24, 2006, in the afternoon. In front of the gate a horse and carriage is waiting for tourists. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style. The gate leads into the Patio de la Monteria (Hunting Courtyard). Picture by Manuel Cohen.
    DSEVILLE070258.jpg
  • View from the front of the Puerta del Leon (Lion Gate), Real Alcazar, Seville, Spain, pictured on January 2, 2007, in the afternoon. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palase, is a stunning example of the style. The gate leads into the Patio de la Monteria (Hunting Courtyard). Picture by Manuel Cohen.
    DSEVILLE070237.jpg
  • High angle view of Real Alcazar, Seville, Spain, pictured on December 27, 2006, in the morning. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World Heritage site. The gardens are a mixture of French, Moorish and Renaissance styles. Picture by Manuel Cohen.
    DSEVILLE070283.jpg
  • General view of the old city from Giralda Minaret, Seville Cathedral, Andalusia, Spain, pictured on December 27, 2006 in the morning. Picture by Manuel Cohen
    DSEVILLE070284.jpg
  • Detail of Patio de la Monteria (Hunting Courtyard), Real Alcazar, Seville, Spain, pictured on December 26, 2006, in the morning. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World heritage site. The name, Patio de la Monteria, comes from the scouts, or monteros, who accompanied the king when hunting. Picture by Manuel Cohen.
    DSEVILLE070263.jpg
  • General view of Patio de la Monteria (Hunting Courtyard), Real Alcazar, Seville, Spain, pictured on December 26, 2006, in the morning. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World heritage site. The name, Patio de la Monteria, comes from the scouts, or monteros, who accompanied the king when hunting. Picture by Manuel Cohen.
    DSEVILLE070265.jpg
  • Low angle view of Plaza de la Monteria and Patio de Leon (Lion Courtyard), Real Alcazar, Seville, Spain, pictured on December 26, 2006, in the morning. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World heritage site. Picture by Manuel Cohen.
    DSEVILLE070264.jpg
  • Low angle view of Passage and Entrance of the Admiral Suite, Patio de la Monteria (Hunting Courtyard), Real Alcazar, Seville, Spain, pictured on December 26, 2006, in the morning. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World heritage site. The name, Patio de la Monteria, comes from the scouts, or monteros, who accompanied the king when hunting. Picture by Manuel Cohen.
    DSEVILLE070266.jpg
  • Detail of Patio de las Munecas (Courtyard of the Dolls), Real Alcazar, Seville, Spain, pictured on December 26, 2006. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World heritage site. This galleried courtyard was the centre of the private quarter of the building. Picture by Manuel Cohen.
    DSEVILLE070267.jpg
  • High angle view of Patio de las Doncellas (Courtyard of the Maidens), Real Alcazar, Seville, Spain, pictured on December 26, 2006, in the morning. The upper storey of the Patio was built by Luis de Vega under the reign of Charles V, 1540-1572. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World heritage site. Picture by Manuel Cohen.
    DSEVILLE070268.jpg
  • Detail of Patio de las Doncellas (Courtyard of the Maidens), Real Alcazar, Seville, Spain, pictured through an arch on December 26, 2006, in the morning. The upper storey of the Patio was built by Luis de Vega under the reign of Charles V, 1540-1572. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World heritage site. Picture by Manuel Cohen.
    DSEVILLE070269.jpg
  • High angle view of the central patio with Roman statue of Minerva and upper portico, Casa de Pilatos, Seville, Spain, pictured on December 30, 2006, in the afternoon. Pilate's House, late 15th century, was built by the Enriquez and Ribera families During the 16th century these families, who had a strong relationship with Italy,  introduced the Renaissance style to Seville. In the palace is the sculpture collection of the Duke of Alcala  who brought back many Classical pieces from Italy and adapted the palace and gardens to exhibiting them in Renaissance style. The buildings were further modified according to Romantic taste in the 19th century and now present a combination of Mudejar-Gothic, Renaissance and Romantic styles. Today the Casa de Pilatos belongs to the Fundacion Casa Ducal de Medicaneli and is the residence of the Dukes of Medicaneli. Picture by Manuel Cohen.
