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Reims, Champagne-Ardenne, France

131 images Created 26 Mar 2009

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  • Tiered aisle with Gothic arches, interior of Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090050.JPG
  • Aisle of Gothic arches, interior of Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090051.JPG
  • Aisle of Gothic arches, interior of Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090052.jpg
  • Angel Gabriel, annunciation group, right jamb statues of the central portal of the western facade of Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090048.JPG
  • Angel Gabriel, annunciation group, right jamb statues of the central portal of the western facade of Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090049.JPG
  • Angel Gabriel, annunciation group, right jamb statues of the central portal of the western facade of Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090047.JPG
  • Western facade of Notre Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090046.JPG
  • Low angle view of the Virgin Coronation sculptures and rose window above the central portal of the western facade  of Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090069.jpg
  • Low angle view of the Virgin Coronation sculptures and rose window above the central portal of the western facade  of Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090068.jpg
  • Low angle view of the Virgin Coronation sculptures and rose window above the central portal of the western facade  of Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090067.jpg
  • Low angle view of Elysabeth (cousin of Virgin Mary), annunciation group, right jamb statues of the central portal of the western facade of Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090066.jpg
  • Low angle view of Elysabeth (cousin of Virgin Mary), annunciation group, right jamb statues of the central portal of the western facade of Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090065.jpg
  • Angel Gabriel, Virgin Mary, her cousin Elysabeth and king David (or Zacharie, Elysabeth's husband), annunciation group, right jamb statues of the central portal of the western facade of Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090064.jpg
  • Central lancet of the stained glass windows created by Chagall with glassworker Charles Marq in 1974 depicting the crucifixion, axial chapel, Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090063.jpg
  • Left lancet of the stained glass windows created by Chagall with glassworker Charles Marq in 1974 depicting the Virgin and the child, axial chapel, Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090062.jpg
  • Central window of the stained glass windows created by Chagall with glassworker Charles Marq in 1974 depicting the history of Abraham and the last moments of the Earthly life of Christ (the Passion and the Resurrection), axial chapel, Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090061.jpg
  • Nave and apse with Marc Chagall stained glass windows of the axial chapel in the distance, Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090060.jpg
  • View from below of the high vaulted Gothic ceiling with clerestories, triforium and tiered arches to the either side, nave, Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090059.jpg
  • Low angle view of the high vaulted Gothic ceiling with clerestories, triforium and tiered arches to the either side, nave, Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090058.jpg
  • View from the side of Angel Gabriel, Virgin Mary, her cousin Elysabeth, annunciation group, right jamb statues of the central portal of the western facade of Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090057.jpg
  • Low angle view of Angel Gabriel, Virgin Mary, her cousin Elysabeth, annunciation group, right jamb statues of the central portal of the western facade of Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090056.jpg
  • Stained glass windows created by Chagall with glassworker Charles Marq in 1974 depicting the history of Abraham and the last moments of the Earthly life of Christ (the Passion and the Resurrection) on the central window; the Virgin and the child on the left and the baptism of Clovis and the coronation of Saint Louis on the right, axial chapel, Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090055.jpg
  • Central window of the stained glass windows created by Chagall with glassworker Charles Marq in 1974 depicting the history of Abraham and the last moments of the Earthly life of Christ (the Passion and the Resurrection), axial chapel, Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090054.jpg
  • View from the side of the apse and southern transept, Notre-Dame de Reims (Our Lady of Rheims), pictured on February 15, 2009, 13th - 15th century, Roman Catholic Cathedral where the kings of France were crowned, Reims, Champagne-Ardenne, France.
