manuel cohen

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Paintings

40 images Created 22 Aug 2018

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  • Detail of a fresco entitled 'The Arrival of Westerners in Japan', 1929, by Tsuguharu Foujita (Leonard Foujita or Fujita, 1886-1968), in the Maison du Japon, or Japan House, designed by Pierre Sardou and inaugurated in 1929, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0594.jpg
  • L’arrivée des occidentaux au Japon, Tsuguharu Foujita (Leonard Foujita ou Fujita, 1886-1968), 1929, huile, toile, feuille d'or, 300cm x 600cm, Maison du Japon, Cite Internationale Universitaire de Paris, France. Photo Manuel Cohen..Westerners come to Japan, Tsuguharu Foujita (Leonard Foujita or Fujita, 1886-1968), 1929, oil, canvas, golden leaf, 300cm x 600cm, Maison du Japon (Japan House), Cite Internationale Universitaire de Paris, France. Picture by Manuel Cohen. L'autorisation de reproduire cette oeuvre doit etre demandée auprès de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC_FOUJITA_12_MC013.jpg
  • Detail of the painted mural entitled 'the painting of silence', 1948, by Le Corbusier (Charles-Edouard Jeanneret, 1887-1965), and furniture by Charlotte Perriand, 1903-1999, in the curved lounge or Salon Courbe of the Fondation Suisse or the Swiss Foundation, designed by Le Corbusier and Pierre Jeanneret (his cousin, 1896-1967), and inaugurated 1930, in the Cite Internationale Universitaire de Paris, in the 14th arrondissement of Paris, France. This painted mural replaced an earlier photographic mural from 1933. The structure sits on stilts and the reception area has an open floor plan, the facade is simple and flat with many windows and there is a rooftop garden. It is listed as a historic monument. The CIUP or Cite U was founded in 1925 after the First World War by Andre Honnorat and Emile Deutsch de la Meurthe to create a place of cooperation and peace amongst students and researchers from around the world. It consists of 5,800 rooms in 40 residences, accepting another 12,000 student residents each year. Picture by Manuel Cohen. L'autorisation de reproduire cette œuvre doit etre demandee aupres de l'ADAGP/Permission to reproduce this work of art must be obtained from DACS.
    LC17_FRANCE_MC_0524.jpg
  • The damned falling in terror into hell, from the open panels of the polyptych altarpiece, 1446-52, by Rogier van der Weyden, 1399-1464, commissioned by Nicolas Rolin in 1443, in Les Hospices de Beaune, or Hotel-Dieu de Beaune, a charitable almshouse and hospital for the poor, built 1443-57 by Flemish architect Jacques Wiscrer, and founded by Nicolas Rolin, chancellor of Burgundy, and his wife Guigone de Salins, in Beaune, Cote d'Or, Burgundy, France. The altarpiece was originally in the Chapel, but is now in the museum. The panels were only opened to patients during holy days. The hospital was run by the nuns of the order of Les Soeurs Hospitalieres de Beaune, and remained a hospital until the 1970s. The building now houses the Musee de l'Histoire de la Medecine, or Museum of the History of Medicine, and is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0082.jpg
  • Christ the Supreme Judge on Judgement Day, holding a lily and a sword and signalling in welcome to those admitted to heaven, from the open panels of the polyptych altarpiece, 1446-52, by Rogier van der Weyden, 1399-1464, commissioned by Nicolas Rolin in 1443, in Les Hospices de Beaune, or Hotel-Dieu de Beaune, a charitable almshouse and hospital for the poor, built 1443-57 by Flemish architect Jacques Wiscrer, and founded by Nicolas Rolin, chancellor of Burgundy, and his wife Guigone de Salins, in Beaune, Cote d'Or, Burgundy, France. The altarpiece was originally in the Chapel, but is now in the museum. The panels were only opened to patients during holy days. The hospital was run by the nuns of the order of Les Soeurs Hospitalieres de Beaune, and remained a hospital until the 1970s. The building now houses the Musee de l'Histoire de la Medecine, or Museum of the History of Medicine, and is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0078.jpg