    DSEVILLE070296.jpg
  • Low angle view of upper portico, Casa de Pilatos (Pilate's House), Seville, Spain, pictured on December 30, 2006, in the afternoon. Pilate's House, late 15th century, was built by the Enriquez and Ribera families During the 16th century these families, who had a strong relationship with Italy,  introduced the Renaissance style to Seville. The buildings were further modified according to Romantic taste in the 19th century and now present a combination of Mudejar-Gothic, Renaissance and Romantic styles. Today the Casa de Pilatos belongs to the Fundacion Casa Ducal de Medicaneli and is the residence of the Dukes of Medicaneli. Picture by Manuel Cohen.
    DSEVILLE070297.jpg
  • Detail of corner of upper portico, Casa de Pilatos (Pilate's House), Seville, Spain, pictured on December 30, 2006, in the afternoon. Pilate's House, late 15th century, was built by the Enriquez and Ribera families During the 16th century these families, who had a strong relationship with Italy,  introduced the Renaissance style to Seville. The buildings were further modified according to Romantic taste in the 19th century and now present a combination of Mudejar-Gothic, Renaissance and Romantic styles. Today the Casa de Pilatos belongs to the Fundacion Casa Ducal de Medicaneli and is the residence of the Dukes of Medicaneli. Picture by Manuel Cohen.
    DSEVILLE070298.jpg
  • Low angle view of the Central Patio with a Roman statue of Minerva in the distance, Casa de Pilatos (Pilate's House), Seville, Spain, pictured on December 30, 2006, in the afternoon. Pilate's House, late 15th century, was built by the Enriquez and Ribera families During the 16th century these families, who had a strong relationship with Italy,  introduced the Renaissance style to Seville. In the palace is the sculpture collection of the Duke of Alcala  who brought back many Classical pieces from Italy and adapted the palace and gardens to exhibiting them in Renaissance style. The buildings were further modified according to Romantic taste in the 19th century and now present a combination of Mudejar-Gothic, Renaissance and Romantic styles. Today the Casa de Pilatos belongs to the Fundacion Casa Ducal de Medicaneli and is the residence of the Dukes of Medicaneli. Picture by Manuel Cohen.
    DSEVILLE070293.jpg
  • Low angle view of fountain courtyard and upper portico, Casa de Pilatos (Pilate's House), Seville, Spain, pictured on December 30, 2006, in the afternoon. Pilate's House, late 15th century, was built by the Enriquez and Ribera families. During the 16th century these families, who had a strong relationship with Italy,  introduced the Renaissance style to Seville. The buildings were further modified according to Romantic taste in the 19th century and now present a combination of Mudejar-Gothic, Renaissance and Romantic styles. Today the Casa de Pilatos belongs to the Fundacion Casa Ducal de Medicaneli and is the residence of the Dukes of Medicaneli. Picture by Manuel Cohen.
    DSEVILLE070287.jpg
  • View from the front of a Roman statue of Minerva, Central Patio, Casa de Pilatos (Pilate's House), Seville, Spain, pictured on December 30, 2006, in the afternoon. Pilate's House, late 15th century, was built by the Enriquez and Ribera families During the 16th century these families, who had a strong relationship with Italy,  introduced the Renaissance style to Seville. In the palace is the sculpture collection of the Duke of Alcala  who brought back many Classical pieces from Italy and adapted the palace and gardens to exhibiting them in Renaissance style. The buildings were further modified according to Romantic taste in the 19th century and now present a combination of Mudejar-Gothic, Renaissance and Romantic styles. Today the Casa de Pilatos belongs to the Fundacion Casa Ducal de Medicaneli and is the residence of the Dukes of Medicaneli. Picture by Manuel Cohen.
