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Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre

56 images Created 28 Oct 2013

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  • Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. The bell tower is the only remaining element of the old church dating back 14th century. Picture by Manuel Cohen
    LC13_Paris_MC295.jpg
  • Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. The bell tower is the only remaining element of the old church dating back 14th century. Picture by Manuel Cohen
    LC13_Paris_MC294.jpg
  • Monumental door (detail), 13,20m by 6,20m, stamped brass, tin and lead, 1974, by Pierre Sabatier, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC309.jpg
  • Monumental door, 13,20m by 6,20m, stamped brass, tin and lead, 1974, by Pierre Sabatier, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC296.jpg
  • Well of Saint Genevieve (Sainte Geneviève), in front of the Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. According to the legend of Saint Genevieve, born at the place of the cathedral circa 422, Saint Genevieve's tears -because of her mother being opposed to her mysticism- shed into the well, would have cured her mother from blindness. Since then it is a place of pilgrimage, including Anne of Austria, future mother of Louis XIV who came to the well in 1636 to grant her wish of maternity. Picture by Manuel Cohen
    LC13_Paris_MC254.jpg
  • Nave and absid, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC260.jpg
  • Nave and absid, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC289.JPG
  • Radiant cross surrounded by nine angel, freco of the dome in the nave, Christ in Majestyf on the ceiling of the choir of Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC290.JPG
  • Pews, frescoes and stained glass windows of the ambulatory in the absid of Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC293.jpg
  • Wooden spiral staircase, northern transept, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC297.jpg
  • Northern transept seen from the ambulatory, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC292.jpg
  • Wooden benches and chapel of the northern transept, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC308.jpg
  • Baptismal font sculpted in travertine stone, contemporary creation by Jean-Marie Duthilleul, 21st century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC259.jpg
  • Baptismal font sculpted in travertine stone, contemporary creation by Jean-Marie Duthilleul, 21st century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC291.JPG
  • Coronation of the Virgin by the Holy Trinity, by Paul Baudouin and Louis Dussour, 1926-37, altar of the virgin, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC299.jpg
  • Coronation of the Virgin by the Holy Trinity, by Paul Baudoüin and Louis Dussour between 1926 and 1937, altar of the virgin, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC258.JPG
  • Coronation of the Virgin by the Holy Trinity (detail), by Paul Baudoüin and Louis Dussour between 1926 and 1937, altar of the virgin, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC306.jpg
  • Sainte Genevieve curing her mother Geronce from blindness, fresco in the Northern transept, 1926 - 1927, directed by Maitre Paul Baudoin, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC300.jpg
  • Sainte Genevieve curing her mother Geronce from blindness, fresco in the Northern transept, 1926 - 1927, directed by Maitre Paul Baudoin, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC255.jpg
  • Germanus of Auxerre  and Saint Loup, bishop of Troyes, blessing Sainte Genevieve, fresco in the Northern transept, 1926 - 1927, directed by Maitre Paul Baudoin, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC298.jpg
  • Germanus of Auxerre blessing Sainte Genevieve, fresco in the Northern transept, 1926 - 1927, directed by Maitre Paul Baudoin, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC257.jpg
  • Germanus of Auxerre blessing Sainte Genevieve, fresco in the Northern transept, 1926 - 1927, directed by Maitre Paul Baudoin, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC256.jpg
  • Christ in majesty, Saint Genevieve (Sainte Geneviève) on his right and Saint Joan of Arc (Sainte Jeanne d'Arc) on his left, monumental fresco on the vault of the choir painted by Leon Toublanc, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC264.jpg
  • Christ in majesty, detail of the monumental fresco on the vault of the choir painted by Leon Toublanc, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC267.JPG
  • Christ in majesty, detail of the monumental fresco on the vault of the choir painted by Leon Toublanc, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC302.jpg
  • Saint Genevieve (Sainte Geneviève), protecting Paris and France, monumental fresco of the Northern transept, painted by Leon Toublanc, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC265.jpg
  • Saint Genevieve (Sainte Geneviève), protecting Paris and France, detail of the monumental fresco of the Northern transept, painted by Leon Toublanc, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC301.jpg
  • Saint Genevieve (Sainte Geneviève), protecting Paris and France, detail of the monumental fresco of the Northern transept, painted by Leon Toublanc, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC266.jpg
  • Procession of the box reliquary of Saint Genevieve (Sainte Geneviève) in Paris during the 12th century, detail of the monumental fresco located below the stained glass windows of the ambulatory, by Paul Lemasson, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC277.JPG
  • Procession of the box reliquary of Saint Genevieve (Sainte Geneviève) in Paris during the 12th century, detail of the monumental fresco located below the stained glass windows of the ambulatory, by Paul Lemasson, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC279.jpg
  • Procession of the box reliquary of Saint Genevieve (Sainte Geneviève) in Paris during the 12th century, detail of the monumental fresco located below the stained glass windows of the ambulatory, by Paul Lemasson, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC278.jpg
  • Radiant cross surrounded by nine angel, freco of the dome in the nave of Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC307.jpg
  • Radiant cross surrounded by nine angel, freco of the dome in the nave of Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC261.jpg