  • Archangel Michael weighing souls on Judgement Day, from the open panels of the polyptych altarpiece, 1446-52, by Rogier van der Weyden, 1399-1464, commissioned by Nicolas Rolin in 1443, in Les Hospices de Beaune, or Hotel-Dieu de Beaune, a charitable almshouse and hospital for the poor, built 1443-57 by Flemish architect Jacques Wiscrer, and founded by Nicolas Rolin, chancellor of Burgundy, and his wife Guigone de Salins, in Beaune, Cote d'Or, Burgundy, France. The altarpiece was originally in the Chapel, but is now in the museum. The panels were only opened to patients during holy days. The hospital was run by the nuns of the order of Les Soeurs Hospitalieres de Beaune, and remained a hospital until the 1970s. The building now houses the Musee de l'Histoire de la Medecine, or Museum of the History of Medicine, and is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0079.jpg
  • Apostles and saints (Paul in green) in worship before Christ as Supreme Judge on Judgement Day, from the open panels of the polyptych altarpiece, 1446-52, by Rogier van der Weyden, 1399-1464, commissioned by Nicolas Rolin in 1443, in Les Hospices de Beaune, or Hotel-Dieu de Beaune, a charitable almshouse and hospital for the poor, built 1443-57 by Flemish architect Jacques Wiscrer, and founded by Nicolas Rolin, chancellor of Burgundy, and his wife Guigone de Salins, in Beaune, Cote d'Or, Burgundy, France. The altarpiece was originally in the Chapel, but is now in the museum. The panels were only opened to patients during holy days. The hospital was run by the nuns of the order of Les Soeurs Hospitalieres de Beaune, and remained a hospital until the 1970s. The building now houses the Musee de l'Histoire de la Medecine, or Museum of the History of Medicine, and is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0081.jpg
  • Guigone de Salins kneeling in prayer, from the closed panels of the polyptych altarpiece, 1446-52, by Rogier van der Weyden, 1399-1464, commissioned by Nicolas Rolin in 1443, in Les Hospices de Beaune, or Hotel-Dieu de Beaune, a charitable almshouse and hospital for the poor, built 1443-57 by Flemish architect Jacques Wiscrer, and founded by Nicolas Rolin, chancellor of Burgundy, and his wife Guigone de Salins, in Beaune, Cote d'Or, Burgundy, France. The altarpiece was originally in the Chapel, but is now in the museum. The panels were only opened to patients during holy days. The hospital was run by the nuns of the order of Les Soeurs Hospitalieres de Beaune, and remained a hospital until the 1970s. The building now houses the Musee de l'Histoire de la Medecine, or Museum of the History of Medicine, and is listed as a historic monument. Picture by Manuel Cohen
    LC16_FRANCE_MC_0071.jpg
  • Detail of Martirio di San Marco, or The Martyrdom of St Mark, with onlookers in European, Mamluk and Ottoman costume, Renaissance painting by Giovanni Bellini, 1430-1516, and Vittore Belliniano, 1456-1529, in the Gallerie dell'Accademia, Venice, Italy. The painting was commissioned in 1515 and finished by Belliniano in 1526, after the death of Bellini. St Mark was martyred in 68 AD in Alexandria, by being tied up and dragged through the streets (right). It was originally painted for the Sala dell’Albergo of the Scuola Grande di San Marco. Picture by Manuel Cohen
    LC16_ITALY_MC_0292.jpg
  • Flagellation, detail, from a Triptych of the Virgin of the Calvary, 1514-17, by Quentin Metsys, 1466-1530, originally for the Mosteiro de Santa Clara, in the Museu Nacional de Machado de Castro, Coimbra, Portugal. The triptych was commissioned by King Dom Manuel I, 1469-1521. The museum was opened in 1913 and renovated 2004-2012. The city of Coimbra dates back to Roman times and was the capital of Portugal from 1131 to 1255. Its historic buildings are listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_PORTUGAL_MC_181.jpg
  • Rich family from Bordeaux with a black servant holding a child, painting, 18th century, in the Musee d'Aquitaine, Cours Pasteur, Bordeaux, Aquitaine, France. Bordeaux was an important slave trading city, many African slaves passed through Bordeaux and its white inhabitants also settled the West Indies as plantation owners. Picture by Manuel Cohen
    LC15_FRANCE_MC_1298.JPG
  • Detail of woman symbolising eternal youth with a dragon with a serpent's head, from Lost Youth, fresco by Rosso Fiorentino, 1535-37, in the Galerie Francois I, begun 1528, the first great gallery in France and the origination of the Renaissance style in France, Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC453.JPG
  • Detail of Napoleon-Louis, later Louis II of Holland, from portrait of Hortense de Beauharnais, 1787-1837, Queen of Holland, and her second son Napoleon-Louis, 1804-31, Prince of Holland, painted 1806-8 by Francois Gerard, 1770-1837, in the Musee National du Chateau de Fontainebleau, France. The Palace of Fontainebleau is one of the largest French royal palaces and was begun in the early 16th century for Francois I. It was listed as a UNESCO World Heritage Site in 1981. Picture by Manuel Cohen