    DSEVILLE070288.jpg
  • Oblique low angle view of Roman statue of Minerva in the Central Patio, Casa de Pilatos (Pilate's House), Seville, Spain, pictured on December 30, 2006, in the afternoon. Pilate's House, late 15th century, was built by the Enriquez and Ribera families During the 16th century these families, who had a strong relationship with Italy,  introduced the Renaissance style to Seville. In the palace is the sculpture collection of the Duke of Alcala  who brought back many Classical pieces from Italy and adapted the palace and gardens to exhibiting them in Renaissance style. The buildings were further modified according to Romantic taste in the 19th century and now present a combination of Mudejar-Gothic, Renaissance and Romantic styles. Today the Casa de Pilatos belongs to the Fundacion Casa Ducal de Medicaneli and is the residence of the Dukes of Medicaneli. Picture by Manuel Cohen.
    DSEVILLE070289.jpg
  • Low angle view of the Central Patio with a Roman statue of Minerva in the distance, Casa de Pilatos (Pilate's House), Seville, Spain, pictured on December 30, 2006, in the afternoon. Pilate's House, late 15th century, was built by the Enriquez and Ribera families During the 16th century these families, who had a strong relationship with Italy,  introduced the Renaissance style to Seville. In the palace is the sculpture collection of the Duke of Alcala  who brought back many Classical pieces from Italy and adapted the palace and gardens to exhibiting them in Renaissance style. The buildings were further modified according to Romantic taste in the 19th century and now present a combination of Mudejar-Gothic, Renaissance and Romantic styles. Today the Casa de Pilatos belongs to the Fundacion Casa Ducal de Medicaneli and is the residence of the Dukes of Medicaneli. Picture by Manuel Cohen.
    DSEVILLE070295.jpg
  • Detail of reclining nude sculpture in the garden, Casa de Pilatos (Pilate's House), Seville, Spain, pictured on December 30, 2006, in the afternoon. Pilate's House, late 15th century, was built by the Enriquez and Ribera families During the 16th century these families, who had a strong relationship with Italy,  introduced the Renaissance style to Seville. In the palace is the sculpture collection of the Duke of Alcala  who brought back many Classical pieces from Italy and adapted the palace and gardens to exhibiting them in Renaissance style. The buildings were further modified according to Romantic taste in the 19th century and now present a combination of Mudejar-Gothic, Renaissance and Romantic styles. Today the Casa de Pilatos belongs to the Fundacion Casa Ducal de Medicaneli and is the residence of the Dukes of Medicaneli. Picture by Manuel Cohen.
    DSEVILLE070291.jpg
  • Detail of fountain statue,  Central Patio, Casa de Pilatos (Pilate's House), Seville, Spain, pictured on December 30, 2006, in the afternoon. Pilate's House, late 15th century, was built by the Enriquez and Ribera families During the 16th century these families, who had a strong relationship with Italy,  introduced the Renaissance style to Seville. In the palace is the sculpture collection of the Duke of Alcala  who brought back many Classical pieces from Italy and adapted the palace and gardens to exhibiting them in Renaissance style. The buildings were further modified according to Romantic taste in the 19th century and now present a combination of Mudejar-Gothic, Renaissance and Romantic styles. Today the Casa de Pilatos belongs to the Fundacion Casa Ducal de Medicaneli and is the residence of the Dukes of Medicaneli. Picture by Manuel Cohen.
    DSEVILLE070299.JPG
  • Low angle view of a detail of the fountain statue, Central Patio, Casa de Pilatos (Pilate's House), Seville, Spain, pictured on December 30, 2006, in the afternoon. Pilate's House, late 15th century, was built by the Enriquez and Ribera families. During the 16th century these families, who had a strong relationship with Italy,  introduced the Renaissance style to Seville. In the palace is the sculpture collection of the Duke of Alcala who brought back many Classical pieces from Italy and adapted the palace and gardens to exhibiting them in Renaissance style. The buildings were further modified according to Romantic taste in the 19th century and now present a combination of Mudejar-Gothic, Renaissance and Romantic styles. Today the Casa de Pilatos belongs to the Fundacion Casa Ducal de Medicaneli and is the residence of the Dukes of Medicaneli. Picture by Manuel Cohen.
