manuel cohen

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Palermo, Sicily, Italy

85 images Created 8 Feb 2012

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  • Fontana Pretoria (Fountain of Pretoria, Pretoria Fountain), 1552 - 1555, by Florentine sculptor Francesco Camilliani (1530 - 1586), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC496.jpg
  • Fontana Pretoria (Fountain of Pretoria, Pretoria Fountain), 1552 - 1555, by Florentine sculptor Francesco Camilliani (1530 - 1586), Palermo, Sicily, Italy. In the background dome of the Baroque Chiesa di Santa Caterina (Church of St. Catherine), 1566, is visible. Picture by Manuel Cohen
    LCITALY12_MC493.jpg
  • Fontana Pretoria (Fountain of Pretoria, Pretoria Fountain), 1552 - 1555, by Florentine sculptor Francesco Camilliani (1530 - 1586), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC495.jpg
  • Fontana Pretoria (Fountain of Pretoria, Pretoria Fountain), 1552 - 1555, by Florentine sculptor Francesco Camilliani (1530 - 1586), Palermo, Sicily, Italy. In the background dome of the Baroque Chiesa di Santa Caterina (Church of St. Catherine), 1566, is visible. Picture by Manuel Cohen
    LCITALY12_MC494.jpg
  • Fontana Pretoria (Fountain of Pretoria, Pretoria Fountain), 1552 - 1555, by Florentine sculptor Francesco Camilliani (1530 - 1586), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC504.jpg
  • Fontana Pretoria (Fountain of Pretoria, Pretoria Fountain), 1552 - 1555, by Florentine sculptor Francesco Camilliani (1530 - 1586), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC497.jpg
  • Fontana Pretoria (Fountain of Pretoria, Pretoria Fountain), 1552 - 1555, by Florentine sculptor Francesco Camilliani (1530 - 1586), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC503.jpg
  • Fontana Pretoria (Fountain of Pretoria, Pretoria Fountain), 1552 - 1555, by Florentine sculptor Francesco Camilliani (1530 - 1586), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC498.jpg
  • Fontana Pretoria (Fountain of Pretoria, Pretoria Fountain), 1552 - 1555, by Florentine sculptor Francesco Camilliani (1530 - 1586), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC502.jpg
  • Fontana Pretoria (Fountain of Pretoria, Pretoria Fountain), 1552 - 1555, by Florentine sculptor Francesco Camilliani (1530 - 1586), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC500.jpg
  • Fontana Pretoria (Fountain of Pretoria, Pretoria Fountain), 1552 - 1555, by Florentine sculptor Francesco Camilliani (1530 - 1586), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC501.jpg
  • Fontana Pretoria (Fountain of Pretoria, Pretoria Fountain), 1552 - 1555, by Florentine sculptor Francesco Camilliani (1530 - 1586), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC499.jpg
  • Vucciria at night, oldest market of Palermo, Piazza Caracciolo, Sicily, Italy. The name probably derives from the word ?Bucceria?, which in turn comes from the French "boucherie", which means butcher. The Vucciria originally was dedicated primarily to the sale of meat. Picture by Manuel Cohen
    LCITALY12_MC533.jpg
  • Vucciria at night, oldest market of Palermo, Piazza Caracciolo, Sicily, Italy. The name probably derives from the word ?Bucceria?, which in turn comes from the French "boucherie", which means butcher. The Vucciria originally was dedicated primarily to the sale of meat. Picture by Manuel Cohen
    LCITALY12_MC532.jpg
  • Young mother carrying her daughter asleep in the Vucciria at night, oldest market of Palermo, Piazza Caracciolo, Sicily, Italy. The name probably derives from the word ?Bucceria?, which in turn comes from the French "boucherie", which means butcher. The Vucciria originally was dedicated primarily to the sale of meat. Picture by Manuel Cohen
    LCITALY12_MC530.jpg
  • Vucciria at night, oldest market of Palermo, Piazza Caracciolo, Sicily, Italy. The name probably derives from the word ?Bucceria?, which in turn comes from the French "boucherie", which means butcher. The Vucciria originally was dedicated primarily to the sale of meat. Picture by Manuel Cohen
    LCITALY12_MC531.jpg
  • Vucciria at night, oldest market of Palermo, Piazza Caracciolo, Sicily, Italy. The name probably derives from the word ?Bucceria?, which in turn comes from the French "boucherie", which means butcher. The Vucciria originally was dedicated primarily to the sale of meat. Picture by Manuel Cohen
    LCITALY12_MC529.jpg