    LC14_France_MC748.jpg
  • Icon of St Mary Heleusa, Virgin and Child, 16th century, from the Church of Saints Constantine and Helen, now housed in the National Onufri Museum in the Cathedral of the Virgin Mary inside Berat Castle or Kalaja e Beratit, in Berat, South-Central Albania, capital of the District of Berat and the County of Berat. The cathedral was built in 1797 on the foundations of an older church and its museum is named after Onufri or Onouphrios of Neokastro, Albania's famous 16th century icon painter. The museum comprises the main nave, the altar area, and several rooms in the North and West of the church. Picture by Manuel Cohen
    LC14_Albania_MC057.jpg
  • Icon of the Archangel Michael, 14th century, Byzantine, originally from the Church of St Mary in Mborje, now in the National Museum of Medieval Art, Korce, Albania. Picture by Manuel Cohen
    LC14_Albania_MC420.jpg
  • Coronation of the Virgin by the Holy Trinity, by Paul Baudouin and Louis Dussour, 1926-37, altar of the virgin, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC299.jpg
  • Fresco from Qasr Amra, Jordan. This fresco depicts a woman reclining on a couch with a servant and onlookers. These early Islamic frescoes have strong Persian and Byzantine influences. The original castle complex was built in 723-743 by Walid Ibn Yazid, the future Umayyad Caliph Walid II. It was a fortress with military garrison and residence of the Umayyad Caliphs. Today only the royal pleasure cabin remains, with reception hall and hammam or bath house. Picture by Manuel Cohen
    LC12_Jordan_MC344.jpg
  • Fresco of Mars and Venus, 1st century AD, on the West wall of the North portico, painted on a water filter tank servicing the fountains, in the Casa dell Efebo, or House of the Ephebus, Pompeii, Italy. This is a large, sumptuously decorated house probably owned by a rich family, and named after the statue of the Ephebus found here. The fresco depicts Venus and Mars with Cupid holding a canopy over them, in a mountainous setting. It is painted in the Fourth Style of Roman wall painting, c. 60–79 AD, a complex and Baroque style. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0144.jpg
  • Fresco of an erotic scene, from the inner walls of the fountain in the summer triclinium of the garden area of the Casa dell Efebo, or House of the Ephebus, Pompeii, Italy. The fresco is in the Fourth Style of Roman wall painting, 60-79 AD, a complex narrative style. This is a large, sumptuously decorated house probably owned by a rich family, and named after the statue of the Ephebus found here. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0236.jpg
  • Painting of charioteer, Caseggiato degli Aurighi (Building of the Charioteers), 2nd century AD, Ostia Antica, Italy. Picture by Manuel Cohen
    LCITALY12_MC453.jpg
  • Painting of the Celestial Glory of St Ignatius of Loyola, 1491-1556, founder of the Society of Jesus or Jesuit Order, depicting his glorious ascent to Heaven after his death, by Jean Helart, 1618-85, French painter, in the wooden panelling of the refectory of the Ancien College des Jesuites or Former Jesuit College in Reims, Marne, Champagne-Ardenne, France. The College was built 1619-78 and is now the Euro-American campus of Sciences Po, or the Institut d'Etudes politiques de Paris, and the FRAC Champagne-Ardenne. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC0815.jpg
  • Eleonore de Bourbon, abbess 1575-1611, aunt of Henri IV,  detail from the Last Supper fresco, Chapter House, Fontevraud Abbey, Fontevraud-l'Abbaye, Loire Valley, Maine-et-Loire, France. The Chapter House was built in the 16th century and its walls were painted in 1563 with frescoes of scenes from Christ's Passion by the Anjou artist Thomas Pot. The abbey itself was founded in 1100 by Robert of Arbrissel, who created the Order of Fontevraud. It was a double monastery for monks and nuns, run by an abbess. The abbey is listed as a historic monument and a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC13_FRANCE_MC185.jpg
  • Virgin of Sorrows, painted 16th century in Spanish Renaissance style by the Llanos School, in the Metropolitan Cathedral-Basilica of the Assumption of Our Lady of Valencia, Valencia, Spain. The cathedral is a Roman Catholic parish church consecrated in 1238 and reworked several times over the centuries. Picture by Manuel Cohen
    LCSPAIN14_MC028.jpg