    DSEVILLE070300.jpg
  • Detail of the courtyard with fountain statue and a Roman statue of Minerva in the background, Central Patio, Casa de Pilatos (Pilate's House), Seville, Spain, pictured on December 30, 2006, in the afternoon. Pilate's House, late 15th century, was built by the Enriquez and Ribera families During the 16th century these families, who had a strong relationship with Italy,  introduced the Renaissance style to Seville. In the palace is the sculpture collection of the Duke of Alcala  who brought back many Classical pieces from Italy and adapted the palace and gardens to exhibiting them in Renaissance style. The buildings were further modified according to Romantic taste in the 19th century and now present a combination of Mudejar-Gothic, Renaissance and Romantic styles. Today the Casa de Pilatos belongs to the Fundacion Casa Ducal de Medicaneli and is the residence of the Dukes of Medicaneli. Picture by Manuel Cohen.
    DSEVILLE070301.jpg
  • Low angle view of a detail of the fountain statue,  Central Patio, Casa de Pilatos (Pilate's House), Seville, Spain, pictured on December 30, 2006, in the afternoon. Pilate's House, late 15th century, was built by the Enriquez and Ribera families During the 16th century these families, who had a strong relationship with Italy,  introduced the Renaissance style to Seville. In the palace is the sculpture collection of the Duke of Alcala  who brought back many Classical pieces from Italy and adapted the palace and gardens to exhibiting them in Renaissance style. The buildings were further modified according to Romantic taste in the 19th century and now present a combination of Mudejar-Gothic, Renaissance and Romantic styles. Today the Casa de Pilatos belongs to the Fundacion Casa Ducal de Medicaneli and is the residence of the Dukes of Medicaneli. Picture by Manuel Cohen.
    DSEVILLE070302.jpg
  • High angle view of Patio de las Doncellas (Courtyard of the Maidens), Real Alcazar, Seville, Spain, pictured on December 26, 2006, in the morning. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World heritage site. The garden in the Patio is planned according to Moorish custom. Picture by Manuel Cohen.
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  • General low angle view of the arcade courtyard at Patio de las Doncellas (Courtyard of the Maidens), Real Alcazar, Seville, Spain, looking at the upper portico, pictured on December 24, 2006, in the afternoon. The upper storey of the Patio was built by Luis de Vega under the reign of Charles V, 1540-1572. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World Heritage site. The garden in this courtyard is of a Moorish plan. Picture by Manuel Cohen.
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  • Detail of Gardens, Real Alcazar, Seville, Spain, pictured on December 26, 2006, in the morning. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World heritage site. The gardens are a mixture of Moorish, French and Renaissance style. Picture by Manuel Cohen.
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  • General view of Patio de Banderas (Courtyard of the Flags), outside the Real Alcazar, Seville, Spain, pictured on December 26, 2006, in the afternoon with the Giralda Minaret in the distance. The Patio de Banderas is between the Alcazar and the Barrio Santa Cruz, which was the main Jewish quarter in the Moorish era. Picture by Manuel Cohen.
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  • Low angle view of Patio del Yeso (Plaster Courtyard), Real Alcazar, Seville, Spain, pictured on December 26, 2006, in the afternoon. This courtyard dates back to the 12th century. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World Heritage site. This Patio, with traditional Moorish garden and pool,  is part of the original ancient Almohad palace. Picture by Manuel Cohen.
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  • Detail of Fountain in the Sala de la Justicia (Hall of Justice), Real Alcazar, Seville, Spain, pictured on December 26, 2006, in the afternoon. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World Heritage site. Picture by Manuel Cohen.