  • Ruined building of Banca Nazionale, Piazza Garraffello, Palermo, Sicily, Italy. The red letters UWE with the red cross correspond to Uwe Jaentsch, Austrian plastic artist who adopted the Garraffello square ten years ago. Picture by Manuel Cohen
    LCITALY12_MC541.jpg
  • Santa Cristina (Saint Christina, patroness of Palermo), Baroque statue in niche rising to the fourth floor of the facade of one the buildings closing the octagonal Quattro Canti square, officially known as Piazza Vigliena, Palermo, Sicily, Italy. It was laid out in 1608-1620 by Giulio Lasso at the crossing of two principal streets and was one of the first major examples of town planning in Europe. Picture by Manuel Cohen
    LCITALY12_MC536.jpg
  • Fountain of one of the four Baroque buildings closing the octagonal Quattro Canti square, officially known as Piazza Vigliena, Palermo, Sicily, Italy. It was laid out in 1608-1620 by Giulio Lasso at the crossing of two principal streets and was one of the first major examples of town planning in Europe. Picture by Manuel Cohen
    LCITALY12_MC534.jpg
  • Fountain (detail) of one of the four Baroque buildings closing the octagonal Quattro Canti square, officially known as Piazza Vigliena, Palermo, Sicily, Italy. It was laid out in 1608-1620 by Giulio Lasso at the crossing of two principal streets and was one of the first major examples of town planning in Europe. Picture by Manuel Cohen
    LCITALY12_MC535.jpg
  • Detail of statues of Popes Benedict XI and XIII on the Baroque facade of the chiesa di San Domenico (Church and Oratory of San Domenico), 1458 - 1480, Vucciria district, Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC552.jpg
  • Colonna dell'Immacolata (Column of the Immaculate), 1724 designed by Tommaso Maria Napoli and built by Giovanni Amico, Piazza San Domenico, Palermo, Sicily, Italy. The marble column stands on a marble pedestal and is topped by a bronze statue of the Immaculate. Picture by Manuel Cohen
    LCITALY12_MC556.jpg
  • Kalsa district with snow-capped mountains in the background, Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC550.jpg
  • Columns of the Baroque facade of the chiesa di San Domenico (Church and Oratory of San Domenico), 1458 - 1480, on the left, city rooftops view and snow-capped mountains in the distance, Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC559.jpg
  • Saint Rosalia, patron saint of Palermo, Sicily, Italy, sculpture by Vincenzo Vitagliano in 1744, located in front of the Duomo (Cathedral) of Palermo. 18th century dome by Ferdinando Fuga visible in the background. Picture by Manuel Cohen
    LCITALY12_MC528.jpg
  • Kalsa district with snow-capped mountains in the background, Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC557.jpg
  • 18th century dome, the Duomo (Cathedral) of Palermo, Sicily, Italy. 12th century cathedral encompassing a wide variety of architectural styles from Romanesque to Byzantine. Picture by Manuel Cohen
    LCITALY12_MC516.jpg
  • Baroque facades of buildings with balconies in Via Alloro, Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC547.jpg
  • Santa Cristina (Saint Christina, patroness of Palermo), Baroque statue in niche rising to the fourth floor of the facade of one the buildings closing the octagonal Quattro Canti square, officially known as Piazza Vigliena, Palermo, Sicily, Italy. It was laid out in 1608-1620 by Giulio Lasso at the crossing of two principal streets and was one of the first major examples of town planning in Europe. Picture by Manuel Cohen
    LCITALY12_MC537.jpg
  • 16th century portico by Domenico and Antonello Gagini, Duomo (Cathedral) of Palermo, Sicily, Italy. 12th century cathedral encompassing a wide variety of architectural styles from Romanesque to Byzantine. Picture by Manuel Cohen
    LCITALY12_MC505.jpg
  • Baroque statue of a patroness of Palermo with coat of arms, facade of one the buildings closing the octagonal Quattro Canti square, officially known as Piazza Vigliena, Palermo, Sicily, Italy. It was laid out in 1608-1620 by Giulio Lasso at the crossing of two principal streets and was one of the first major examples of town planning in Europe. Picture by Manuel Cohen
    LCITALY12_MC555.jpg
  • Chiesa della Magione or della Santissima Trinita del Cancelliere (Basilica of the Magione or of the Holy Trinity, usually called "the Magione"), late 12th century, Kalsa district, Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC546.jpg