    MCohen_DFRANCE090053.jpg
  • Transept and South side aisle with vaulted ceiling and nave to the right, with stained glass window by Brigitte Simon, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0518.jpg
  • Choir of the Cathedrale Notre-Dame de Reims or Reims Cathedral, with the altar and a stained glass window by Marc Chagall in the distance, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0517.jpg
  • Nave and choir of the Cathedrale Notre-Dame de Reims or Reims Cathedral, with pulpit to the left and stained glass window by Marc Chagall in the distance, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0516.jpg
  • Transept and South side aisle with vaulted ceiling, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0519.jpg
  • Vaulted ceiling of the South side aisle of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0521.jpg
  • Vaulted ceiling of the South side aisle of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0520.jpg
  • Statue on an altar possibly representing Our Lady of Reims, the Virgin Mary holding Christ on the cross, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0522.jpg
  • Christ's descent from the cross (left) and the crucifixion (right), stained glass window, 1974, by Marc Chagall, 1887-1985, with the studio of Jacques Simon, in the axial chapel of the apse of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0523.jpg
  • Christ's descent from the cross and the sacrifice of Isaac (left), and Abraham and Melchisedec (right), stained glass window, 1974, by Marc Chagall, 1887-1985, with the studio of Jacques Simon, in the axial chapel of the apse of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0524.jpg
  • Christ's crucifixion, stained glass window, 1974, by Marc Chagall, 1887-1985, with the studio of Jacques Simon, in the axial chapel of the apse of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0525.jpg
  • Abraham and Melchisedec, stained glass window, 1974, by Marc Chagall, 1887-1985, with the studio of Jacques Simon, in the axial chapel of the apse of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0526.jpg
  • Face of statue of Joan of Arc (Jeanne d'Arc), 'Jehanne au sacre', 1901, by Prosper díEpinal, in an apsidal chapel in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. Her armour is bronze, her face ivory, and her tunic is yellow marble with fleurs de lys incrusted with lapis lazuli. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0529.jpg
  • Christ's descent from the cross, stained glass window, 1974, by Marc Chagall, 1887-1985, with the studio of Jacques Simon, in the axial chapel of the apse of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0528.jpg
  • Isaac blessing Jacob, stained glass window, 1974, by Marc Chagall, 1887-1985, with the studio of Jacques Simon, left lancet window in the axial chapel of the apse of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0527.jpg
  • Virgin and child, stained glass window, 1974, by Marc Chagall, 1887-1985, with the studio of Jacques Simon, in the axial chapel of the apse of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0531.jpg
  • Birds in flight, from the right lancet window of the 'Les Grandes Heures de Reims' stained glass window, 1974, by Marc Chagall, 1887-1985, with the studio of Jacques Simon, in the axial chapel of the apse of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0530.jpg
  • King Saul rejected as King, stained glass window, 1974, by Marc Chagall, 1887-1985, with the studio of Jacques Simon, in the axial chapel of the apse of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0532.JPG
  • Central section of the Rose window of the North transept, c. 1240, with God the Father surrounded by the sun, moon and angels, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0533.jpg
  • Virgin Mary holding Christ child on a starry globe with clouds and a serpent, from the Immaculate Conception altarpiece, 1742, by Francois Ladatte, 1706-87, Chapelle du Saint-Sacrement or Chapel of the Holy Sacrament, Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0536.jpg
  • The mystic grape press, with angels screwing press to make wine, lancet window from the South transept, by Jacques Simon, commissioned in 1954 by the Corporation des Vins de Champagne, the lobby of Champagne producers, after damage to the original windows in WWII, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0535.jpg
  • Detail of the Rose window of the North transept, c. 1240, with Adam and Eve in the Garden of Eden, with the apple tree and serpent, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0534.jpg
  • Central section of the Rose window of the South transept, with Christ surrounded by the 4 Evangelist symbols, 13th century, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0537.jpg
  • The grapes of the promised land, men carrying a harvest of grapes with angels playing trumpets, lancet window from the South transept, by Jacques Simon, commissioned in 1954 by the Corporation des Vins de Champagne, the lobby of Champagne producers, after damage to the original windows in WWII, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0538.jpg
  • Vaulted ceiling of the South side aisle with Corinthian capitals, a sculpted arch and stained glass window beyond, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0540.jpg
  • Detail of the nave, with columns topped by carved Corinthian capitals and the rib vaults of the ceiling, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0541.jpg