    DSEVILLE070274.jpg
  • Detail of Jardin de la Alcubilla (Garden of the Reservoir), Real Alcazar, Seville, Spain, pictured on December 26, 2006, in the afternoon. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World Heritage site. The gardens are a mixture of Moorish, French and Renaissance styles. This, the Garden of the Reservoir, dates from the time of Charles V (1500-58). Picture by Manuel Cohen.
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  • Detail of fountain with statue, Jardin de la Alcubilla (Garden of the Reservoir), Real Alcazar, Seville, Spain, pictured on December 26, 2006, in the afternoon. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World Heritage site. The gardens are a mixture of Moorish, French and Renaissance styles. This, the Garden of the Reservoir, dates from the time of Charles V (1500-58). Picture by Manuel Cohen.
    DSEVILLE070276.jpg
  • Low angle view of Jardin de la Alcubilla (Garden of the Reservoir), Real Alcazar, Seville, Spain, pictured on December 26, 2006, in the afternoon. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World Heritage site. The gardens are a mixture of Moorish, French and Renaissance styles. This, the Garden of the Reservoir, dates from the time of Charles V (1500-58). Picture by Manuel Cohen.
    DSEVILLE070277.jpg
  • Detail of pool, Gardens, Real Alcazar, Seville, Spain, pictured on December 26, 2006, in the afternoon. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World Heritage site. The gardens are a mixture of French, Moorish and Renaissance style. Here a pavilion is reflected in a pool. Picture by Manuel Cohen.
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  • Low angle view of pool, Gardens, Real Alcazar, Seville, Spain, pictured on December 26, 2006, in the afternoon. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World Heritage site. A domed pavilion and fountain with statue are reflected in the green water of the rectangular pool. Picture by Manuel Cohen.
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  • Low angle view of pavilion, Gardens, Real Alcazar, Seville, Spain, pictured on Decmber 26, 2006, in the afternoon. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World Heritage site. Picture by Manuel Cohen.
    DSEVILLE070281.jpg
  • High angle view of wall, Gardens, Real Alcazar, Seville, Spain, pictured on December 26, 2006, in the afternoon. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World Heritage site. The gardens are a mixture of French, Moorish and Renaissance styles. Picture by Manuel Cohen.
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  • High angle view of pavilions in the Garden, Real Alcazar, Seville, Spain, pictured on December 26, 2006, in the afternoon. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World Heritage site. The gardens are a mixture of French, Moorish and Renaisance styles. Picture by Manuel Cohen.
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  • General view of Real Alcazar from the Gardens, Seville, Spain, with the Patio de las Doncellas (Courtyard of the Maidens) in the background, pictured on December 27, 2006, in the afternoon. The Real Alacazar was commissioned by Pedro I of Castile in 1364 to be built in the Mudejar style by Moorish craftsmen. The palace, built on the site of an earlier Moorish palace, is a stunning example of the style and a UNESCO World Heritage site. Picture by Manuel Cohen.