  • Adoration of the Magi (detail), central panel of the Altarpiece of the Constable or Epiphany Altarpiece, 1464-65, by Jaume Huguet, c. 1412-92, tempera on panel, in Gothic style, commissioned by Don Pedro of Portugal, in the Royal Chapel of Santa Agatha in the Palacio Real Mayor in Barcelona, Spain. The central panel is the most important and depicts the Adoration of the Magi. The side and top panels depict the Life of the Virgin and Jesus Christ, and Saints are portrayed at the bottom. Picture by Manuel Cohen
    LC17_SPAIN_MC354.jpg
  • Procession of Sienese citizens, councillors and magistrates, detail from the fresco of the Allegory of Good Government (Allegoria del Buon Governo), from the series The Allegory and Effects of Good and Bad Government (L'Allegoria e Effetti del Buono e del Cattivo Governo), painted 1338-39 by Ambrogio Lorenzetti, c. 1290-1348, in the Sala dei Nove or Salon of Nine or Council Room, in the Palazzo Pubblico or Town Hall, Siena, Tuscany, Italy. Lorenzetti was commissioned by the Council of Nine to produce allegorical frescoes covering 3 of the 4 walls of their council chamber, and he produced 6 scenes on the 3 fresco panels. Picture by Manuel Cohen
    LC17_ITALY_MC019.jpg
  • Allegorical figure of Peace, one of the Virtues of Good Government, holding an olive branch, wearing a white dress and a laurel wreath, detail from the fresco of the Allegory of Good Government (Allegoria del Buon Governo), from the series The Allegory and Effects of Good and Bad Government (L'Allegoria e Effetti del Buono e del Cattivo Governo), painted 1338-39 by Ambrogio Lorenzetti, c. 1290-1348, in the Sala dei Nove or Salon of Nine or Council Room, in the Palazzo Pubblico or Town Hall, Siena, Tuscany, Italy. On the right is the crowned Virtue of Fortitude in a black dress, holding a sceptre. Lorenzetti was commissioned by the Council of Nine to produce allegorical frescoes covering 3 of the 4 walls of their council chamber, and he produced 6 scenes on the 3 fresco panels. Picture by Manuel Cohen
    LC17_ITALY_MC027.jpg
  • Central panel of the triptych altarpiece, Virgen de los Mareantes, or Madonna of the Seafarers, 1531–36, by Alejo Fernandez, 1475-1545, with the Virgin sheltering a group of Native Americans under her cloak, with 4 saints including St Sebastian and St James, in the Sala de Audiences, or Chapterhouse, now used as a chapel, in the Real Alcazar, a Moorish royal palace in Seville, Andalusia, Spain. The Alcazar was first founded as a fort in 913, then developed as a palace in the 11th, 12th and 13th centuries and used by both Muslim and Christian rulers. The Alcazar is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC17_SPAIN_MC101.jpg
  • Detail from a portrait of Lubna, a 10th century Andalusian female maths scholar, scribe and translator, sitting in front of a lattice, by Jose Luis Munoz, b. 1969, in graphite, charcoal, tempera, acrylic, gold leaf and oil on wood, in the Centro Cultural y Museo Casa de Sefarad, a museum and cultural centre opened 2006 in the Jewish quarter of Cordoba, Andalusia, Southern Spain. The historic centre of Cordoba is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC15_SPAIN_MC352.jpg
  • Detail of the Lamentation, 1410, by Lluis Borrassa in International Gothic style, on the predella, originally from a different altarpiece (dedicate to St Anthony and disappeared), of the Retaule de l'Esperit Sant (Retablo del Espiritu Santo), or Altarpiece of the Holy Spirit, 1394, by Pere Serra, a Catalan artist, with 22 scenes and 36 figures of saints, in the Colegiata Basilica de Santa Maria, or Collegiate Basilica of Santa Maria, also known as La Seu, built in Gothic style by Berenguer de Montagut, from 1328 until 1486, around an existing 11th century Romanesque church, Manresa, Catalonia, Spain. The altarpiece was commissioned by the Guild of Tanners and contains scenes of the Holy Spirit and Life of Christ. Picture by Manuel Cohen
    LC16_SPAIN_MC048.jpg
  • Last Supper, detail of Christ, Renaissance fresco, 1529, by Bernardino Luini, 1480-1532, in the church of Santa Maria Degli Angioli, Lugano, Ticino, Switzerland. The fresco is painted on the South wall of the nave and was originally in the refectory. The church was built 1499-1500 as part of the monastery of the Order of Franciscan Friars and was consecrated in 1515. Picture by Manuel Cohen
    LC18_Bellinzona_MC030.jpg