  • 16th century portico by Domenico and Antonello Gagini, Duomo (Cathedral) of Palermo, Sicily, Italy. 12th century cathedral encompassing a wide variety of architectural styles from Romanesque to Byzantine. Picture by Manuel Cohen
    LCITALY12_MC510.jpg
  • Romanesque decorations (detail) of the apse, the Duomo (Cathedral) of Palermo, Sicily, Italy. 12th century cathedral encompassing a wide variety of architectural styles from Romanesque to Byzantine. Picture by Manuel Cohen
    LCITALY12_MC514.jpg
  • Saint Rosalia, patron saint of Palermo, Sicily, Italy, sculpture by Vincenzo Vitagliano in 1744, located in front of the Duomo (Cathedral) of Palermo. Baroque small side cupolas by Ferdinando Fuga visible in the background. Picture by Manuel Cohen
    LCITALY12_MC527.jpg
  • Apse topped by the three Saracen-style, bulbous, red "golfball" domes, Chiesa di San Cataldo (Church of San Cataldo, La Cataldo), 1154, Palermo, Sicily, Italy. The Romanesque church with Arab influences was founded by Maio of Bari, chancellor to William I, during the Norman occupation of Sicily. Picture by Manuel Cohen
    LCITALY12_MC526.jpg
  • Colonna dell'Immacolata (Column of the Immaculate), 1724 designed by Tommaso Maria Napoli and built by Giovanni Amico, Piazza San Domenico, Palermo, Sicily, Italy. The marble column stands on a marble pedestal and is topped by a bronze statue of the Immaculate. Picture by Manuel Cohen
    LCITALY12_MC551.jpg
  • 16th century portico by Domenico and Antonello Gagini, Duomo (Cathedral) of Palermo, Sicily, Italy. 12th century cathedral encompassing a wide variety of architectural styles from Romanesque to Byzantine. Picture by Manuel Cohen
    LCITALY12_MC515.jpg
  • 16th century portico by Domenico and Antonello Gagini, Duomo (Cathedral) of Palermo, Sicily, Italy. 12th century cathedral encompassing a wide variety of architectural styles from Romanesque to Byzantine. Picture by Manuel Cohen
    LCITALY12_MC506.jpg
  • Apse topped by the three Saracen-style, bulbous, red "golfball" domes, Chiesa di San Cataldo (Church of San Cataldo, La Cataldo), 1154, Palermo, Sicily, Italy. The Romanesque church with Arab influences was founded by Maio of Bari, chancellor to William I, during the Norman occupation of Sicily. Picture by Manuel Cohen
    LCITALY12_MC524.jpg
  • Three Saracen-style, bulbous, red "golfball" domes, Chiesa di San Cataldo (Church of San Cataldo, La Cataldo), 1154, Palermo, Sicily, Italy. The Romanesque church with Arab influences was founded by Maio of Bari, chancellor to William I, during the Norman occupation of Sicily. Picture by Manuel Cohen
    LCITALY12_MC523.jpg
  • Low angle view of the apse from the nave with spolia columns and Byzantine style arcades, Chiesa di San Cataldo (Church of San Cataldo, La Cataldo), 1154, Palermo, Sicily, Italy. The Romanesque church with Arab influences was founded by Maio of Bari, chancellor to William I, during the Norman occupation of Sicily. Picture by Manuel Cohen
    LCITALY12_MC525.jpg
  • Interior view from below of the three red domes, Chiesa di San Cataldo (Church of San Cataldo, La Cataldo), 1154, Palermo, Sicily, Italy. The Romanesque church with Arab influences was founded by Maio of Bari, chancellor to William I, during the Norman occupation of Sicily. Picture by Manuel Cohen
    LCITALY12_MC517.jpg
  • Low angle view of the apse from the nave with spolia columns and Byzantine style arcades, Chiesa di San Cataldo (Church of San Cataldo, La Cataldo), 1154, Palermo, Sicily, Italy. The Romanesque church with Arab influences was founded by Maio of Bari, chancellor to William I, during the Norman occupation of Sicily. Picture by Manuel Cohen
    LCITALY12_MC518.jpg
  • Interior view from below of the apse with spolia columns and Byzantine style arcades, Chiesa di San Cataldo (Church of San Cataldo, La Cataldo), 1154, Palermo, Sicily, Italy. The Romanesque church with Arab influences was founded by Maio of Bari, chancellor to William I, during the Norman occupation of Sicily. Picture by Manuel Cohen
    LCITALY12_MC519.jpg
  • Interior low angle view of the three red domes, Chiesa di San Cataldo (Church of San Cataldo, La Cataldo), 1154, Palermo, Sicily, Italy. The Romanesque church with Arab influences was founded by Maio of Bari, chancellor to William I, during the Norman occupation of Sicily. Picture by Manuel Cohen
    LCITALY12_MC522.jpg
  • Low angle view of the apse from the nave with spolia columns and Byzantine style arcades, Chiesa di San Cataldo (Church of San Cataldo, La Cataldo), 1154, Palermo, Sicily, Italy. The Romanesque church with Arab influences was founded by Maio of Bari, chancellor to William I, during the Norman occupation of Sicily. Picture by Manuel Cohen