  • Statue of Saint Jean-Baptiste de la Salle, 1651- 1719, founder of the Christian Schools and patron saint of educators, who gave his first mass on 10th April 1678 here in the Chapelle du Saint-Sacrement or Chapel of the Holy Sacrament, Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0542.jpg
  • Statue of Saint Jean-Baptiste de la Salle, 1651- 1719, founder of the Christian Schools and patron saint of educators, who gave his first mass on 10th April 1678 here in the Chapelle du Saint-Sacrement or Chapel of the Holy Sacrament, Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0543.jpg
  • Virgin Mary holding Christ child on a starry globe with clouds and a serpent, from the Immaculate Conception altarpiece, 1742, by Francois Ladatte, 1706-87, Chapelle du Saint-Sacrement or Chapel of the Holy Sacrament, Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0544.jpg
  • Tombstone of Hugues Libergier, 1229-63, architect of the Church of Saint-Nicaise at Reims, now destroyed, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. His engraved effigy has him in 13th century costume with a model of the Saint-Nicaise church in his right hand, from where the tombstone was moved. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0539.jpg
  • Capitals with intricately carved foliage designs in the choir of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0545.jpg
  • Statue of Joan of Arc (Jeanne d'Arc), 'Jehanne au sacre', 1901, by Prosper díEpinal, in an apsidal chapel in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. Her armour is bronze, her face ivory, and her tunic is yellow marble with fleurs de lys incrusted with lapis lazuli. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0546.jpg
  • Statue of Joan of Arc (Jeanne d'Arc), 'Jehanne au sacre', 1901, by Prosper díEpinal, in an apsidal chapel in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. Her armour is bronze, her face ivory, and her tunic is yellow marble with fleurs de lys incrusted with lapis lazuli. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0547.jpg
  • Statue of Joan of Arc (Jeanne d'Arc), 'Jehanne au sacre', 1901, by Prosper díEpinal, in an apsidal chapel in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. Her armour is bronze, her face ivory, and her tunic is yellow marble with fleurs de lys incrusted with lapis lazuli. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0548.jpg
  • Statue of Joan of Arc (Jeanne d'Arc), 'Jehanne au sacre', 1901, by Prosper díEpinal, in an apsidal chapel in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. Her armour is bronze, her face ivory, and her tunic is yellow marble with fleurs de lys incrusted with lapis lazuli. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0549.jpg
  • Statue on an altar possibly representing Our Lady of Reims, the Virgin Mary holding Christ on the cross, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0551.jpg
  • Smiling angel, late 13th - early 14th centuries, from an Annunciation scene in the central portal on the Western facade of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0552.jpg
  • Bronze eagle lectern, 1829, on the North side of the nave, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0553.jpg
  • Vaulted ceiling of the South side aisle of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0550.jpg
  • Clerestory of the nave with its stained glass windows, seen from a side aisle with vaulted ceiling supported by columns with Corinthian capitals, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0554.jpg
  • Model of the facade of the Cathedrale Notre-Dame de Reims or Reims Cathedral, made c. 1960 by an unknown man, discovered in an attic and restored in 2012 by Georges Burigana, Reims, Champagne-Ardenne, France. The model is made of plastic and wood and is 2.35m high, 1.50m wide and 0.75m deep, weighs 80kg and would have taken 700 hours to make. The 13th century Gothic cathedral was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0555.jpg
  • Statue of Saint Jean-Baptiste de la Salle, 1651- 1719, founder of the Christian Schools and patron saint of educators, who gave his first mass on 10th April 1678 here in the Chapelle du Saint-Sacrement or Chapel of the Holy Sacrament, Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0557.jpg
  • Seated statue of St Peter holding the keys to Heaven, in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0558.jpg
  • Organ in its Gothic case in the nave of the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0559.jpg
  • Statue of Joan of Arc (Jeanne d'Arc), 'Jehanne au sacre', 1901, by Prosper díEpinal, in an apsidal chapel in the Cathedrale Notre-Dame de Reims or Reims Cathedral, Reims, Champagne-Ardenne, France. Her armour is bronze, her face ivory, and her tunic is yellow marble with fleurs de lys incrusted with lapis lazuli. The cathedral was built 1211-75 in French Gothic style with work continuing into the 14th century, and was listed as a UNESCO World Heritage Site in 1991. Picture by Manuel Cohen
    LC15_FRANCE_MC0556.jpg
  • Capital with man carrying object, from the nave of the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0855.jpg
  • Statue of the baptism of Clovis by St Remi in Reims in 496 AD, by Daphne du Barry, commissioned by Champagne Louis Roederer on the 15th centenary of the event in 1996, outside the South Portal of the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0856.jpg
  • South side aisle, with low rib vaulted ceiling and windows, in the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0845.jpg
  • Columns of the nave, seen from the South ambulatory, in the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0854.jpg