  • Commerce and trade, with men at work weaving cloth and carding fleece, and a delivery on donkeys, detail of the Peaceful City from the Allegory of Good Government and the Effects of Good Government on Town and Country, (Effetti del Buon Governo in Citta e in Campagna), from the series The Allegory and Effects of Good and Bad Government (L'Allegoria e Effetti del Buono e del Cattivo Governo), painted 1338-39 by Ambrogio Lorenzetti, c. 1290-1348, in the Sala dei Nove or Salon of Nine or Council Room, in the Palazzo Pubblico or Town Hall, Siena, Tuscany, Italy. Lorenzetti was commissioned by the Council of Nine to produce allegorical frescoes covering 3 of the 4 walls of their council chamber, and he produced 6 scenes on the 3 fresco panels. Picture by Manuel Cohen, with permission of the Comune di Siena / Museo Civico
    LC17_ITALY_MC247.jpg
  • Juan de Borgoña (circa 1470-1536) : Presentacion del Niño en el Templo (Presentation of Jesus at the Temple), oil on wood panel, circa 1535, Museo Diocesano of Cuenca, Cuenca, Castilla-La Mancha, Spain. The artwork was formerly belonging to a high altar of the Convento de Carboneras (Carboneras convent) of Guadazaon and has been restored when moved to the Museo Diocesano of Cuenca. Picture by Manuel Cohen
    LC16_SPAIN_MC497.jpg
  • Painting of Madonna and child surrounded by angels, or Madonna lactans, by Jean Fouquet, 1420-81, painted 1453-55, with Agnes Sorel dressed in the latest fashion posing as the Virgin about to breastfeed the Christ child, in the royal lodge of the Chateau de Loches, a medieval castle in the Loire Valley consisting of the old collegiate church of St Ours, royal lodge and keep, at Loches, Indre-et-Loire, Centre, France. Agnes Sorel was the favourite royal mistress of King Charles VII of France. The chateau was built in the 9th century and the keep in 1013 by Foulques Nerra, Count of Anjou. It is listed as a historic monument. Picture by Manuel Cohen
    LC15_FRANCE_MC_1105.jpg
  • Doubting Thomas, portrait of St Thomas with the Virgin, painted 15th century by Andres Marzal de Sax, in the Metropolitan Cathedral-Basilica of the Assumption of Our Lady of Valencia, Valencia, Spain. The cathedral is a Roman Catholic parish church consecrated in 1238 and reworked several times over the centuries. Picture by Manuel Cohen
    LCSPAIN14_MC027.jpg
  • Fresco detail of a man's head from the Cryptoporticus, a vaulted corridor used for storing wine, in the Casa del Criptoportico, or House of the Cryptoporticus, Pompeii, Italy. The house is one of the largest in Pompeii and was owned by the Valerii Rufi family and built in the 3rd century BC. It takes its name from the underground corridor or cryptoporticus used as a wine cellar and lit by small windows. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0279.jpg
  • Harvesting Rye, 1912, oil on canvas, by Kasimir Malevich, 1878-1935, from the collection of the GMA-Museum, Moscow, Russia. Malevich was a Russian painter who founded the Suprematist art movement and produced many geometric abstract works. Picture by Manuel Cohen
    LC_HISTORY_MC_0219.jpg
  • Detail of a dancing woman on a red background, fresco in the Fourth Style of Roman wall painting, 60-79 AD, in the large room adjoining the service room in the Fullonica di Stefanus, or Fullonica of Stephanus, a laundry in Pompeii, Italy. Pompeii is a Roman town which was destroyed and buried under 4-6 m of volcanic ash in the eruption of Mount Vesuvius in 79 AD. Buildings and artefacts were preserved in the ash and have been excavated and restored. Pompeii is listed as a UNESCO World Heritage Site. Picture by Manuel Cohen
    LC16_ITALY_MC_0149.JPG
  • Medicine Bird, crouching Indian holding a macaw, painting, oil on canvas, c. 1944, by Gerard Curtis Delano, 1890-1972, in the Denver Art Museum, Denver, Colorado, USA. The macaw was considered a sacred bird, a 'bird of the sun', and only high ranking shamans could use it. Picture by Manuel Cohen
    LC16_COLORADO_MC_222.jpg
  • Defiant to Your Gods, acrylic paint on wood panel, 2015, by Gregg Deal, Paiute American artist, b. 1975, from the collection of Denver Art Museum, Denver, Colorado, USA. The painting shows a young Native American girl standing defiantly amid stereotypes of her culture from American popular culture. Picture by Manuel Cohen
    LC16_COLORADO_MC_201.jpg
  • Portrait of Jean Sans Peur (Jean de Valois or Jean I duc de Bourgogne), or John the Fearless (John of Valois or John I Duke of Burgundy), 1371-1419, oil painting on wood, copy c. 1500 of an original of 1400-10 by an unknown Flemish artist, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Picture by Manuel Cohen
    LC16_FRANCE_MC_0137.jpg
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