    LCITALY12_MC521.jpg
  • Ceiling of the apse of Santa Maria della Pieta, late 16th century Baroque church built by Giacomo Amato, Kalsa district, Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC538.jpg
  • Ceiling of the apse of Santa Maria della Pieta, late 16th century Baroque church built by Giacomo Amato, Kalsa district, Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC539.jpg
  • Baroque painting of the 18th century cupola, Ferdinando Fuga, the Duomo (Cathedral) of Palermo, Sicily, Italy. 12th century cathedral encompassing a wide variety of architectural styles from Romanesque to Byzantine. Picture by Manuel Cohen
    LCITALY12_MC512.jpg
  • Guglielmo Borremans frescoes, ceiling of the nave of Santa Maria della Pieta, late 16th century Baroque church built by Giacomo Amato, Kalsa district, Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC540.jpg
  • Baroque painting of the 18th century cupola, Ferdinando Fuga, the Duomo (Cathedral) of Palermo, Sicily, Italy. 12th century cathedral encompassing a wide variety of architectural styles from Romanesque to Byzantine. Picture by Manuel Cohen
    LCITALY12_MC513.jpg
  • Frescoes on the ceiling of the portico of the Franciscan monastery La Gancia, 15th century, Palermo, Sicily, Italy. Part of the monastery is now the provincial Archive of State. Picture by Manuel Cohen
    LCITALY12_MC545.jpg
  • Virgin and Child marble sculpture from the Antonello Gagini school, in a niche of polychrome marble, Chiesa San Giuseppe dei Teatini (San Giuseppe dei Teatini church), 17th century, Giacomo Besio, a Genoese member of the Theatines order, Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC542.jpg
  • Telamons depicting enslaved Muslims captured duringh Charles V's conquest of Tunis, 16th century, Porta Nuova, city gate in Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC543.jpg
  • Portal of a palazzo of the old city of Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC544.jpg
  • Portal of Palazzo Forcella, 1832, Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC549.jpg
  • Franciscan Family Tree, mural painting in the portico of the Franciscan monastery La Gancia, 15th century, Palermo, Sicily, Italy. Part of the monastery is now the provincial Archive of State. Picture by Manuel Cohen
    LCITALY12_MC553.jpg
  • 14th century campaniles (bell towers), the Duomo (Cathedral) of Palermo, Sicily, Italy. 12th century cathedral encompassing a wide variety of architectural styles from Romanesque to Byzantine. Picture by Manuel Cohen
    LCITALY12_MC508.jpg
  • 16th century portico by Domenico and Antonello Gagini with 18th century dome in the background, the Duomo (Cathedral) of Palermo, Sicily, Italy. 12th century cathedral encompassing a wide variety of architectural styles from Romanesque to Byzantine. Picture by Manuel Cohen
    LCITALY12_MC507.jpg
  • 16th century portico by Domenico and Antonello Gagini with 18th century dome in the background, the Duomo (Cathedral) of Palermo, Sicily, Italy. 12th century cathedral encompassing a wide variety of architectural styles from Romanesque to Byzantine. Picture by Manuel Cohen
    LCITALY12_MC509.jpg
  • Nave and Presbytery, 18th century, Ferdinando Fuga, the Duomo (Cathedral) of Palermo, Sicily, Italy. 12th century cathedral encompassing a wide variety of architectural styles from Romanesque to Byzantine. Picture by Manuel Cohen
    LCITALY12_MC511.jpg
  • Chiesa della Magione or della Santissima Trinita del Cancelliere (Basilica of the Magione or of the Holy Trinity, usually called "the Magione"), late 12th century, Kalsa district, Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC554.jpg
  • Christ with angels, Norman-Byzantine mosaics of a cupola of the apse of the Cappella Palatina (Palatine Chapel), 1130 - 1140, by Roger II, within the Palazzo dei Normanni (Palace of the Normans), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC484.jpg
  • Christ with angels, Norman-Byzantine mosaics of a cupola of the apse of the Cappella Palatina (Palatine Chapel), 1130 - 1140, by Roger II, within the Palazzo dei Normanni (Palace of the Normans), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC485.jpg
  • Saracen arches between the nave and the ambulatory of the Cappella Palatina (Palatine Chapel), 1130 - 1140, by Roger II, within the Palazzo dei Normanni (Palace of the Normans), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC490.jpg