  • Christ of Pity, 16th century sculpture of Christ wearing the crown of thorns, in the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0853.jpg
  • Crucifixion statue of Christ in robes on the cross, 18th or 19th century, originally from the Collegiale Sainte Balsamie, in the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. It was pillaged during the French Revolution, so many of the statues have come from other churches. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0851.jpg
  • Crucifixion statue of Christ in robes on the cross, 18th or 19th century, originally from the Collegiale Sainte Balsamie, in the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. It was pillaged during the French Revolution, so many of the statues have come from other churches. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0852.jpg
  • Ambulatory and the Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0849.jpg
  • Sculptural group of the Baptism of Clovis on the Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0850.jpg
  • View from the North axial chapel looking across the ambulatory at the Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0848.jpg
  • Ecce Homo, sculpture of Christ wearing the crown of thorns, in the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0847.jpg
  • The Baptism of Clovis and peers of France, on the Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0846.jpg
  • High relief of the baptism of Constantine by St Sylvester, from the Altarpiece of the 3 baptisms, 1610, attributed to Nicolas Jacques, in the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0839.jpg
  • High relief of the baptism of Clovis by St Remi, from the Altarpiece of the 3 baptisms, 1610, attributed to Nicolas Jacques, in the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0843.jpg
  • High relief of Clovis, from the baptism of Clovis by St Remi, from the Altarpiece of the 3 baptisms, 1610, attributed to Nicolas Jacques, in the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0844.jpg
  • High relief of the baptism of Clovis by St Remi, from the Altarpiece of the 3 baptisms, 1610, attributed to Nicolas Jacques, in the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0837.jpg
  • High relief of the baptism of Clovis by St Remi, from the Altarpiece of the 3 baptisms, 1610, attributed to Nicolas Jacques, in the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0838.jpg
  • High relief of the baptism of Clovis by St Remi, from the Altarpiece of the 3 baptisms, 1610, attributed to Nicolas Jacques, in the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0842.jpg
  • Altarpiece of the 3 baptisms, 1610, attributed to Nicolas Jacques, with high reliefs of the baptism of Constantine by St Sylvester (left), baptism of Christ by St John the Baptist (centre) and baptism of Clovis by St Remi (right), in the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0835.jpg
  • High relief of the baptism of Clovis by St Remi, from the Altarpiece of the 3 baptisms, 1610, attributed to Nicolas Jacques, in the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0836.jpg
  • High relief of the baptism of Christ by St John the Baptist, from the Altarpiece of the 3 baptisms, 1610, attributed to Nicolas Jacques, in the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0840.JPG
  • High relief of the baptism of Clovis by St Remi, from the Altarpiece of the 3 baptisms, 1610, attributed to Nicolas Jacques, in the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0841.jpg
  • The Entombment, c. 1530, sculptural group, in the Basilique Saint Remi or Abbey of St Remi, Reims, France. Behind is a stained glass window made from fragments of the original 12th century choir windows destroyed in World War One. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0834.jpg
  • St Remi, from the sculptural group of the Baptism of Clovis, on the Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0832.jpg
  • Sculptural group of the Baptism of Clovis, on the Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0831.jpg
  • St Remi, from the sculptural group of the Baptism of Clovis, on the Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0833.jpg
  • Capital with man carrying object, from the nave of the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0830.jpg
  • Sculptural group of the Baptism of Clovis, on the Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0826.jpg
  • Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0827.jpg
  • North side aisle (left) and the nave and choir (right), with a statue of St Christopher in the foreground, in the Basilique Saint Remi or Abbey of St Remi, Reims, France. The 11th century, mainly Romanesque, church, contains the relics of St Remi, the Bishop of Reims, who converted Clovis, the King of the Franks, to Christianity in 496 AD. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0829.jpg
  • Statues of the peers of France, on the Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0825.jpg
  • Tomb of Saint Remi, in the chancel of the Basilique Saint Remi or Abbey of St Remi, 11th century, Romanesque, Reims, France. The tomb of Archbishop Saint Remi, 440-533, who converted Clovis, the King of the Franks, to Christianity in 496 AD, is carved with Renaissance statues of the peers of France and surrounded by a 17th century enclosure. The original 16th century tomb was destroyed in the French Revolution and much of this present version dates to 1847. The abbey is a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_FRANCE_MC0828.jpg
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