    DSEVILLE070286.jpg
  • Low angle view of Giralda Minaret, Seville Cathedral, Andalucia, Spain, pictured on December 26, 2006 in the winter morning light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Giralda is constructed of cut bricks, originally 82 metres high, now 103 metres high with the 16th century belfry added to the original tower. Picture by Manuel Cohen
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  • General view of the Puerta de San Cristobal and Moorish entrance court, Seville Cathedral, Andalucia, Spain, pictured on December 26, 2006 in the winter morning light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). Picture by Manuel Cohen
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  • General view of Giralda Minaret and ornate pinnacle topped walls, Seville Cathedral, Andalucia, Spain, pictured on December 27, 2006 in the winter morning light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Giralda is constructed of cut bricks, originally 82 metres high, now 103 metres high with the 16th century belfry added to the original tower. Picture by Manuel Cohen
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  • Low angle view showing the Sacristia Mayor dome, Seville Cathedral, Andalucia, Spain, pictured on December 26, 2006 in the winter morning light. Seville Cathdral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Sacristia Mayor dome was rebuilt after an earthequake in 1888. Picture by Manuel Cohen
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  • High angle view of buttresses, Seville Cathedral, Andalucia, Spain, pictured on December 27, 2006, in the winter morning light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). Picture by Manuel Cohen
    DSEVILLE070225.jpg
  • General view showing the Sacristia Mayor dome and the upper part of the Puerta de San Cristobal or del Principe, Seville Cathedral, Andalucia, Spain, pictured on December 27, 2006 in the wintry midday sun. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). The Sacristia Mayor dome was rebuilt after an earthequake in 1888. Picture by Manuel Cohen
    DSEVILLE070226.jpg
  • Low angle view showing the Puerta de San Cristobal or del Principe and pinnacled walls, Seville Cathedral, Andalucia, Spain, pictured on December 27, 2006 in the midday winter light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). Picture by Manuel Cohen
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  • An oblique low angle view of the Puerta de San Cristobal or del Principe, Seville Cathedral, Andalucia, Spain, pictured on January 3 2007, in the winter afternoon light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). Picture by Manuel Cohen
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  • An oblique low angle view of the Puerta de San Cristobal or del Principe, Seville Cathedral, Andalucia, Spain, pictured on January 3 2007, in the winter afternoon light. Seville Cathedral is the largest Gothic building in the world. It was converted from the original 12th century Almohad Mosque on this site during the 16th century and the original Moorish entrance court and Giralda Minaret are both integrated in the cathedral. Inside is the tomb of the explorer Christopher Columbus (1451-1506). Picture by Manuel Cohen
    DSEVILLE070229.jpg
  • Detail of tiles, Central Patio, Casa de Pilatos (Pilate's House), Seville, Spain, pictured on December 30, 2006, in the afternoon. Pilate's House, late 15th century, was built by the Enriquez and Ribera families During the 16th century these families, who had a strong relationship with Italy,  introduced the Renaissance style to Seville. The buildings were further modified according to Romantic taste in the 19th century and now present a combination of Mudejar-Gothic, Renaissance and Romantic styles. Today the Casa de Pilatos belongs to the Fundacion Casa Ducal de Medicaneli and is the residence of the Dukes of Medicaneli. Picture by Manuel Cohen.
    DSEVILLE070303.jpg
  • Low angle view of sculpture, Gambe Alate, 2002, by Igor Mitoraj, Seville, Spain, pictured on December 30, 2006, in the afternoon. Polish sculptor Igor Mitoraj (b.1944) takes classical themes and gives them a contemporary twist. His use of fragmented bodies reflects the state of many original classical sculptures. Picture by Manuel Cohen.
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  • Detail of sculpture, Blue Benares, 1990, by Igor Mitoraj, Seville, Spain, pictured on December 30, 2006, in the afternoon. Polish sculptor Igor Mitoraj (b.1944) takes classical themes and gives them a contemporary twist. His use of fragmented bodies reflects the state of many original classical sculptures. Picture by Manuel Cohen.
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  • Low angle view of sculpture, Osiride Addormenato, by Igor Mitoraj, Seville, Spain, pictured on December 30, 2006, in the afternoon. Polish sculptor Igor Mitoraj (b.1944) takes classical themes and gives them a contemporary twist. His use of fragmented bodies reflects the state of many original classical sculptures. Picture by Manuel Cohen.
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  • Low angle view of sculpture, Eros Bendato, by Igor Mitoraj, Seville, Spain, pictured on December 30, 2006, in the afternoon. Polish sculptor Igor Mitoraj (b.1944) takes classical themes and gives them a contemporary twist. His use of fragmented bodies reflects the state of many original classical sculptures. Picture by Manuel Cohen.
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