  • Saracen arches and Byzantine mosaics in the choir of the Cappella Palatina (Palatine Chapel), 1130 - 1140, by Roger II, within the Palazzo dei Normanni (Palace of the Normans), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC478.jpg
  • Saracen arches and Byzantine mosaics in the choir of the Cappella Palatina (Palatine Chapel), 1130 - 1140, by Roger II, within the Palazzo dei Normanni (Palace of the Normans), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC480.jpg
  • Saracen arches and Byzantine mosaics in the choir of the Cappella Palatina (Palatine Chapel), 1130 - 1140, by Roger II, within the Palazzo dei Normanni (Palace of the Normans), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC477.jpg
  • Christ Pantocrator, Norman-Byzantine mosaics in the apse of the Cappella Palatina (Palatine Chapel), 1130 - 1140, by Roger II, within the Palazzo dei Normanni (Palace of the Normans), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC475.JPG
  • Christ Pantocrator, Norman-Byzantine mosaics in the apse of the Cappella Palatina (Palatine Chapel), 1130 - 1140, by Roger II, within the Palazzo dei Normanni (Palace of the Normans), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC476.jpg
  • Christ Pantocrator, Norman-Byzantine mosaics in the apse of the Cappella Palatina (Palatine Chapel), 1130 - 1140, by Roger II, within the Palazzo dei Normanni (Palace of the Normans), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC492.jpg
  • Christ Pantocrator, Norman-Byzantine mosaics in the apse of the Cappella Palatina (Palatine Chapel), 1130 - 1140, by Roger II, within the Palazzo dei Normanni (Palace of the Normans), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC486.jpg
  • Saracen arches and Byzantine mosaics in the choir of the Cappella Palatina (Palatine Chapel), 1130 - 1140, by Roger II, within the Palazzo dei Normanni (Palace of the Normans), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC482.jpg
  • Christ in Majesty between Saint Peter and Saint Paul and muqarnas ceiling, Norman-Byzantine mosaics of the Western wall of the Cappella Palatina (Palatine Chapel), 1130 - 1140, by Roger II, within the Palazzo dei Normanni (Palace of the Normans), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC489.jpg
  • Christ in Majesty between Saint Peter and Saint Paul, Norman-Byzantine mosaics of the Western wall of the Cappella Palatina (Palatine Chapel), 1130 - 1140, by Roger II, within the Palazzo dei Normanni (Palace of the Normans), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC479.jpg
  • Muqarnas ceiling, Cappella Palatina (Palatine Chapel), 1130 - 1140, by Roger II, within the Palazzo dei Normanni (Palace of the Normans), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC483.jpg
  • Muqarnas ceiling, Cappella Palatina (Palatine Chapel), 1130 - 1140, by Roger II, within the Palazzo dei Normanni (Palace of the Normans), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC488.JPG
  • Marble and mosaics decoration of a wall of the Cappella Palatina (Palatine Chapel), 1130 - 1140, by Roger II, within the Palazzo dei Normanni (Palace of the Normans), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC487.jpg
  • Christ in Majesty, intrados mosaics of the Saracen arches of the Cappella Palatina (Palatine Chapel), 1130 - 1140, by Roger II, within the Palazzo dei Normanni (Palace of the Normans), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC491.jpg
  • Painted ceiling, ambulatory of the Cappella Palatina (Palatine Chapel), 1130 - 1140, by Roger II, within the Palazzo dei Normanni (Palace of the Normans), Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC481.jpg
  • Madonna, pictorial representation of Mary with the infant Jesus, Kalsa district, Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC548.jpg
  • Detail of spolia columns with carved capital, intrados of the Byzantine style arcades, Chiesa di San Cataldo (Church of San Cataldo, La Cataldo), 1154, Palermo, Sicily, Italy. The Romanesque church with Arab influences was founded by Maio of Bari, chancellor to William I, during the Norman occupation of Sicily. Picture by Manuel Cohen
    LCITALY12_MC520.jpg
  • Memorial to Frederick II, Palazzo dei Normanni (Palace of the Normans), Royal Palace of Palermo, 12th century, Palermo, Sicily, Italy. Picture by Manuel Cohen
    LCITALY12_MC558.jpg
View: 100 | All