  • One of the four cardinal virtues painted by Pierre Poulain on the vault of the central dome of the nave, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC262.jpg
  • One of the four cardinal virtues painted by Pierre Poulain on the vault of the central dome of the nave, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC263.jpg
  • Ox, symbolizing Luke the Evangelist, painted cupola of the nave, by Raymond Feuillatte, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC287.jpg
  • Man, symbolizing Matthew the Apostle, painted cupola of the nave, by Raymond Feuillatte, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC286.jpg
  • Lion, symbolizing Mark the Evangelist, painted cupola of the nave, by Raymond Feuillatte, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC285.jpg
  • Unction (Anointing of the sick), small frescoes by Joseph Radan in the ambulatory, depicting the seven sacraments, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC281.jpg
  • Marriage (Matrimony), small frescoes by Joseph Radan in the ambulatory, depicting the seven sacraments, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC283.jpg
  • Confession and absolution, small frescoes by Joseph Radan in the ambulatory, depicting the seven sacraments, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC280.jpg
  • Eucharist, small frescoes by Joseph Radan in the ambulatory, depicting the seven sacraments, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC282.jpg
  • Confirmation, small frescoes by Joseph Radan in the ambulatory, depicting the seven sacraments, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC284.jpg
  • Capital depicting Saint Genevieve's life (Sainte Geneviève), designed by Madeleine Froidevaux-Flandrin in a Neo-Romanesque style, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC275.jpg
  • Capital depicting Saint Genevieve's life (Sainte Geneviève), designed by Madeleine Froidevaux-Flandrin in a Neo-Romanesque style, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC276.jpg
  • Our lady of the fields (Notre Dame des champs), polychrome statue in the ambulatory, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC304.jpg
  • Golden cross, with the symbols of the four evangelists, before the fresco of the altar of the Virgin, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Picture by Manuel Cohen
    LC13_Paris_MC288.jpg
  • One of the seven stained glass windows of the absid, by Louis Barillet, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Every window describes with three symbols one scene of the Passion : the Eucharist, Agony in the Garden, the Sanhedrin trial of Jesus (Christ Before Caiaphas), Pilate's court, crucifixion of Jesus, the entombment of Christ, the Resurrection of Christ.  Picture by Manuel Cohen
    LC13_Paris_MC303.jpg
  • One of the seven stained glass windows of the absid, by Louis Barillet, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Every window describes with three symbols one scene of the Passion : the Eucharist, Agony in the Garden, the Sanhedrin trial of Jesus (Christ Before Caiaphas), Pilate's court, crucifixion of Jesus, the entombment of Christ, the Resurrection of Christ.  Picture by Manuel Cohen
    LC13_Paris_MC305.jpg
  • Detail of the seven stained glass windows of the absid, by Louis Barillet, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Every window describes with three symbols one scene of the Passion : the Eucharist, Agony in the Garden, the Sanhedrin trial of Jesus (Christ Before Caiaphas), Pilate's court, crucifixion of Jesus, the entombment of Christ, the Resurrection of Christ.  Picture by Manuel Cohen
    LC13_Paris_MC270.jpg
  • Detail of the seven stained glass windows of the absid, by Louis Barillet, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Every window describes with three symbols one scene of the Passion : the Eucharist, Agony in the Garden, the Sanhedrin trial of Jesus (Christ Before Caiaphas), Pilate's court, crucifixion of Jesus, the entombment of Christ, the Resurrection of Christ.  Picture by Manuel Cohen
    LC13_Paris_MC274.jpg
  • Detail of the seven stained glass windows of the absid, by Louis Barillet, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Every window describes with three symbols one scene of the Passion : the Eucharist, Agony in the Garden, the Sanhedrin trial of Jesus (Christ Before Caiaphas), Pilate's court, crucifixion of Jesus, the entombment of Christ, the Resurrection of Christ.  Picture by Manuel Cohen
    LC13_Paris_MC272.jpg
  • Detail of the seven stained glass windows of the absid, by Louis Barillet, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Every window describes with three symbols one scene of the Passion : the Eucharist, Agony in the Garden, the Sanhedrin trial of Jesus (Christ Before Caiaphas), Pilate's court, crucifixion of Jesus, the entombment of Christ, the Resurrection of Christ.  Picture by Manuel Cohen
    LC13_Paris_MC268.jpg
  • Detail of the seven stained glass windows of the absid, by Louis Barillet, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Every window describes with three symbols one scene of the Passion : the Eucharist, Agony in the Garden, the Sanhedrin trial of Jesus (Christ Before Caiaphas), Pilate's court, crucifixion of Jesus, the entombment of Christ, the Resurrection of Christ.  Picture by Manuel Cohen
    LC13_Paris_MC273.jpg
  • Detail of the seven stained glass windows of the absid, by Louis Barillet, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Every window describes with three symbols one scene of the Passion : the Eucharist, Agony in the Garden, the Sanhedrin trial of Jesus (Christ Before Caiaphas), Pilate's court, crucifixion of Jesus, the entombment of Christ, the Resurrection of Christ.  Picture by Manuel Cohen
    LC13_Paris_MC271.jpg
  • Detail of the seven stained glass windows of the absid, by Louis Barillet, 20th century, Nanterre Cathedral (Cathédrale Sainte-Geneviève-et-Saint-Maurice de Nanterre), 1924 - 1937, by architects Georges Pradelle and Yves-Marie Froidevaux, Nanterre, Hauts-de-Seine, France. Every window describes with three symbols one scene of the Passion : the Eucharist, Agony in the Garden, the Sanhedrin trial of Jesus (Christ Before Caiaphas), Pilate's court, crucifixion of Jesus, the entombment of Christ, the Resurrection of Christ.  Picture by Manuel Cohen
    LC13_Paris_MC269.jpg
View: 100 | All